XistentialAngst's Blog, page 41
December 16, 2016
Parentlock as the endgame for S4
Alright, since everyone’s been ignoring my theories on that matter, it’s time to do a proper meta. And before you scoff and say they’d never go down that path, I beg you to consider this because it seems 100% plausible.
btw this will be so messy, I’ve never written a meta in my life
So, let’s look at the evidence, shall we?
1) Baby’s not John’s is too easy
- There’s the perfect theory by @abitnotgood (x) on the baby being David’s. While the points she made are very persuasive, I don’t think it’s happening. First, that’s just too easy for the writers. Remember, they love messy plots and a lot of drama. If they were to write the kid as not John’s, what then? The baby’d go to its biological father? Just like that? I imagine the man’d be indeed very confused, John coming toward him with an infant being like ‘hey dude i’ve got something of yours lol surprise anyway i must go and save sherlock’s arse bye’
Plus, it can’t stay with Mary, because obviously she‘s a psychopath, or she’ll die.
2) Baby dying?
- Oh come on, we all know Mofftiss. They’d NEVER kill a baby. They’re too weak for this. The kid was written in there for a reason. If they’d wanted to kill it, they’d have made it stillborn.
3) Baby is Mind Palace/ nightmare?
- Even though I love this theory, there’re already too many scenes with the baby for them to be considered a dream. Chase through London? Baby shower? Molly babysitting? Christening? Nope. No EMP.
• So, now we’ve established the baby’s staying. How does that add to the parentlock theory?
1) The name
- Rosamunde Mary Watson was a late Victorian poet who wrote about failed marriages. There’s also one poem concerning a couple fighting for a child. Since Mary’s evil and bound to disappear/die in S4, it’s obvious John wins and the baby is in his care.
And because we know johnlock will be fully acknowledged, John’ll move with the baby in 221B after everything is resolved -> parentlock.
2) TPTB’s comments
- The actors as well as the writers claim this might be the last series. That ‘it won’t be easy to continue; once we see the finale we’ll know. ‘ And don’t forget all the talk about a big hiatus awaiting us. Why else make a gap in the storyline if not for parentlock? It’s impossible to solve cases with a baby in the row so Sherlock and John will have to dismiss cases until the baby is old enough. Hence the need for a pause.
- And then there’s the comment Martin made:
Yeah…how else do you want to interpret it?
-AND then there’s a comment made by Benedict (can’t find the link to the interview now, sorry!) where he tells us to ‘expect something that we’d never expect on this show‘. What do we constantly consider an impossibility? Parentlock.
and that leads me to the next point…
3) Mummy Holmes as a mirror to Sherlock
- As we all know, Mummy and Daddy Holmes serve as a mirror to Sherlock and John. Mummy gave up her work to raise children. Is Sherlock going to do the same for John and Rosie?
This theory was first brought up by @
idonthavefriendsivejustgot1
. (x)
4) The ‘happy family‘ photo
- Oh man, this unfamous photo is such a big foreshadowing thing! Look how Mary is dressed as Sherlock and even has the prominent cheekbones and curls.
I mean, by now it’s pretty obvious John-and-Mary-as-happy-parents won’t last.
This means one thing: we’re meant to imagine Sherlock there instead because he’s going to replace her eventually. By John’s side, raising a baby with him.
____________________________________________________________
• And there’s more, of course,. Take Sherlock ‘having a huge affection for the baby‘ and him already protecting it in the new clip. Sherlock looks like he doesn’t care, but I think he will grow to love it.
Parentlock is literally the only possible outcome. It all makes sense. I agree it’ll ruin the show 100% but since it’s the last season it probably doesn’t matter. I’m sure many of you will love the idea of Sherlock and John raising AGRA Jr together lmao.
Tagging @inevitably-johnlocked @sussexbound @xistentialangst @deducingbbcsherlock @monikakrasnorada because their metas are always eye-opening and this could interest them.
I’m really not that much on the fence against parent!lock as many others seem to be, so hey, why not? If John and Sherlock come together I might even consider this…
A few more things to consider
1. So far we haven’t seen much of Rosie’s face. If they want to get rid of the baby somehow, this is one way to make sure the audience isn’t too attached. So whether or not we see her face a lot when E1 airs will be very telling.
2. Similarly, if John and Sherlock both seem to really bond with the baby in E1, that to me would say they are going for parentlock. Alternatively, they could bond only to make her loss more heartbreaking. But if they don’t show much bonding, she’s a goner methinks. (Think about how they didnt’ show the wedding ceremony).
3. What’s with the bunny outfit? That has to have significance. No modern parent would put their kid in that thing. What is that supposed to tell us? The rabbit in THOTB died, so that’s not a great sign. But it’s probably not that simple.
isitandwonder:
xistentialangst:
1895itsallfine:
glassofteajlc:
listen we don’t need another entire...
listen we don’t need another entire episode of mary manipulating her way in between john and sherlock’s relationship because, that was the entire of series 3? why waste another 1/3 of the new series on that? we’ll be moving on, and fast.
^^^
I hope to God you’re right and we move on fast. We absolutely have had way too fucking much of it already. And how they can expect the audience to just shrug off the shooting of Sherlock, I don’t even know.
The scene from The One Show is scene 44 of TST, ending with the Borough Market scene (scene 47), at least at time of shooting. The ep will have at least 99 scenes, so Mary is at least in it for the first half…
And the official announcement fromt he BBC for TST was that Mary’s past plays a large role in TST -
brace yourselfs!
Yeah, that’s probably about right–the first half. Hopefully no more than that.
When E1 airs I’m going to be like a kid with my hands over my eyes asking the Brit viewers “Is it safe? is she gone yet?” Before I dare watch it myself!
just-sort-of-happened:
Several months ago, like when I started...
Several months ago, like when I started this blog, I found something that made me think of Mary as a replicant. In Blade Runner, a replicant is a type of humanoid robot who can pass for human but they can be interrogated in such a sway as to reveal their true nature.
Especially telling is their lack of life story. They have no families and were not born of a mother. One replicant during an interrogation is asked, ‘tell me about your mother’, and he, very famously, says, ‘let me tell you about my mother’, flips the table and proceeds to shoot his captor. (A sample of this phrase is used by Tricky in his song, “aftermath”.)
If, in series 4, Mary ever says, ‘let me tell you about my mother’, literally everybody needs to dive for cover.
A replicant’s life is supposed to last four years, after which they would face elimination. Mary’s new life as Mary Morstan began five years before HLV. The protagonist of Blade runner has been given the task of eliminating some rogue replicants who are avoiding elimination and attempting to live longer. Theirs is a desperate fight for survival; they’re living on borrowed time. Mary, as well, could be seen as a person desperate to extent her life, fake as it may be, and to stay alive.
couldntpossiblycomment’s fantastic find of Sherlock and Mary nodding an apology in the exact same way, brought back this idea for me. Mary is, in every way, a replica. She is a synthetic persona based on what John likes. Since what John likes is, greatly in part, Sherlock, she is, therefore, a facsimile of him.
In TGG we see Moriarty compete with John for Sherlock’s attention by using a lesser version of Baker St. With a replica of the phone from ASiP, aka a fake heart, he sends a picture of the first clue: 221C Baker St, the moody, unlovable version of 221B. Moriarty is to John what 221C is to 221B. One is an unrentable health hazard, the other is your home and refuge.
Mary is to John what Moriarty is to Sherlock. We see this in all kinds of ways. With Mary we are given all these hints of the synthetic nature of her persona, even while it appears so spontaneous and genuine.
I like the analogy metaphorically if not literally.
welovethebeekeeper:
1895itsallfine:
xistentialangst:
1895itsallfine:
glassofteajlc:
listen we...
listen we don’t need another entire episode of mary manipulating her way in between john and sherlock’s relationship because, that was the entire of series 3? why waste another 1/3 of the new series on that? we’ll be moving on, and fast.
^^^
I hope to God you’re right and we move on fast. We absolutely have had way too fucking much of it already. And how they can expect the audience to just shrug off the shooting of Sherlock, I don’t even know.
I think they will continue to pretend to ask them to shrug it off for a little bit and then say WTF IS WRONG WITH YOU PEOPLE??? I’m looking forward to it.
Yep, fast and furious.
But then we’ve got a lot of scenes already – birth, christening, baby shower, John and Lestrade talking about the baby, Molly babysitting, and the baby is definitely older in the bloodhound clip–6 months? a year? All that indicates the baby is around for a while and so is Mary. So I’m not sure it will be all that fast. Which is horrible.
Parentlock as the endgame for S4
Alright, since everyone’s been ignoring my theories on that matter, it’s time to do a proper meta. And before you scoff and say they’d never go down that path, I beg you to consider this because it seems 100% plausible.
btw this will be so messy, I’ve never written a meta in my life
So, let’s look at the evidence, shall we?
1) Baby’s not John’s is too easy
- There’s the perfect theory by @abitnotgood (x) on the baby being David’s. While the points she made are very persuasive, I don’t think it’s happening. First, that’s just too easy for the writers. Remember, they love messy plots and a lot of drama. If they were to write the kid as not John’s, what then? The baby’d go to its biological father? Just like that? I imagine the man’d be indeed very confused, John coming toward him with an infant being like ‘hey dude i’ve got something of yours lol surprise anyway i must go and save sherlock’s arse bye’
Plus, it can’t stay with Mary, because obviously she‘s a psychopath, or she’ll die.
2) Baby dying?
- Oh come on, we all know Mofftiss. They’d NEVER kill a baby. They’re too weak for this. The kid was written in there for a reason. If they’d wanted to kill it, they’d have made it stillborn.
3) Baby is Mind Palace/ nightmare?
- Even though I love this theory, there’re already too many scenes with the baby for them to be considered a dream. Chase through London? Baby shower? Molly babysitting? Christening? Nope. No EMP.
• So, now we’ve established the baby’s staying. How does that add to the parentlock theory?
1) The name
- Rosamunde Mary Watson was a late Victorian poet who wrote about failed marriages. There’s also one poem concerning a couple fighting for a child. Since Mary’s evil and bound to disappear/die in S4, it’s obvious John wins and the baby is in his care.
And because we know johnlock will be fully acknowledged, John’ll move with the baby in 221B after everything is resolved -> parentlock.
2) TPTB’s comments
- The actors as well as the writers claim this might be the last series. That ‘it won’t be easy to continue; once we see the finale we’ll know. ‘ And don’t forget all the talk about a big hiatus awaiting us. Why else make a gap in the storyline if not for parentlock? It’s impossible to solve cases with a baby in the row so Sherlock and John will have to dismiss cases until the baby is old enough. Hence the need for a pause.
- And then there’s the comment Martin made:
Yeah…how else do you want to interpret it?
-AND then there’s a comment made by Benedict (can’t find the link to the interview now, sorry!) where he tells us to ‘expect something that we’d never expect on this show‘. What do we constantly consider an impossibility? Parentlock.
and that leads me to the next point…
3) Mummy Holmes as a mirror to Sherlock
- As we all know, Mummy and Daddy Holmes serve as a mirror to Sherlock and John. Mummy gave up her work to raise children. Is Sherlock going to do the same for John and Rosie?
This theory was first brought up by @
idonthavefriendsivejustgot1
. (x)
4) The ‘happy family‘ photo
- Oh man, this unfamous photo is such a big foreshadowing thing! Look how Mary is dressed as Sherlock and even has the prominent cheekbones and curls.
I mean, by now it’s pretty obvious John-and-Mary-as-happy-parents won’t last.
This means one thing: we’re meant to imagine Sherlock there instead because he’s going to replace her eventually. By John’s side, raising a baby with him.
____________________________________________________________
• And there’s more, of course,. Take Sherlock ‘having a huge affection for the baby‘ and him already protecting it in the new clip. Sherlock looks like he doesn’t care, but I think he will grow to love it.
Parentlock is literally the only possible outcome. It all makes sense. I agree it’ll ruin the show 100% but since it’s the last season it probably doesn’t matter. I’m sure many of you will love the idea of Sherlock and John raising AGRA Jr together lmao.
Tagging @inevitably-johnlocked @sussexbound @xistentialangst @deducingbbcsherlock @monikakrasnorada because their metas are always eye-opening and this could interest them.
Thanks for tagging me!
This is a decent argument for parentlock. The one thing that always struck me is the line about Mummy Holmes giving up her career to raise kids, especially with the way they so strongly mirrored Sherlock’s parents with Sherlock and John. They didn’t need to put that line in there. We could have just been left to assume the raising of Sherlock and Mycroft happened “somehow”. So to me it’s very telling that they included it, and it seems like the only reason to do so is foreshadowing.
I also agree that the whole “where we leave them at S4 end there is a natural break” would make sense if John and Sherlock end S4 as a family with a baby. Yes, basically, they’d be taking time off to raise said baby to a reasonable age and, again, we have the Mummy Holmes analogy. But the comment could also mean something else. Only time will tell.
Regarding the baby being real or not: At this point, I’m just throwing up my hand with a hysterical laugh. HA HA HA. I don’t know. I agree with you, that there is too much of the baby in setlock to easily write it off as imaginary. We have the birth in the car, the christening, the baby shower, Molly babysitting, Lestrade and John talking about baby, the bloodhound scene where the baby is now at least six months only and maybe closer to a year. There’s also the birth announcement in the “real” press–I know many have explained that away by various means. But nevertheless my belief in EMP has been lowered considerably by the appearance of confirmation outside of Sherlock’s head that the baby is real and Sherlock is not currently in a coma. To me the birth announcement is similar to John’s blog–a 4th wall breaking device that still has to be consistent with the internal reality of the show. Is the ad a ruse/fairy tale? Maybe. But why? It was never necessary to do the ad in the first place. And we know Mary was legitimately pregnant in the show, so it’s not like her giving birth is coming out of left field. I HATE the idea of John spending another year with Mary for whatever reason, or for that bloodhound/case clip to be ‘real’, so I’d LOVE for it to all be a nightmare. I’ll be thrilled if that’s the case. But I’m prepared for it not to be. The wedding was equally painful to me, but it happened. I’m wary of dismissing scenes as a “dream” just because we johnlockers don’t like them and don’t want them to be true. Moftiss are more than capable of cruelly twisting the knife.
Ultimately, anything we project before S4 airs is a guess. And a tiny bit exhausting at this point.
But making the case for the baby-is-not-real option, there wasn’t a trace of baby in E2 and E3 setlock. Did the baby die? Was it imaginary after all? Was it squirreled away someplace safe? Kidnapped by Mary? Is Mrs. Hudson watching it and it’s only in scenes that were filmed on the closed 221B set? No idea.
I don’t agree with you that Moftiss wouldn’t kill the baby. If they did that, it would have to be done very carefully and serve a greater purpose (like, Mary kills the baby in a Medea like move and it shows how evil she really is). But just because I think they would do it doesn’t mean I think they will.
At this point, parentlock wouldn’t surprise me and certainly wouldn’t disappoint me. If it were John and Sherlock together as a couple and they decide to raise the baby and Mary is dead/gone? I’m better than fine with that. Johnlock is the only really important thing IMHO, especially since, as you said, there may not be a S5 anyway.
1895itsallfine:
glassofteajlc:
listen we don’t need another entire episode of mary manipulating her...
listen we don’t need another entire episode of mary manipulating her way in between john and sherlock’s relationship because, that was the entire of series 3? why waste another 1/3 of the new series on that? we’ll be moving on, and fast.
^^^
I hope to God you’re right and we move on fast. We absolutely have had way too fucking much of it already. And how they can expect the audience to just shrug off the shooting of Sherlock, I don’t even know.
fav johnlock fics (will add on as I read more)
Devil’s Calling
John Watson took one step, until he was standing directly before me. He lifted his right hand, slid it beneath my jacket, and rested it on the left side of my chest. Then he looked at me, standing absolutely still.
(victorian!lock with much pining & mention of mary)
Sink Like a Stone “It’ll get better,” John murmured. “Things will go back to normal. Right now we’re still raw from what happened. The way it all…” He paused, frowning thoughtfully.“Don’t talk about it,” Sherlock whispered. He reached up and touched John’s wrist, stilled his hand stroking his hair. “Leave it for now.” (post TG after the pool scene, this fic broke me)
This Is What It’s Like Living in Limbo “Ah, imagine finding the person with whom you would never, ever be bored. Not in a million years.” “Nonsense, John,” Sherlock brushes off the idea, his hand waving lazily in the air. Sherlock’s eyes are still fixed on the ceiling. “That is in fact the purpose you serve.” (post TRF pain, multiple chapters that will make you cry. read it)
For a Case, of Course “I want to hear you…it’s part of the…thing,” he said, in between kissing parts of John’s upper body. “Thing?,” John said distractedly. “Experiment.” […] “Right.” (seduction via a fabricated case, nice. some great smut right there)
A is for Astronomy
Someone tries to pry his hand off of John’s arm, and he snarls, an utterly inhuman noise, and tightens his fingers past the bruising point.
A voice speaks. It’s a friendly voice, one he knows. “It’s all right, Sherlock,” it says–Lestrade, supplies his mind at last. “You’re safe. You’re both safe. He’s breathing, but we need to take a look at him. You need to let him go, Sherlock.” (short post tgg ficlet that will rip your heart out. the explosion happened, they survived but the peek into sherlock’s thoughts – amazingly beautiful and poetic)
Sherlock’s Hard Drive
And as he watches a silent image of himself topple chairs, rip books, throw down glassware, scream into the air, pull handfuls of hair into his own fists, he gets his answer.
Passion. Suffering. Loss. Significant loss.
He doesn’t recognize this Sherlock. He’s not sure he likes him.
Delete. (post Reichenbach with roles reversed, heart shattering as sherlock erases john. has a happy ending)
Below Zero He is lying on the sofa, the spring sunlight streaming in through the dirty windows, but real sunlight, warm and bright that makes every surface shine. He lies still, lets the sun warm his bare toes, listens to Mrs Hudson hoover, looks at John, looks and looks and looks.“Would you spend the rest of your life with me?” he asks. (the sweetest Johnlock fluff and a lovely visual of Sherlock’s mind palace)
Let You Kiss Me
The first time Sherlock kisses him, John keeps his eyes open, and so does Sherlock, and mostly, he wonders what Sherlock could possibly be up to. There’ll be some logic to this. Some ridiculous experiment about body warmth or respiratory rates or testing a new way of picking pockets. (featuring sherlock trying to understand how to make john stay with him always and stealing kisses)
Dance With Me “I am studying the movement of the dancers. It is a little known fact…” “Save it, Sherlock. I could see your face. What’s up with the ballroom dancing?” To his surprise, Sherlock began to blush and he cast his gaze downward. John could almost see him thinking furiously. (in which john sees sherlock dancing secretly and vows to do something (sweet) about it)
If You Were Here
John didn’t know if it was a blessing or a curse that the casket was closed. On the one hand, he didn’t think he could bear seeing a lifeless Sherlock a second time. On the other hand, he couldn’t help but imagine Sherlock climbing out of the casket, calling the lot of the mourners idiots for ever thinking he was dead, and barreling through the graveyard with his coat collar turned up against the wind. (johns thoughts while writing sherlock’s eulogy. sometimes you just need a short grief fic with no happy ending – if so, this is THE one)
Once More, With Feeling “Oh, but just look at you! So tall! And you have such lovely bone structure and your eyes and your hair - all tousled, dark curls - and you’re very handsome, you understand, terribly so. Like some Byronic hero! As a matter of fact I’m reading this novel right now, ‘Ravishing of a Duchess’ and the male character the author describes looks very much like-” (oh my god mummy watson is SO CUTE AND SWEET in this fake relationship fic. I know I have a thing for angst but this one doesn’t actually have any. lots of mutual pining)
Bagged and Tagged
EVIDENCE
Subject: Marriage Proposal
Description of Evidence: Capt. (Dr.) John Watson’s RAMC dog tags.
Offense type: Loyalty and companionship, for as long as we both shall live.
Location: 221b Baker Street, London
Remarks: You can’t dissect my heart until I die, but it’s yours already. Hope these will tide you over in the meantime. (john proposes to sherlock in a very John Watson kind of way and it’s creepy in the best of ways)MANY MORE UNDER THE CUT
In TAB John believes in TJLC, Sherlock does not. But, John is always right.
Reading this post by @221beestings about twins in TAB vs triplets in TSoT got me to thinking about the triplets as mirrors for the John/Sherock/Mary love triangle. If the triplets, like the, ‘three people’, this client thinks her husband is, are meant to reference them then who could, ‘twins’, be referencing in TAB? Well, in the end we see that, ‘there’s always the two of us, don’t you read the Strand?’. So, twins = John and Sherlock and triplets = John/Sherlock/Mary. AKA one is Johnlock one is not-Johnlock.
So, John insists that it could be twins in TAB. John insists that the show could end up with them together. Sherlock thinks it’s never that. Maybe it’s never been that, as in, they’ve never done an adaptation of Sherlock Holmes where that officially happened.
Despite Sherlock’s mockery John insists and further explains, ‘maybe it was a secret twin’. Not just Johnlock but secret Johnlock. Sherlock thinks that it’s absurd to think that this would have been planned since, ‘conception’. Like, it’s absurd to think that the show has been about Johnlock since its conception. Sherlock is saying that it’s never canon Johnlock, and that TJLC sounds absurd to him,
But, in the end it is always the two of them and furthermore, by his own admission, John is always right. This means that John is saying, ‘this show will end up with us together, it’s an obvious conclusion’, and Sherlock is mocking the idea because it would’ve required a plan since the beginning. And yet, John is right, he’s always right.
John believes in TJLC, Sherlock mocks it. Sherlock realises John is right,
In the end there was a conspiracy and John, Sherlock and Mary must walk through rooms full of fire (symbolising desire) just to arrive at its heart. In the end it’s Mary who leads us to see that there really was a conspiracy. Mary being there as John’s romantic false lead is the final obstacle to Johnlock,
If the answer that solves a case can easily be triplets then it can also easily be twins (the latter being statistically more common). If Sherlock can accept that Mary is in the way of his happiness, maybe he can accept the opposite is an option, too: that he will get what he wants, that he and John will be together.
Cool idea. I like it.
"INTERVIEWER: Do you [Moffat and Gatiss] have conversations with each other where you say, ‘Right,..."
MOFFAT: I’ve been doing this over two shows now – just have an answer.
And just because ‘No Comment’ is itself an answer… sometimes you just have to say, ‘To hell with it, it’s fiction – I’ll make up some more right now!’
And I just tell a straightforward porkie.
And in fairness to me – I’ve always said that’s exactly what I’m doing.
Sometimes I sit there – I did this in San Diego and said, ‘I am lying to you. I’m lying to you right now. [laughs] Why are you trusting me when I’m lying?’
And they STILL quote me! I’m lying!”
-
Steven Moffat
(Empire Podcast: Sherlock Series 3 Spoiler Special, January 2016 [x])
[ Skulls & Tea | Sherlock Creator Quotes Collection | Disclaimer/reblogs ]
(via skulls-and-tea)
Another gem in my lying liars quote list
Mary's weakness
So, what could the future hold for this dragon slayer and his dragon?
Do you know the story of the Paper Bag Princess? She protagonist gets one over on the dragon because she appeals to his ego. She gets him to show off how many times he can circle the earth and how many forests he can burn with his breath. Until he’s so out of breath he has no fire left and until he’s so tired that he falls asleep.
There’s an interaction between Bill Wiggins and Mary that has always struck me. He, posing as a beggar, asks for money. She’s walking by him until he says, ‘don’t be like all the rest’, then and only then she stops and gives him money. Why? Because this appeals to her ego: she’s not like all the rest, she’s not ordinary, she’s extraordinary.
Bill is there on assignment from Sherlock, he says this pivotal line to her and it would be too much coincidence to think that Bill came up with it. This line was given to Bill by Sherlock. Because Sherlock knows that she’s, ‘clever’,
and has an ego about it: she’s a show-off.
*
Sherlock is purposefully showing her, ‘his hand’, here. He’s letting her know that he made a clever plan for her because she’s clever. The issue of being, 'clever’, reminds me of Sherlock’s problem with Moriarty at the end of TRF. Moriarty figures out his weakness: he’s clever so he assumes that the way things are done by others who are clever will also be clever. He doesn’t foresee the simplest solution because he favours the overly complicated.
If Sherlock has learnt his lesson from Morirarty and he sees in Mary his own weakness then he could use that against her, make her dance, as it were. Except that he’s making this really obvious to her. He’s making this very explicit: I know you’re clever.
Also, if she’s affiliated with Moriarty, she may literally know about what happened with regard to the key code. She may already be aware that Sherlock is aware that wanting things to be clever is a weakness. If she’s as clever as she seems she should see through the theatrics.
The question, is, as with the cabbie, is this Sherlock’s bluff, or a double bluff, or a triple bluff? His plan to defeat Mary (should things come to that) will it be clever? Or look clever but actually be deceptively simple? Or look very clever, then seem deceptively simply but then secretly be very clever?
reblogging this because of this sweet post from @the-7-percent-solution. Mary’s ego will be her downfall.
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