sofiazee > sofiazee's Quotes

“abstraction, n.

Love is one kind of abstraction. And then there are those nights when I sleep alone, when I curl into a pillow that isn't you, when I hear the tiptoe sounds that aren't yours. It's not as if I can conjure you up completely. I must embrace the idea of you instead.”
― David Levithan, The Lover's Dictionary

“I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string.”
― Haruki Murakami, The Wind-Up Bird Chronicle

“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
― Haruki Murakami, Kafka on the Shore

“Memories warm you up from the inside. But they also tear you apart.”
― Haruki Murakami, Kafka on the Shore

“When I find a magazine and I lean back to start reading it, I can see the woman watching me out of the corner of her eye. She moves closer to the child and she puts her arm around him and she leans over and kisses his forehead. I know why she does it and I don't blame her and as I open my magazine my heart breaks and I hope that the little boy doesn't grow up to be anything like me.”
― James Frey, A Million Little Pieces

“And did I pass?" The face of the old woman on my right was unreadable in the gathering dusk. On my left the younger woman said, "You don't pass or fail at being a person, dear.”
― Neil Gaiman, The Ocean at the End of the Lane

“Adults should not weep, I knew. They did not have mothers who would comfort them.”
― Neil Gaiman, The Ocean at the End of the Lane

“Does it make you feel big to make a little boy cry?”
― Neil Gaiman, The Ocean at the End of the Lane

“Love is by definition an unmerited gift; being loved without meriting it is the very proof of real love. If a woman tells me: I love you because you're intelligent, because you're decent, because you buy me gifts, because you don't chase women, because you do the dishes, then I'm disappointed; such love seems a rather self-interested business. How much finer it is to hear: I'm crazy about you even though you're neither intelligent nor decent, even though you're a liar, an egotist, a bastard.”
― Milan Kundera, Slowness

“There is a secret bond between slowness and memory, between speed and forgetting.

A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down.

Meanwhile, a person who wants to forget a disagreeable incident he has just lived through starts unconsciously to speed up his pace, as if he were trying to distance himself from a thing still too close to him in time.

In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.”
― Milan Kundera, Slowness

“The religion of orgasm: utilitarianism projected into sex life; efficiency versus indolence; coition reduced to an obstacle to be got past as quickly as possible in order to reach an ecstatic explosion, the only true goal of love-making and of the universe.”
― Milan Kundera, Slowness

“Adults were pack rats of old, useless emotions.”
― Reif Larsen, The Selected Works of T.S. Spivet

“Dr. Clair looked at Layton. The mancala pieces were still in her hand.

If Angela Ashforth ever says anything like that to you again, you tell her that just because she's insecure about being a little girl in a society that puts an inordinate amount of pressure on little girls to live up to certain physical, emotional and ideological standards -- many of which are improper, unhealthy and self-perpetuating -- doesn't mean she has to take her misplaced self-loathing out on a nice boy like you. You may be inherently a part of the problem but that doesn't mean you aren't a nice boy with nice manners and it certainly doesn't mean you have AIDS."

I'm not sure I can remember all that," Layton said.

Well then, tell Angela that her mother is a white trash drunk from Butte.”
― Reif Larsen, The Selected Works of T.S. Spivet

“What happened to all the historical detritus in the world? Some of it made it into drawers of museums, okay, but what about all those old postcards, the photoplates, the maps on napkins, the private journals with little latches on them? Did they burn in house fires? Were they sold at yard sales for 75¢? Or did they all just crumble into themselves like everything else in this world, the secret little stories contained within their pages disappearing, disappearing, and now gone forever.”
― Reif Larsen, The Selected Works of T.S. Spivet

“But it is not bravery; I have no choice. I wake up and live my life. Don't you do the same?”
― Anthony Doerr, All the Light We Cannot See

“Every hour, she thinks, someone for whom the war was memory falls out of the world.”
― Anthony Doerr, All the Light We Cannot See

“In the stories after the war, all the resistance heroes were dashing, sinewy types who could construct machine guns from paperclips. And the Germans either raised their godlike blond heads through open tank hatches to watch broken cities scroll past, or else were psychopathic, sex-crazed torturers of beautiful Jewesses. Where did the boy fit in? He made such a faint presence. It was like being in the room with a feather. But his soul glowed with some fundamental kindness, didn’t it?”
― Anthony Doerr, All the Light We Cannot See

“He's not human; he's an empty space disguised as a human.”
― John Fowles, The Collector

“Seeing her made me feel like I was catching a rarity, going up to it very careful, heart-in-mouth as they say.”
― John Fowles

“Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That's its balance.”
― Osho Rajneesh, Everyday Osho: 365 Daily Meditations for the Here and Now

“Comfort resides in the chains.”
― Charissa Ong Ty, Midnight Monologues

“So stay true to your own nature. If you like to do things in a slow and steady way, don't let others make you feel as if you have to race. If you enjoy depth, don't force yourself to seek breadth. If you prefer single-tasking to multi-tasking, stick to your guns. Being relatively unmoved by rewards gives you the incalculable power to go your own way.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“Shyness is the fear of social disapproval or humiliation, while introversion is a preference for environments that are not overstimulating. Shyness is inherently painful; introversion is not.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“Whoever you are, bear in mind that appearance is not reality. Some people act like extroverts, but the effort costs them energy, authenticity, and even physical health. Others seem aloof or self-contained, but their inner landscapes are rich and full of drama. So the next time you see a person with a composed face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the powers of quiet.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“MEMORY'S SO TREACHEROUS. ONE MOMENT YOU'RE LOST IN A CARNIVAL OF DELIGHTS, WITH POIGNANT CHILDHOOD AROMAS , THE FLASHING NEON OF PUBERTY, ALL THAT SENTIMENTAL CANDY-FLOSS ...

THE NEXT , IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO...

...SOMEWHERE DARK AND COLD, FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE FORGOTTEN.

MEMORIES CAN BE VILE, REPULSIVE LITTLE BRUTES. LIKE CHILDREN, I SUPPOSE. HAHA.

BUT CAN WE LIVE WITHOUT THEM? MEMORIES ARE WHAT OUR REASON IS BASED UPON. IF WE CAN'T FACE THEM, WE DENY REASON ITSELF!

ALGHOUGH, WHY NOT? WE AREN'T CONTRACTUALLY TIED DOWN TO RATIONALITY!

THERE IS NO SANITY CLAUSE!

SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS UNBEARABLE, REMEMBER THERE'S ALWAYS MADNESS.

MADNESS IS THE EMERGENCY EXIT...

YOU CAN JUST STEP OUTSIDE, AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM AWAY...

FOREVER.”
― Alan Moore, Batman: The Killing Joke

“During the week their fingers were often wagging at each other teasingly, moments before their hands were clasped together affectionately. During our first lunch the Archbishop told the story of a talk they were giving together. As they were getting ready to walk on stage, the Dalai Lama—the world’s icon of compassion and peace—pretended to choke his spiritual older brother. The Archbishop turned to the Dalai Lama and said, “Hey, the cameras are on us, act like a holy man.” These”
― Dalai Lama XIV, The Book of Joy: Lasting Happiness in a Changing World

“If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn't spoken to another person for two consecutive days. FINE is what you say.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“These days, loneliness is the new cancer—a shameful, embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people don’t want to hear the word spoken aloud for fear that they might too be afflicted, or that it might tempt fate into visiting a similar horror upon them.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“I wasn't good at pretending, that was the thing. After what had happened in that burning house, given what went on there, I could see no point in being anything other than truthful with the world. I had, literally, nothing left to lose. But, by careful observation from the sidelines, I'd worked out that social success is often built on pretending just a little. Popular people sometimes have to laugh at things they don't find very funny, or do things they don't particularly want to, with people whose company they don't particularly enjoy. Not me. I had decided, years ago, that if the choice was between that or flying solo, then I'd fly solo. It was safer that way. Grief is the price we pay for love, so they say. The price is far too high.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“Whenever I'd been sad or upset before, the relevant people in my life would simply call my social worker and I'd be moved somewhere else. Raymond hadn't phoned anyone or asked an outside agency to intervene. He'd elected to look after me himself. I'd been pondering this, and concluded that there must be some people for whom difficult behavior wasn't a reason to end their relationship with you. If they liked you -- and, I remembered, Raymond and I had agreed that we were pals now -- then, it seemed, they were prepared to maintain contact, even if you were sad, or upset, or behaving in very challenging ways. This was something of a revelation.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine