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  • #1
    Ursula K. Le Guin
    “How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession... Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #2
    Tove Jansson
    “But that's how it is when you start wanting to have things. Now, I just look at them, and when I go away I carry them in my head. Then my hands are always free, because I don't have to carry a suitcase.”
    Tove Jansson, Comet in Moominland

  • #3
    Leo Tolstoy
    “All happy families are alike; each unhappy family is unhappy in its own way.”
    Leo Tolstoy , Anna Karenina

  • #4
    Charlotte Brontë
    “It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, to absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.”
    Charlotte Brontë, Jane Eyre

  • #5
    Charles Dickens
    “A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other.”
    Charles Dickens, A Tale of Two Cities

  • #6
    Leo Tolstoy
    “I think... if it is true that
    there are as many minds as there
    are heads, then there are as many
    kinds of love as there are hearts.”
    Leo Tolstoy, Anna Karenina

  • #7
    Neil Gaiman
    “An Angel who did not so much Fall as Saunter Vaguely Downwards.”
    Neil Gaiman & Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #8
    Leo Tolstoy
    “Pierre was right when he said that one must believe in the possibility of happiness in order to be happy, and I now believe in it. Let the dead bury the dead, but while I'm alive, I must live and be happy.”
    Leo Tolstoy, War and Peace

  • #9
    Leo Tolstoy
    “We can know only that we know nothing. And that is the highest degree of human wisdom.”
    Leo Tolstoy, War and Peace

  • #10
    Leo Tolstoy
    “Because of the self-confidence with which he had spoken, no one could tell whether what he said was very clever or very stupid.”
    Leo Tolstoy, Война и мир

  • #11
    Leo Tolstoy
    “All the girls in the world were divided into two classes: one class included all the girls in the world except her, and they had all the usual human feelings and were very ordinary girls; while the other class -herself alone- had no weaknesses and was superior to all humanity.”
    Tolstoy, Anna Karenina

  • #12
    Tove Jansson
    “It's funny about love', Sophia said. 'The more you love someone, the less he likes you back.'
    'That's very true,' Grandmother observed. 'And so what do you do?'
    'You go on loving,' said Sophia threateningly. 'You love harder and harder.”
    Tove Jansson, The Summer Book

  • #13
    Daphne du Maurier
    “Last night I dreamt I went to Manderley again.”
    Daphne Du Maurier, Rebecca

  • #14
    Charles Dickens
    “I see a beautiful city and a brilliant people rising from this abyss. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”
    Charles Dickens, A Tale of Two Cities

  • #15
    Amal El-Mohtar
    “There’s a kind of time travel in letters, isn’t there? I imagine you laughing at my small joke; I imagine you groaning; I imagine you throwing my words away. Do I have you still? Do I address empty air and the flies that will eat this carcass? You could leave me for five years, you could return never—and I have to write the rest of this not knowing.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #16
    Amal El-Mohtar
    “I have built a you within me, or you have. I wonder what of me there is in you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #17
    Amal El-Mohtar
    “Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #18
    Amal El-Mohtar
    “Hunger, Red—to sate a hunger or to stoke it, to feel hunger as a furnace, to trace its edges like teeth—is this a thing you, singly, know? Have you ever had a hunger that whetted itself on what you fed it, sharpened so keen and bright that it might split you open, break a new thing out? Sometimes I think that’s what I have instead of friends.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #19
    Jaclyn Moriarty
    “She's always getting into trouble because she gets bored really really easily. [...]
    My mum says it's because Celia has an attention span the size of a sesame seed.
    Celia's mum says it's because Celia's identity is unfurling itself slowly, like a tulip bud, and it's a breathtakingly beautiful thing to see.”
    Jaclyn Moriarty, Feeling Sorry for Celia

  • #20
    Tove Jansson
    “Quite, quite,' she thought with a little sigh. 'It's always like this in their adventures. To save and be saved. I wish somebody would write a story sometime about the people who warm up the heroes afterward.”
    Tove Jansson, Moominland Midwinter

  • #21
    Jaclyn Moriarty
    “And then something happened. It was a fragment of time, a breath of time. It was like being in a car in pouring rain and driving under an overpass, and for just that second there is a profound, powerful sense of reprieve- the utter silence of non-rain.”
    Jaclyn Moriarty, A Corner of White

  • #22
    Ursula K. Le Guin
    “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.”
    Ursula K. Le Guin

  • #23
    Tove Jansson
    “Dearest Eva,
    Something has happened to me that I realise I have to tell you about. I’m so happy, so elated and relieved. You know I feel like Atos’s wife, and I expect I always shall. But what has happened now is that I’ve fallen madly in love with a woman. And it seems to me so absolutely natural and genuine – there’s nothing problematic about it at all. I just feel proud and uncontrollably glad. These last weeks have been like one long dance of rich adventure, tenderness, intensity – an expedition into new realms of great simplicity and beauty.”
    Tove Jansson, Letters from Tove
    tags: lgbt, love

  • #24
    Tove Jansson
    “You’ve never seen the island as it looks now, tipping over into autumn. There are no bright colours out here to signal departure, they are simply erased, a withered tangle of greys and browns, the island shrinks and is somehow absorbed into the rain and sea and the evenings are dramatic with their desolate sunsets and banks of cloud. The darkness on an island such as this is like standing at the end of the world and all the night sounds are intensified, giving an impression of utter solitude – nature no longer frames one’s existence, but hurls it to the periphery and imposes its sovereign domination. Suddenly it’s just the sea and vast, dramatic autumn skies. Oddly enough I feel less and less inclined to leave, the less benign my surroundings grow – the security of town is more menacing.”
    Tove Jansson, Letters from Tove

  • #25
    Tove Jansson
    “It is simply this: do not tire, never lose interest, never grow indifferent—lose your invaluable curiosity and you let yourself die. It's as simple as that.”
    Tove Jansson, Fair Play

  • #26
    Tove Jansson
    “Strange that it will all just go on, we will paint, travel, love, grieve, collect money, buy things, grow old ... whether we want to or not.”
    Tove Jansson, Letters from Tove
    tags: life

  • #27
    Tove Jansson
    “You see, I love you as if bewitched, yet at the same time with profound calm, and I’m not afraid of anything life has in store for us.”
    Tove Jansson, Letters from Tove
    tags: love

  • #28
    Cora Sandel
    “It's dangerous to deal with words. In addition the author risks being flayed and stuffed after death by any little youthful and self-assured doctor of literature.”
    Cora Sandel

  • #29
    Stella Gibbons
    “That would be delightful,' agreed Flora, thinking how nasty and boring it would be.”
    Stella Gibbons, Cold Comfort Farm

  • #30
    Stella Gibbons
    “He had told Flora all about his slim, expensive mistress, Lily, who made boring scenes and took up the time and energy which he would much sooner have spent with his wife, but he had to have Lily, because in Beverly Hills, if you did not have a mistress, people thought you were rather queer, and if, on the other hand, you spent all your time with your wife, and were quite firm about it, and said that you liked your wife, and, anyway, why the hell shouldn’t you, the papers came out with repulsive articles headed ‘Hollywood Czar’s Domestic Bliss’, and you had to supply them with pictures of your wife pouring your morning chocolate and watering the ferns.

    So there was no way out of it, Mr Neck said.

    Anyway, his wife quite understood, and they played a game called ‘Dodging Lily’, which gave them yet another interest in common.”
    Stella Gibbons, Cold Comfort Farm
    tags: humor



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