Ced Pharaoh's Blog, page 10
January 5, 2015
Jaycen Wise Field Guide 4.0 – Indie Comic Book Review Recently updated !
Jaycen Wise Field Guide 4.0 (Creative Team: BlackOps – Richard G. Tyler II/Bro. Uraeus & Mshindo Heru Kuumba I & Charlie ‘Fab’ Goublie)
Sometime ago, I purchased this digital download and it is an excellent promo / art book / artist expose / comic book / short story book..whew! This book has it all! Richard Tyler has done an excellent job quarterbacking a professional and creative project highlighting his flagship project and hero, Jaycen Wise. The Field Guide allows the reader to become greatly familiar with The Immortal, A Scholar and Epic Hero. Richard has balanced his personal testimony and character biography with unique art pinups that accentuate the vast storytelling potential of Jaycen Wise.
The BlackOps’ artistic lead and Master Illustrator/Colorist, Mshindo Heru Kuumba I. represents with numerous pieces, but also sharing art credit are; Charlie ‘Fab’ Goublie, Chris Bourassa, John Jennings, Standigo, Mase and others. Trust me, there are some great looking concept and book cover art in this book!
To expand the mythology of Jaycen Wise, Richard has included short comic stories; Jaycen Wise and The Eye Of The Storm and Jaycen Wise: On The Road To Infinity. Short but full of action, the line art by Fab with Mshindo colors create a unique comic look. Also, there are stories of prose, co-written by Indie Publisher and Writer, Milton Davis entitled Jaycen Wise And The Necklace Of Asanamek and Jaycen Wise And The Ghosts Of Zezura.
A notable image is a large spread of African Children holding Jaycen Wise swag and writing supplies. This represents The BlackOps’ philosophy that the youth need heroes, that are a reflection of their ideas and dreams. The Jaycen Wise Field Guide 4.0 is an achievement of character development, great art and Artistic activism! Great collaboration by BlackOps: Bro. Uraeus/Richard Tyler and Mshindo! Support Indie Creators and Their Projects! Pick this up in digital and physical form! Learn more about the Creators and Projects here:
https://ganxy.com/i/75612/uraeus/jaycen-wise-field-guide-4-0
http://jaycenwise.deviantart.com
If you love unique stories, concepts and characters. Put your money where your mouth is…
SUPPORT INDIE ARTISTS & THEIR PROJECTS!
Peace, Power & Prosperity!
October 27, 2014
Watch The Shadows this Halloween!
Do you like Urban Dark Fantasy Poetry? Love Horror and Things that go bump in the night?
WATCH THE SHADOWS | The Legacy Chronicles (Urban Dark Fantasy Poetry)
“It’s not the dark that should scare you, it’s what lurks within that should…”
Here is what readers had to say about Watch The Shadows!
Dark has never been so inciting! -
“Ced Pharaoh has managed to bring to life an intensely sensuous side to monsters and things that go bump in the night. His ability to weave haunting images of death, savagery and molestation of flesh into poetic beauty, left me wondering why it has taken me so long to embrace the dark side of literature. Fantastic Read!!! I look forward to the next installment.” – Deaduri Gales
beautiful dark poetry -
“ Watch the Shadows is a book of dark poetry. Dark fantasy and beautiful! I really enjoyed reading the works in this book. Each and every one were so dark and deep, a creepy beauty that was captured so perfectly in the words. I love dark fantasy but not a huge fan of poetry although I do read it at times. I absolutely loved this book. I would recommend this book of dark fantasy poetry to anyone that loves the fantasy genre. So great!!!!!”
- Toni Michelle
Watch The Shadows: The Legacy Chronicles Book 1. is available NOW!
Go here: http://bit.ly/WatchTheShadows
September 29, 2014
Creator Spotlight – Winston Blakely, Conceptual and Comic Book Artist
Peace to all! Thank you again for reading, commenting and sharing my posts. I really appreciate it. Today’s Creator Spotlight is on Winston Blakely, an artist with 10+ years in creating comics and designs. Take a read and learn about his inspirations, so without any more words to waste…..
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? It was an ephiphany as a child. I saw my father draw in the kitchen. It inspired me to want to make images on paper that would jump off the page. From there, I started sketching and doing oil paintings…whew, what a mess with that turpentine. I started using watercolors and later acrylic paints, a true blessing for me. Seeing that I had such a fevor pitch interest in Art, my Father started to nuture this passion by setting up art exhibitions for me with some people that he knew in certain artistic circles in Harlem and other boroughs. I sold paintings at an early age. I knew I wanted to keep this up. It just felt too good and so fulfilling. Knowing what you want to do with your life is a good focus for self-esteem and motivation.
It was a childhood inspiration that dominated the nucleus of my artistic adventures. From doing an oil painting of Snow White and Prince Charming to; the more mature theme of African Art based on Ghanian Symbols is quite the journey and its still moving on. I would say that Steve Ditko was one of my early influences for the Comic Art that I do. His storytelling is superb and his plots makes the characters seem real to me. Now, in the Fine Arts side of my artistry I have Romare Bearden, Jacob Lawrence and Salvador Dail to thank for the Muse and continual path of artistic freedom.
How important is it to study your art and how do you approach keeping your skills sharp? Like any skill, its something that requires a personal attention whenever you have time. It will always be a part of you and you must know it is possible to keep it alive inside you no matter what… all it takes is passion and thought. I consider myself a spiritual artist. I do paintings and Commerical Art that are somewhat in the norm of the so – called main stream industry. And then, there is that part of me, that speaks to certain people on a higher level or consciousness. I do love all creative arts, including music and you can bet, I am listening to whatever genre of music I choose at this moment in Time.
What are some books that are on your personal shelf? My shelf is always filled with a mixture of eclectic books and a wide range of subject matters. Mostly for reference to do Art jobs, current or somewhere in the immediate future. I have a fondness for Art books featuring my favorite Artists in both Fine arts and Comic art. Also, certain graphic novels that have caught my attention are included in my library. Hence, books on Jacob Lawrence, Steve Ditko, Romare Bearden, Salvador Dali , Pablo Picasso, etc. Comics are rare breed these days in my collection because of limited space. However, it’s a brave new world with all those wonderful Digital comics and yes… I do have some.
Are there any titles that you are currently reading? This is a matter that is hard to pinned down. For example, I am working a project that is based in 1930’s Harlem and I have a series of graphic novels called “ Torpedo 1936 “. Although I have read the books, as always, its reference material for my own stuff. I do find Frank Miller’s “ Sin City “ enjoyable because of the pulp nature of the characters. Do photography books count ? Yes! I am reading the liner notes for a volume of excellent pictorials called “ Visions of Paradise “ it is wonderful with all the subtle colors and hidden places of beauty that’s found in all kinds of exotic places in the world. I guess the artist in me never dies and that’s a good thing.
WORK/STYLE
Give us a description of your Creative Lab or Studio where you work and how is the environment a co-creator or partner in ultimately what you create? Blakelyworks Studio is almost a shrine like corner of my apartment where I dabble in the process of being a freelance artist. During my days of working in the main stream industry, I picked up certain organizational skills that help me to maintain my current studio.
Now, music is my constant companion while I work on personal projects or commissioned work. I am not watching too much television these days, but it is available for a visual stimulation and break time element, if need be. Incidentally, studio members come and go as they please or send me emails via the internet to inform me, what they want to get done, in an interactive way. Its never boring here… always something to do.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? Really ? I thought Art was already saving the world… case in point, look at all these major super hero movies and tv shows. Definitely a need for a creative outlet in motion there. I have envisioned soon that black superheroes made by us, independently and distributed like Oscar Micheaux did in the 30’s and 40’s. I mention him because he was a trailblazer in getting black films in the theaters at that time period.
Of course every hero needs a theme song…hahaha… don’t you have one for yours? It could be something musing around in your head, but its there. Since I have made a few book trailers for my projects, I will be working on a theme song for my characters as well. Truthfully, I don’t make a habit listening to superhero theme songs when I work. There is nothing specific that come to thought…A wide selection keeps me going while creating… from James Brown to Jimi Hendrix or playing certain classic jazz cds by John and Alice Coltrane. I do have tv soundtracks as well, its a potpourri of goodies that are constantly inspiring me everyday.
What techniques & tools do you employ to bring ideas to life? A basic number 2 pencil will get things rolling. I use this for primary sketching. When I transfer the finished layout to bristol board, I generally use a technical pencil to get theoutline and shape of everything in the original concept. And yes, music is playing in the background to accompanied me. Using Photoshop for scanning and computer color or art corrections. Time to make some cool looking art… hot damn!
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? Little Miss Strange is the flagship creative project for Blakelyworks Studio, originally created as a homage or tribute to Marvel’s Comics Doctor Strange, Master of the Mystic Arts. While in Visage Studios headed by Rich Buckler, who is famous for his creation of Deathlok for Marvel Comics, there was an assignment to do pinups of your favorite hero but a female counter part for the appeal of certain pin up books.
Everyone in the studio knew I was quite fond of “ The Good Doctor”, so to speak… so hence combined with my love for Jimi Hendrix’s music, Little Miss Strange was born. Her first adventure was chronicled by Paul Davis of Millennium Publishing. But I took over the publishing reins in order to control the concept and printing, when I wanted to and not depend on Diamond Distributers who were notorious for given small independent comics a hard time. Fortunately, print on demand came into existence and it gave me an outlet to continue her saga and of other heroes that are produced from Blakelyworks Studio.
What are some of the most immediate/follow-up projects? The anthology called “ Immortal Fantasy”is the sister project to the first graphic novel featuring “ Scorpia” aka Little Miss Strange. I have always been a big fan of Heavy Metal magazine and this is my version of that kind of theme. Within the covers of “ Immortal Fantasy” you will find Pozitron, the afro-techno futurisc adventurer. Next, we have Kotas, The Dragon… who is a shape- shifting warrior king and sorcerer. Other genres filled out the book with humor and horror elements.
Thanks to one of clients named Jermir Johnson, who also just happens to a collaborator as well, I am having a good time with Jemir creating and developing exciting characters such has The Midnight Phantom, who I mentioned earlier as a crime fighter in 1930’s Harlem. There is something special about j.nova private eye, I think its that urban pulp hero vibe that makes her so unique while she takes down the bad guys. I even done a one- shot vampire story called ” Dark World Now”, created Jesse ” Savage” Kahler. I have included in this interview various images of upcoming projects for books, fine arts, pop culture, etc. There’s plenty of art for your readers to feast their eyes on.
Talk about the difficulties of being an independent artist and the hurdles you’ve overcome to produce and publish your own works. Oh, please, the first hurdle is the fact that you are not working for the so called main stream industry. So, you will have to become an entrepreneur and get grassroots about how you approach things.
Since, I live in New York City, the temptation to immediately work for Marvel or DC comics is always there. But, I had my taste of that dog-eat-dog corporate america presentation to the thing that I love..art. Remember, it is a business and you are just a gun for hired. I have seen the comic industry do things to people, that have no justification. Setting up shop to produce your own titles is difficult but rewarding, as you control the publishing; when and where you distribute your books. There is a need and hunger for black superheroes. Don’t expect the main stream to give it to you, from the perspective of a person of color. So, this is where I and other artists with the same vision come in.
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? Blade the vampire hunter is a character that needs some love. I did enjoy actor, Wesley Snipes’ interpretation of the nocturnal adventurer who was called the Daywalker by his enemies. The first movie was perfect and paved the way for all of the superheroes flicks. Most people don’t understand or care to remember that Blade set the tone for Marvel Comics and Hollywood taking the source material seriously. Blade was the first successful superhero movie at that time. I know most of us think it was the first x-men film. Blade made it possible for X-Men to be on the big screen.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? Well… Photoshop and Illustrator are two of my best friends, right now. I am currently, working on an assignment that I will be computer coloring with special effects that I have in my arsenal of artistry. Good to have a top notch scanner as well. As for clients… these days, it is a better pursuit than years ago before print on demand.
LIFE/EXPRESSION
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? If not for Art entering my life, I don’t know where I would be. Being an artist has given me purpose. Most people really haven’t figure out what they want to do in life. They take a job that they don’t want, just to survive. It’s a sad state of affairs, that can lead to frustrations, impacting your health. Holding back creativity is an evil thing and the youth need a positive outlet to become upstanding citizens. Having been an Art teacher for the board of education, I know the extreme value of Art and Music. One of the most amazing thing is to see someone take an interest in something and pursue it.
This is the feeling that inner youth are screaming for “Let me be somebody!” “I can do this!” “Give me a chance!” “I want an opportunity to be fulfilled!” We must give it to them and you will see how great the reward will be.
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones? Black Science Fiction Society is one of the sites and Facebook groups that I am most familiar with and do drop in on occasion. It’s a pleasure and an honor since the creator of that site, Jarvis Shefield and William Hayashi did an interview with me a while back. Personally, I can’t thank them enough for that, it certainly lead to more work for me and jump started me on one my upcoming projects.
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work?
You can get in touch with me by email for commissions only at blakelyworks@gmail.com.
My current website is done but needs to be revamped a little. Here’s the url… http://blakelyworkstudio.weebly.com/
Feel like droping in on my blog ? Then, here you go…http://blakelyworks.blogspot.com/
For the facebook experience… reach out and send me a friend request here… https://www.facebook.com/winston.blak...
Let’s try Goodreads… https://www.goodreads.com/user/show/4121131-winston-blakely.
Now, I am a constant contributor to an online science fiction magazine called Perihelion headed by Sam Bellotto jr.
Check out this site…. http://www.perihelionsf.com/ You can find my previous covers in the cover archives section.
Lastly, my author’s page on http://amazon.com/author/winstonblakely
What impact would you like your art to make on the world? Inspiration always is first. To give someone a dream or a sincere hope will always be hidden in the subtext of my art. We must always give our people, self – esteem and the confidence that you can do it… no, matter what the odds are and stay focus until the goal is done, and then move it beyond for greater inner glory.
Is there anything else that you want the readers to know, feel free to elaborate? Aura – The art of Winston Blakely is coming out on Oct.21 on Amazon and other online stores. Little Miss Strange 2 : Curse of the Chameleon God is almost done and will be release sometime in February 2015.
Other titles are available on Amazon, too… Immortal Fantasy and Little Miss Strange no. 1. By going to my author’s page, you will find a series of Children’s Books by author Donna Matthews and myself.
Check out “ My father found Bin Laden” and “ Jello pudding Pops”… I trust you will love these books as well. This is where I must bid you goodbye and thanks for this interview… its been grand!
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Thank you Winston! I appreciate your time!
Everyone! Remember Support INDIE Artists and their projects! If you’re an artist or creator, contact me so I can feature you and your work!
Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
September 17, 2014
Creator Spotlight – Joe Currie Robinson, Publisher of Strictly Underground Comics Recently updated !
Peace to everyone! Here is another great spotlight on an Indie Creator that has and continues to make his mark. Strictly Underground Comics comes straight out of Chicago and its the brainchild of Joe Robinson. >>>>>>>>..>
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? The Art of writing that is… As far as writing, it was both. I’ve always enjoyed stories, when I was a kid. When I grew older, I started getting ideas of my own and began writing them down. So, it was just that natural progression to go from loving the art form and developing a passion to create own worlds, characters and stories.
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? I read everything comic related! Hell, even it was a popular comic strip or cartoon. I read Archie, Garfield and Heathcliff collected books. But, I would jump from stuff like that to Captain America, Fantastic Four and Batman. Of course, there was the creative wave in the early 90’s with the birth of Image Comics and Milestone Comics. I even had a high school friend, who created and published his own comic book. All of those things inspired me. The stuff I read, opened me up to the world but that early 90’s Indie wave, had a huge impact on me. It was nonstop inspiration. Presently, I really dig stuff by Alan Moore, Dwayne McDuffie and Warren Ellis.
How important is it to study your art and how do you approach keeping your skills sharp? It’s very important. I study and absorb stuff from all mediums. I try to apply it to the craft of creating comics. I think as a creator, you should always strive to get better. To make the next creative exploit better than the one before. With that said, you have to always study. Read everything.
What are some books that are on your personal shelf? I have all of the Dresden Files. I’m a huge fan of that book series. When it comes to Graphic novels and trades; I have Monsters 101, Walking Dead, Watchmen, Global Frequency, We3. Preacher, Transmetropolitan, lol just to name a few.
Are there any titles that you are currently reading? I’m reading a few independent joints that are out. I’m really digging One Nation. I’m a huge fan of the Marvel cosmic universe, so I’m digging Original Sin. I was always a sucker for those big epic tales and those insanely crazy cosmic beings of the Marvel U.
WORK/STYLE
Give us a description of your Creative Lab. Oh, that’s the living room. I think most creators have their creative works in some way or form in their workspace. I’m no different. I have all types of stuff everywhere. I don’t think any studio is complete without action figures. I think it sort of serves as a reminder, of what you are.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? Hmmmmmm!!! Triumph by Wu-Tang Clan/ Believe by Lenny Kravitz/ Everyday by NIN/ Bring the Pain by Method Man/ Any Song By Stevie Wonder. I can go on and on lol!
What techniques & tools do you employ to bring ideas to life? My brain and a laptop!!! Every once in a while, I use a note pad.
How would you describe your writing style or artistic technique? The idea is the initial spark. I’ll work the idea around in my head for a little bit. Once I really start to feel it, I will type it out. Usually, it takes about two or three revisions before I really have it.
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? There are two companies that I am a part of. The 1st is Strictly Underground. There were four of us, when we started. The goal was for each creator to take a turn with his creation and the rest of us would help bring that idea to life. So there was never really an official flagship title. The first miniseries out of the gate was “The Huntsmen” The 2nd was “The Something” The 3rd was “Prodigy” and the 4th and current one is “PUNXof RAGE”.
The 2nd Company, I am a partner of is called StreetTeam Studios. There is a flagship title called the “Almighty StreetTeam”. The concept is about a team of vigilantes and urban warriors who come together to face an adversary(ies) that are much too powerful to be taken on alone. This concept was created collectively by all of us. Stanley Weaver, James Mason, Shawn Alleyne and myself.
What are some of the most immediate/follow-up projects? The initial book, StreetTeam 0 was followed up with the Videogame. We’ve just published our Universe guide. The next step is the live action movie; helmed by Director R.L. Scott.
Talk about the difficulties of being an independent artist and the hurdles you’ve overcome to produce and publish your own works. It’s certainly not an easy path. One of the biggest hurdles, I believe is getting the work seen. After you have gotten the work seen and you develop an audience, you must be able to keep them. That means, meeting the demand or you may lose them.
What is your preferred medium for your stories; comic book, graphic novel, animation or movie? Hell, I’ll take all of them. For me, it’s comics. I love having a visual medium. With a comic, you can create a visual story with out a lot of red tape or crazy expenses. Plus, you can do almost anything. It’s words and pictures!
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? I won’t say the twist but if any marvel editor ever read this. Just give me one shot on Cloak & Dagger and I’d rock it! I would love to create a comic for the Wu. We would smash that joint.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? For example, but not limited to: Finding Clients? Artistic Collaboration? Getting work done? It’s huge. I mean even back in the 90’s, you could find talent on sites like pencil jack and digital webbing. The internet itself just made the idea of creating your book seem like more of a possibility, when you could absorb the knowledge that the net readily had available. You can work across great distances with ease. I’m part of StreetTeam Studios and we are in 4 different cities.
What are the conferences that are on your yearly schedule to attend? I tend to do no more than 6 a year. Two of those are in Chicago those being Wizard World Chicago the other C2E2. After that, I have to pick and choose and see what I can or cannot do.
What advice do you give to aspiring artists of all mediums about the importance of events and how do you prepare to maximize your potential at these fairs? Go in there prepared; have your business cards and your flyers. Everything. Also, don’t be afraid to talk to people as they pass by. Lastly, if things are not working out. Don’t feel defeated or look defeated at a show. If you do that it’s over. My thought is that you’ve spent money to be there. Keep trying until they turn off the lights.
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? It would seem of late, Life is imitating art. When it comes to music. I’m a huge Hip Hop fan. Of course, this conversation is nearly constant but I definitely believe that the way that the culture is being pushed through the mainstream outlets is having an effect on the culture at large and the kids of this generation and it’s not good. I always question, what I put out there. When I was younger ,I was not conscious of what I was creating. Now I try to be careful. I don’t want to put the wrong message out there.
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? It’s extremely important. I mean kids need an outlet. It’s funny though, if there is not a formal outlet; you will most likely see street artists. It would be better if the schools treated the arts like any other subject. It truly gives kids an expressive outlet and a way for them to hone their craft.
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones? I’m pretty much just Facebook and Twitter now. The forums don’t get as much traffic as they used to, so I keep it simple with those.
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work?
www.facebook.com/thealmightystreetteam
www.facebook.com/StrictlyUndergroundComics
What impact would you like your art to make on the world? I would hope to have made a good impression. The world will be the judge I suppose lol.
What are your favorite quotes or philosophies of life that help you improve as a person or artist?
“Always be yourself, express yourself, have faith in yourself, do not go out and look for a successful personality and duplicate it.” –Bruce Lee
Is there anything else that you want the readers to know, feel free to elaborate?
Thank You, Ced for taking the time to do this.
To everyone who has been there for me I say Thank You!!! It’s almost 20 years I’ve got in this business and that would not have come with out your support . I’m truly grateful!
-Joe
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There it is! Thank you Joe! I appreciate your time!
Everyone! Remember Support INDIE Artists and their projects! If you’re an artist or creator, contact me so I can feature you and your work!
Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
Creator Spotlight – Joe Currie Robinson, Publisher of Strictly Underground Comics
Peace to everyone! Here is another great spotlight on an Indie Creator that has and continues to make his mark. Strictly Underground Comics comes straight out of Chicago and its the brainchild of Joe Robinson. >>>>>>>>..>
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? The Art of writing that is… As far as writing, it was both. I’ve always enjoyed stories, when I was a kid. When I grew older, I started getting ideas of my own and began writing them down. So, it was just that natural progression to go from loving the art form and developing a passion to create own worlds, characters and stories.
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? I read everything comic related! Hell, even it was a popular comic strip or cartoon. I read Archie, Garfield and Heathcliff collected books. But, I would jump from stuff like that to Captain America, Fantastic Four and Batman. Of course, there was the creative wave in the early 90’s with the birth of Image Comics and Milestone Comics. I even had a high school friend, who created and published his own comic book. All of those things inspired me. The stuff I read, opened me up to the world but that early 90’s Indie wave, had a huge impact on me. It was nonstop inspiration. Presently, I really dig stuff by Alan Moore, Dwayne McDuffie and Warren Ellis.
How important is it to study your art and how do you approach keeping your skills sharp? It’s very important. I study and absorb stuff from all mediums. I try to apply it to the craft of creating comics. I think as a creator, you should always strive to get better. To make the next creative exploit better than the one before. With that said, you have to always study. Read everything.
What are some books that are on your personal shelf? I have all of the Dresden Files. I’m a huge fan of that book series. When it comes to Graphic novels and trades; I have Monsters 101, Walking Dead, Watchmen, Global Frequency, We3. Preacher, Transmetropolitan, lol just to name a few.
Are there any titles that you are currently reading? I’m reading a few independent joints that are out. I’m really digging One Nation. I’m a huge fan of the Marvel cosmic universe, so I’m digging Original Sin. I was always a sucker for those big epic tales and those insanely crazy cosmic beings of the Marvel U.
WORK/STYLE
Give us a description of your Creative Lab. Oh, that’s the living room. I think most creators have their creative works in some way or form in their workspace. I’m no different. I have all types of stuff everywhere. I don’t think any studio is complete without action figures. I think it sort of serves as a reminder, of what you are.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? Hmmmmmm!!! Triumph by Wu-Tang Clan/ Believe by Lenny Kravitz/ Everyday by NIN/ Bring the Pain by Method Man/ Any Song By Stevie Wonder. I can go on and on lol!
What techniques & tools do you employ to bring ideas to life? My brain and a laptop!!! Every once in a while, I use a note pad.
How would you describe your writing style or artistic technique? The idea is the initial spark. I’ll work the idea around in my head for a little bit. Once I really start to feel it, I will type it out. Usually, it takes about two or three revisions before I really have it.
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? There are two companies that I am a part of. The 1st is Strictly Underground. There were four of us, when we started. The goal was for each creator to take a turn with his creation and the rest of us would help bring that idea to life. So there was never really an official flagship title. The first miniseries out of the gate was “The Huntsmen” The 2nd was “The Something” The 3rd was “Prodigy” and the 4th and current one is “PUNXof RAGE”.
The 2nd Company, I am a partner of is called StreetTeam Studios. There is a flagship title called the “Almighty StreetTeam”. The concept is about a team of vigilantes and urban warriors who come together to face an adversary(ies) that are much too powerful to be taken on alone. This concept was created collectively by all of us. Stanley Weaver, James Mason, Shawn Alleyne and myself.
What are some of the most immediate/follow-up projects? The initial book, StreetTeam 0 was followed up with the Videogame. We’ve just published our Universe guide. The next step is the live action movie; helmed by Director R.L. Scott.
Talk about the difficulties of being an independent artist and the hurdles you’ve overcome to produce and publish your own works. It’s certainly not an easy path. One of the biggest hurdles, I believe is getting the work seen. After you have gotten the work seen and you develop an audience, you must be able to keep them. That means, meeting the demand or you may lose them.
What is your preferred medium for your stories; comic book, graphic novel, animation or movie? Hell, I’ll take all of them. For me, it’s comics. I love having a visual medium. With a comic, you can create a visual story with out a lot of red tape or crazy expenses. Plus, you can do almost anything. It’s words and pictures!
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? I won’t say the twist but if any marvel editor ever read this. Just give me one shot on Cloak & Dagger and I’d rock it! I would love to create a comic for the Wu. We would smash that joint.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? For example, but not limited to: Finding Clients? Artistic Collaboration? Getting work done? It’s huge. I mean even back in the 90’s, you could find talent on sites like pencil jack and digital webbing. The internet itself just made the idea of creating your book seem like more of a possibility, when you could absorb the knowledge that the net readily had available. You can work across great distances with ease. I’m part of StreetTeam Studios and we are in 4 different cities.
What are the conferences that are on your yearly schedule to attend? I tend to do no more than 6 a year. Two of those are in Chicago those being Wizard World Chicago the other C2E2. After that, I have to pick and choose and see what I can or cannot do.
What advice do you give to aspiring artists of all mediums about the importance of events and how do you prepare to maximize your potential at these fairs? Go in there prepared; have your business cards and your flyers. Everything. Also, don’t be afraid to talk to people as they pass by. Lastly, if things are not working out. Don’t feel defeated or look defeated at a show. If you do that it’s over. My thought is that you’ve spent money to be there. Keep trying until they turn off the lights.
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? It would seem of late, Life is imitating art. When it comes to music. I’m a huge Hip Hop fan. Of course, this conversation is nearly constant but I definitely believe that the way that the culture is being pushed through the mainstream outlets is having an effect on the culture at large and the kids of this generation and it’s not good. I always question, what I put out there. When I was younger ,I was not conscious of what I was creating. Now I try to be careful. I don’t want to put the wrong message out there.
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? It’s extremely important. I mean kids need an outlet. It’s funny though, if there is not a formal outlet; you will most likely see street artists. It would be better if the schools treated the arts like any other subject. It truly gives kids an expressive outlet and a way for them to hone their craft.
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones? I’m pretty much just Facebook and Twitter now. The forums don’t get as much traffic as they used to, so I keep it simple with those.
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work?
www.facebook.com/thealmightystreetteam
www.facebook.com/StrictlyUndergroundComics
What impact would you like your art to make on the world? I would hope to have made a good impression. The world will be the judge I suppose lol.
What are your favorite quotes or philosophies of life that help you improve as a person or artist?
“Always be yourself, express yourself, have faith in yourself, do not go out and look for a successful personality and duplicate it.” –Bruce Lee
Is there anything else that you want the readers to know, feel free to elaborate?
Thank You, Ced for taking the time to do this.
To everyone who has been there for me I say Thank You!!! It’s almost 20 years I’ve got in this business and that would not have come with out your support . I’m truly grateful!
-Joe
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There it is! Thank you Joe! I appreciate your time!
Everyone! Remember Support INDIE Artists and their projects! If you’re an artist or creator, contact me so I can feature you and your work!
Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
August 18, 2014
Creator Spotlight – Le Beau L. Underwood, Professional Comic Book Inker
Peace to everyone! This week’s Creator Spotlight is on Le Beau L. Underwood! You may not know the name but for comic book lovers, you’ve likely seen his work! Read on and learn about this talented artist!
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? “It chose me. I’ve been drawing since the age of 3, so it’s been a part of my life for quite some time.”
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? “ I am influenced by many comic book inkers, such as Tim Townsend, Danny Miki, Jonathan Glapion, Art Thibert and others. Don Perlin served as my mentor. I learned so much from him.”
How important is it to study your art and how do you approach keeping your skills sharp? “I feel that it is very important to both study and refine your skill set everyday, if possible. I ink almost everyday and I constantly look for challenges that will push my skills to their utmost.”
What are some books that are on your personal shelf? “The Bible, first and foremost. I am also a huge Stephen King fan.”
Are there any titles that you are currently reading? “Not really. Since so much of my time is spent inking, I rarely will pick up a title to follow a story. I select titles based upon favorite pencilers, so anything penciled by Olivier Coipel, David Finch, Jim Cheung, Ivan Reis, or Greg Capullo gets my dollar.”
WORK/STYLE
Give us a description of your Creative Lab or Studio where you work and how is the environment a co-creator or partner in ultimately what you create? “My studio is a small room with my art table facing the light. There’s a huge picture window in front of me. It’s good to be able to see sunlight, although I prefer to work late at night. I have all of my required tools within arm’s reach: my table, my inks and supplies, my computer and scanner are all within reach. I will typically throw on a DVD and listen to it in the background as I work. It helps me to focus without concentrating too much, if that makes any sense!”
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? “Good question. If I am inking an action-filled page or spread, I typically will listen to something with a lot of bass, so MJG&8-Ball, 2Pac or other hardcore rappers. I also prefer contemporary jazz and Prince. I am also an avid listener of movie soundtracks. The Matrix series is my #1.”
What techniques & tools do you employ to bring ideas to life? “I utilize many different techniques, and start a page differently, based upon the penciler I am working with and what is occurring on the page. I use many different tools as well. I use brushes that range in size from a 00 to size 7 (round and/or liner), as well as brushes with different angles and materials. I use many different nibs as well: from Hunt 102, 107, Esterbrooks, Deleters, Maru, you name it. Whatever works and produces the best effect.”
How would you describe your writing style or artistic technique? “Again, it mainly depends on the penciler that I am working with. Some pencilers are very tight, so I try to adhere as closely as I can to their intent, while also bringing my own artistic sensibilities onto the page. Other pencilers are loose, so I am more free to add my own interpretation to the art.”
What are the conferences that are on your yearly schedule to attend? “If work permits, I always try to attend the NYCC in October. I am also a supporter of Wizard World Nashville, and C2E2 in Chicago. I attended SDCC once (in 2006) and, although I enjoyed it immensely, I found it to be a bit overwhelming.”
What advice do you give to aspiring artists of all mediums about the importance of events and how do you prepare to maximize your potential at these fairs? “ Cons are important in the sense that, it allows an aspiring artist the opportunity to meet and interact with others, who are also pursuing a career in comics. I’ve met many artists that are now seasoned professionals, as I am. It is good to establish and maintain those contacts for the future.”
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? “I believe that art can be interpreted as both. It mainly depends on the artist, and his or her worldview.”
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? “I feel that it is very important, especially regarding comic books. When I was younger, growing up in Chicago, the only exposure I had to comics was a comic book shop located in River Forest (a suburb of Chicago). There were none on the Westside. So, once my curiousity was aroused, I began to wonder: how did (the artists) get into this field? What was required? So, I began seeking out knowledge of it. There were no programs at my high school that cultivated this beyond the standard art curriculum. I then became determined to seek my own path in the industry, especially since I was (then) unaware of any African-American comic book artists.”
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones? “I have been a member of DeviantArt for I believe, 4 years now. I also maintain a huge presence on Facebook (via my professional page), as well as Twitter.”
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work? “Sure. I have my own blog/website which I frequently update with announcements of upcoming projects, tips and insight into comic book inking at http://lebeauunderwood.weebly.com/
My DeviantArt page is: http://lebeau37.deviantart.com/
And finally, my Facebook Professional Page is here:
What impact would you like your art to make on the world? “First and foremost, I want my art to impact my children most of all. To show them, that you can achieve anything that you want, as long as you are dedicated, have faith and a strong will to succeed. On a larger scale, I would like my work to be received as a testament to the willingness, to both learn and push oneself to previously unimaginable heights; bringing joy and entertainment where needed.”
What are your favorite quotes or philosophies of life that help you improve as a person or artist? “I have several. The first being a biblical quote, ‘Yea, thought I walk through the valley of death, I shall fear no evil.” One from a favorite song of mine (The Sounds of Blackness)’ Never say die: be optimistic. Regarding my philosophies of life, I truly believe that you can accomplish whatever you purpose yourself to do. It takes a tremendous amount of will, being self-aware, and also being aware of your fellow man.”
Is there anything else that you want the readers to know, feel free to elaborate? “The craft of comic book inking is vital and a true traditional mainstay of the comic book industry. The care and diligence exhibited by its’ forefathers, as well as current professionals, is a testament to the love, admiration, and care that we all have for this industry. The movies, TV shows and digital formats are all viable and great additions, but nevertheless, it is the true comic book, that has been able to bridge the gap between many, regardless of age, race, religious or sexual preferences. It is mainly for that reason, that I feel truly honored to be a proponent of such a grand institution.”
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There it is! Thank you Le Beau L. Underwood for answering my questions!
Everyone! Remember Support INDIE Artists and their projects! If you’re an artist or creator, contact me so I can feature you and your work!
Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
August 15, 2014
Creator Spotlight – Anthony Piper, Talented Illustrator & Colorist 1
Peace!
Thank you for reading this Creator Spotlight! Here is Anthony Piper aka Ant Boy! He is making a name for himself, so take a look and find out more about him.
Anthony Piper
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? The earliest memories of drawing dates back to when I was a kid. The Teenage Mutant Ninja Turtles had its first animated series. I think every kid was drawing the turtles back then. I can’t even say, I was any good; my family thought so and they kept encouraging me. I guess you can say “Art” chose me, cause it was probably the only thing I was into.
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? Hmmmm…I think all artists have multiple inspirations, so its hard to pinpoint one. I would definitely again say TMNT, just because that was my earliest experience of action cartoons. During my teen years, Joe Madureira’s work really shaped my urge to have a career in comics. I loved his art style and for the longest, I tried to emulate his work. I think, I’ve grown into my own “style” now, even though I used a lot of his building blocks to create mine.
As far as present influences; Takeshi Koike. Ronald Wimberly. Chase Conley. Chris Bachalo. George Molina. Greg Capullo. Khary Randolph. Those are just a few, but probably the most prominent.
How important is it to study your art and how do you approach keeping your skills sharp? I study my work pretty intensely. I’m always trying to understand where I’m going with my work. Lately, I’ve been doing dynamic poses and becoming more loose with my line work. Studying my work, helps me learn about my shortcomings. For instance, I’m not good with symmetry and I tend to draw on a slant. LOL. Funny, but these are things I would’ve never noticed, if I didn’t study my work. Now, I’m able to compensate for those flaws when working.
As far as keeping my skills sharp, just drawing daily takes care of that. Also, it’s good to get new inspiration from time to time, and draw outside of your comfort zone.
What are some books that are on your personal shelf? A lot of graphic novels. When studying artists, I like to look at a collection of their work; to see how they approach many different elements when it comes to telling a story: characters, emotion, expression, environments, splash pages, layouts, textures, colors, cover art, etc. I also have a few books on animation and storyboarding, which will likely be the next stage in my career.
Are there any titles that you are currently reading? I’ve been following Scott Synder’s and Greg Capullo’s run on Batman for awhile now. It’s a good series. I also got back into Uncanny X-Men, mostly because of the art though. I really miss the 90’s X-Men. Dead Body Road was Justin Jordan and Matteo Scalera was pretty good too…short though.
Blaze Brothers – Cover
Route 3 – Cover
Captain Marvel
WORK/STYLE
Give us a description of your Creative Lab or Studio where you work and how is the environment a co-creator or partner in ultimately what you create? I work from home. Its really just me in my room surrounded by my laptop, Cintiq and a LOT of books. I really would like to work in a studio amongst other creatives. I think its good to have a balance of the two.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? LOL! That depends on how I’m feeling. I listen to Pusha T and 2 Chainz. I also listen to a good amount of Kanye West, just because I can relate to his determination to succeed. I’m not that arrogant though.
What techniques & tools do you employ to bring ideas to life? I’m mostly digital due to convenience of the medium. It’s easy for me to move from sketching-drafting-coloring. As a medium, it’s sometimes frowned upon, but it’s a inevitable transition, if you’re coloring your own work or plan on moving into animation.
How would you describe your writing style or artistic technique? Hmmmm…very urban/hip-hop inspired. I’m always been a big fan of hip-hop, comics, and cartoons so I try to fuse them, as much as possible, in my own way. I know to some, its sounds cliché, but I just think it’s something, that’s hasn’t been explored deeply enough outside of characters wearing hoodies and headphones.
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? I honestly have YET to work on my own project, which is the reason,I started drawing again in the first place. It’s a pretty, deep story about a lot of personal issues, I’ve had to deal with growing up but hidden behind a lot of action. Right now, a drawing that I put out as a joke has been gaining a lot of traction, so I’m doing a few things with that currently.
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? I would love to revamp Captain Planet. It’s a goal of mine.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? For example, but not limited to: Finding Clients? Artistic Collaboration? Getting work done? Simply put, without technology, I don’t think I would be doing this full-time. Its easier today to reach people across the world, publish your work, generate a following, etc.. It truly is a good time to be an artist
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? Tough one there. LOL. I think it goes both ways but I’m more on the side of “Art Imitates Life”, since I feel we can’t really create without having some type of experience or reference. For instance, almost every alien you’ve seen in a sci-fi movie resembles something human or some type of an animal species. I don’t know, maybe the concepts of basic anatomy don’t exist in other alien forms, like a mouth or an head. LOL. I’m going off on a tangent, but I think you may understand what I’m saying.
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? Very important. As humans, we’re all meant to create in some way, shape, or form. Art is one of those tools that help us express ourselves. I mean, think about how boring this world would be without art. Almost every form; entertainment – watching tv/movies, reading a book, attending a concert, listening to music, comics, etc – is a form of art. We need artista! We need to teach them our kids how to express themselves and what consitutues as good art.
Trill Robin
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones?
I mostly post, share and converse with other artists on Facebook. There are a lot of art communities out there, but since I started on Facebook and I’ve come to know quite a few artists on there, and made many friendships on there, I just mostly stay on there. I don’t know how people juggle multiple social media accounts. LOL!
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work?
You can find most of my work on my facebook page: www.facebook.com/anthonympiper
Also my professional site is: www.anthonypiper.com
But, you’ll have more fun following me on Facebook, since that’s where I post all my sketches, doodles, and occassionally start hilarious fights with other artists.
What impact would you like your art to make on the world? I used to have this obsession with being one of the best skilled artists in the game. I don’t feel that’s my calling, as there are so many more talented artists, than myself. I feel as if, I’m “far” off from that crowd. I don’t think my work will ever be studied or ground-breaking but after seeing that I can make a lot of people laugh with a lot of my ideas, I think I’m more concerned now with just entertaining people with my art.
What are your favorite quotes or philosophies of life that help you improve as a person or artist? There’s this quote from Steve Jobs–
“Almost everything – all external expectations, all pride, all fear of embarrassment or failure –these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I now to avoid the trap of thinking you something to lose. You are already naked. There is no reason not to follow your heart.”
I think that pretty much breaks down everything, as far as just going out there to achieve your dreams.
Is there anything else that you want the readers to know, feel free to elaborate? Yeah…I just hope people to support what I’m trying to do. I want to do something big to bring more ethnic artists into the industry. I feel the lack of diversity in the industry is something that needs to be addressed, It’s something that has to be done collectively. It’s a silent movement happening right now, that I know some may not see, but once organized, it will change the face of comics and animation.
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Thank you Ant for your time! I appreciate it!
Remember Support INDIE Artists and their projects! If you’re an artist or creator, contact me so I can feature you and your work!
Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
Creator Spotlight – Anthony Piper, Talented Illustrator & Colorist
Peace!
Thank you for reading this Creator Spotlight! Here is Anthony Piper aka Ant Boy! He is making a name for himself, so take a look and find out more about him.
Anthony Piper
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? The earliest memories of drawing dates back to when I was a kid. The Teenage Mutant Ninja Turtles had its first animated series. I think every kid was drawing the turtles back then. I can’t even say, I was any good; my family thought so and they kept encouraging me. I guess you can say “Art” chose me, cause it was probably the only thing I was into.
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? Hmmmm…I think all artists have multiple inspirations, so its hard to pinpoint one. I would definitely again say TMNT, just because that was my earliest experience of action cartoons. During my teen years, Joe Madureira’s work really shaped my urge to have a career in comics. I loved his art style and for the longest, I tried to emulate his work. I think, I’ve grown into my own “style” now, even though I used a lot of his building blocks to create mine.
As far as present influences; Takeshi Koike. Ronald Wimberly. Chase Conley. Chris Bachalo. George Molina. Greg Capullo. Khary Randolph. Those are just a few, but probably the most prominent.
How important is it to study your art and how do you approach keeping your skills sharp? I study my work pretty intensely. I’m always trying to understand where I’m going with my work. Lately, I’ve been doing dynamic poses and becoming more loose with my line work. Studying my work, helps me learn about my shortcomings. For instance, I’m not good with symmetry and I tend to draw on a slant. LOL. Funny, but these are things I would’ve never noticed, if I didn’t study my work. Now, I’m able to compensate for those flaws when working.
As far as keeping my skills sharp, just drawing daily takes care of that. Also, it’s good to get new inspiration from time to time, and draw outside of your comfort zone.
What are some books that are on your personal shelf? A lot of graphic novels. When studying artists, I like to look at a collection of their work; to see how they approach many different elements when it comes to telling a story: characters, emotion, expression, environments, splash pages, layouts, textures, colors, cover art, etc. I also have a few books on animation and storyboarding, which will likely be the next stage in my career.
Are there any titles that you are currently reading? I’ve been following Scott Synder’s and Greg Capullo’s run on Batman for awhile now. It’s a good series. I also got back into Uncanny X-Men, mostly because of the art though. I really miss the 90′s X-Men. Dead Body Road was Justin Jordan and Matteo Scalera was pretty good too…short though.
Blaze Brothers – Cover
Route 3 – Cover
Captain Marvel
WORK/STYLE
Give us a description of your Creative Lab or Studio where you work and how is the environment a co-creator or partner in ultimately what you create? I work from home. Its really just me in my room surrounded by my laptop, Cintiq and a LOT of books. I really would like to work in a studio amongst other creatives. I think its good to have a balance of the two.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? LOL! That depends on how I’m feeling. I listen to Pusha T and 2 Chainz. I also listen to a good amount of Kanye West, just because I can relate to his determination to succeed. I’m not that arrogant though.
What techniques & tools do you employ to bring ideas to life? I’m mostly digital due to convenience of the medium. It’s easy for me to move from sketching-drafting-coloring. As a medium, it’s sometimes frowned upon, but it’s a inevitable transition, if you’re coloring your own work or plan on moving into animation.
How would you describe your writing style or artistic technique? Hmmmm…very urban/hip-hop inspired. I’m always been a big fan of hip-hop, comics, and cartoons so I try to fuse them, as much as possible, in my own way. I know to some, its sounds cliché, but I just think it’s something, that’s hasn’t been explored deeply enough outside of characters wearing hoodies and headphones.
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? I honestly have YET to work on my own project, which is the reason,I started drawing again in the first place. It’s a pretty, deep story about a lot of personal issues, I’ve had to deal with growing up but hidden behind a lot of action. Right now, a drawing that I put out as a joke has been gaining a lot of traction, so I’m doing a few things with that currently.
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? I would love to revamp Captain Planet. It’s a goal of mine.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? For example, but not limited to: Finding Clients? Artistic Collaboration? Getting work done? Simply put, without technology, I don’t think I would be doing this full-time. Its easier today to reach people across the world, publish your work, generate a following, etc.. It truly is a good time to be an artist
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? Tough one there. LOL. I think it goes both ways but I’m more on the side of “Art Imitates Life”, since I feel we can’t really create without having some type of experience or reference. For instance, almost every alien you’ve seen in a sci-fi movie resembles something human or some type of an animal species. I don’t know, maybe the concepts of basic anatomy don’t exist in other alien forms, like a mouth or an head. LOL. I’m going off on a tangent, but I think you may understand what I’m saying.
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? Very important. As humans, we’re all meant to create in some way, shape, or form. Art is one of those tools that help us express ourselves. I mean, think about how boring this world would be without art. Almost every form; entertainment – watching tv/movies, reading a book, attending a concert, listening to music, comics, etc – is a form of art. We need artista! We need to teach them our kids how to express themselves and what consitutues as good art.
Trill Robin
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones?
I mostly post, share and converse with other artists on Facebook. There are a lot of art communities out there, but since I started on Facebook and I’ve come to know quite a few artists on there, and made many friendships on there, I just mostly stay on there. I don’t know how people juggle multiple social media accounts. LOL!
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work?
You can find most of my work on my facebook page: www.facebook.com/anthonympiper
Also my professional site is: www.anthonypiper.com
But, you’ll have more fun following me on Facebook, since that’s where I post all my sketches, doodles, and occassionally start hilarious fights with other artists.
What impact would you like your art to make on the world? I used to have this obsession with being one of the best skilled artists in the game. I don’t feel that’s my calling, as there are so many more talented artists, than myself. I feel as if, I’m “far” off from that crowd. I don’t think my work will ever be studied or ground-breaking but after seeing that I can make a lot of people laugh with a lot of my ideas, I think I’m more concerned now with just entertaining people with my art.
What are your favorite quotes or philosophies of life that help you improve as a person or artist? There’s this quote from Steve Jobs–
“Almost everything – all external expectations, all pride, all fear of embarrassment or failure –these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I now to avoid the trap of thinking you something to lose. You are already naked. There is no reason not to follow your heart.”
I think that pretty much breaks down everything, as far as just going out there to achieve your dreams.
Is there anything else that you want the readers to know, feel free to elaborate? Yeah…I just hope people to support what I’m trying to do. I want to do something big to bring more ethnic artists into the industry. I feel the lack of diversity in the industry is something that needs to be addressed, It’s something that has to be done collectively. It’s a silent movement happening right now, that I know some may not see, but once organized, it will change the face of comics and animation.
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Thank you Ant for your time! I appreciate it!
Remember Support INDIE Artists and their projects! If you’re an artist or creator, contact me so I can feature you and your work!
Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
August 9, 2014
Creator Spotlight – Ryan Scales of Iron Lion Studios
Peace!
I’m back again with another Creator Spotlight! This time it’s Ryan Scales of Iron Lion Studios. I became acqainted with Ryan via DeviantArt and he contributed a nice sketch of one of my characters! So here we go……
Ryan Scales
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? I’ve always been comfortable with a pencil in my hand. I was 8yrs old when I found my gift. I did a freehand drawing of the Super Mario Bros. 3 cover and my Mom called my Dad and they both marveled at it. It was was one of those rare occassions where my parents weren’t yelling at me but were actually applauding me. They kept saying, “Wow! That’s pretty awesome!” So I kept doing it.
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? I started looking at this as a career in the 6th grade, so my influences go waaaaay back. Dan Jurgens was the first to catch my eye. I saw his work on Superman #75 (The Death of Superman) and I was hooked. He was also the first artist, I saw that did the writing chores alongside the artwork. John Romita Jr. was another heavy influence with his run on Uncanny X-Men in the 90′s really shaped my style. Same goes for Erik Larsen. Those were my main guys throughout high school.
As far as writing, if Frank Miller doesn’t make your list of influences, there is something wrong. Larry Hama was a great scribe. If not for him, Wolverine wouldn’t be the heavyweight champion bad ass he is today. He gave Logan his voice. Todd McFarlane’s early work on Spawn had an impact. He had a narrative flare that I always loved.
Ryan Scales drawing
How important is it to study your art and how do you approach keeping your skills sharp? It is always good to train your eye. Find a style you like, a writer you like and study them. Use them as your foundation as time goes on, youl’ll naturally break out and find your own voice. It is very important to keep your abilities honed. Write notes, play with words, doodle. I hear so many folks saying, “I use to draw like that” or I use to write like that.” If you have sincere enthusiasm for what you do, those words will never pass your lips. That’s the difference between a skill and a passion. One is a practical means to an end. It pays the bills. The other is a natural desire. You can’t stop it anymore than you can stop breathing.
What are some books that are on your personal shelf? I haven’t had much reading time. A few I’ve enjoyed are: Cycle Of The Werewolf by Stephen King (not the best written story, but I love Bernie Wrightson’s illustrations), The Savage Dragon, How To Draw Comics The Marvel Way (No comic artist’s library should be without it), God Is Not Geat by Christopher Hitchens, The Dark Knight Returns, Everybody’s Gotta Eat by Kevin Winchester, Robopocalypse by Daniel H. Wilson and I loved R.L. Stine’s Fear Street Series in middle school.
Are there any titles that you are currently reading? Series, no. There isn’t a lot of comic shops around my way. Thankfully, the local library is well stocked. I’ve recently discovered Paul Chadwick’s Concrete, Vagabond, The Game Of Thrones graphic novels (wonderfully and faithfully rendered) and Vertigo’s The Unknown Soldier.
WORK/STYLE
Give us a description of your Creative Lab or Studio where you work and how is the environment a co-creator or partner in ultimately what you create? My place is pretty small, so my bedroom doubles as my studio. I sleep on the floor or air mattres or the couch in the living room. When I moved in, it was a choice between a bed and my drawing table. A real no-brainer for me.
My drawing tools are all close and I have a crate full of comics and fiction novels. I like to thumb through them on my downtime. I mess around on the internet and read fanfic too (mostly zombie stories). Once I’ve had my fill, I start doing warm-up sketches.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? My track listing is real hodgepodge. Anime soundtracks are a big help. (The old Dragonball and Naruto themes etc.). I have every single one of Linkin Park’s albums and I don’t skip a single track. If my artwork is a match, their music is gasoline. I’m also a fan of Greydon Square.
What techniques & tools do you employ to bring ideas to life? I’m a penciller at my core. I like producting sequential art and telling stories. I usually start with thumbnails, where I fiddle around with the story’s beats. I might add a panel or page, or take something away. It is a real fun process. I do my work with blue lead (for the base work, of course) and usually finish it with an HB or 2B Lead pencil. If I’m inking, I use brush pens. I love the lines they make. I don’t do a lot of color, unless it’s a B&W that I want to make pop.
How would you describe your artistic technique? I like a lot of action or at least the hint of it. If the character is just sitting there doodling, I stil want there to be some life. Even in the slow cinematic, super-dramatic sequences, you want to keep the story moving.
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? My personal project is on hiatus. It’s a web comic called Fight Life. It’s influenced by anime like Tenjou Tenge and Hajime No IPPO and martial arts movies I watched while growing up.
Talk about the difficulties of being an independent artist and the hurdles you’ve overcome to produce and publish your own works. A lot of stumbling blocks are self-made. Just me getting out of my own way. When I was younger, I was too chicken to submit my work. Growing up I wasn’t the only child that loved comic, but I was the only one that ran with it. It was hard finding other fans who wanted to create and who sincerely loved it; much harder still to be understood.
What is your preferred medium for your stories; comic book, graphic novel, animation or movie? Comics all the way but every now and then, I’ll fiddle around with a prose story.
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? I’d bring back Thundercats. I thought Cartoon Network’s take on it was spectacular. I would love to play a role in remaking/continuing that series. It was an RPG on steroids. I’d also like to do Silverhawks but they probably wouldn’t be cyborgs; maybe a medievel guild of knights or a motorcycle gang. Something fun that would let me exercise my writing skill for a team book. Oh, and the Bionic Six. I might make them a full-blooded family with one adopted child or have a Brady Bunch thing going on. I’d relish the opportunity to add mythos to any action cartoon I was hooked on as a kid.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? Social media’s been a big help, not just with clients but with encouragement. As an art major, I encountered a few teachers who couldn’t or wouldn’t accept that this was a legitimage artform. Sites like DeviantArt and Facebook’s fanpage option, proves differently and has kept my head in the game. It’s how I found my writer. Ray Zepeda approached me on Myspace in 2008 and we’ve been working together for the past 5 years to bring Anti-Hero 113 to life.
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? I view it as a means of taking a good, hard, detailed look at ourselves and the world around us. Novelists, certain recording artists and comedians are fairly exceptional at this.
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? I think it’s a shame. Everyone don’t excel at athletics or in the Arts but these are important in a child’s education. Life is emotion, it’s freedom, it’s expression; physical, verbal and visual.
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones?
DEVIANT ART (
HTTP://IRONLION82.DEVIANTART.COM/
)
BLOGSPOT (
HTTP://IRONLIONSTUDIOS.BLOGSPOT.COM/
)
FACEBOOK ( https://www.facebook.com/pages/Iron-Lion-Studios/247790755285122 )
EMAIL: RAIANTHEINCREDIBLE@GMAIL.COM
What impact would you like your art to make on the world? When they put me in the ground or burn me on the pyre, I hope they say, “He was a pretty, great guy who told some great stories.”
What are your favorite quotes or philosophies of life that help you improve as a person or artist?
“THE MAIN OBLIGATION IS TO AMUSE YOURSELF” –S.J.PERELMAN
“ALWAYS BE YOURSELF, EXPRESS YOURSELF, HAVE FAITH IN YOURSELF, DO NOT GO OUT AND LOOK FOR A SUCCESSFUL PERSONALITY AND DUPLICATE IT.”—BRUCE LEE
“IT’S SOMETHING UNPREDICTABLE, BUT IN THE END IT’S RIGHT.
I HOPE YOU HAD THE TIME OF YOUR LIFE.”–”GOOD RIDDANCE (THE TIME OF YOUR LIFE” BY GREEN DAY
Is there anything else that you want the readers to know, feel free to elaborate?
I want to thank you for the opportunity to express myself. I want to thank everyone that took time to read this and get to know me. I’ve been chasing this dream for 20 years and it’s just now bearing fruti. Keep your eyes open.
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Thank you Ryan! I appreciate your time, patience and continued success.
Remember Support INDIE Artists and their projects! Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
July 24, 2014
Creator Spotlight – Lonnie Lowe Jr. of Dark City Comics, Publisher of E.P.I.C.
Peace!
Back again with another great interview. This time, it is Lonnie Lowe Jr., Indie comic book writer/publisher. I enjoyed his view and his story. Check it out.
Lonnie Lowe Jr.
ARTISTIC/DEVELOPMENT
As it relates to your earliest memory as an artist, did Art choose you or did you choose Art? The Art of writing that is, explain. I think it was a mutual choosing. Where I’m from, my only access to comic books was an old, raggedy carousel in the back of the 7/11 across from my apartments. The restocking was inconsistent as well as the issues. I was lucky to get 2 concurrent issues. What I would do is, write down and imagine what I thought happened, in the issues I missed.
Who or What were your earliest inspirations and present influences that that inspire your art/comics/writing? Milestone Comics!!! I can’t scream it enough. Those folks are damn near, solely responsible, for me even thinking this was possible. You’ve got to understand. There were no heroes who grew up in my conditions and looked like the folks I grew up around until they (Milestone) showed up. Sure, we had a few black heroes but I didn’t know them. I knew Static, shit..I lived two buildings over from The Blood Syndicate. I could relate to those characters! With Icon, I didn’t need Superman and with Hardware, I didn’t need Batman or Iron Man. I still read Batman though, he’s awesome. I also loved Shadow Hawk (prior to me even knowing he was black), Mr. T’s short lived book, X-men (back then), Justice League and some Spiderman from time to time. The new(er) guys I look at and follow are Geoffrey Thorne, Brandon Easton, Ray A. Height, Joe Robinson Currie to name a few. There’s a bunch of new talent though, well new to me anyways.
How important is it to study your art and how do you approach keeping your skills sharp? I think it is just as important, as anything you want to be successful in. I write comics so I read comics. I study comics. I listen to comic related podcasts. I go to conventions and sit in workshops for hours. I email and instant message anyone who’ll answer me. I’m apart of indie groups and websites that I feel can help me progress as a writer and expand my network and brand as a whole.
What are some books that are on your personal shelf? Maaan.. A ton, I can’t think right now because I can’t see them but a few off hand. Death in the Family (newest fav 
). I have the entire run of Blood Syndicate. I have Icon in graphic novel form. The Killing Joke, The Victories…
Are there any titles that you are currently reading? Midnight Tiger, Prodigal, Blaze Brothers, Route 3, Cronus when I can. E.P.I.C, Quantum and Woody, Justice League, Batgirl (My favorite), Batwing, Nightwing, Teen Titans, Ultimate Spiderman (Miles Morales) and Batman. Now that Lobdells back on Red Hood, I’ll be back. There some transformers but they get a little too political for me. I miss Danger Club and My second favorite title Ever Dynamo 5.
WORK/STYLE
Give us a description of your Creative Lab or Studio where you work and how is the environment a co-creator or partner in ultimately what you create? I live in my head. As a writer, brain space, an idea and motivation is all I’ve ever needed. I have a PC and an 8ft banner of E.P.I.C and that’s all that’s around me. Oh yeah, a bunch of invoices and shirts so just Dark City specific paraphernalia.
If Art can save the world, then that makes the Artist a Superhero; and every Hero needs theme music. Name the song or songs that you listen to for inspiration as you create? I don’t like to be distracted so whatever it is I’m listening to its really low. Almost like elevator music. There’s enough chaos going on inside of my head to keep me amped up.
What techniques & tools do you employ to bring ideas to life? Pen, pad, phone, tablet, PC a nearby napkin. Anything I can get plot going on.
How would you describe your writing style or artistic technique? I just freestyle it. I have a loose plot or an idea of where I think I wanna go and then I just go. Eventually, I get where I’m going so I just sit back and enjoy the ride.
E.P.I.C.
SOUL/ART
In terms of personal projects, what is the Flagship creative project for your company and how did you come up with the idea for the concept? My Flagship character is E.P.I.C. I came up with it in ’08 maybe earlier. I used to do music (rap) and I just woke up one day and was tired of it so I left it alone. I still felt the need to create though, it’s more therapy for me than anything else. I had written a story called “The Generals” loosely based on me and my friends. Then I wrote a little fake Batman spinoff called Krusade and folks loved it, so I started brainstorming on a character and came up with Epic. I still had no idea about how to pull this off and one day I’m in old town Glendale Az and I stumble into Drawn to Comics. Coincidentally, they were having a convention or workshop or something. Being there and seeing all of those comics and those people put me in a zone. I’ve been at it since.
What are some of the most immediate/follow-up projects? Well, if I had the budget, I could easily do three a month E.P.I.C, Lotto and Alpha Bloc. However, right now we’re (BBX Media) working on a Web series starring the “Street Level” characters in the Dark City Comics Universe. Lottos trailer: Under Siege is being filmed now and then we’ll roll out Alpha Bloc in the winter. It’ll be a series of shorts surrounding the birth of the Alpha Human population in New Phoenix.
Talk about the difficulties of being an independent artist and the hurdles you’ve overcome to produce and publish your own works. It’s just finding people who stick to their word. I think everyone thinks they are superstars and wants Marvel/DC deals with absolutely no legwork involved. Add that to overly inflated egos and just folks are all talk and BS. You’ll be lucky if your project ever sees the light of day. Its sucky as a writer because you have to trust your vision with an artist who really doesn’t know or care; about whatever sacrifices you’ve made to get to the point where you’re confident enough to seek out an artist. A lot of cats just want a check, which is cool but they can rarely bring your characters to life verses the batmans, superman etc they’ve been drawing since they were kids themselves. A good friend of mine and business partner said something to me that has resonated constantly he said: “Lo, Motherf@#kers wanna do this sh!t ‘til they realize they GOTTA do this Sh!t.” Sorry, but it’s the only way I can explain it. It’s the honest truth! No one really looks into what it takes to put out tangible product. All you see is the end result. It’s taken me close to 5 years and 4 separate artists to bring one 24 page book to life that was finished in ‘09!
What is your preferred medium for your stories; comic book, graphic novel, animation or movie? As an indie, the digital medium is more cost effective. To have a site that is a one stop shop for your brand is ideal. I’m a purest like most comic folks, so I love the relationship with the paper as well. I have options for people who want physical copies but in this new age I have 400 comic books on my tablet. It makes more since to me.
Here’s a fun question. Name a mainstream project/character or an independent project and/or character that you’d love to work on or revamp and what would you do to put your twist on it? I’d love a shot at Shadow Hawk or to revive the Mr. T book but my dream project would be to revamp The Brown Hornet. If I ever get a chance to meet Mr. Cosby, I’d love to talk my idea with him.
For the independent artist, how has technology affected the way you are able to do business or make progress on your art? For example, but not limited to: Finding Clients? Artistic Collaboration? Getting work done? For me it’s excellent. My team is scattered all across the globe. I couldn’t get my project done with local folks around me, so I had to search the planet for folks who were; about their business, took their craft seriously and was reasonably priced, for what I had in mind. Plus the networking opportunities and brand building potential is limitless.
What are the conferences that are on your yearly schedule to attend? Since I’m on the west, my main ones are: The Phoenix Comicon, Vegas Comicon, ECBACC, Baltimore Comicon, Vegas Licensing Expo and SDCC. Really anywhere I can get to in less than 6 hours I’m trying to hit it up.
What advice do you give to aspiring artists of all mediums about the importance of events and how do you prepare to maximize your potential at these fairs? Don’t half ass it. You have to be prepared know your limits and don’t be out there with cheap looking material. A little research goes a long way.
E.P.I.C.
LIFE/EXPRESSION
On the idea of Art Imitates Life or Life Imitates Art, is the role of Art in human existence a catalyst for behavior and community building or is Art a mirror to reflect the world of what was and what is? I use art as an escape. I’m living in reality, this is my break from it. Most folks draw and write about everyday life. I don’t, I’m living it. I use it to go somewhere else. I’ve created an entire universe for me and my supporters to go to whenever they need a break from the real world.
Due to budget cuts for schools, classes and after-school programs, primarily in black and Latino communities, the youth are not getting exposed or are exposed to very little physical education and the arts. How important do you feel the arts are to the lives of the youth? It’s just as important as every other subject taught in school. Kids need creative, as well as physical outlets to help express themselves.
Whether it’s the concept of Six Degrees of Separation or Its A Small World, the culture to are smaller than outsiders know. To bridge the gap between yourself and your peers, do you belong to any artist groups or forums, if so which ones? Most FB groups for Indies of color plus writer groups for Indies in general. I like to keep up with my peers but I’m not so one-sided as to only be interested in what one group of creators are doing. If it’s a group that interest me, I usually check it out for a while.
Now to bridge the gap between your art and the public at large, give the name and address of your sites and forums where people can see your creativity and how people can get in contact with you for commissions and/or to follow your work?
www.facebook.com/darkcitycomics
www.twitter.com/darkcitycomics
www.instagram.com/darkcitycomics
What impact would you like your art to make on the world? I just want to tell great stories, that people can enjoy no matter what.
What are your favorite quotes or philosophies of life that help you improve as a person or artist? My own personal quote: Don’t do it in life if you won’t do it to death. For me that means don’t waste your time on anything that isn’t worth giving your all.
Is there anything else that you want the readers to know, feel free to elaborate? Yes. Support Indies. Stop complaining about the lack of quality heroes of color or gender or preference. There’s an amazing crop of writers and artists from all walks of life with new takes and fresh ideas waiting for you to explore. Don’t be lazy, just do a little digging. We don’t have the marketing dollars as the Big Wigs but we have the talent. Come see us. God Bless everyone.
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Thank you Lonnie! I appreciate your time and continued success.
That’s it for now!
Remember Support INDIE Artists and their projects! Until next time!
Stay Healthy,
Stay Positive,
Stay Creative!
- Ced Pharaoh
Lonnie Lowe Jr.
