Aphrodite Andreou > Aphrodite's Quotes

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  • #1
    Tom Robbins
    “Humans have evolved to their relatively high state by retaining the immature characteristics of their ancestors. Humans are the most advanced of mammals – although a case could be made for the dolphins – because they seldom grow up. Behavioral traits such as curiosity about the world, flexibility of response, and playfulness are common to practically all young mammals but are usually rapidly lost with the onset of maturity in all but humans. Humanity has advanced, when it has advanced, not because it has been sober, responsible and cautious, but because it has been playful, rebellious, and immature.”
    Tom Robbins, Still Life with Woodpecker

  • #2
    John Berger
    “A man's presence suggests what he is capable of doing to you or for you. By contrast, a woman's presence . . . defines what can and cannot be done to her.”
    John Berger, Ways of Seeing

  • #3
    Gabriel García Márquez
    “I discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature. I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I appear generous in order to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my repressed rage, that I am punctual only to hide how little I care about other people’s time. I learned, in short, that love is not a condition of the spirit but a sign of the zodiac.”
    Gabriel Garcia Marquez, Memories of My Melancholy Whores

  • #4
    Federico García Lorca
    “But hurry, let's entwine ourselves as one, our mouth broken, our soul bitten by love, so time discovers us safely destroyed.”
    Federico Garcia Lorca

  • #5
    Federico García Lorca
    “The round silence of night,
    one note on the stave
    of the infinite.

    Ripe with lost poems,
    I step naked into the street.
    The blackness riddled
    by the singing of crickets:
    sound,
    that dead
    will-o'-the-wisp,
    that musical light
    perceived
    by the spirit.

    A thousand butterfly skeletons
    sleep within my walls.

    A wild crowd of young breezes
    over the river.

    - Hour of Stars (1920)”
    Federico García Lorca

  • #6
    Charles Bukowski
    “Nothing was ever in tune. People just blindly grabbed at whatever there was: communism, health foods, zen, surfing, ballet, hypnotism, group encounters, orgies, biking, herbs, Catholicism, weight-lifting, travel, withdrawal, vegetarianism, India, painting, writing, sculpting, composing, conducting, backpacking, yoga, copulating, gambling, drinking, hanging around, frozen yogurt, Beethoven, Back, Buddha, Christ, TM, H, carrot juice, suicide, handmade suits, jet travel, New York City, and then it all evaporated and fell apart. People had to find things to do while waiting to die. I guess it was nice to have a choice.”
    Charles Bukowski, Women

  • #7
    J. Krishnamurti
    “It is no measure of health to be well adjusted to a profoundly sick society.”
    J. Krishnamurti

  • #8
    Fernando Pessoa
    “Let us sculpt in hopeless silence all our dreams of speaking.”
    Fernando Pessoa

  • #9
    Pablo Neruda
    “If nothing saves us from death, at least love should save us from life”
    Pablo Neruda

  • #10
    T.E. Lawrence
    “All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake up in the day to find it was vanity, but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible.”
    T.E. Lawrence, Seven Pillars of Wisdom: A Triumph

  • #11
    D.H. Lawrence
    “Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.”
    D.H. Lawrence, Lady Chatterley's Lover

  • #12
    Carlos Ruiz Zafón
    “Do you know what religion is, Martin, my friend?
    -I can barely remember Lord's Prayer.
    -A beautiful and well-crafted prayer. Poetry aside, a religion is really a moral code that is expressed through legends,myths, or any type of literary device in order to establish a system of beliefs, values , and rules with which to regulate a culture or a society.”
    Carlos Ruiz Zafón, The Angel's Game

  • #13
    Carlos Ruiz Zafón
    “Julian once wrote that coincidences are the scars of fate. There are no coincidences, Daniel. We are puppets of our subconscious desires.”
    Carlos Ruiz Zafón, The Shadow of the Wind

  • #14
    C.G. Jung
    “Every form of addiction is bad, no matter whether the narcotic be alcohol, morphine or idealism.”
    Carl Gustav Jung

  • #15
    C.G. Jung
    “As far as we can discern, the sole purpose of human existence is to kindle a light of meaning in the darkness of mere being.”
    Carl Gustav Jung
    tags: life

  • #16
    C.G. Jung
    “Art is a kind of innate drive that seizes a human being and makes him its instrument. To perform this difficult office it is sometimes necessary for him to sacrifice happiness and everything that makes life worth living for the ordinary human being.”
    Carl Gustav Jung
    tags: art

  • #17
    Milan Kundera
    “People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.”
    Milan Kundera

  • #18
    Milan Kundera
    “Oh lovers! be careful in those dangerous first days! once you've brought breakfast in bed you'll have to bring it forever, unless you want to be accused of lovelessness and betrayal.”
    Milan Kundera, The Book of Laughter and Forgetting

  • #19
    Milan Kundera
    “loves are like empires: when the idea they are founded on crumbles, they, too, fade away.”
    Milan Kundera, The Unbearable Lightness of Being

  • #20
    Pablo Neruda
    “Well, now
    If little by little you stop loving me
    I shall stop loving you
    Little by little
    If suddenly you forget me
    Do not look for me
    For I shall already have forgotten you

    If you think it long and mad the wind of banners that passes through my life
    And you decide to leave me at the shore of the heart where I have roots
    Remember
    That on that day, at that hour, I shall lift my arms
    And my roots will set off to seek another land”
    Pablo Neruda, Selected Poems

  • #21
    Pablo Neruda
    “Tonight I can write the saddest lines
    I loved her, and sometimes she loved me too.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #22
    Pablo Neruda
    “Sonnet XVII

    I do not love you as if you were salt-rose, or topaz,
    or the arrow of carnations the fire shoots off.
    I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.

    I love you as the plant that never blooms
    but carries in itself the light of hidden flowers;
    thanks to your love a certain solid fragrance,
    risen from the earth, lives darkly in my body.

    I love you without knowing how, or when, or from where.
    I love you straightforwardly, without complexities or pride;
    so I love you because I know no other way than this:

    where I does not exist, nor you,
    so close that your hand on my chest is my hand,
    so close that your eyes close as I fall asleep. ”
    Pablo Neruda

  • #23
    Pablo Neruda
    “so I wait for you like a lonely house
    till you will see me again and live in me.
    Till then my windows ache.”
    Pablo Neruda, 100 Love Sonnets

  • #24
    Pablo Neruda
    “Let us forget with generosity those who cannot love us”
    Pablo Neruda

  • #25
    Pablo Neruda
    “If You Forget Me

    I want you to know
    one thing.

    You know how this is:
    if I look
    at the crystal moon, at the red branch
    of the slow autumn at my window,
    if I touch
    near the fire
    the impalpable ash
    or the wrinkled body of the log,
    everything carries me to you,
    as if everything that exists,
    aromas, light, metals,
    were little boats
    that sail
    toward those isles of yours that wait for me.

    Well, now,
    if little by little you stop loving me
    I shall stop loving you little by little.

    If suddenly
    you forget me
    do not look for me,
    for I shall already have forgotten you.

    If you think it long and mad,
    the wind of banners
    that passes through my life,
    and you decide
    to leave me at the shore
    of the heart where I have roots,
    remember
    that on that day,
    at that hour,
    I shall lift my arms
    and my roots will set off
    to seek another land.

    But
    if each day,
    each hour,
    you feel that you are destined for me
    with implacable sweetness,
    if each day a flower
    climbs up to your lips to seek me,
    ah my love, ah my own,
    in me all that fire is repeated,
    in me nothing is extinguished or forgotten,
    my love feeds on your love, beloved,
    and as long as you live it will be in your arms
    without leaving mine.”
    Pablo Neruda

  • #26
    Pablo Neruda
    “I can write the saddest poem of all tonight.

    Write, for instance: "The night is full of stars,
    and the stars, blue, shiver in the distance."

    The night wind whirls in the sky and sings.

    I can write the saddest poem of all tonight.
    I loved her, and sometimes she loved me too.

    On nights like this, I held her in my arms.
    I kissed her so many times under the infinite sky.

    She loved me, sometimes I loved her.
    How could I not have loved her large, still eyes?

    I can write the saddest poem of all tonight.
    To think I don't have her. To feel that I've lost her.

    To hear the immense night, more immense without her.
    And the poem falls to the soul as dew to grass.

    What does it matter that my love couldn't keep her.
    The night is full of stars and she is not with me.

    That's all. Far away, someone sings. Far away.
    My soul is lost without her.

    As if to bring her near, my eyes search for her.
    My heart searches for her and she is not with me.

    The same night that whitens the same trees.
    We, we who were, we are the same no longer.

    I no longer love her, true, but how much I loved her.
    My voice searched the wind to touch her ear.

    Someone else's. She will be someone else's. As she once
    belonged to my kisses.
    Her voice, her light body. Her infinite eyes.

    I no longer love her, true, but perhaps I love her.
    Love is so short and oblivion so long.

    Because on nights like this I held her in my arms,
    my soul is lost without her.

    Although this may be the last pain she causes me,
    and this may be the last poem I write for her.”
    Pablo Neruda

  • #27
    John Berger
    “A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....

    One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.”
    John Berger, Ways of Seeing

  • #28
    John Berger
    “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
    John Berger, Ways of Seeing

  • #29
    Victor Hugo
    “Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.”
    Victor Hugo, Les Miserables

  • #30
    Oscar Wilde
    “How you can sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless."

    "Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them."

    "I say it’s perfectly heartless your eating muffins at all, under the circumstances.”
    Oscar Wilde, The Importance of Being Earnest



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