Ayden > Ayden's Quotes

Showing 1-19 of 19
sort by

  • #1
    Mona Awad
    “I think of that spring morning, just before dawn. how she appeared at my side on the bench. how I felt so suddenly alive with possibility. saw in her a wondrous world, an open hand, a person I knew in my bones would be someone I’d love. how I had no idea. how the not knowing was the most wonderful and terrible thing. maybe I could do it again. Imagine her back. live on the roofs and trees of my mind with another her beside me forever. take her mesh hand in mine and this time never let go”
    Mona Awad

  • #2
    Edgar Allan Poe
    “There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust.”
    Edgar Allan Poe, The Masque of the Red Death

  • #3
    Sheung-King
    “The saying "it's not you, it's me" is not only a cliché-it also doesn't make much sense. That saying is so centered on humans. Maybe external things play a part in a relationship as well, you know? Maybe the air we're breathing, the atmosphere of the place we're in, or the time of day affects how we feel about another person. A person can't be that far apart from their surroundings; we're all part of this universe. Sometimes I feel as if I can say everything to you or nothing. Maybe everything and nothing isn't that different. Anyway, no hard feelings, alright? I think I just need some time...”
    Sheung-King, You are Eating an Orange. You are Naked.

  • #4
    Chuck Palahniuk
    “We have no scar to show for happiness. We learn so little from peace.”
    Chuck Palahniuk, Diary

  • #5
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #6
    Hanya Yanagihara
    “It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #7
    Hanya Yanagihara
    “Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified.”
    Hanya Yanagihara, A Little Life

  • #8
    Mary Wollstonecraft Shelley
    “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.”
    Mary Shelley, Frankenstein

  • #9
    Sappho
    “Eros the melter of limbs (now again) stirs me -
    sweetbitter unmanageable creature who steals in”
    Sappho, If Not, Winter: Fragments of Sappho

  • #10
    Jeanette Winterson
    “I say I'm in love with her. What does that mean?

    It means I review my future and my past in the light of this feeling. It is as though I wrote in a foreign language that I am suddenly able to read. Wordlessly, she explains me to myself. LIke genius she is ignorant of what she does.”
    Jeanette Winterson, The Passion

  • #11
    Jeanette Winterson
    “I was happy, but happy is an adult word. You don't have to ask a child about happy, you see it. They are or they are not. Adults talk about being happy because largely they are not. Talking about it is the same as trying to catch the wind. Much easier to let it blow all over you. This is where I disagree with the philosophers. They talk about passionate things but there is no passion in them. Never talk happiness with a philosopher.”
    Jeanette Winterson, The Passion

  • #12
    Jeanette Winterson
    “Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.

    How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?

    Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.”
    Jeanette Winterson, The Passion

  • #13
    Ocean Vuong
    “You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #14
    Jeanette Winterson
    “To borrow against the trust someone has placed in you costs nothing at first. You get away with it, you take a little more and a little more until there is no more to draw on. Oddly, your hands should be full with all that taking but when you open them there’s nothing there.”
    Jeanette Winterson, Written on the Body

  • #15
    Jeanette Winterson
    “Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body.”
    Jeanette Winterson, Written on the Body

  • #16
    Carmen Maria Machado
    “There is a Quichua riddle: El que me nombra, me rompe. Whatever names me, breaks me. The solution, your course, is "silence." But the truth is, anyone who knows your name can break you in two.”
    Carmen Maria Machado, In the Dream House

  • #17
    Alice Walker
    “I am an expression of the divine, just like a peach is, just like a fish is. I have a right to be this way...I can't apologize for that, nor can I change it, nor do I want to... We will never have to be other than who we are in order to be successful...We realize that we are as ourselves unlimited and our experiences valid. It is for the rest of the world to recognize this, if they choose.”
    Alice Walker, The Color Purple

  • #18
    Elena Ferrante
    “I slipped away, and am still slipping away, within these lines that are intended to give me a story yet in fact are nothing, nothing of mine, nothing that has really begun or really been brought to completion, only a tangled knot, and nobody, not even she who at this moment is writing, knows if it contains the right thread for a story or is merely a snarled confusion of suffering, without redemption.”
    Elena Ferrante

  • #19
    Percival Everett
    “At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them, sounding them out or comprehending them. It was a completely private affair and completely free and, therefore, completely subversive.”
    Percival Everett, James



Rss