Nini > Nini's Quotes

“You only have to change the value of one variable to affect the outcome of the whole equation.”
― Susanna Kearsley, A Desperate Fortune

“But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.”
― Margaret Atwood, The Handmaid’s Tale

“When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.”
― Margaret Atwood, The Handmaid’s Tale

“Tell Albus - tell Albus Severus - I'm proud he carries my name.”
― Jack Thorne, Harry Potter and the Cursed Child: Parts One and Two

“DUMBLEDORE: Harry, there is never a perfect answer in this messy, emotional world. Perfection is beyond the reach of humankind, beyond the reach of magic. In every shining moment of happiness is that drop of poison: the knowledge that pain will come again. Be honest to those you love, show your pain. To suffer is as human as to breathe.”
― Jack Thorne, Harry Potter and the Cursed Child: Parts One and Two

“Close your eyes, real tight, and then count to three hundred. That’s all you have to do. You just count to three hundred, and when you open your eyes, five minutes will have passed. And even if it hurts or things are shitty or you don’t know what to do, you just made it through five whole minutes. And when it feels like you can’t go on, you just close your eyes and do it again. That’s all you need. Just five minutes at a time.”
― Emma Mills, First & Then

“Things are what they are, and whatever will be, will be.”
― Jonas Jonasson, The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared

“There are so many ways to be brave in this world. Sometimes bravery involves laying down your life for something bigger than yourself, or for someone else. Sometimes it involves giving up everything you have ever known, or everyone you have ever loved, for the sake of something greater.

But sometimes it doesn't.

Sometimes it is nothing more than gritting your teeth through pain, and the work of every day, the slow walk toward a better life.

That is the sort of bravery I must have now.”
― Veronica Roth, Allegiant

“She taught me all about real sacrifice. That it should be done from love... That it should be done from necessity, not without exhausting all other options. That it should be done for people who need your strength because they don't have enough of their own.”
― Veronica Roth, Allegiant

“When her body first hit the net, all I registered was a gray blur. I pulled her across it and her hand was small, but warm, and then she stood before me, short and thin and plain and in all ways unremarkable- except that she had jumped first. The stiff had jumped first.
Even I didn't jump first.
Her eyes were so stern, so insistent.
Beautiful.”
― Veronica Roth, Allegiant

“Change, like healing, takes time.”
― Veronica Roth, Allegiant

“If I don't survive," I say, "tell Tobias I didn't want to leave him.”
― Veronica Roth, Allegiant

“But that wasn´t the first time I ever saw her. I saw her in the hallways at school, and at my mother’s false funeral, and walking the sidewalks in the Abnegation sector. I saw her, but I didn’t see her; no one saw her the way she truly was until she jumped.
I suppose a fire that burns that bright is not meant to last.”
― Veronica Roth, Allegiant

“It reminds me that no embrace will ever feel the same again, because no one will ever be like her again, because she's gone. She's gone, and crying feels so useless, so stupid, but it's all I can do.”
― Veronica Roth, Allegiant

“People talk about the pain of grief, but I don't know what they mean. To me, grief is a devastating numbness, every sensation dulled.”
― Veronica Roth, Allegiant

“Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog

And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo

And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's

and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it

Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"

because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint

And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed

when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.


Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A

and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went

And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her

but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly

That's why on the back of a brown paper bag
he tried another poem

And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think

he could reach the kitchen.”
― Stephen Chbosky, The Perks of Being a Wallflower

“This is where it all begins. Everything starts here, today.”
― David Nicholls, One Day

“Do you mean ter tell me," he growled at the Dursleys, "that this boy—this boy!—knows nothin' abou'—about ANYTHING?"
Harry thought this was going a bit far. He had been to school, after all, and his marks weren't bad.
"I know some things," he said. "I can, you know, do math and stuff.”
― J.K. Rowling, Harry Potter and the Sorcerer's Stone

“Maybe I’m ignorant and idealistic but I just feel like that can’t possibly be true. I feel like we know that. I feel like we can do something really cool to this world. And I fear—at twenty-three, twenty-four, twenty-five—we might forget.”
― Marina Keegan, The Opposite of Loneliness: Essays and Stories

“So what I'm trying to say is you should text me back.
Because there's a precedent. Because there's an urgency.
Because there's a bedtime.
Because when the world ends I might not have my phone charged and
If you don't respond soon,
I won't know if you'd wanna leave your shadow next to mine.”
― Marina Keegan, The Opposite of Loneliness: Essays and Stories

“Rare as is true love, true friendship is rarer.”
― Jean de La Fontaine

“Talk between women friends is always therapy...”
― Jayne Anne Phillips

“When one gender is so unwanted, so despised, and so suppressed in a place where daughters are expressly unwanted, perhaps both the body and the mind of a growing human can be expected to revolt against becoming a woman. And thus, perhaps, alter someone for good.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“Someday in our future it may be possible for women everywhere not to be restricted to those roles society deems natural, God-given, or appropriately feminine. A woman will not need to be disguised as a man to go outside, to climb a tree, or to make money. She will not need to make an effort to resemble a man, or to think like one. Instead, she can speak a language that men will want to understand. She will be free to wear a suit or a skirt or something entirely different. She will not count as three-quarters of a man, and her testimony will not be worth half a man's. She will be recognized as someone's sister, mother, and daughter. And maybe, someday, her identity will not be confined to how she relates to a brother, a son, or a father. Instead, she will be recognized as an individual, whose life holds value only in itself.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“Being born with power, as a boy, doesn’t necessarily spur innovation. But being born entirely without it forces innovation in women, who must learn to survive almost from the moment they are born. Afghan women do not need much well-intentioned training on that.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“A great many people in this world would be willing to throw out their gender in a second if it could be traded for freedom.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“When I asked Afghans to describe to me the difference between men and women, over the years interesting responses came back. While Afghan men often begin to describe women as more sensitive, caring, and less physically capable than men, Afghan women tend to offer up only one difference, which had never entered my mind before.
Want to take a second and guess what that one difference may be?
Here is the answer: Regardless of who they are, whether they are rich or poor, educated or illiterate, Afghan women often describe the difference between men and women in just one word: freedom.
As in: Men have it, women do not.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“Reputation is more than symbolic in Afghanistan; it is a commodity that is hard to restore once it has been damaged.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“The real story of Nader, Shahed, and other women who live as men in Afghanistan is not so much about how they break gender norms or what they have become by doing that. Rather, it is about this: Between gender and freedom, freedom is the bigger and more important idea. In Afghanistan as well as globally. Defining one’s gender becomes a concern only after freedom is achieved. Then a person can begin to fill the word with new meaning.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“SCORPIUS: A doe? Lily’s Patronus.
SNAPE: Strange, isn’t it? What comes from within.”
― Jack Thorne, Harry Potter and the Cursed Child: Parts One and Two