T.R. Robinson's Blog, page 29

Pamela King – Interview

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Welcome Pamela King

Author of Angel with Drumsticks; and

Co-author of For the Love of a Dingo

(Links to both books are at the end of this interview.)

 

Please tell us a little about yourself.

My journey from shy young woman, lacking in self-confidence to a mature woman with a self-assured persona who, as a tourism manager, was able to feel comfortable with people of all sectors of the community, give presentations and talks, teach and produce well written and attractive marketing materials was largely due to two bosses I had on my journey. They both insisted I was capable of carrying out tasks I would never had dreamed of undertaking; not only giving me confidence but an awareness of skills I was unaware of within my being.

What first inspired you to write?

Angel with Drumsticks was my first attempt at writing a lengthy story. It is actually my husband’s story about a painful part of his life that has stayed with him. We both felt that the story had to be told. It was an emotional exercise for him but I believe that now it is out he has finally accepted what happened.

In what genre(s) do you prefer to write?

I prefer non-fiction and enjoy the research part of writing in that genre but I have some ideas for fictional work that I hope to pursue in the future.

Are you working on another book?

Yes, I am working on another biography. It is the story of an Australian woman who led the fight to have the Dingo acknowledged as an Australian native animal, understood as a gentle and loving companion and as Australia’s apex predator the protector of small native mammals.

Your books have obviously required research. What do you consider the best resources?

Personal knowledge and experience has been the core of both books published and the one I am currently working on.

My first go to is the Internet because it is quick and easy, however, as a resource it must not be depended on. This was reinforced when I was researching background material for Angel with Drumsticks.

For my current project I am fortunate to have original documents and the personal writings by my central character and these are certainly my most valuable resource.

Having said that, there is nothing quite like sitting in a library and carefully turning the pages of original books to give you a feeling that you are undertaking research; especially when the library concerned is a grand and historic building.

Do you consider your book(s) convey messages to readers?

I am not sure about my first two books I think they do have some subtle messages. However, I sincerely hope that my next book will help people to understand and appreciate more about the dingo.

What advice would you give to authors who are just starting out?

Start with something you know about so that you are comfortable with the backdrop to your story. That way you can focus on your story line and the scenes will fall into place naturally.

At the same time don’t include too many references to items that people worldwide may not be familiar with. I have just completed a book set in New York and I was totally lost when it came to mention of particular food, clothing brands and landmarks.

This is something I also learnt from you, Tanya, with my last book. It is a very Australian story about a little known state of affairs for the Australian dingo and I should have provided more background information for an international market. (It will be rectified in the next story.)

Biographies, autobiographies, memoirs: What advice would you give, about using real names and descriptions, to authors who write in this genre?  I ask because many raise concerns about the issue.

This is something I am struggling with currently. As I am at still at the research stage I have a bit more time to grapple with this issue.

Do you self-edit or do you think a book should only be professionally edited?

I give my manuscript to my husband first and he mostly picks up typos and gives his opinion on whether I have gone into too much detail or not provided enough. As English is not his first language there is a limit to what he will pick up.

I self-edit first to try and pick up simple things like typos, spelling and grammatical errors. I also look for words I have used too much, then search for them throughout the document and make changes.

I don’t have a professional editor but I do have a friend who is a former editor that I rely on. Her grammar knowledge is excellent (we call her the “grammar police”) and she made some brilliant suggestions for my first book.

How do you go about marketing your books?

Angel with Drumsticks has been difficult in many ways. Giving it a category whether it is music, religion or simply biography limits the target markets. The audience that remember the event is also relatively small. There is information about the event readily available, sadly much of it is incorrect.

For the Love of a Dingo is in many ways a marketing tool itself for my next book by giving readers a taste of what is to come.

I read somewhere that marketing a new book should begin three years in advance. I have established a Facebook page and blog specifically for the “Dingo Lady” project and most of my sales of For Love of a Dingo have come through these social media sources. With regular posts it keeps my project in the public eye.

This exercise has also put me in contact with what I refer to as ‘the new wave of dingo advocates’ who are up to date with current issues, laws and dingo research.

How important do you think reviews are?

I think they are valuable rather than important depending on whether other promotional opportunities are available.

If you consider reviews important, how do you go about obtaining them for your books?

I have been lucky that some authors have been happy to review my books in exchange for me reviewing theirs. However, I have found other than that it a very time consuming and frustrating chore.

I have used IndieView and that means wading through pages of reviewers to find those that might be interested in your genre and that it is in a format they will accept.

I believe it is important to treat the reviewer courteously and that means a fresh personalised email to each one.  Also, Every reviewer wants different information included; some more than others. By the time your list has those who don’t reply crossed off and those that can’t/won’t accept the book you spent many hours for maybe only one reviewer to accept your book.

I have also used a couple of websites where you can list your book for review. One didn’t get picked up and the other site requires you reading other people’s books. That’s fair enough but you don’t get a big range to choose from.

Do you have a preferred genre for when you read?

I enjoy nonfiction particularly history and interesting memoirs.

For fiction my favourites are murder mysteries and legal thrillers but really anything that tells a good story.

This is an age old question but one I consider of interest. If you were stranded on a desert island, which three books would you like to have with you?

I’d probably miss the ship while trying to decide but here goes:

Narnia Chronicles for fantasy and child-like escapism

A compendium edition of one of my favourite ‘who-dun-it writers’

A good size, up to date world history book with loads of information.

I don’t travel light – can I take my kindle I can get a lot more on that.

Please share with us links to where readers may obtain more information and insight into who you are.

Website: www.pam.id.au

Blogs:

Dedicated to books and research relating to the Australian Dingo:

http://dingolady.blogspot.com.au/

Pamela’s reviews of books she has read:

http://pambookreviews.blogspot.com.au/

A general blog in which Pamela shares personal information, ideas and thoughts:

http://anunlikelyone.blogspot.com.au/

Thank you Pamela for sharing with us your interesting history and experiences.

These are the books referred to above with links to where you may obtain them:

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Amazon.com

Amazon.co.uk

Amazon.au

This book is also available in Italian here.

If interested, you may read T. R.’s review here.

 

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Amazon.com

Amazon.co.uk

Amazon.au

If interested, you may read T. R.’s review here.

Book Retailers

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Recently in ‘Why Amazon?’ the availability of alternative on-line purchase sites (as well as self-publishing systems) was discussed. Some alternatives where named but not linked to. In response one reader commented they would like to have life made easy for them by having links to various other sites provided. This is in response to that request; there may be others who feel the same.

Before continuing, readers will undoubtedly be aware, to use any on-line retail site, each will require them to set up an account. It is not an onerous task as most make the matter straight forward and simple. Nevertheless, it will take a few minutes to do. In general, the following information is required:

First and last names;
E-mail contact address;
Some request a ‘User Name’ that is different to actual names and e-mail address;
Password (for securing the account);
Birthday (not all sites require this);
Credit/Debit card details;
Billing address (as associated with the card);
Contact telephone number (not all sites require this);
Some will also require the inclusion of security question(s) (To further safeguard accounts in these days of random hacking).

In addition, when ordering books/products it may be necessary to enter a delivery address; if it is different to the credit/debit card billing address.

As this website and blog are primarily dedicated to readers and authors the following list has been restricted to Book retail sites. Of course, some may also have other products available but those are not the topic of this discussion.

On-line Retail Sites

The following is a list of SOME book retail sites. It is by no means conclusive. There are a vast number of less well known retailers but it would make this far too long and unwieldy to try and locate and include all. If there is a site a reader considers useful, important and reliable, they may add a comment in which a link may be included. PLEASE NOTE: Please do not add any information about a site that only caters for erotica or books containing explicit sexual scenes or gratuitous violence. Such material is excluded from this website and associated blog and any comment including such will be deleted.

Note: Where possible, the following links will be to account sign-up pages. Simply click on the retailer’s name.

Smashwords: Digital e-books only but in a variety of formats to suite all device types: computer, tablet, e-reader, smartphone. (.epub; .mobi; .pdf; etc.)

Barnes & Noble (Incudes NOOK; their digital division): When site reached select the ‘My Account’ drop down from the header and then click Create an Account. Physical, digital and audio editions are available.

iBooks: An Apple ID is required (The link will go to the ID creation page). Subsequently, users will need to download iTunes to their device (https://www.apple.com/itunes/). They may also need to download the iBooks app from the applications store (usually comes already installed in Apple devices (Mac; iPad; iPhone).

Kobo: Digital e-books only.

Google Play: Digital e-book and audio editions.

SCRIBD: Digital e-book and audio editions. When site reached click ‘Sing In’ (top right). Scroll to bottom of pop-up window. Click ‘Sign Up’ next to ‘New to Scribd?’.

Note: There is a thirty (30) day free option and a longer term membership for $8.99 per month.

Amazon: Included here in case there is anyone new to the book reading/publishing life. Amazon caters for most territories and has provided on-line retail sites within most countries. The title link will take readers to the .com (general use USA site). There are also Amazon.co.uk (UK); Amazon.fr (France); Amazon.de (Germany); etc. sites. Users simply need to search their own ‘national’ internet to locate the relevant Amazon site for them. Amazon provides books in ALL formats: Paperback; Hardback; Digital e-book; Audio; MP3.

As previously mentioned there are many more on-line retailers. The above list is simply intended to include the more well-known ones.

Bookstores with on-line options

Most readers will be aware of the demise of many bricks-and-mortar high street book shops. A very sad event. Nevertheless, there are a handful that have survived. Many, especially the longer established ones, accepting the need to remain competitive, also provide on-line purchasing options. The following are just a handful within the United Kingdom (UK). No doubt there are many such within the United States of America (USA) but the writer, being British based, has no knowledge of them. Within the restrictions outlined above, readers may add details within a comment.

Blackwells: All formats; hardback; paperback; digital e-book; audio.

Waterstones: All formats; hardback; paperback; digital e-book; audio.

WHSmith: All formats; hardback; paperback; digital e-book; audio.

Alternatives

There are some sites that enable users to read a book without purchasing it. These normally attract a monthly fee but for some, especially avid readers who are not concerned about actually owning the book, these may prove a more economical option. The following is one such. Again, readers may highlight others by adding a comment. Remember the restrictions outlined above please.

OverDrive: This is a reading service connected to local libraries rather than a book retailer. Users will need to download their app.

Author Recompense

Hopefully book purchasers want authors to receive due recompense for their hard, time consuming, creative work. All the sites mentioned above either pay royalties direct to authors or through an intermediary distributor. For example, Smashwords distributes to multiple retailers (iBooks, Barnes & Nobel, Kobo, to name but some). When a book is sold through one of their sites the appropriate royalty payment is forwarded to Smashwords who then pay the author.

Conclusion

There are many on-line retailers which have come into their own in modern technologically orientated societies. It is estimated at least sixty percent (60%) of purchasing is now conducted on-line.

There is a degree of limitation in that many of the on-line book purchasing sites only provide for digital editions. Some also carry audio editions but most do not provide for physical editions. Of course, there are exceptions such as Amazon and the on-line sites of bookstores. Some think this will contribute to the demise of physical books all together however, that is a very debatable point.

Devise reading whether computer, tablet, e-reader or smartphone, does provide greater accessibility to books. Consequently, on-line purchasing is useful as books may be immediately downloaded; an asset in these ‘impatient’ days.

It should be noted, as most of these on-line retailers are based in the USA most pricing is in US$s.

As pointed out, the above is by no means an exhaustive list or resume of on-line retailers and readers are welcome to draw attention to others they know of.  BUT, please remember the constraints.

Wrong Place Wrong Time by David Perlmutter

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From the start the reader will appreciate the honest self-criticism of this memoir. Whatever they may think of the author’s behaviour they will, surprisingly perhaps, find themselves drawn in. The author does come across as having been a bit of a ‘Jack-the-Lad’ character.

The writing is light, easy and descriptive, providing the reader with a book they may enjoy at any time. This is not to say there is no depth or relevance, there is. The pace is also steady carrying the reader along without any sense of effort. With many authors the recounting of day-to-day life and daily progression may often become boring. However, not so with this book. The style retains the readers interest even when describing simple matters e.g. enjoying a drink, walking along a street, etc. and encourages an appetite to know what will occur next.

The synopsis provides a full overview of the tale though there are elements not completely revealed. It could have easily acted as a spoiler for potential readers but does not; there is more to the tale which builds round the events highlighted. There are misunderstandings that have unfortunate, and unexpected, results. There are also further foolish actions that lead to very real trouble, especially with overseas authorities. The reader, along with the author, may sometimes find it difficult to comprehend the motivations behind some of his actions however, many will have to acknowledge, when looking back into their own lives, there were times when they did not understand why they did something. Part of the human emotional makeup presumably; not always easy to understand.

Within the tale there are a limited number of sexual encounters which, though the author has not been over explicit, may prove a little too much for some readers. It has to be said they seem to have been included by default in acquiescence to an apparently modern demand for such scenes. In all honesty, these add nothing and do little for the overall tale. Their inclusion does feel a little forced.

What the reader may think of the author is down to the individual and not something to be commented on in this review. Nevertheless, the honest self-criticisms may act as warnings for readers who may be tempted to give in to all their cravings or perhaps the desire to break out of life’s routines in an inappropriate manner.

Four stars (4*).

The book is available in paperback, e-book and audio formats.

Amazon.com                  Amazon.co.uk                  Smashwords

Writer’s Block

[image error]‘The condition of being unable to create a piece of written work because something in your mind prevents you from doing it.’ (Cambridge Dictionary)

‘The condition of being unable to think of what to write or how to proceed with writing.’ (Oxford Dictionary)

‘A usually temporary condition in which a writer finds it impossible to proceed with the writing of a novel, play, or other work.’ (Dictionary.com)

‘A psychological inhibition preventing a writer from proceeding with a piece.’ (Merriam-Webster)

Note: Though, especially in view of the designated purpose for this website and associated blog, the following is primarily aimed at authors, what is shared may, and does, apply to other forms of writing. Some aspects may also be applied to other, non-writing, situations.

Causes

Though there may be similarities between people, each is essentially unique and different. Consequently, the following list of suggested causes will not cover everyone’s experience. These are simply some generally heard of ‘inferred’ causes and are in no particular order or preference.

Creative problem within the work itself: Plot; Chronology; Character; Progression.
Inspiration: Lacking or temporarily missing.
Distractions: General life; Employment; Family; etc.
Health: Poor; Illness (temporary or long term); Pain; etc.
Relationship breakdown.
Depression: Includes having a sense of failure for some reason.
Fear: Work will not live up to expectations; Of criticism; etc.
Stress: Financial; Emotional; Relationship; etc.
Tiredness: Includes over activity (everyone needs a rest period).
Intimidated by previous success: Worried new work will not achieve same standard.
Pressure to produce: Deadline; Unfamiliar genre; Writing to please someone else; etc.
Perfectionism: Wanting everything perfect in mind before actual writing.
Impatience: Wanting to get work published quickly.
Blank Page Syndrome: Staring at blank page/screen with no idea of what to write.

Solutions

Again, it is not possible to provide a comprehensive list. Nevertheless, these suggestions are based upon solutions many have found helpful. Again, not in any particular order or preference.

Free writing: Simply writing whatever comes to mind, whether it appears to make sense or not. This has proven to be one of the most helpful for many. In this writer’s experience, when returning to the writing a day or two later, what appeared to make no sense may frequently prove to be usable.
Step away: Break the routine.
Do something Else creative: Paint; Blog; Website design; Do-It-Yourself; etc.
Brainstorm: Ideas; Plots; Character Development; World Building; etc. On own or with others.
Set realistic goals: Authors can be unrealistic about how much they wish to write within a given time period. N.B. This does not imply failure, just a more factual appreciation of what they are able, physically and mentally, to produce.
Exercise: May be gentle (a walk, light workout, etc.) or more aggressive (running, football, etc.). All down to the individual. Gets the blood flowing; helps the brain.
Read: Preferably books in another genre to that in which the author writes. Rests the mind and enables fresh ideas to enter.
Write alternatives: When cannot decide best way to present situation/action. One will usually stand out.
Keep notebook: Enables ideas; phrases; etc. to be recorded whenever they occur. Normally, helps release the ‘block’.
Abandon chronology: Approach work sideways i.e. write a later scene/chapter. Helps where there has been a ‘flow’ problem or just a simple hang-up.
Schedule writing time: Discipline to write and not to do anything else within the given period. May sound counterproductive but can in fact cause a release; does take self-discipline.
Night writing: Write something before going to sleep; brain will undoubtedly work on it during night.
Morning: Write straight after waking; brain is freshest and unburdened with other matters.
Forethought: Have some concept of what the work is about before setting out (avoids Blank Page Syndrome).

Does Writer’s Block Really Exist?

Arguments about this often arise in social media discussions and elsewhere. Whatever a person’s view point, it cannot be denied authors and writers in general do occasionally incur periods when they have some sort of mind blockage. This could simply be due to something as simple as tiredness but whatever it is, it is real to the person concerned.

How this ‘blockage’ is defined may have its own impact. Some will argue it is a ‘psychological’ condition others it is not. One piece of advice seen (unable to recall where or by whom) is that simply naming the matter as ‘Writer’s Block’ can aggravate the impact. In truth, they suggest, it is simply a ‘situation’ and not a ‘condition’. Makes a lot of sense as for most it is a passing issue. For those where it is longer term, there is probably something more underlying the problem.

Steven King also has a valid argument. The following is not a verbatim quote but more of an explanation of his statement: A truck driver does not wake up one morning ‘feeling’ they do not want to drive that day and so remains home. No matter how they ‘feel’ they get up, go to work, and drive wherever. And, guess what, they fulfil their employer’s expectations; they reach their destination and deliver, or collect, whatever they were meant to. Same for authors: no matter how they feel they should be getting up and ‘getting on with it.’. Just imagine if everyone who woke up not ‘feeling’ like going into work did not. The point is valid and, as indicated by the truck driver synonym, results in the task being ultimately achieved. True, the examples are of physical actions, which tend to be easier no matter the ‘feelings’. Nevertheless, self-discipline and perseverance pay off. In practice it is no different for an author.

No solution

Whenever such a situation is encountered it is unlikely the sufferer will be able to overcome it by:

Refraining from writing until ‘inspiration’ arises.
Self-pity.
Procrastination.
Making excuses.
Watching television.
Any ‘head-in-the-sand’ activity.

Conclusion

Whatever label is applied, there are times when an author, writer or whoever, will more than likely encounter some sort of blockage.

In most instances these should be recognised as being temporary. Generally, they are not a psychological problem or condition; they are simply temporary situations and should be seen as such.

It is possible to take action to defeat the feeling which, in most cases, is all it is.

The ‘sufferer’ needs to be proactive rather than a dormant acceptor. Nothing has ever been accomplished by simply giving in with a ‘I’ll never achieve anything’ attitude. The creative muse and ability is always present, no matter how well hidden it may become. Mining by the exercise of self-disciple and perseverance will ultimately result in something: usually quite good.

With respect to the fear of criticism. Whenever has someone’s thought/opinion actually changed who a person is? Answer should be never. Everyone IS unique and everyone has something to give. Allow and enable that unique creativity to flow.

Sail Away by Suzy Stewart Dubot

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The cover and style of this short story give the impression of it being a memoir. It does in fact read as such. However, there is some confusion: the synopsis states it is a true story whereas the prelude, within the front matter of the book itself states: ‘This is a work of fiction.’. Most readers will probably incline to the former.

It is primarily the tale of a young girl’s thoughts upon being taken upon a lengthy journey to a foreign land and away from her father. The observations are realistic and appear to be based upon valid research if not actual experience. Whether this is entirely fictional or drawn from other people’s experiences is debatable: as said there is some confusion. Nevertheless, should it indeed be the circumstance, due credit must be given to the author’s affirmation that this is a fictional work even though it reads so realistically.

This is not, in any way, a dramatic or unusual tale and indeed is short; thirteen pages (2,970 words). Nevertheless, it is a pleasant tale that will temporarily occupy a reader. It is nicely written and conveys a child’s thoughts and emotions effectively.

No more may really be said without spoiling it for the potential reader.

Three stars (3*).

The book is available in digital format only.

Amazon.com                Amazon.co.uk                Smashwords (.epub; .mobi; .pdf; etc.)

Hashtags (#)

[image error]‘A word or phrase preceded by a hash sign (#), used on social media websites and applications, especially Twitter, to identify messages on a specific topic.’ (Oxford Dictionary)

‘Used in social media to identify messages on a specific topic/theme.’ (Unknown)

Social media users will undoubtedly have come across the hashtag (#) symbol, especially if they have a Twitter account. Twitter is where the first # came into play and remains the principle site for its use.

Before continuing, it should be noted the # symbol is often referred to as a ‘pound’ sign within the United States of America. This should not be confused with the British ‘£’ sign.

History

The # symbol was originally used within technological systems to identify special meanings and had no general public usage.

In August 2007 the suggestion was made, because lay users did not know how to navigate round the system, for Twitter to adopt the symbol as a means of tagging topics of similar interest. Twitter management could not see this would be of any real use so did not adopt the idea.

In October 2007, users, of their own volition, started using the symbol in tweets regarding the Southern California San Diego forest fires (#SanDiegoFire). However, Twitter still did not adopt its use.

In 2009-2010, users commenced the general use of the # within tweets relating to the concurrent Iranian election protests.

In July 2009, probably realising how effective their users where finding the use of the #, Twitter began to hyperlink #’s in tweets. They subsequently went on to list ‘Trending Topics’ identified by consistent use of hashtaged (spelling uncertain; some use two ‘g’) swords/descriptions.

Functionality

As already noted, the # symbol may be used to identify topics of specific, similar or related interest.

A hashtaged word or phrase can have the equivalent impact as a keyword (see SEO – Keywords).

Hashtags are searchable. A search result will usually not only display tweets within which the same # word/phrase has been used but also accounts based upon the interest represented by the # tag.

Consistent, high volume use of a hashtag will eventually identify the subject as one of trending interest (A Trending Topic).

Creating

Hashtags are not registered or controlled.

Anyone may create them.

A hashtag may consist of more than one word. However, the following constraints need to be observed:

Spaces: There can be no spaces between words. If there are, only the first word will be recoded as hashed which may mean the intended subject/topic of discussion will be overlooked. Where there is more than one word, the user may identify each by entering the first letter of each word in uppercase e.g. #ElectionBroadcast.

Numbers: These may be used but again, without any space between them and any word(s) e.g. #No10.

Punctuation: Cannot be used. The system will neglect any such hashtag.

Using

Users, if they are not to be considered spammers or do not wish to be banned from a service, must ensure they use #’s appropriately. They must ensure they are relevant and on topic.

It is acceptable and possible, to create unique #’s. Users will undoubtedly want to do this when they wish to draw attention to their own interests. Nevertheless, they should be careful not to mistakenly utilise these to just ‘push’ their own services or products. People will be deterred very quickly if the hashtag is seen to be aggressively ‘promoting’ the instigators own interests.

The length of a hashtag should be carefully considered. Though others may be interested in the topic/subject and may even wish to add their own contribution, they will not want to have to enter lengthy #’s. Remember, there is a one hundred and forty (140) character limitation within Twitter.

Before creating a new # it is worthwhile checking to see if it has been used previously. This may be determined by utilising the simple search option. Users should note, if they decide to utilise a # that has already been used widely their content may become lost within any search result. Consequently, it may serve no purpose to adopt the same #. They are advised to try and find their own unique one.

Statistics have shown it is advisable to generally include ONLY one or two #’s within a tweet. Three is definitely the maximum. Any more and readers are more than likely to ignore the tweet and related content.

It has been noted many users now use #’s to draw attention to humour (satirical and otherwise), comments, etc. Society has changed and it appears this behaviour and intent does attract some and seems to be affective but to what end the writer is unsure.

Other Sites

Facebook: Following the eventual success within Twitter, there was an attempt to utilise the # within Facebook. However, though it is usable within the site, it really has not taken off to the same degree or, to be honest, anywhere near to the same degree, as Twitter. Nevertheless, it is available within Facebook. Users need to note, the result of any search of a hashtag within the Facebook system will only display posts, within which the # has been used and that have been shared with the user. It should also be noted, within Facebook, if there are more than two (2) hashtags within a post it will be treated as having a lower engagement.

Pinterest: Pinterest recommends NOT using hashtags because it automatically searches for related topics depending upon the image identification. The system prefers users include keyword rich descriptions with pins so as to identify the subject matter.

Instagram: Again, the system prefers users to focus upon descriptions that it then uses to find and display similar material. Nevertheless, #’s may be used and may be searched.

G+: Hashtags are useable within the system. Nevertheless, there is no guidance within the help pages with respect to hashtags. The implication: they do not really use #’s to identify associated material. It is possible to click on a hashed word/phrase and see related items but most of the time these simply feed back to the site where the tag originated.

Linkedin: Though users may choose to include #’s they are not clickable within the Linkedin system. Consequently, it is superfluous to use them in this site.

Blog Posts: This whole discussion arose as a consequence of a question posed by a reader of this blog. They asked about using hashtags within blog posts. Reading between the lines, it was apparent they were asking whether a # within such posts would crosslink with ones utilised in other social media sites e.g. would all the hashtag references be shown in a # search of any site. Answer: NO. Research into two of the main blogging sites, WordPress and Blogger has shown neither provide for hashed content. These along with other blogsites, provide for ‘tags’ to be added to a post. It is these ‘tags’ that are utilised to locate same or similar content across blog posts.

There may be other sites which allow the use of the hashtag but, going by the above information, it is unlikely they would be of any real use. Twitter, Pinterest and Instagram remain the principle sites where a # may have any real impact or purpose.

Conclusion

Provided used correctly, hashtags may have their uses within some social media sites.

Users need to be circumspect about how they utilise the #.

Twitter remains the principle, and most useful, site for using hashtags.

Hashtags do NOT cross-link. They can be useful within each individual site but not further abroad.

In an effort to encourage ‘background’ chatter, there is now a tendency for reality, contestant and news television programmes to display hashtags on screen. Viewers may utilise these in their social media accounts to follow current discussions. Whether useful or not is left to the consideration of the user; the writer has never utilised these TV #’s.

Within web and blog sites, the ‘tag’ still has priority and, overall, may prove the most useful for users.

Whatever a user’s opinion hashtags have their place but a user would be wise not to rely upon them exclusively. Discussion and interaction is by far the best way to engage with other people, customers, readers and fans.

Saying Goodbye To Warsaw by Michael Cargill

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At first this book may have the appearance of being a memoir but is in fact a work of fiction.

The tale is based round a Polish Jewish family who, along with thousands of others, have been forced by German occupiers to live in a rundown, disintegrating, ghetto in Warsaw. As history records this, regrettably, was by no means a one-off occurrence; the awful situation and treatment was repeated time and again across the world.

The author has done a good job of bringing to life the various characters with all their differences and quirks. He has also managed to describe their varying emotions in such a manner as to enable the reader to understand and empathise.

In the beginning he shows how the youngest, Abigail, frequently withdraws into her own world. Experience has shown how this is a true reaction for many young people who have suffered in their lives, whether similarly or not. It is probably an automatic, self-preservation reaction. Later, circumstances develop to the point where she suddenly matures way beyond her years. Again this appears to be true for the majority of children who live in and through war. Inevitably, in the circumstances and so as to progress, she has to learn and master new skills at which she becomes adept. In war the survival instinct often leads to this and frequently amplifies a person’s intellect even, if in theory, with someone so young, it is still considered to be developing. The reader is also presented with Abigail’s elder brother (and his protective attitude), mother (weakened by the loss of her husband) and, later, various acquaintances who join together to resist the German soldiers.

The author conveys, in a very realistic manner, some of the inner emotions and philosophising experienced by the characters. Readers may well be able to identify because some of these probably arise in their own everyday lives when obstacles and difficulties are encountered. Naturally, in times of war and occupation these are more intense.

The reader is also shown how Abigail’s innocence finally departs and, along with the other participants, as horrible as it may be, develops a real satisfaction from the deaths of their captors. The author is again showing the reader how war impacts upon those attitudes and acceptances usually considered the ‘norm’. How, in such time of intense and unwarranted suffering, people can, and frequently do, change.

To say any more would spoil the read for future readers.

The ending is sort of expected and yet unexpected. Again it wold be unfair to say more.

The book is not a drama per se. It follows the daily life of the participants showing all they suffer and endure in the process of simply trying to exist. And yet it is drama. There is also fierce action toward the end. The whole hangs together very well.

This is not an easy, light read. It brings the horrors of war and occupation to life but at the same time the author has taken care not to include unnecessary descriptions of violence and suffering. Where such details are included, as required to develop and progress the tale, the author has not indulged in gratuitous picture making. That is not to say the descriptions are unreal. In fact, they are probably more troubling by virtue of avoiding the pitfalls other authors may well have fallen into. Though there is, apparently, an occasional historical and political anomaly, they by no means detract from the tale.

Four stars (4*).

The book is available in paperback and e-book formats:

Amazon.com                  Amazon.co.uk                Smashwords (.epub; .mobi; .pdf; etc.)

Note: I usually avoid any mention of myself or my experiences in articles and posts in this website or blog. However, in support of some comments, I consider it right to add a little information. Though I am not Jewish nor was I ever forced to live in a Ghetto, I am able to identify with the character of Abigail. While but a young girl I was captured and tortured by the Gestapo and left for dead. Subsequently I endured further brutal treatment and am able to affirm the fact such experiences as well as the general trauma of war does make one grow-up very quickly. Readers, if interested, may discover details of these and other events in some of my books.

Why Amazon?

[image error]There is no denying Amazon has become the world’s largest on-line retailer. Nevertheless, they are NOT the only one. Despite this fact, many of Amazon’s customers appear reluctant to purchase from other retailers. Why?

To simplify the discussion, it has been separated into two distinct parts: Positive and Negative aspects.

As this website is primarily designed to assist authors and readers, the following will centre upon book purchasing. Nonetheless, some of the principles mentioned will apply to the purchasing of other products.

Positives

Naturally, the vast range of products Amazon carries makes it a useful multi-purchase site.
Many books are available in various formats: Hardback; Paperback; Digital; Audio; MP3; etc. whereas some other on-line book retailers only have digital editions available.
Authors have a tendency to migrate to Amazon because it provides easy to use publishing systems: CreateSpace (for Print-On-Demand paperback editions); Kindle (for Digital editions); Audio (AX) (for Audio editions). There is also the fact, until they become familiar with the self-publishing world, a majority of new authors will not have heard of other available self-publishing systems. Consequently, many new independent (indie) author’s books are initially only available through Amazon.
Amazon’s sale sites and systems are reasonably easy to use and search. Often a simple one-word search will produce the relevant page(s).
For those who purchase from Amazon on a regular basis, the ‘Prime’ package that provides for free and speedy delivery is an advantage. Prime membership also enables access to other products not available to the general customer.
Most countries have dedicated sale sites in the local language.
Amazon utilizes effective worldwide delivery companies/systems.

Considering all the above it is understandable why many chose to limit their on-line purchasing to Amazon.

Negatives

Not all books/products are available through Amazon. Readers could be missing out on some good reads by limiting themselves to one retailer.
The facility for authors to offer discounted or free books is a little restrictive. In order to utilize the discount facility signing up to the Kindle Select Programme is mandatory. This requires books to ONLY be available through Amazon; they have to be removed from all other retail sites. Membership of Kindle Select is set at ninety-days, with only five of those being available for offers.
By restricting themselves to the one retailer, readers can miss out on many good as well as free and discounted books. For example, other retailers permit authors to have their books permanently on discount or free without the requirement to sign up to any restrictive programme.
Some consider Amazon’s size and frequent under-pricing has been responsible for the decline of many businesses, especially bricks-and-mortar book shops. Of course, that may not be the full story: Social purchasing habits have changed over the years.
Amazon are not the only ones to provide free, easy to use self-publishing facilities e.g. Smashwords; Draft2Digital; to name but a couple offer free self-publishing systems that also make books available through other retail sites: e.g. iBooks, Barnes and Noble, Kobo; etc.

Conclusion

Purchasers may miss out by limiting themselves to one retailer.
Accepted: Purchasers may need to set up separate accounts for each retail site but it is easy enough to do.
Bargains may be missed by restricting to one retail site.
Good, interesting, quality, books may be missed by not considering all available retail sites.
There are other self-publishing sites available for both publishing and purchasing: e.g. Barnes and Noble (including Nook); iBooks; Google Play; Smashwords; Kobo’ etc. This is by no means an exhaustive list; just some ideas.

In the end, it is down to the individual author or purchaser. Nevertheless, the writer considers it is worth the purchaser’s effort to consider all sites and all that is available on-line: This is a new world where there are multiple opportunities that both authors and purchasers should avail themselves of to obtain the richest returns.

Amazon update:

While this post was being prepared news of an Amazon change became public. Up to now, when clicking the ‘Buy’ button on Amazon’s retail sites, the purchaser was automatically purchasing from the book’s publisher (Amazon in many cases) which, after relevant deductions, passed the profit onto authors by means of a royalty. In a recent change, Amazon will permit third-party retailers to bid for buy slots on book/product pages. The potential is for these third-party retailers to have their buy buttons above the publisher one. The effect? Customers are currently accustomed to simply, and quickly, hitting the buy button without further thought and the author will subsequently receive their royalty payment. Now, if a customer does not look carefully, they may be clicking on a third-party buy button. Why would this matter? Hopefully, readers are interested in giving authors due recompense for their work and with the book’s publisher this does occur. However, there is uncertainty regarding where these third-party retailers are getting their copies of books from. Apparently, some deal with second-hand, previously used or old stock, books only. Remember, digital books (e-books) may also be second-hand/previously used. Consequently, though the retailer will receive payment, and make some profit, the author will receive nothing; royalties are only payable for the initial sell. Of course, it must be accepted Amazon is a business and therefore looking to earn money by various means, but this change may, potentially, be bad news for authors whose income could be adversely impacted. This is especially so if their books are in demand and many third-party retailers bid for the option to sell their books.

Chickens, Mules and Two Old Fools by Victoria Twead

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In this book (the first in a series) the author shares some adventures she and her husband experienced when they first moved to Spain. She acknowledges their move was primarily motivated by her own desire, her husband being less enthusiastic. In view of this divergence, they agreed on a five-year plan to see whether life in Spain would suite them; her husband had been about to retire from Her Majesty’s forces. The compromise reveals their good understanding of what is required for a successful, working relationship.

The book is essentially about their experiences upon entering into, and living in, a totally different society and culture. Their home at the time had been within the traditional confines of Kent so the change was quite dramatic. How many would have dared to purchase a property, in need of extensive renovation, in a foreign land knowing it would initially be just for five years? Most would probably have opted for rented accommodation to see how they found the local environment. But these brave souls went much further. It must be said they were fortunate to have good neighbours as well as an efficient agent and architect. Though that is not to say they did not encounter some problems.

Victoria Twead has a good command of words. She conveys scenes and occurrences in a clear, concise, diverting manner. Her sense of humour is always evident even in the more difficult situations. This style of hers makes the book an easy, light, read but that is not to say it has no depth, it does.

The first part contains effective descriptions of local inhabitants which create real living characters for the reader. However, they will not feel they get to know the author’s husband until later, when there are more detailed and improved portrayals of him.

For those who have not lived in, or spent any length of time, in a foreign culture this is a very entertaining and informative book. However, for those who have, it may not prove so entertaining, due no doubt to the fact they may have had similar experiences. Nevertheless, for all readers, it is interesting to see how someone else has fared in such circumstances. In addition, the author’s sense of humour and keen observations make this an enjoyable read.

The author has done a great job of choosing what to include and what to omit; so much more must have occurred in the five-year period this first book covers. Deciding what to leave out must have been difficult. There are parts where the reader may sometimes think it would be nice to know more of what came about but that is, probably, just curiosity. Anyway, seeing how the author has been careful about the content, such extra inclusions would probably not really enhance the tale here.

The writing is clear, easy, concise and entertaining. The story also moves at a steady humorous pace.

Four stars (4*).

The book is available in paperback and e-book formats.

Amazon.com                  Amazon.co.uk

IP Addresses

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Note: This topic is very much a technical matter. However, this discussion is only intended to be an overview that also highlights some dangers.

 

What is an IP Address?

IP Address = Internet Protocol Address. (URL (Uniform Resource Locator) contains some information regarding ‘Protocols’.)

An IP Address is a unique number that defines a computer or other device on a network. In effect it is similar to a property address or telephone number.

These are binary based numbers i.e. made up of ‘1’s and ‘0’s. The most well-known form comprises eight characters, for example: 10101100; 11111110; etc. However, the number is always displayed in readable format e.g. 172.18.249 (N.B. This is a fictional number just by way of example). It is worth noting, although the above format is the one most users will be familiar with it has proven necessary to introduce a new system that uses a different format e.g. 2001:AC24:FB56:HG98 (again fictional, just for example). BOTH are valid.

How allocated/managed?

IP Addresses are managed globally by the Internet Assigned Numbers Authority and by five Regional Internet Registries (RIRs). Service providers also have their own management systems (RIRs are frequently also internet service providers).

Addresses are allocated by either the Internet Service Provider or the Network Administrator. They may be assigned either permanently to the hardware or software (static) or may take place anew at each reboot (dynamic). Static address are assigned manually whereas dynamic ones are assigned by the computer interface.

Function?

IP Addresses enable systems to identify the Host (the individual device) or Network and location.

Whenever information is sent over the internet both the destination and sender IP Addresses are required.

IP Addresses are either private or public. In a home network there is a residential gateway, usually the router, that has a public address. Connected computers have private addresses. It is the router’s public address that communicates with the internet. The router allows multiple devises to share one public address.

Possible dangers: IP technology can enable a person’s country; city; post code; organisation; etc. to be determined. It is possible even the actual physical location may be discoverable.

Naturally, some users value their privacy and would prefer personal information not to be made available. There is a solution for these. However, before moving on, it should be noted some sites utilize this information to control the kind of content and advertisements presented to a user.

Solution: Those who prefer to retain anonymity may hide their IP Address by using a ‘Proxy Server’. Where this option is adopted, the proxy server’s address is used to forward information; the ‘real’ IP Address is effectively hidden.

Proxy Servers

A proxy server acts as an intermediary that provides anonymity.

Where a proxy server is used it is invisible to a user and gives the appearance of connecting directly with the searched site.

Proxy servers can be accessed online or configured in web browsers.

How to access? – Search ‘Proxy Server List’. A list of sites usually comprising: IP Address; Port used; Country location, is presented. There are different types of server however, as this is not intended to be a detailed discussion on proxy servers, no further details will be included here. Descriptions and explanations are available, by means of a simple search, to those who may be interested.

Users may set up a proxy server in their device’s browser: Tools/Internet Options; Settings; etc. as relevant.

Note: A proxy server does NOT provide protection against hackers: they can be hacked.

How to find a devices IP Address?

Windows pre 10: Start Menu – Select Run – Type ‘cmd’ – Click OK – When prompted type ‘ipconfig’. (Not tested by writer.)

Windows 10: Settings – Network & Internet – Wi-Fi (or Ethernet if used) – Hardware properties – IPV4 Address or equivalent.

Apple Mac: Terminal programme – Type ‘ifconfig’. (Not tested by writer.)

Conclusion

All devices have an IP Address.
IP Addresses are required if a device is to connect and interact with the internet and websites.
Privacy may be an issue for some: The use of a proxy server may be appropriate in such circumstances.

Possible conflict: Though it should not happen, it is possible for two devices to claim the same IP Address (the conflict). This would impact upon functionality and may cause a complete stoppage. An error message would be displayed.

IP Addresses are a necessity for computing and it is therefore worth having some understanding of them. The writer hopes the above overview helps.