Maricar Dizon > Maricar's Quotes

“Come here,” she says.
“No, you come here.”
“I said it first.”
“Rock paper scissors.”
“No. Because you’ll do nerdy calculations and work out what I chose the last six times and then you’ll win.”
Will pushes away from the table and his hand snakes out and he pulls her toward him and Tom figures that Will was always going to go to her first.”
― Melina Marchetta, The Piper's Son

“Love means never having to say you're sorry.”
― Erich Segal, Love Story

“This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.”
― David Levithan, Every Day

“What is the difference between happiness and contentment?"

“Well, happy is like when somebody gives you a big hunk of something wonderful and it’s too big to hold. So you pull off a piece from time to time to hold in your hand. That’s being contented. Anyway, that’s the way I look at it.”
― Betty Smith, Joy in the Morning

“Some people do crossword puzzles. I do books.”
― Betty Smith, Joy in the Morning

“She's tired and leans her head on his shoulder, which is the resting place for all their heads, but when Justine and Siobhan and Francesca use his body so shamelessly he doesn't feel the need to turn his head and press his mouth against their hair.”
― Melina Marchetta, The Piper's Son

“Look at everything always as though you were seeing it either for the first or last time: Thus is your time on earth filled with glory.”
― Betty Smith, A Tree Grows in Brooklyn

“Play me something that makes me feel;
This soul inside me is made of steel.
Brain is breathing, but heart’s not beating
And, babe, I need you to make things real.
Walk inside me without silence,
Kill the past and change the tense.
Empty gnawing and the ache is soaring;
Take me places that make more sense.”
― Melina Marchetta, The Piper's Son

“What the hell makes you so smart?" I asked. "I wouldn't go for coffee with you, " she answered. "Listen -- I wouldn't ask you." "That, "she replied "is what makes you stupid.”
― Erich Segal, Love Story

“she could have dropped you both off. whar's the worst she can do? cry hysterically?"
the gears on the ute get stuck at the lights and will pushes tom's hand out of the way and and shoves it into the correct gear.
"it wasn't her" he mutters after a moment.
"sorry?" tom says.
"she didn't cry"
"then what?"
it's too quiet except for the quiet for the crap engine sounding like a lawn mower.
"i cried"
luca bursts out laughing beside will.
"yeah, well i did" will says. "And it's not the thing you want to do in front of a bunch on engineers.”
― Melina Marchetta, The Piper's Son

“How would you like it if I said to you, 'It kills me to say this, but you're actually a tiny bit beautiful?" he had asked, pissed off.

She hadn't said anything then, which was rare for her.

"Would you have been lying?" She said after a long silence.

"Lying about what?"

More quiet.

"About me being a tiny bit beautiful."

"Shit, yeah."

-

But later that night, he had sent her a message on MSN.

Of course I was lying. The "tiny" bit part, anyway.”
― Melina Marchetta, The Piper's Son

“I want
To do with you what spring does with the cherry trees.”
― Pablo Neruda, Twenty Love Poems and a Song of Despair

“Do you think people have noticed that I'm around?”
“I notice when you're not. Does that count?”
― Melina Marchetta, Saving Francesca

“Maybe she'd always been there. Maybe strangers enter your heart first and then you spent the rest of your life searching for them. ”
― Melina Marchetta, The Piper's Son

“Don't let anyone take care of you. Can you maybe leave that for me to do? I mean, take care of you? Feel free to take care of me in return... because I think I'll need you to do that.”
― Melina Marchetta, The Piper's Son

“I've been in love with you since the very beginning. You asked why there isn't anyone else in my life, and the reason... is you.”
― Julie James, Practice Makes Perfect

“I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.”
― Lisa Kleypas, Again the Magic

“You're alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you change the world, the world will change.”
― Neil Gaiman, The Graveyard Book

“Kisses should not leave you satisfied. They should leave you wanting.”
― Sarah MacLean, Nine Rules to Break When Romancing a Rake

“He looked at me, finally. I wanted to believe I saw softness in his eyes, but I could have imagined it. I did that all the time. All I had to do was close my eyes and I could see him reaching toward me, his lips millimeters from my own. But always… always I opened my eyes and it wasn’t real.”
― Cora Carmack, Losing It

“It is better, I think, to grab at the stars than to sit flustered because you know you cannot reach them.”
― R.A. Salvatore, Sojourn

“All we have to believe with is our senses, the tools we use to perceive the world: our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.”
― Neil Gaiman, American Gods

“I am the only one of us who brings in any money. the other two cannot make money fortune telling. this is because they only tell the truth, and the truth is not what people want to hear. it is a bad thing and it troubles people, so they do not come back.”
― neil gaiman, American Gods

“I am no longer in love with her, that's certain, but maybe I love her. Love is so short, forgetting is so long.”
― Pablo Neruda, Twenty Love Poems and a Song of Despair

“Is that why we give flowers? To express admiration? Sometimes. But there are other reasons. A symbol of love or of commiseration. A way of saying thank you. A mark of respect. Proof we like someone and want them to smile. And we put flowers on graves to say “Look, we still think of you. You've left a space behind.”
― Susan Fletcher, Eve Green

“Remember everything and anything. Don't you go through a day without remembering something of it, and tucking that memory away like a treasure. Because it is. and memories are sweet doors, Cory. They're teachers and friends and disciplinarians. When you look at something don't just look. See it. Really, really see it. See it so when you write it down, somebody else can see it too.”
― Robert McCammon

“All life isn't hearts and flowers. But life is just as much pain and mess as it is joy and order, too. I guess when you make yourself realize that you.. .start growing up - Boy's Life”
― Robert McCammon

“A man can be beautiful, I see that now. It’s not just a woman’s term, not a word reserved for romantic, virtuous, elegant things. I don’t think beauty is neat anymore. It’s unordered. It’s unbrushed hair and a torn back pocket. It’s bright and strange and lovely, and if I were to paint him, I’d use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who’s that? Do you know her? Where is she from?”
—
- from Eve Green’s mother’s account.

“It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it’s true, she’s right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us.”
― Susan Fletcher, Eve Green

“I no longer believed in the idea of soul mates, or love at first sight. But I was beginning to believe that a very few times in your life, if you were lucky, you might meet someone who was exactly right for you. Not because he was perfect, or because you were, but because your combined flaws were arranged in a way that allowed two separate beings to hinge together.”
― Lisa Kleypas, Blue-Eyed Devil

“He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.”
― Douglas Adams, The Hitchhiker’s Guide to the Galaxy