Tina > Tina's Quotes

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  • #1
    Leigh Bardugo
    “Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.”
    Leigh Bardugo, Crooked Kingdom

  • #2
    Victoria Schwab
    “Because time is cruel to all, and crueler still to artists. Because visions weakens, and voices wither, and talent fades.... Because happiness is brief, and history is lasting, and in the end... everyone wants to be remembered”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #3
    Victoria Schwab
    “Books, she has found, are a way to live a thousand lives--or to find strength in a very long one.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #4
    Leigh Bardugo
    “Many boys will bring you flowers. But someday you'll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.”
    Leigh Bardugo, Six of Crows

  • #5
    Leigh Bardugo
    “She'd laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.”
    Leigh Bardugo, Six of Crows

  • #6
    Jane Austen
    “There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on the appearance of merit or sense.”
    Jane Austen, Pride and Prejudice

  • #7
    Jane Austen
    “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
    Jane Austen, Pride and Prejudice

  • #8
    Jane Austen
    “What are men to rocks and mountains?”
    Jane Austen, Pride and Prejudice

  • #9
    Jane Austen
    “I could easily forgive his pride, if he had not mortified mine.”
    Jane Austen, Pride and Prejudice

  • #10
    Jane Austen
    “Laugh as much as you choose, but you will not laugh me out of my opinion.”
    Jane Austen, Pride and Prejudice

  • #11
    Jane Austen
    “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

    I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.”
    Jane Austen, Persuasion

  • #12
    Louisa May Alcott
    “There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.”
    Louisa May Alcott, Little Women

  • #13
    Louisa May Alcott
    “I've got the key to my castle in the air, but whether I can unlock the door remains to be seen.”
    Louisa May Alcott, Little Women

  • #14
    Leigh Bardugo
    “Who’d deny a poor cripple his cane?”
    “If the cripple is you, then any man with sense.”
    Leigh Bardugo, Six of Crows

  • #15
    Jane Austen
    “There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves, it is not my nature.”
    Jane Austen, Northanger Abbey

  • #16
    John Green
    “What a slut time is. She screws everybody.”
    John Green, The Fault in Our Stars

  • #17
    Holly Black
    “By you, I am forever undone.”
    Holly Black, The Queen of Nothing

  • #18
    Holly Black
    “No, I won’t help you. No, I won’t hear you explain why I should. It really is a magical word: no. You say whatever bullshit you want and I just say no.”
    Holly Black, The Queen of Nothing

  • #19
    F. Scott Fitzgerald
    “And I like large parties. They’re so intimate. At small parties there isn’t any privacy.”
    F. Scott Fitzgerald, The Great Gatsby

  • #20
    F. Scott Fitzgerald
    “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”
    F. Scott Fitzgerald, The Great Gatsby

  • #21
    Virginia Woolf
    “When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.”
    Virginia Woolf, A Room of One’s Own

  • #22
    Donna Tartt
    “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
    Donna Tartt, The Secret History

  • #23
    Donna Tartt
    “Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
    Donna Tartt, The Secret History

  • #24
    Donna Tartt
    “Not quite what one expected, but once it happened one realized it couldn't be any other way.”
    Donna Tartt, The Secret History

  • #25
    Donna Tartt
    “He sailed through the world guided only by the dim lights of impulse and habit, confident that his course would throw up no obstacles so large that they could not be plowed over with sheer force of momentum.”
    Donna Tartt, The Secret History

  • #26
    Donna Tartt
    “I realized that the childish impression I had always had of my father, as Just Lawgiver, was entirely wrong. We were utterly dependent on this man, who was not only deluded and ignorant, but incompetent in every way. What was more, I knew that my mother was incapable of standing up to him. It was like walking into the cockpit of an airplane and finding the pilot and co-pilot passed out drunk in their seats. And standing outside the Lyceum, I was struck with a black, incredulous horror, which in fact was not at all unlike the horror I had felt at twelve, sitting on a bar stool in our sunny little kitchen in Plano. Who is in control here? I thought, dismayed. Who is flying this plane?”
    Donna Tartt, The Secret History

  • #27
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #28
    Fredrik Backman
    “Hate can be a deeply stimulating emotion. The world becomes easier to understand and much less terrifying if you divide everything and everyone into friends and enemies, we and they, good and evil. The easiest way to unite a group isn't through love, because love is hard, It makes demands. Hate is simple. So the first thing that happens in a conflict is that we choose a side, because that's easier than trying to hold two thoughts in our heads at the same time. The second thing that happens is that we seek out facts that confirm what we want to believe - comforting facts, ones that permit life to go on as normal. The third is that we dehumanize our enemy.”
    Fredrik Backman, Beartown

  • #29
    Mackenzi Lee
    “In the east," she says after a time, her gaze still downcast, "there is a tradition known as kintsukuroi. It is the practice of mending broken ceramic pottery using lacquer dusted with gold and silver and other precious metals. It is meant to symbolize that things can be more beautiful for having been broken."
    "Why are you telling me this?" I ask.
    At last she looks at me. Her irises are polished obsidian in the moonlight. "Because I want you to know," she says, "that there is life after survival.”
    Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

  • #30
    Jane Austen
    “If I loved you less, I might be able to talk about it more.”
    Jane Austen, Emma



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