Carmen Sisson > Carmen's Quotes

“A story untold could be the one that kills you.”
― Pat Conroy

“It's none of their business that you have to learn how to write. Let them think you were born that way.”
― Ernest Hemingway

“After writing a story I was always empty and both sad and happy, as though I had made love, and I was sure this was a very good story although I would not know truly how good until I read it over the next day.”
― Ernest Hemingway

“Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.”
― Natalie Goldberg, Writing Down the Bones: Freeing the Writer Within

“When writing a novel, that's pretty much entirely what life turns into: 'House burned down. Car stolen. Cat exploded. Did 1500 easy words, so all in all it was a pretty good day.”
― Neil Gaiman

“By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry...”
― Brandon Sanderson, Alcatraz Versus the Evil Librarians

“Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.”
― Stephen King

“A little talent is a good thing to have if you want to be a writer. But the only real requirement is the ability to remember every scar.”
― Stephen King

“Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it.
Then write. If it's good, you'll find out. If it's not, throw it out of the window.”
― William Faulkner

“You know what I did after I wrote my first novel? I shut up and wrote twenty-three more."

("The Castle")”
― Michael Connelly

“I think this is when most people give up on their stories. They come out of college wanting to change the world, wanting to get married, wanting to have kids and change the way people buy office supplies. But they get into the middle and discover it was harder than they thought. They can't see the distant shore anymore, and they wonder if their paddling is moving them forward. None of the trees behind them are getting smaller and none of the trees ahead are getting bigger. They take it out on their spouses, and they go looking for an easier story.”
― Donald Miller, A Million Miles in a Thousand Years: What I Learned While Editing My Life

“Dripping water hollows out stone, not through force but through persistence.”
― Ovid

“You do not learn how to write novels in a writing program. You learn how by leading an interesting life. Open yourself up to all experience. Let life pour through you the way light pours through leaves.”
― Pat Conroy, My Losing Season: A Memoir

“You get a little moody sometimes but I think that's because you like to read. People that like to read are always a little fucked up.”
― Pat Conroy, The Prince of Tides

“The things that make you a functional citizen in society - manners, discretion, cordiality - don't necessarily make you a good writer. Writing needs raw truth, wants your suffering and darkness on the table, revels in a cutting mind that takes no prisoners...”
― Natalie Goldberg, Old Friend from Far Away: The Practice of Writing Memoir

“A writer is a dangerous friend. Everything you say, all of your life and experience, is fodder for our writing. We mean you no harm, but what you know and what you’ve done is unavoidably fascinating to us. Being friends with a writer is a bit like trying to keep a bear as a pet. They’re wonderful, friendly creatures, but they play rough and they don’t know their own strength or remember that they have claws. Choose the stories you tell to your writer friends carefully.”
― Randy Murray

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. ... No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others”
― Martha Graham

“If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.”
― Socrates

“remember Stephen King's First Rule of Writers and Agents, learned by bitter personal experience: You don't need one until you're making enough for someone to steal ... and if you're making that much, you'll be able to take your pick of good agents.”
― Stephen King

“When you sit down to write, write. Don't do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.”
― Stephen King

“If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented.”
― Stephen King

“No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present.

Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet.

I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.”
― Natalie Goldberg

“Know that you will eventually have to leave everything behind; the writing will demand it of you.”
― Natalie Goldberg

“We are searching for the core of our lives; our culture intuits that writing, that ancient activity, might be the pathway...Awakening does not feed ego's needs and desires; it pulverizes the self. Our society couldn't knowingly bear such reduction, so we've tricked ourselves into the same path but call it writing.”
― Natalie Goldberg

“The hunger will give you everything and it will take from you, everything. It will cost you your life, and there isn't a damn thing you can do about it. But knowing this, of course, is what ultimately sets you free.”
― Hugh MacLeod, Ignore Everybody: and 39 Other Keys to Creativity

“Have a story. And make sure it’s a good one. A DAMN good one.”
― Hugh MacLeod, Ignore Everybody: and 39 Other Keys to Creativity

“THE SEX & CASH THEORY - The creative person basically has two kinds of jobs: One is the sexy, creative kind. Second is the kind that pays the bills. Sometimes the task in hand covers both bases, but not often. This tense duality will always play center stage. It will never be transcended.”
― Hugh MacLeod, Ignore Everybody: and 39 Other Keys to Creativity

“I love sleep. My life has the tendency to fall apart when I'm awake, you know?”
― Ernest Hemingway

“Nobody can tell you if what you’re doing is good, meaningful or worthwhile. The more compelling the path, the more lonely it is. ”
― Hugh MacLeod, Ignore Everybody: and 39 Other Keys to Creativity

“Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.”
― Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality