Idzie > Idzie's Quotes

“Each of us is born with a crazy passion to learn. Each of us craves knowledge of our world and our place within it. We learn because we want to learn, because it's important to us, because it's natural, and because it's impossible to live in the world and not learn. Then along comes school to mess up a beautiful thing.”
― ps pirro, 101 Reasons Why I Am An Unschooler

“School has become the world religion of a modernized proletariat, and makes futile promises of salvation to the poor of the technological age.”
― Ivan Illich, Deschooling Society

“A secret is a strange thing.

There are three kinds of secrets. One is the sort everyone knows about, the sort you need at least two people for. One to keep it. One to never know. The second is a harder kind of secret: one you keep from yourself. Every day, thousands of confessions are kept from their would-be confessors, none of these people knowing that their never-admitted secrets all boil down to the same three words: I am afraid.

And then there is the third kind of secret, the most hidden kind. A secret no one knows about. Perhaps it was known once, but was taken to the grave. Or maybe it is a useless mystery, arcane and lonely, unfound because no one ever looked for it.

Sometimes, some rare times, a secret stays undiscovered because it is something too big for the mind to hold. It is too strange, too vast, too terrifying to contemplate.

All of us have secrets in our lives. We’re keepers or keptfrom, players or played. Secrets and cockroaches — that’s what will be left at the end of it all.”
― Maggie Stiefvater, The Dream Thieves

“He was a book, and he was holding his final pages, and he wanted to get to the end to find out how it went, and he didn't want it to be over.”
― Maggie Stiefvater, The Raven King

“Ronan said, "I'm always straight."
Adam replied "Oh, man, that's the biggest lie you've ever told.”
― Maggie Stiefvater, The Raven Boys

“He was brother to a liar and brother to an angel, son of a dream and son of a dreamer.”
― Maggie Stiefvater, The Dream Thieves

“There is no good word for the opposite of lonesome.
One might be tempted to suggest togetherness or contentment , but the fact that these two other words bear definitions unrelated to each other perfectly displays why lonesome cannot be properly mirrored. It does not mean solitude, nor alone, nor lonely, although lonesome can contain all of those words in itself.
Lonesome means a state of being apart. Of being other. Alone-some.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“I don't care to be pretty," Blue shot back hotly, "I care to look on the outside like I look on the inside.”
― Maggie Stiefvater, The Raven King

“Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan's back: all the sharp edges that hooked wondrously and fearfully into each other.
'Unguibus et rostro,' Adam said.
Ronan put Adam's fingers to his mouth.
He was never sleeping again.”
― Maggie Stiefvater, The Raven King

“I wanted to pursue things, to know things, but I could not match the means of knowing that came naturally to me with the expectations of professors. The pursuit of knowing was freedom to me, the right to declare your own curiosities and follow them through all manner of books. I was made for the library, not the classroom. The classroom was a jail of other people's interests. The library was open, unending, free.”
― Ta-Nehisi Coates, Between the World and Me

“I was worried that my brilliant good looks and easy manners would make me impossible to hate, thus ruining our fragile alliance. But this will be simple. Just tell me all the subjects you are an expert in, and I shall endeavor to explain them to you.”
― Courtney Milan, Once Upon a Marquess

“Jesus!” he yelped.

“I fear not,” said a silky voice, and Curtis realised that he had collided with da Silva. “Both Jewish, of course, but the resemblance ends there.”
― K.J. Charles

“The trouble with denying children the freedom to be themselves—with forcing them into an idea of what they should be, not allowing them to choose their own paths—is that all too often, the one drawing the design knows nothing of the desires of their model.”
― Seanan McGuire, Down Among the Sticks and Bones

“Nuryevet wasn't a real thing--it was a story that people told one another. An idea they constructed in fantasy and then in stone and mortar, in lines of ink in labyrinthine law books, in cities and roads. It was a map, if you will, drawn on a one-to-one scale and laid out over the whole landscape like so much smothering cloth. So when I say there was nothing in Nuryevet worth saving, that's what I mean: the story wasn't worth saving, and none of its monstrous whelps were either--the government, their methods, the idea that they could feed their poor to the story like cattle to a sea monster so the wealthy could eat its leavings.”
― Alexandra Rowland, A Conspiracy of Truths

“If you must know, she is the one soul destined for my own, and we are going to be together forever,” he declared loftily. “That’s weird,” Luke told him. “We’re thirteen.”
― Sarah Rees Brennan, In Other Lands

“I do not know if you are not interested, or protecting yourself, but you cannot guard yourself against the whole world. You only succeed in placing a barrier between yourself from the world." He hesitated. "I know that from personal experience.”
― Sarah Rees Brennan, In Other Lands

“Elliot was trying to teach himself trollish via a two-hundred-year-old book by a man who’d had a traumatic break-up with a troll. This meant a lot of commentary along the lines of “This is how trolls say I love you. FOOTNOTE: BUT THEY DON’T MEAN IT!”
― Sarah Rees Brennan, In Other Lands

“I don’t need you to explain to me the concept of a magical land filled with fantastic creatures that only certain special children can enter. I am acquainted with the last several centuries of popular culture. There are books. And cartoons, for the illiterate.”
― Sarah Rees Brennan, In Other Lands

“There isn’t any kind of relationship that’s all problem-free delightful unicorns. You can’t have a relationship without issues and prejudices. The way to be equals is if both people agree to be equals, and treat themselves and each other as equals, despite all that.”
― Sarah Rees Brennan, In Other Lands

“Magic lands in books had always seemed close to nature, but in a nice way, without all the unpleasant details.”
― Sarah Rees Brennan, In Other Lands

“Why is language in the Borderlands so weird? Some of it’s modern, and some of it’s medieval, and I guess that makes sense with the influx of a certain amount of new blood to the training camp every year, but how do some words and phrases transfer, while others don’t? Why do you know the word ‘jerk’ and not the word ‘bisexual’?”
“I guess people say the first word more,” said Luke.”
― Sarah Rees Brennan, In Other Lands

“Really, Sunborn? No, really. All right then. Tell me about computers.” “Well . . .” Luke said, and looked shifty about the eyes. “They’re boxes . . . but you can write things in them. And read things in them. And there are cats in them who are funny for some reason. They’re like—boxes of infinity. And! You keep the wikipedia in them!”
― Sarah Rees Brennan, In Other Lands

“Maybe both our societies are messed up, and they each only think one type of person is really a person. And the type of person they think is really a person is allowed to show imperfections and age . . . whereas the type of person they think is an object should show no signs of being a person. We’re socialized to see the imperfections in those objects.”
― Sarah Rees Brennan, In Other Lands

“Are you telling me that I have magical powers … because I can’t walk through walls? That dosen’t seem right.”
― Sarah Rees Brennan, The Turn of the Story

“The code of not telling tales was the usual stuff where stronger people tried to impose their rules on weaker people so they could get away with everything.”
― Sarah Rees Brennan, In Other Lands

“Whoosh! went the bluebird of sarcasm, zooming miles above Dale’s head.”
― Sarah Rees Brennan, The Turn of the Story