Anja Banjanja > Anja's Quotes

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  • #1
    Tana French
    “There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.”
    Tana French, The Likeness

  • #2
    Suzanne Collins
    “Want a sugar cube? [...] They're supposed to be for the horses, but who cares? They've got years to eat sugar, whereas you and I . . . well, if we see something sweet we better grab it quick. [...] You're absolutely terrifying me in that get-up. What happened to the pretty little-girl dresses?”
    Suzanne Collins, Catching Fire

  • #3
    Oscar Wilde
    “Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace.”
    Oscar Wilde, The Canterville Ghost

  • #4
    Libba Bray
    “Do you think they missed him terribly when he fell? Did God cry over his lost angel, I wonder?”
    Libba Bray, Rebel Angels

  • #5
    Glen Hansard
    “We saw too much beauty to be cynical, felt too much joy to be dismissive, climbed too many mountains to be quitters, kissed too many girls to be deceivers, saw too many sunrises not to be believers, broke too many strings to be pro's and gave too much love to be concerned where it goes....”
    Glen Hansard

  • #6
    Cherise Sinclair
    “No matter what historians claimed, BC really stood for "Before Coffee.”
    Cherise Sinclair, Master of the Mountain

  • #7
    Tana French
    “I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack ”
    Tana French, The Likeness

  • #8
    Tana French
    “Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.”
    Tana French, The Likeness

  • #9
    Tana French
    “Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.”
    Tana French, The Likeness

  • #10
    Tana French
    “Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism; it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.”
    Tana French, The Likeness

  • #11
    Tana French
    “I had always felt that I was an observer, never a participant; that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.”
    Tana French, The Likeness

  • #12
    Tana French
    “Now that's a concept that's always fascinated me: the real world. Only a very specific subset of people use the term, have you noticed? To me, it seems self-evident that everyone lives in the real world - we all breathe real oxygen, eat real food, the earth under our feet feels equally solid to all of us. But clearly these people have a far more tightly circumscribed definition of reality, one that I find deeply mysterious, and an almost pathologically intense need to bring others into line with that definition.”
    Tana French, The Likeness

  • #13
    Tana French
    “This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.”
    Tana French, The Likeness

  • #14
    Tana French
    “When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them. Unless Daniel was bluffing, he had made one last mistake, the same one he had been making all along. He was seeing the other four not as they were but as they should have been, could have been in some softer-edged and warmer world.”
    Tana French, The Likeness

  • #15
    Margaret Atwood
    “Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
    Margaret Atwood

  • #16
    Ernest Hemingway
    “There is nothing to writing. All you do is sit down at a typewriter and bleed.”
    Ernest Hemingway

  • #17
    Dorothy Parker
    “Don't look at me in that tone of voice.”
    Dorothy Parker

  • #18
    Elizabeth Wein
    “KISS ME, HARDY! Kiss me, QUICK!”
    Elizabeth Wein, Code Name Verity

  • #19
    Tana French
    “She hears all the voices from when she was little, soothing, strengthening: Don’t be scared, not of monsters, not of witches, not of big dogs. And now, snapping loud from every direction: Be scared, you have to be scared, ordering like this is your one absolute duty. Be scared you’re fat, be scared your boobs are too big and be scared they’re too small. Be scared to walk on your own, specially anywhere quiet enough that you can hear yourself think. Be scared of wearing the wrong stuff, saying the wrong thing, having a stupid laugh, being uncool. Be scared of guys not fancying you; be scared of guys, they’re animals, rabid, can’t stop themselves. Be scared of girls, they’re all vicious, they’ll cut you down before you can cut them. Be scared of strangers. Be scared you won’t do well enough in your exams, be scared of getting in trouble. Be scared terrified petrified that everything you are is every kind of wrong. Good girl.”
    Tana French, The Secret Place

  • #20
    Tana French
    “Her boarders are so hard and bright that these lumpy things are being blinded just by looking at her; she's opaque, she's impermeable, she's a million densities and dimensions more real than any of them. They break against her and roll off like mist.”
    Tana French, The Secret Place

  • #21
    Dorothy Parker
    “Heterosexuality is not normal, it's just common.”
    Dorothy Parker

  • #22
    Dorothy Parker
    “I don't know much about being a millionaire, but I'll bet I'd be darling at it.”
    Dorothy Parker

  • #23
    Bill Hicks
    “I believe that there is an equality to all humanity. We all suck.”
    Bill Hicks

  • #24
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #25
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #26
    Libba Bray
    “Power changes everything till it is difficult to say who are the heroes and who the villains.”
    Libba Bray, The Sweet Far Thing

  • #27
    Heather O'Neill
    “If you want to get a child to love you, then you should just go hide in the closet for three or for hours. They get down on their knees and pray for you to return. That child will turn you into God. Lonely children probably wrote the Bible.”
    Heather O'Neill, Lullabies for Little Criminals

  • #28
    Donna Tartt
    “When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.”
    Donna Tartt, The Goldfinch

  • #29
    Donna Tartt
    “Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
    Donna Tartt, The Goldfinch

  • #30
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History



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