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tvhgvc
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Feb 04, 2022 01:30AM

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I think that the problems, generally, are ones of pacing and length. A book can be relatively slow, action-wise, as you are privy to what's going on inside the character's head, something a film can't do without a voice-over, which rarely works well. The amount that happens would also tend to be far too long for a movie - consider 90-120 pages of script for a film versus 300-400 pages for a book. The recent TV series of Good Omens demonstrates that: 1 book making 6 hours of TV in a pretty direct conversion from page to screen.
The film adaptation of Jurassic Park came reasonably close to the book, but Michael Crichton's books were always cinematic; hardly surprising when he was involved in TV and film for almost long as he was a writer.
So as much as I'd love to see Lois's work on the screen, I'd want it to resemble the books, and I can't see that happening. Although the Penric & Desdemona novellas, being a shorter form, might have a reasonable chance at it.

Yep. That's why my best hope, if I ever get a media adaptation, would be for a book-respectful mini-series, not a much shorter feature film that, if only due to length constraints, would have to leave 3/4ths of the material on the cutting room floor. (Now, there's a technologically obsolete turn of phrase!) Novellas are indeed about the right length, but I don't think many of mine would make much sense without their parent series.
Ta, L.


I have no real idea how Twitter works, but at best this sounds... unprofessional. I'd rather leave the work to my perfectly competent media rights agents, thanks.
L.



We should judge the quality, not the personality!


And then I want to see That Scene from The Vor Game.
And i wonder if it might be better in animation than in live action. Casting voices is presumably easier than casting bodies.


There have been multiple companies that began work on screen adaptations of Anne McCaffrey's works; they all stalled out at some point. It would perhaps be instructive to look into the reasons, because I'm pretty sure many of them would apply equally to any book-to-screen endeavor.

IMO, of all of Ms. Bujold's works, the Chalion novels are the ones most likely to be adaptable for the screen. The Curse of Chalion, especially, has just the right kind of mixture of medievalesque politics and supernatural that the producers who are looking for the "next Game of Thrones" nowadays might take a liking to.
The Penric and Desdemona novellas fulfil these criteria to some extent as well, but the problem with adapting them to screen is how would Des be depicted in a visual medium? As just a disembodied voice? As an apparition of sorts floating alongside Pen? And without showing her onscreen in some way, all the scenes of Pen talking to her would devolve into scenes of a guy babbling to himself in different voices.

Rereading Knife Children
In several scenes, Yina finds out how much of a fool was younger Barr
This is contrasted by Yina seeing older Barr's handling of everything thrown at Barr in Knife Children, including Lily being a strong mage
Yina has ample proof that Barr can be taught ( or Barr growing wiser as Barr gets older )
Gryphonkit, my wife, says one of my most attractive traits, especially after her previous male friends, and male relationships, was I could be taught
And a Good listener ( necessary for learning )
Barr also shows several instances of not saying all Barr is thinking, especially around woman
In my experience, a hard learned trait for most males who want to mansplain all over the ladies ( try to raise you kids with some 50% male 50% female interests, after the pandemic I recommend Renaissance Festivals and the better grade of Anime Convention )
f

And then I want to see That Scene from The Vor Game.
And i wonder if it might be better in animation than in live action. Casting voices is presumably..."
Ah, but which That Scene? Where Miles joins the freezing troops? His sexual panic attack with "Livia Nu?" His dialog with Gregor in the ImpSec holding cell? The conference where Captain Ungari is not in a listening mood? Or, the plasma canon fake-out where Gregor saves himself?