Joe Kessler > Joe's Quotes

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  • #1
    Octavia E. Butler
    “The child in each of us Knows paradise. Paradise is home. Home as it was Or home as it should have been. Paradise is one’s own place, One’s own people, One’s own world, Knowing and known, Perhaps even Loving and loved. Yet every child Is cast from paradise— Into growth and destruction, Into solitude and new community, Into vast, ongoing Change.”
    Octavia E. Butler, Parable of the Talents

  • #2
    David Levithan
    “A lot of the time, love feels like it’s about figuring out what the other person wants and giving it over. Sometimes that’s impossible. But sometimes it’s pretty simple.”
    David Levithan, Another Day

  • #3
    Pierce Brown
    “We all have our own tides inside. They go in. Out.” He shrugs. “Not really ours to control. The things, people, that orbit us do that, at least more than we’d like to admit.”
    Pierce Brown, Golden Son

  • #4
    Ann Leckie
    “Thoughts are ephemeral, they evaporate in the moment they occur, unless they are given action and material form. Wishes and intentions, the same. Meaningless, unless they impel you to one choice or another, some deed or course of action, however insignificant. Thoughts that lead to action can be dangerous. Thoughts that do not, mean less than nothing.”
    Ann Leckie, Ancillary Justice

  • #5
    Stephen R. Donaldson
    “Are you a storyteller, Thomas Covenant?"
    Absently he replied, "I was, once."
    "And you gave it up? Ah, that is as sad a tale in three words as any you might have told me. But a life without a tale is like a sea without salt. How do you live?"
    ... Unconsciously, he clenched his fist over his ring. "I live."
    "Another?" Foamfollower returned. "In two words, a story sadder than the first. Say no more -- with one word you will make me weep.”
    Stephen R. Donaldson

  • #6
    Susanna Clarke
    “Can a magician kill a man by magic?” Lord Wellington asked Strange.
    Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never could.”
    Susanna Clarke, Jonathan Strange & Mr Norrell

  • #7
    Carrie Ryan
    “I once read about this interrogation tactic in which you break the person's will in steps so small they don't even realize it's happening. Here's how it works: Imagine a suspect sitting in a police station, refusing to talk. Ask them something about the crime, they're going to stay silent.

    But, instead, ask them if they'd like a glass of water and they're likely to answer. Because not answering a simple question like that seems unreasonable -- it's a question unconnected to the reason they're at the police station, so what's the harm?

    Except now they've broken their vow not to speak. So getting them to break it again isn't as difficult. It's no longer about whether the suspect is going to talk or not, it's about what information the suspect will be willing to share. Suddenly, the playing field has shifted.

    It's like this: Ask someone to run a marathon, and they're likely to say no. But ask them to take one step and they usually will. Because taking that one step is no big deal. Then ask them to take another step and same thing. And once they've taken a dozen steps they're invested.

    You can get them through an entire marathon that way.”
    Carrie Ryan, Daughter of Deep Silence

  • #8
    Brandon Sanderson
    “Thievery was the most authentic form of flattery. What could be more satisfying than knowing the things you possessed were intriguing, captivating, or valuable enough to provoke another man to risk everything to obtain them? This was Kelsier’s purpose in life, to remind people of the value of the things they loved. By taking them away.”
    Brandon Sanderson, Secret History

  • #9
    Carrie Ryan
    “It's funny, most people think that revenge is a passionate affair, driven by rage and pain. But it can't be. Feelings such as those make you weak. They overwrite thought and cause reckless impulses that lead to poor decisions.

    If anything, revenge is the absence of emotion. It's pure, calculated thought stripped bare of entangling emotions. It's cold, deliberate action.”
    Carrie Ryan, Daughter of Deep Silence

  • #10
    Pierce Brown
    “Forget a man’s name and he’ll forgive you. Remember it, and he’ll defend you forever.”
    Pierce Brown, Morning Star

  • #11
    Chimamanda Ngozi Adichie
    “SCHOOL IN AMERICA was easy, assignments sent in by e-mail, classrooms air-conditioned, professors willing to give makeup tests. But she was uncomfortable with what the professors called “participation,” and did not see why it should be part of the final grade; it merely made students talk and talk, class time wasted on obvious words, hollow words, sometimes meaningless words. It had to be that Americans were taught, from elementary school, to always say something in class, no matter what. And so she sat stiff-tongued, surrounded by students who were all folded easily on their seats, all flush with knowledge, not of the subject of the classes, but of how to be in the classes. They never said “I don’t know.” They said, instead, “I’m not sure,” which did not give any information but still suggested the possibility of knowledge.”
    Chimamanda Ngozi Adichie, Americanah

  • #12
    Dexter Palmer
    “She was fast approaching thirty, and with that impending birthday the way she thought of her own life was beginning to change. When she was twenty, she thought of people in their thirties as, well, old: after all, they had lived as long as she had and half as long again, and so they must have been tired, with the beginnings of aches in their bones and the first intimations of their own mortality.

    But the peculiar horror of growing older was not what she expected. In fact, she felt the same age as she had eight years ago, and twenty-eight years of life had managed to compress themselves into a life-span that once comfortably held twenty. It wasn't that she was getting older, but that the years were getting shorter, and were therefore more precious. You had to use them sparingly.”
    Dexter Palmer, Version Control

  • #13
    Isaac Marion
    “I want to change my punctuation. I long for exclamation marks, but I'm drowning in ellipses.”
    Isaac Marion, Warm Bodies

  • #14
    Maya Angelou
    “Thomas Wolfe warned in the title of America’s great novel that ‘You Can’t Go Home Again.’ I enjoyed the book but I never agreed with the title. I believe that one can never leave home. I believe that one carries the shadows, the dreams, the fears and dragons of home under one’s skin, at the extreme corners of one’s eyes and possibly in the gristle of the earlobe.

    Home is that youthful region where a child is the only real living inhabitant. Parents, siblings, and neighbors, are mysterious apparitions, who come, go, and do strange unfathomable things in and around the child, the region’s only enfranchised citizen.
    […]

    We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.”
    Maya Angelou, Letter to My Daughter

  • #15
    Maya Angelou
    “The charitable say in effect, 'I seem to have more than I need and you seem to have less than you need. I would like to share my excess with you.' Fine, if my excess is tangible, money or goods, and fine if not, for I learned that to be charitable with gestures and words can bring enormous joy and repair injured feelings.”
    Maya Angelou, Letter to My Daughter

  • #16
    Saul Bellow
    “Mr. Benjamin shrugged his shoulders. "We have to live today," he said. "If you had a son, Harkavy, you'd want him to have a college education. Who's going to wait for the Messiah? They tell a story about a little town in the old country. It was out of the way, in a valley, so the Jews were afraid the Messiah would come and miss them, and they built a high tower and hired one of the town beggars to sit in it all day long. A friend of his meets this beggar and says, 'How do you like your job, Baruch?' So he says, 'It doesn't pay much, but I think it's steady work.”
    Saul Bellow, The Victim

  • #17
    Howard Zinn
    “It is not that the historian can avoid emphasis of some facts and not of others. This is as natural to him as to the mapmaker, who, in order to produce a usable drawing for practical purposes, must first flatten and distort the shape of the earth, then choose out of the bewildering mass of geographic information those things needed for the purpose of this or that particular map.

    My argument cannot be against selection, simplification, emphasis, which are inevitable for both cartographers and historians. But the map-maker's distortion is a technical necessity for a common purpose shared by all people who need maps. The historian's distortion is more than technical, it is ideological; it is released into a world of contending interests, where any chosen emphasis supports (whether the historian means to or not) some kind of interest, whether economic or political or racial or national or sexual.

    Furthermore, this ideological interest is not openly expressed in the way a mapmaker's technical interest is obvious ("This is a Mercator projection for long-range navigation-for short-range, you'd better use a different projection"). No, it is presented as if all readers of history had a common interest which historians serve to the best of their ability. This is not intentional deception; the historian has been trained in a society in which education and knowledge are put forward as technical problems of excellence and not as tools for contending social classes, races, nations.

    To emphasize the heroism of Columbus and his successors as navigators and discoverers, and to de-emphasize their genocide, is not a technical necessity but an ideological choice. It serves- unwittingly-to justify what was done. My point is not that we must, in telling history, accuse, judge, condemn Columbus in absentia. It is too late for that; it would be a useless scholarly exercise in morality. But the easy acceptance of atrocities as a deplorable but necessary price to pay for progress (Hiroshima and Vietnam, to save Western civilization; Kronstadt and Hungary, to save socialism; nuclear proliferation, to save us all)-that is still with us. One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts, as radioactive wastes are buried in containers in the earth. We have learned to give them exactly the same proportion of attention that teachers and writers often give them in the most respectable of classrooms and textbooks. This learned sense of moral proportion, coming from the apparent objectivity of the scholar, is accepted more easily than when it comes from politicians at press conferences. It is therefore more deadly.

    The treatment of heroes (Columbus) and their victims (the Arawaks)-the quiet acceptance of conquest and murder in the name of progress-is only one aspect of a certain approach to history, in which the past is told from the point of view of governments, conquerors, diplomats, leaders. It is as if they, like Columbus, deserve universal acceptance, as if they-the Founding Fathers, Jackson, Lincoln, Wilson, Roosevelt, Kennedy, the leading members of Congress, the famous Justices of the Supreme Court-represent the nation as a whole. The pretense is that there really is such a thing as "the United States," subject to occasional conflicts and quarrels, but fundamentally a community of people with common interests. It is as if there really is a "national interest" represented in the Constitution, in territorial expansion, in the laws passed by Congress, the decisions of the courts, the development of capitalism, the culture of education and the mass media.”
    Howard Zinn, A People’s History of the United States: 1492 - Present

  • #18
    E.L. Konigsburg
    “I think you should learn, of course, and some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up inside of you until it touches everything. And you can feel it inside of you. If you never take time out to let that happen, then you accumulate facts, and they begin to rattle around inside of you. You can make noise with them, but never really feel anything with them. It's hollow.”
    E.L. Konigsburg, From the Mixed-Up Files of Mrs. Basil E. Frankweiler

  • #19
    Michelle Alexander
    “Conversations about class are resisted in part because there is a tendency to imagine that one’s class reflects upon one’s character. What is key to America’s understanding of class is the persistent belief—despite all evidence to the contrary—that anyone, with the proper discipline and drive, can move from a lower class to a higher class. We recognize that mobility may be difficult, but the key to our collective self-image is the assumption that mobility is always possible, so failure to move up reflects on one’s character. By extension, the failure of a race or ethnic group to move up reflects very poorly on the group as a whole. What”
    Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness

  • #20
    Claire North
    “You know why the experts don't have an easy answer? Because a fucking expert's the guy who knows how complicated the fucking questions are.”
    Claire North, The Sudden Appearance of Hope

  • #21
    Elizabeth Kostova
    “When you handle books all day long, every new one is a friend and a temptation.”
    Elizabeth Kostovia, The Historian

  • #22
    Elizabeth Kostova
    “The study of history should be our preparation for understanding the present, rather than an escape from it.”
    Elizabeth Kostova, The Historian

  • #23
    Eric A. Johnson
    “Rather than being uniformly antisemitic in outlook, the German population was very much divided over the Nazis' antisemitic policies. Some found them distasteful. Others plied them enthusiastically. Most were probably ambivalent or indifferent. Nevertheless, many had sympathy for their Jewish neighbors, classmates, and coworkers. More than a few were capable of expressing this sympathy to the Jews in private, but far too few took public steps that could have altered Nazi policy and significantly eased the Jews' plight.”
    Eric A. Johnson, Nazi Terror: The Gestapo, Jews, and Ordinary Germans

  • #24
    Gretchen McCulloch
    “Like how money is just squiggles on paper or on a screen until it determines whether you can eat lunch, words are just meat twitches until they determine whether you can get a job”
    Gretchen McCulloch, Because Internet: Understanding the New Rules of Language

  • #25
    Gretchen McCulloch
    “The Library of Congress archives memes now, preserving things like the Lolcat Bible, Urban Dictionary, and Know Your Meme. It calls them, charmingly and also not entirely inaccurately, “folklore.”
    Gretchen McCulloch, Because Internet: Understanding the New Rules of Language

  • #26
    Stacey Abrams
    “Why American history? Other nations have achieved greatness with less hubris and narcissism."

    "Agreed. But America is a contradictory and precocious country, sir. We have, in a very short period of time, managed to commit venal sins against our own people and offer the world repeat examples of exceptionalism. Americans are greedy, brilliant, ambitious, and compassionate. We like to remind everyone about our genius, and yet our leaders make fun of smart people. In less than two centuries, we took over more than half a continent, placed a man on the moon, and invented the Clapper. I enjoyed the contrasts."

    Wynn continued to watch her, with what Avery perceived as an ounce of amusement on his face. "A nation of favor and folly, one might say. Where justice is known but rarely seen.”
    Stacey Abrams, While Justice Sleeps

  • #27
    Lois McMaster Bujold
    “…the trouble with oaths of the form, death before dishonor, is that eventually, given enough time and abrasion, they separate the world into two sorts of people: the dead, and the forsworn.”
    Lois McMaster Bujold, A Civil Campaign

  • #28
    “You keep asking why your work is not enough, and I don’t know how to answer that, because it is enough to exist in the world and marvel at it. You don’t need to justify that, or earn it. You are allowed to just live.”
    Becky Chambers, A Psalm for the Wild-Built

  • #29
    Terry Pratchett
    “Do you understand what I'm saying?"
    shouted Moist. "You can't just go around killing people!"
    "Why Not? You Do." The golem lowered his arm.
    "What?" snapped Moist. "I do not! Who told you that?"
    "I Worked It Out. You Have Killed Two Point Three Three Eight People," said the golem calmly.
    "I have never laid a finger on anyone in my life, Mr Pump. I may be–– all the things you know I am, but I am not a killer! I have never so much as drawn a sword!"
    "No, You Have Not. But You Have Stolen, Embezzled, Defrauded And Swindled Without Discrimination, Mr Lipvig. You Have Ruined Businesses And Destroyed Jobs. When Banks Fail, It Is Seldom Bankers Who Starve. Your Actions Have Taken Money From Those Who Had Little Enough To Begin With. In A Myriad Small Ways You Have Hastened The Deaths Of Many. You Do Not Know Them. You Did Not See Them Bleed. But You Snatched Bread From Their Mouths And Tore Clothes From Their Backs. For Sport, Mr Lipvig. For Sport. For The Joy Of The Game.”
    Terry Pratchett, Going Postal



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