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  • #1
    Diana Wynne Jones
    “I think we ought to live happily ever after.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #2
    Diana Wynne Jones
    “I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more hair-raising than any storybook made it sound, though she was determined to try. "It should be hair-raising," added Howl.
    "And you'll exploit me," Sophie said.
    "And then you'll cut up all my suits to teach me.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #3
    Diana Wynne Jones
    “Go to bed, you fool," Calcifer said sleepily. "You're drunk."
    "Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #4
    Diana Wynne Jones
    “You've no right to walk into people's castles and take their guitars.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #5
    Diana Wynne Jones
    “I'm delirious. Spots are crawling before my eyes."
    "Those are spiders.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #6
    Diana Wynne Jones
    “A heart's a heavy burden.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #7
    Diana Wynne Jones
    “By now it was clear that Howl was in a mood to produce green slime any second. Sophie hurriedly put her sewing away. "I'll make some hot buttered toast," she said. "Is that all you can do in the face of tragedy??" Howl asked. "Make toast!”
    Diana Wynne Jones, Howl’s Moving Castle

  • #8
    Diana Wynne Jones
    “It's amazing the way one can take a step ten and a half miles long and still always land in a cowpat.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #9
    Diana Wynne Jones
    “Sorry, I've had enough of running away, Sophie. Now I've got something I want to protect. It's you.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #10
    Diana Wynne Jones
    “But I discovered that people like me -- they do, you know, if you like them -- and then it was all right.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #11
    Emily M. Danforth
    “I just liked girls because I couldn't help not to.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #12
    Emily M. Danforth
    “I felt all the ways in which this world seemed so, so enormous--the height of the trees, the hush and tick of the forest, the shift of the sunlight and shadows--but also so, so removed.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #13
    Emily M. Danforth
    “But there was a fire waiting. And there was a little meal laid out on a blanket. And there was a whole world beyond that shoreline, beyond the forest, beyond the knuckle mountains, beyond, beyond, beyond, not beneath the surface at all, but beyond and waiting.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #14
    Emily M. Danforth
    “I hate sour cream and onion Pringles," I told the dashboard where I had my feet planted until Ruth pushed them down.
    "But you love Pringles," Ruth actually rattled the canister.
    "I hate sour cream and onion anything. All lesbians do." I blew heaps of bubbles into my milk with the tiny straw that came cellophaned to the carton.
    "I want you to stop using that word," Ruth jammed the lid back onto the can.
    "Which word? Sour or cream?" I plastic laughed with my reflection in the passenger-side window.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #15
    Emily M. Danforth
    “On the screen it rained and rained confetti, for minutes, and that glitter-rain, plus the cameras flashing and the lights from the billboards and the awesome mass of the crowds in their shiny hats and toothy smiles, made the world pop and shine and blur in a way that makes you sad to be watching it all on your TV screen, in a way that makes you feel like, instead of bringing the action into your living room, the TV cameras are just reminding you of how much you're missing, confronting you with it, you in your pajamas, on your couch, a couple of pizza crusts resting in some orange grease on a paper plate in front of you, your glass of soda mostly flat and watery, the ice all melted, and the good stuff happening miles and miles away from where you're at.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #16
    Emily M. Danforth
    “Do you think we'd get in trouble if anyone found out?"
    "Yeah," I said right away, because even thought no one had ever told me, specifically, not to kiss a girl before, nobody had to.
    It was guys and girls who kissed - in our grade, on TV, in the movies, in the world; and that's how it worked: guys and girls.
    Anything else was something weird.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #17
    Emily M. Danforth
    “I think it was probably the most beautiful thing I've ever seen.
    "I can't believe I don't have my camera," Jane said again, her voice almost reverent.
    "You couldn't ever get this into a picture," I said. "And you'd miss it while you were trying to.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #18
    Emily M. Danforth
    “Longing is sort of a gross word. So is ache. Or yearn. They're all kind of gross. But that's how I had felt about touching, kissing, Coley.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #19
    Emily M. Danforth
    “Maybe while you were alive I hadn’t even become me yet. Maybe I still haven’t become me. I don’t know how you tell for sure when you finally have.”
    Emily M. Danforth, The Miseducation of Cameron Post

  • #20
    Virginia Woolf
    “Yes yes yes I do like you. I am afraid to write the stronger word.”
    Virginia Woolf

  • #21
    Celeste Ng
    “It bothers you, doesn’t it?” Mia said suddenly. “I think you can’t imagine. Why anyone would choose a different life from the one you’ve got. Why anyone might want something other than a big house with a big lawn, a fancy car, a job in an office. Why anyone would choose anything different than what you’d choose.”
    Celeste Ng, Little Fires Everywhere

  • #22
    Celeste Ng
    “You’ll always be sad about this,” Mia said softly. “But it doesn’t mean you made the wrong choice. It’s just something that you have to carry.”
    Celeste Ng, Little Fires Everywhere

  • #23
    Caleb Azumah Nelson
    “You dance through topics like two old friends, finding comfort in a language which is instantly familiar. You create a small world for yourselves, and for you both only, sitting on this sofa, looking out at the world which has a tendency to engulf even the most alive.”
    Caleb Azumah Nelson, Open Water

  • #24
    Caleb Azumah Nelson
    “The train pulls in and she taps her Oyster card on the reader, stepping on board. You both wave as the doors close. She smiles at you as she settles into her seat, waving again. You begin to do the same, chasing after the train in pantomime fashion, spurred on by her laughter. You run and wave and laugh until the train gathers speed and the platform runs out. She escapes the frame, until it is just you on the platform, a little breathless, a little ecstatic, a little sad.”
    Caleb Azumah Nelson, Open Water

  • #25
    Casey McQuiston
    “There was this one weekend, a million summers ago, when I sat on the shore drinking a frozen limeade, and I realized the only thing I wanted to look at was the way the sun hit the girls swimming in the lake.
    The problem has always been this: When I look at you, I taste lime, and I see light on water.”
    Casey McQuiston, I Kissed Shara Wheeler

  • #26
    Casey McQuiston
    “Shara’s always been this person. ‘This is what I’ve been trying to tell you’, she wrote on a card stuck under an auditorium seat. Shara’s not nice. Shara’s so many more important things than nice.”
    Casey McQuiston, I Kissed Shara Wheeler

  • #27
    Ruth Ozeki
    “She smiled. “Life is full of stories. Or maybe life is only stories. Good night, my dear Nao.”
    Ruth Ozeki, A Tale for the Time Being
    tags: life

  • #28
    Ruth Ozeki
    “It made me sad when I caught myself pretending that everybody out there in cyberspace cared about what I thought, when really nobody gives a shit. And when I multiplied that sad feeling by all the millions of people in their lonely little rooms, furiously writing and posting to their lonely little pages that nobody has time to read because they’re all so busy writing and posting, it kind of broke my heart.”
    Ruth Ozeki, A Tale for the Time Being

  • #29
    Ruth Ozeki
    “The important thing was that we were being polite and not saying all the things that were making us unhappy, which was the only way we knew how to love each other.”
    Ruth Ozeki, A Tale for the Time Being

  • #30
    Ruth Ozeki
    “The ancient Greeks believed that when you read aloud, it was actually the dead, borrowing your tongue, in order to speak again.”
    Ruth Ozeki, A Tale for the Time Being



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