levi > levi's Quotes

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  • #1
    S.E. Hinton
    “I've been thinking about it, and that poem, that guy that wrote it, he meant you're gold when you're a kid, like green. When you're a kid everything's new, dawn. It's just when you get used to evreything that it's day. Like the way you dig sunsets, Pony. That's gold. Keep that way, it's a good way to be.I want you to tell Dally to look at one. He'll probably think you're crazy, but ask for me. I don't think he's ever really seen a sunset. And don't be so bugged over being a greaser. You still have a lot of time to make yourself be what you want. There's still lots of good in the world. Tell Dally. I don't think he knows.

    Stay gold, Ponyboy.”
    Susan E. Hinton, The Outsiders

  • #2
    Donna Tartt
    “In short: I felt my existence was tainted, in some subtle but essential way.”
    Donna Tartt, The Secret History

  • #3
    Leigh Bardugo
    “There was no part of him that was not broken, that had not healed wrong, and there was no part of him that was not stronger for having been broken.”
    Leigh Bardugo, Six of Crows

  • #4
    Louis Sachar
    “I'm not stupid. I know everybody thinks I am. I just don't like answering their questions.”
    louis sachar, Holes

  • #5
    Donna Tartt
    “I was fascinated by strangers, wanted to know what food they ate and what dishes they ate it from, what movies they watched and what music they listened to, wanted to look under their beds and in their secret drawers and night tables and inside the pockets of their coats.”
    Donna Tartt, The Goldfinch

  • #6
    Louis Sachar
    “Zero wasnt worried, " When you spend your whole life living in a shole", he said, "the only way you can go is up.”
    Louis Sachar, Holes

  • #7
    Donna Tartt
    “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.”
    Donna Tartt, The Secret History

  • #8
    S.E. Hinton
    “...I knew he would be dead, because Dally Winston wanted to be dead and he always got what he wanted.”
    S.E. Hinton, The Outsiders

  • #9
    S.E. Hinton
    “He died violent and young and desperate, just like we all knew he'd die someday.”
    S.E. Hinton, The Outsiders

  • #10
    Mary Wollstonecraft Shelley
    “I ought to be thy Adam, but I am rather the fallen angel...”
    Mary Shelley, Frankenstein

  • #11
    Donna Tartt
    “As long as I am acting out of love, I feel I am doing best I know how.”
    Donna Tartt, The Goldfinch

  • #12
    Leigh Bardugo
    “Until this moment, Wylan hadn't quite understood how much they meant to him. His father would have sneered at these thugs and thieves, a disgraced soldier, a gambler who couldn't keep out of the red. But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose.”
    Leigh Bardugo, Crooked Kingdom

  • #13
    Leigh Bardugo
    “You’re stupid about a lot of things, Wylan, but you are not stupid. And if I ever hear you call yourself a moron again, I’m going to tell Matthias you tried to kiss Nina. With tongue.”
    Wylan wiped his nose on his sleeve. “He’ll never believe it.”
    “Then I’ll tell Nina you tried to kiss Matthias. With tongue.”
    Leigh Bardugo, Crooked Kingdom

  • #14
    Lionel Shriver
    “I didn't care about anything. And there's a freedom in apathy, a wild, dizzying liberation on which you can almost get drunk. You can do anything. Ask Kevin.”
    Lionel Shriver, We Need to Talk About Kevin

  • #15
    Hanya Yanagihara
    “They all—Malcolm with his houses, Willem with his girlfriends, JB with his paints, he with his razors—sought comfort, something that was theirs alone, something to hold off the terrifying largeness, the impossibility, of the world, of the relentlessness of its minutes, its hours, its days.”
    Hanya Yanagihara, A Little Life

  • #16
    Louisa May Alcott
    “...for love casts out fear, and gratitude can conquer pride.”
    Louisa May Alcott, Little Women

  • #17
    Louisa May Alcott
    “If I was a boy, we'd run away together, and have a capital time; but as I'm a miserable girl, I must be proper, and stop at home. Don't tempt me, Teddy, it's a crazy plan.”
    Louisa May Alcott, Little Women

  • #18
    Hanya Yanagihara
    “And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #19
    Jeffrey Eugenides
    “Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets."

    And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.”
    Jeffrey Eugenides, The Virgin Suicides

  • #20
    Bryan Lee O'Malley
    “Every time you look up at the stars, it’s like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you’re the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you’re eleven again. Chasing cats in a tiny town, you’re eleven again, you’re sixteen again. You’re in a rowboat. You’re staring out the back of a car. Out here where the world begins and ends, it’s like nothing ever stops happening.”
    Bryan Lee O'Malley, Lost at Sea

  • #21
    “To Evelyn our relationship is yellow and blue, but to me it’s a gray place, most of it blacked out, bombed, footage from the film in my head is endless shots of stone and any language heard is utterly foreign, the sound flickering away over new images: blood pouring from automated tellers, women giving birth through their assholes, embryos frozen or scrambled (which is it?), nuclear warheads, billions of dollars, the total destruction of the world, someone gets beaten up, someone else dies, sometimes bloodlessly, more often mostly by rifle shot, assassinations, comas, life played out as a sitcom, a blank canvas that reconfigures itself into a soap opera. It’s an isolation ward that serves only to expose my own severely impaired capacity to feel. I am at its center, out of season, and no one ever asks me for any identification.”
    Bret Easton Ellis, American Psycho

  • #22
    “This is my reality. Everything outside of this is like some movie I once saw.”
    Bret Easton Ellis, American Psycho

  • #23
    “We stare at each other endlessly. I'm convinced she senses I'm about to say something. I've seen this look on someone's face before. Was it in a club? A victim's expression? Had it appeared on a movie screen recently? Or had I seen it in the mirror?”
    Bret Easton Ellis, American Psycho

  • #24
    “It's just strange," he agrees, staring out the window, lost. "One day someone's walking around, going to work, alive, and then..." Kimball stops, fails to complete the sentence.
    "Nothing," I sigh, nodding.
    “People just... disappear," he says.
    "The earth just opens up and swallows people," I say, somewhat sadly, checking my Rolex.”
    Bret Easton Ellis, American Psycho

  • #25
    “The Patty Winters Shows were all repeats. Life remained a blank canvas, a cliche, a soap opera. I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was bone season for me and I needed a vacation. I needed to go to the Hamptons.”
    Bret Easton Ellis, American Psycho

  • #26
    “Everything failed to subdue me. Soon everything seemed dull: another sunrise, the lives of heroes, falling in love, war, the discoveries people made about each other. The only thing that didn't bore me, obviously enough, was how much money Tim Price made, and yet in its obviousness it did. There wasn't a clear, identifiable emotion within me, except for greed and, possibly, total disgust. I had all the characteristics of a human being - flesh, blood, skin, hair - but my depersonalization was so intense, had gone so deep, that the normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning. Something horrible was happening and yet I couldn't figure out why - I couldn't put my finger on it.”
    Bret Easton Ellis, American Psycho

  • #27
    Taylor Jenkins Reid
    “She had written something that felt like I could have written it, except I knew I couldn’t have. I wouldn’t have come up with something like that. Which is what we all want from art, isn’t it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? It’s like they are introducing you to a part of yourself. And that’s what Daisy did, with that song. At least for me.”
    Taylor Jenkins Reid, Daisy Jones & The Six

  • #28
    Ottessa Moshfegh
    “Someone once said that when you die of hypothermia, you get cold and sleepy, things slow down, and then you just drift away. You don’t feel a thing. That sounded nice. That was the best way to die—awake and dreaming, feeling nothing.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #29
    Ottessa Moshfegh
    “The notion of my future suddenly snapped into focus: it didn't exist yet. I was making it, standing there, breathing, fixing the air around my body with stillness, trying to capture something—a thought, I guess—as though such a thing were possible, as though I believed in the delusion described in those paintings—that time could be contained, held captive.”
    Ottessa Moshfegh, My Year of Rest and Relaxation

  • #30
    Tove Jansson
    “It is autumn in Moomin Valley, for how else can spring come back again?”
    Tove Jansson, Finn Family Moomintroll



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