Kara Babcock > Kara's Quotes

“My idea of good company...is the company of clever, well-informed people, who have a great deal of conversation; that is what I call good company.'
'You are mistaken,' said he gently, 'that is not good company, that is the best.”
― Jane Austen, Persuasion

“Those bitter sorrows of childhood!-- when sorrow is all new and strange, when hope has not yet got wings to fly beyond the days and weeks, and the space from summer to summer seems measureless.”
― George Eliot, The Mill on the Floss

“If you deliver an opinion at all, it is mere stupidity not to do it with an air of conviction and well-founded knowledge. You make it your own in uttering it, and naturally get fond of it.”
― George Eliot, The Mill on the Floss

“Joe Spork opens the door. The man departs. Joe turns to Polly to say something about how they’re obviously not going to Portsmouth, and finds an oyster knife balanced on his cheek, just under his eye.

“Can we be very clear,” Polly Cradle murmurs, “that I am not your booby sidekick or your Bond girl? That I am an independent supervillain in my own right?”

Joe swallows. “Yes, we can,” he says carefully.

“There will therefore be no more ‘Say hello, Polly’?”

“There will not.”
― Nick Harkaway, Angelmaker

“A few years ago it dawned on me that everybody past a certain age ... pretty much constantly dreams of being able to escape from their lives. They don't want to be who they are any more. They want out. This list includes Thurston Howell the Third, Ann-Margret, the cat members of Rent, Václav Havel, space shuttle astronauts and Snuffleupagus. It's universal.”
― Douglas Coupland, The Gum Thief

“I don't deserve a soul, yet I still have one. I know because it hurts.”
― Douglas Coupland, The Gum Thief

“...we're told by TV and Reader's Digest that a crisis will trigger massive personal change--and that those big changes will make the pain worthwhile. But from what he could see, big change almost never happens. People simply feel lost. They have no idea what to say or do or feel or think. they become messes and tend to remain messes.”
― Douglas Coupland, The Gum Thief

“People give you a hard time about being a kid at twelve. They didn't want to give you Halloween candy anymore. They said things like, "If this were the Middle Ages, you'd be married and you'd own a farm with about a million chickens on it." They were trying to kick you out of childhood. Once you were gone, there was no going back, so you had to hold on as long as you could.”
― Heather O'Neill, Lullabies for Little Criminals

“Like all of my important memories, it has a potency that has influenced the pocket of time that holds it, so I can remember that particular Saturday afternoon, even though in many ways it was no different from any other. I can remember, for example, what van der Glick was wearing as she stepped out of the elevator, which was a dress covered with clownish polka dots. Rainie would make these heartbreaking stabs at femininity; indeed, she still does. It's not that she doesn't possess a woman's body now, and didn't posses a girl's body then. But clothes never seemed to fit her correctly, and the more girlish they were, the worse they would hang.”
― Paul Quarrington, The Ravine

“The man behind the check-in counter gives the impression that he has just axe-murdered the motel's owner (and family, and family pet) and is going through these procedures of hostelry so as not to arouse suspicion.”
― Paul Quarrington, The Ravine

“Mind you, Thunder Bay has a lot of outskirts. It's actually two cities melded together, so in a sense it has twice as many outskirts as other places. It's understandable that we got lost....”
― Paul Quarrington, The Ravine

“He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.”
― Jhumpa Lahiri, Unaccustomed Earth

“There is one province in which, sooner or later, virtually everyone gets dealt a leading role--hero, heroine, or villain.... Unlike the slight implications of quotidian dilemmas that confront the average citizen in other areas of life ... the stakes in this realm could not be higher. For chances are that at some point along the line you will hold in your hands another person's heart. There is no greater responsibility on the planet. However you contend with this fragile organ, which pounds or seizes in accordance with your caprice, will take your full measure.”
― Lionel Shriver, The Post-Birthday World

“The temperature in the gym reached 125 degrees, qualifying anyone there to be served rare.

"Could we," Dr. Henneman said, wafting her hands about, "open those back doors, let a little air in? Please?"....

Miles Paterini and Pete Couvier ... pressed down on the metal bars. The doors didn't open.

People actually gasped.

Dennis began calculating the amount of oxygen left in the gymnasium.

Dr. Henneman's doctorate in school administration had prepared her for this.

"Is Mr. Wrona here?"

Mr. Wrona, the school custodian, was not here. He was at home watching women's volleyball with the sound turned off and imagining the moment everyone realized the back doors were locked.”
― Larry Doyle, I Love You, Beth Cooper

“Denis could think of no logical reason why he should not attempt to mate with Beth Cooper.

There were no laws explicitly against it.

They were of the same species, and had complementary sex organs, most likely, based on extensive mental modeling Denis had done.”
― Larry Doyle, I Love You, Beth Cooper

“I'm sorry I'm so pathetic," he thought, and then realized he had also said it.

Beth laughed, so lightly and so kindly that Denis felt it in his chest, not his stomach.

Can I tell you a secret?"

Yes, tell me all your secrets Denis kept to himself.

Beth leaned in, whispered: "All boys are pathetic.”
― Larry Doyle, I Love You, Beth Cooper

“He looked at me intently, from what seemed behind the veil of a grave experience. Then slowly and prophetically, he said the scariest thing I'd ever heard: "Because the answer to a heartfelt question, Jack, will always break your heart.”
― Thomas H. Cook, Master of the Delta

“Books make great gifts because they have whole worlds inside of them. And it's much cheaper to buy somebody a book than it is to buy them the whole world!”
― Neil Gaiman

“Like Semmering Academy, the Grove School was a Gothic pile of bricks run by 1950s-era chalk drones, which maintained its cultural viability by perpetuating a weirdly seductive anxiety throughout its community. Mary herself was a victim of the seduction; despite the trying and repetitive emotional requirements of her job, she remained eternally fascinated by the wicker-thin girls and their wicker-thin mothers, all of them favoring dark wool skirts and macintoshes and unreadably far-away expressions; if she squinted, they could have emerged intact from any of the last seven decades.”
― Heidi Julavits, The Uses of Enchantment

“Even still, we run. We have not reached our average of 57.92 years without knowing that you run through it, and it hurts and you run through it some more, and if it hurts worse, you run through it even more, and when you finish, you will have broken through. In the end, when you are done, and stretching, and your heartbeat slows, and your sweat dries, if you've run through the hard part, you will remember no pain.”
― Lauren Groff, The Monsters of Templeton

“You would hardly think, at first, that horrid monsters lie up there waiting to be discovered by any moderately penetrating mind--monsters to which those of the oceans bear no sort of comparison."

What monsters may they be?"

Impersonal monsters, namely, Immensities. Until a person has thought out the stars and their inter-spaces, he has hardly learnt that there are things much more terrible than monsters of shape, namely, monsters of magnitude without known shape. Such monsters are the voids and waste places of the sky... In these our sight plunges quite beyond any twinkler we have yet visited. Those deep wells for the human mind to let itself down into, leave alone the human body! and think of the side caverns and secondary abysses to right and left as you pass on!...

There is a size at which dignity begins," he exclaimed; "further on there is a size at which grandeur begins; further on there is a size at which solemnity begins; further on, a size at which awfulness begins; further on, a size at which ghastliness begins. That size faintly approaches the size of the stellar universe. So am I not right in saying that those minds who exert their imaginative powers to bury themselves in the depths of that universe merely strain their faculties to gain a new horror?”
― Thomas Hardy, Two on a Tower

“I will not deny but that the best apology against false accusers is silence and sufferance, and honest deeds set against dishonest words.”
― John Milton

“My very small part in WATCHMEN is that, every now and then, Alan would phone me: ''Neil, you're an educated man. Where does it say...''

He would need a quote from the Bible, or an essay about owls. I was his occasional research assistant.”
― Neil Gaiman

“It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.”
― Alan Moore, Watchmen

“I scan the room. Catherine is writing quickly, her light brown hair falling over her face. She is left-handed, and because she writes in pencil her left arm is silver from wrist to elbow.”
― Sara Gruen, Water for Elephants

“The guest was now the master of Wuthering Heights: he held firm possession, and proved to the attorney, who, in his turn, proved it to Mr. Linton, that Earnshaw had mortaged every yard of land he owned for cash to supply his mania for gaming; and he, Heathcliff, was the mortgagee.

In that manner, Hareton, who should now be the first gentleman in the neighbourhood, was reduced to a state of complete dependence on his father's inveterate enemy; and lives in his own house as a servant deprived of the advantage of wages, and quite unable to right himself, because of his friendlessness, and his ignorance that he has been wronged.”
― Emily Brontë, Wuthering Heights

“To me, the conclusion that the public has the ultimate responsibility for the behavior of even the biggest businesses is empowering and hopeful, rather than disappointing. My conclusion is not a moralistic one about who is right or wrong, admirable or selfish, a good guy or a bad guy. My conclusion is instead a prediction, based on what I have seen happening in the past. Businesses have changed when the public came to expect and require different behavior, to reward businesses for behavior that the public wanted, and to make things difficult for businesses practicing behaviors that the public didn't want. I predict that in the future, just as in the past, changes in public attitudes will be essential for changes in businesses' environmental practices.”
― Jared Diamond, Collapse: How Societies Choose to Fail or Succeed

“While I have the floor, here's a question that's been bothering me for some time. Why do so few writers of heroic or epic fantasy ever deal with the fundamental quandary of their novels . . . that so many of them take place in cultures that are rigid, hierarchical, stratified, and in essence oppressive? What is so appealing about feudalism, that so many free citizens of an educated commonwealth like ours love reading about and picturing life under hereditary lords?

Why should the deposed prince or princess in every clichéd tale be chosen to lead the quest against the Dark Lord? Why not elect a new leader by merit, instead of clinging to the inbred scions of a failed royal line? Why not ask the pompous, patronizing, "good" wizard for something useful, such as flush toilets, movable type, or electricity for every home in the kingdom? Given half a chance, the sons and daughters of peasants would rather not grow up to be servants. It seems bizarre for modern folk to pine for a way of life our ancestors rightfully fought desperately to escape.”
― David Brin, Glory Season

“But, like all metaphoric wars, the copyright wars are not actual conflicts of survival. Or at least, they are not conflicts for survival of a people or a society, even if they are wars of survival for certain businesses or, more accurately, business models. Thus we must keep in mind the other values or objectives that might also be affected by this war. We must make sure this war doesn't cost more than it is worth. We must be sure it is winnable, or winnable at a price we're willing to pay.”
― Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy

“Copyright law has got to give up its obsession with 'the copy.' The law should not regulate 'copies' or 'modern reproductions' on their own. It should instead regulate uses--like public distributions of copies of copyrighted work--that connect directly to the economic incentive copyright law was intended to foster.”
― Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy