Sbr Martin's Blog - Posts Tagged "abna"
"Using the 'F' Word in Fiction" - Guest Post on Author Wodke Hawkinson's Blog
As an author, it is a great compliment to be asked to write a guest post on another author's blog. Check out my recent post on author Wodke Hawkinson's blog. And be sure to explore the other guest posts - fresh talent awaits!
http://findagoodbooktoread.com/wodke-...
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Repost:
Using the "F" Word in Fiction
Oh, behave! I’m not being nearly as scandalous as the title of this guest post would suggest. The “F” word to which I’m referring is “Fact,” and its use in fiction can be just as challenging, just as brow-raising, as the dirty word you likely thought I meant.
My fiction has been described as “psychological and thoughtful” by Midwest Book Review, my characters as “flawed and believable, yet familiar” by Publishers Weekly. One book review blogger recently wrote: “Martin has created characters so real, so rich in character that you know in your heart that these character(s) must be real.”
And these are just the comments of strangers, of persons who do not personally know me or who know nothing of my past, present, or future. The comments and questions that roll in from those in the know are even more loaded.
“Wow, I never knew you felt that way,” said one friend.
“I’m glad you finally got it all out,” said a distant family relation.
“I have to ask,” posed my publisher, “is this based on your own life?”
To date, I’ve published two titles of contemporary fiction—“in wake of water,” released Nov. 2011; and, “pig,” released June 2012. In addition to the rich character development noted by various sources, both books have in common the fact that they touch on touchy topics, very real and very disturbing possibilities in the human condition.
“In wake of water” centers on a female lead who contemplates suicide following the losses of her immediate family members. Her tendencies are counterbalanced by a male lead who greatly fears death, life, and living. As the story unfolds, small-town secrets are revealed in a thought-provoking tome of sex, deception, ignorance, and guilt.
Honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, my second novel, “pig” also discusses death and loss, among other ostensible themes. “Pig” is the story of Lily, a troubled woman seated at her husband’s funeral, whose life is recalled in a tensely tense-shifting narrative of domestic abuse, adultery, alcoholism, motherhood, and redemption.
As my fiction focuses on humans (rather than otherworldly creatures such as vampires, werewolves, or cyborgs) and explores very real human scenarios (as opposed to things such as time travel, mind control, and immortality), it instantly raises questions among readers. And, when those readers take a look at my extended bio, the questions keep coming.
My mother passed away in 1999. My sister, my only sibling, died in 2001. My father keeled over in 2003. All one has to do is read the first page of “in wake of water” to see these facts mirrored in my fiction. The question then becomes, “Does it stop there?”
Yes and No. Quite simply, these facts were brought into my fiction because they are compelling. They are the stuff that makes for a good read, the stuff that makes a work not only readable but also relatable.
Indeed, we write what we know, but we also write what we don’t know, what we want to know, and what we can never know. My true story, alone, without fabrication or exaggeration, is not exceptional. What makes it exceptional is the way that my fact is intertwined with the purely fictitious, or supplemented by fact found elsewhere in this world.
Carrying over into “pig,” one then wonders if the next chapter of my reality was laden with abuse, alcoholism, adultery, and other “A” words. Sure. A little here. A little there. But nothing in “pig” is fact in its entirety. Again, it’s the compelling stuff that makes for a good story. A curly hair of truth beneath a fake wig that’s tidy.
I am reminded of the disclaimer that accompanies most works of fiction these days—that little blurb on the copyright page that mentions how any resemblance of the forthcoming story to persons, places, or things, whether of fact or of fiction, is purely unintentional. And as I am reminded of this, I remind my reader of this, too.
Something may sound familiar, but that doesn’t mean it is. Something may sound factual, but that doesn’t mean it is. Something may sound unbelievable, but it may be that very thing which is most true.
Were I to write a work of fiction about an African American President of the United States of America, that would not mean that the novel was about President Obama. Were I to write about a disease that killed people indiscriminate of any identifiable factor or predisposition, that would not mean that the novel was about Cancer. So too when I write about a gal who lost her entire family, or a lady who liked to booze it up, that does not mean these works are about me, though they may seem to imitate my intimate.
My biggest goal in writing is to have my words invoke thoughts and feelings in my reader, and, for that reason, I often write of those things that invoke thought and feeling in my own mind. If it works on me, it’s my hope that it’ll work on my readers.
I don’t think, by the way, that this is something one could escape entirely just by writing in other subgenres of fiction, or by creating more ethereal characters. Who among us has not been ensnarled by the beautiful eyes of a vampire, or haunted by the isolationist tendencies of any other nonhuman? Who hasn’t been perplexed by the twin paradox? These things too invoke in us something that their authors surely intended to stir. They just aren’t subjected to the same level of “fact v. fiction” scrutiny because of their very premises.
The novel I’m currently writing has much to do with murder. I’m hoping that my friends, family, and followers don’t soon question whether I am, in fact, a murderer. But, then again, would this query be any more absurd than the ones asked following my first two novels? Are we not each of us, at one point or another, cast into a spot of murderous inclination, just as we are cast into moments of despair and desperation?
“Pig” and “in wake of water” are available for purchase and lending on Amazon, accessible through my author profile at http://amazon.com/author/sbrmartin.
Follow my writing on Facebook at http://facebook.com/sbrmartin.pig and http://facebook.com/inwakeofwater.
Rate/review me on goodreads at http://goodreads.com/sbrmartin.
Media inquiries and/or general queries can be sent directly to sbrmartin@sbrmartin.com.
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http://findagoodbooktoread.com/wodke-...
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Repost:
Using the "F" Word in Fiction
Oh, behave! I’m not being nearly as scandalous as the title of this guest post would suggest. The “F” word to which I’m referring is “Fact,” and its use in fiction can be just as challenging, just as brow-raising, as the dirty word you likely thought I meant.
My fiction has been described as “psychological and thoughtful” by Midwest Book Review, my characters as “flawed and believable, yet familiar” by Publishers Weekly. One book review blogger recently wrote: “Martin has created characters so real, so rich in character that you know in your heart that these character(s) must be real.”
And these are just the comments of strangers, of persons who do not personally know me or who know nothing of my past, present, or future. The comments and questions that roll in from those in the know are even more loaded.
“Wow, I never knew you felt that way,” said one friend.
“I’m glad you finally got it all out,” said a distant family relation.
“I have to ask,” posed my publisher, “is this based on your own life?”
To date, I’ve published two titles of contemporary fiction—“in wake of water,” released Nov. 2011; and, “pig,” released June 2012. In addition to the rich character development noted by various sources, both books have in common the fact that they touch on touchy topics, very real and very disturbing possibilities in the human condition.
“In wake of water” centers on a female lead who contemplates suicide following the losses of her immediate family members. Her tendencies are counterbalanced by a male lead who greatly fears death, life, and living. As the story unfolds, small-town secrets are revealed in a thought-provoking tome of sex, deception, ignorance, and guilt.
Honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, my second novel, “pig” also discusses death and loss, among other ostensible themes. “Pig” is the story of Lily, a troubled woman seated at her husband’s funeral, whose life is recalled in a tensely tense-shifting narrative of domestic abuse, adultery, alcoholism, motherhood, and redemption.
As my fiction focuses on humans (rather than otherworldly creatures such as vampires, werewolves, or cyborgs) and explores very real human scenarios (as opposed to things such as time travel, mind control, and immortality), it instantly raises questions among readers. And, when those readers take a look at my extended bio, the questions keep coming.
My mother passed away in 1999. My sister, my only sibling, died in 2001. My father keeled over in 2003. All one has to do is read the first page of “in wake of water” to see these facts mirrored in my fiction. The question then becomes, “Does it stop there?”
Yes and No. Quite simply, these facts were brought into my fiction because they are compelling. They are the stuff that makes for a good read, the stuff that makes a work not only readable but also relatable.
Indeed, we write what we know, but we also write what we don’t know, what we want to know, and what we can never know. My true story, alone, without fabrication or exaggeration, is not exceptional. What makes it exceptional is the way that my fact is intertwined with the purely fictitious, or supplemented by fact found elsewhere in this world.
Carrying over into “pig,” one then wonders if the next chapter of my reality was laden with abuse, alcoholism, adultery, and other “A” words. Sure. A little here. A little there. But nothing in “pig” is fact in its entirety. Again, it’s the compelling stuff that makes for a good story. A curly hair of truth beneath a fake wig that’s tidy.
I am reminded of the disclaimer that accompanies most works of fiction these days—that little blurb on the copyright page that mentions how any resemblance of the forthcoming story to persons, places, or things, whether of fact or of fiction, is purely unintentional. And as I am reminded of this, I remind my reader of this, too.
Something may sound familiar, but that doesn’t mean it is. Something may sound factual, but that doesn’t mean it is. Something may sound unbelievable, but it may be that very thing which is most true.
Were I to write a work of fiction about an African American President of the United States of America, that would not mean that the novel was about President Obama. Were I to write about a disease that killed people indiscriminate of any identifiable factor or predisposition, that would not mean that the novel was about Cancer. So too when I write about a gal who lost her entire family, or a lady who liked to booze it up, that does not mean these works are about me, though they may seem to imitate my intimate.
My biggest goal in writing is to have my words invoke thoughts and feelings in my reader, and, for that reason, I often write of those things that invoke thought and feeling in my own mind. If it works on me, it’s my hope that it’ll work on my readers.
I don’t think, by the way, that this is something one could escape entirely just by writing in other subgenres of fiction, or by creating more ethereal characters. Who among us has not been ensnarled by the beautiful eyes of a vampire, or haunted by the isolationist tendencies of any other nonhuman? Who hasn’t been perplexed by the twin paradox? These things too invoke in us something that their authors surely intended to stir. They just aren’t subjected to the same level of “fact v. fiction” scrutiny because of their very premises.
The novel I’m currently writing has much to do with murder. I’m hoping that my friends, family, and followers don’t soon question whether I am, in fact, a murderer. But, then again, would this query be any more absurd than the ones asked following my first two novels? Are we not each of us, at one point or another, cast into a spot of murderous inclination, just as we are cast into moments of despair and desperation?
“Pig” and “in wake of water” are available for purchase and lending on Amazon, accessible through my author profile at http://amazon.com/author/sbrmartin.
Follow my writing on Facebook at http://facebook.com/sbrmartin.pig and http://facebook.com/inwakeofwater.
Rate/review me on goodreads at http://goodreads.com/sbrmartin.
Media inquiries and/or general queries can be sent directly to sbrmartin@sbrmartin.com.
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"Pig Blooms from Pittsburgh Orchard, Parented by Pittsburgh Artists" - Guest Post on Pittsburgh is the Center of the Universe
I'm a proud Pittsburgher, and have been honored to work with other Pittsburgh talent.
Is Pittsburgh the center of the universe? Read this post and let me know what you think.
http://pghisthecenteroftheuniverse.tu...
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Repost:
Pig Blooms from Pittsburgh Orchard, Parented by Pittsburgh Artists
Question: What do you get when you combine a Pittsburgh author with a Pittsburgh visual artist, a Pittsburgh photographer, and a self-started Pittsburgh business?
Answer: “Pig.” - http://facebook.com/sbrmartin.pig
Pittsburgh native and resident Sarah Beth (Rem) Martin, pen name sbr martin, is an author of contemporary psychological fiction. Her second novel, “pig,” was honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Awards.
Of Martin’s submission, Publishers Weekly wrote: “The ultimate resolution ofthe story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, butalso, in a strange way, enriched.”
Set in Pittsburgh, “pig” is the story of Lily, a woman holding on to too much pain and too many secrets, including a big secret she’s keeping from herself. The entire noveltakes place at her husband’s funeral, where she sits alone on a couch in the corner, desperately clinging to a scrap of paper she refuses to reveal.
The narrative comes from Lily’s memories, as stirred by the familiar faces of funeral home patrons. Physical abuse, graphic sex, and devastating loss arebut a few of the past events reawakened by Lily’s reflections - as are love, mothering, and redemption.
What does it take for a troubled woman to finally let go? How did her husband get in that box? And what is she holding in her hand? Step into Lily’s past toanswer the present questions. But don’t expect to be pleased with everything you learn. Some stories just aren’t meant to have happy endings.
When “pig” exited the 2012 ABNA, it was swiftly picked up by The Artists’ Orchard, LLC, a self-started Pittsburgh house in its toddler years. The Aritsts’ Orchard also published Martin’s first book, “in wake of water” (http://facebook.com/inwakeofwater).
Upon reward of pending publication, Martin sought tirelessly to acquire appropriate cover art to electronically cloak her writing. And, lo and behold, the perfect piece was right in her own backyard!
“Catwoman” was selected and acquired from the impressive portfolio of Jenn Wertz (http://tiny.cc/jennwertzma),an accomplished Pittsburgh musician and visual artist best know for being an original member of multi-platinum recording artists Rusted Root, who are also based out of Pittsburgh.
The Pittsburgh partnership persists!
Author photography for both “pig” and “in wake of water” was generously contribued by PicChick Photography by Lizzy Bittner (http://picchickphotography.smugmug.com). The talented Mrs. Bittner also provided cover photography for Martin’s first novel.
With all its Pittsburgh glory, “pig” was released as a Kindle edition eBook on 11 June 2012, and is available for purchase and lending on amazon at http://tiny.cc/sbrmartin-pig.
More information can be found at http://facebook.com/sbrmartin.pig.
A digital review copy and/or press packet is available upon request sent to pr@theartistsorchard.com. Interview/comment queries can be sent directly to Martin at sbrmartin@sbrmartin.com.
** So… Is Pittsburgh the center of the universe? Hell yeah! Just take a gander at all these stars shining in it. **
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Is Pittsburgh the center of the universe? Read this post and let me know what you think.
http://pghisthecenteroftheuniverse.tu...
~~~~~ ~~~~~ ~~~~~
Repost:
Pig Blooms from Pittsburgh Orchard, Parented by Pittsburgh Artists
Question: What do you get when you combine a Pittsburgh author with a Pittsburgh visual artist, a Pittsburgh photographer, and a self-started Pittsburgh business?
Answer: “Pig.” - http://facebook.com/sbrmartin.pig
Pittsburgh native and resident Sarah Beth (Rem) Martin, pen name sbr martin, is an author of contemporary psychological fiction. Her second novel, “pig,” was honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Awards.
Of Martin’s submission, Publishers Weekly wrote: “The ultimate resolution ofthe story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, butalso, in a strange way, enriched.”
Set in Pittsburgh, “pig” is the story of Lily, a woman holding on to too much pain and too many secrets, including a big secret she’s keeping from herself. The entire noveltakes place at her husband’s funeral, where she sits alone on a couch in the corner, desperately clinging to a scrap of paper she refuses to reveal.
The narrative comes from Lily’s memories, as stirred by the familiar faces of funeral home patrons. Physical abuse, graphic sex, and devastating loss arebut a few of the past events reawakened by Lily’s reflections - as are love, mothering, and redemption.
What does it take for a troubled woman to finally let go? How did her husband get in that box? And what is she holding in her hand? Step into Lily’s past toanswer the present questions. But don’t expect to be pleased with everything you learn. Some stories just aren’t meant to have happy endings.
When “pig” exited the 2012 ABNA, it was swiftly picked up by The Artists’ Orchard, LLC, a self-started Pittsburgh house in its toddler years. The Aritsts’ Orchard also published Martin’s first book, “in wake of water” (http://facebook.com/inwakeofwater).
Upon reward of pending publication, Martin sought tirelessly to acquire appropriate cover art to electronically cloak her writing. And, lo and behold, the perfect piece was right in her own backyard!
“Catwoman” was selected and acquired from the impressive portfolio of Jenn Wertz (http://tiny.cc/jennwertzma),an accomplished Pittsburgh musician and visual artist best know for being an original member of multi-platinum recording artists Rusted Root, who are also based out of Pittsburgh.
The Pittsburgh partnership persists!
Author photography for both “pig” and “in wake of water” was generously contribued by PicChick Photography by Lizzy Bittner (http://picchickphotography.smugmug.com). The talented Mrs. Bittner also provided cover photography for Martin’s first novel.
With all its Pittsburgh glory, “pig” was released as a Kindle edition eBook on 11 June 2012, and is available for purchase and lending on amazon at http://tiny.cc/sbrmartin-pig.
More information can be found at http://facebook.com/sbrmartin.pig.
A digital review copy and/or press packet is available upon request sent to pr@theartistsorchard.com. Interview/comment queries can be sent directly to Martin at sbrmartin@sbrmartin.com.
** So… Is Pittsburgh the center of the universe? Hell yeah! Just take a gander at all these stars shining in it. **
~~~~~ ~~~~~ ~~~~~
"Uncovering This Cloud’s Silver Lining: My Spiritual Practices as an Alcoholic" - Guest Post on Loran's Heart
Who said you can't be two places at one time? Thanks to the web, the impossible is possible! Today I made TWO virtual visits.
The first is to Loran's Heart, a website dedicated to spiritual practices and growth. Read my guest post at http...://www.loransheart.com/uncovering-this-c....
And please take the time to look around Loran's site. Loran is the author of three different "Journey" journals, which each prompt the reader-writer to explore parts of herself and motivate enriching change.
Loran and I will be penpals when I am "away," and together we will exchange letters where I work on the steps of her "Transformation Journey." So stay tuned for my follow-up post in a few months, after I have embarked on this journey.
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Repost:
Uncovering This Cloud’s Silver Lining: My Spiritual Practices as an Alcoholic by SBR Martin
This is a very special guest post by SBR Martin. Quite often spirituality plays an important role in recovery from alcoholism. Sometimes it’s a difficult path. (Intro from Loran Hill)
I woke up, drenched in sweat and disoriented. Where was I? Images filled my head, confronting me one after the other: a dozen discarded beer cans; an empty fifth of vodka and two bone-dry glasses; a naked man, a stranger, on top of me, making love to me on the floor of his stall-like shower.
My head started pounding, my heart racing. Was I hung-over? Still drunk? What had I just done? Did I slip… again?
I turned over where I lay and saw my 4-year-old daughter in bed next to me, nestled in the crook of my sleeping husband’s back. My 2-year-old was jumping up and down and giggling in her crib in the far corner. Calmness soon overcame me, for I was home, I was safe—and I was sober. It was just a dream.
Dreams like these are called “drunk dreams.” I, like many other alcoholics, have them every so often. They’re terrifying and uncomfortable, but they’re not so much a curse as a blessing. Five months into my newfound sobriety, I see them as a manifestation of my fears and a reminder of both my successes and my failures. They show me what would happen, and what has happened, if I pick up a drink.
The dreams started some time after the nightmare ended on Feb. 20, 2012. That’s the date of my last drink in a 10-month-long bender of compulsive binge drinking, during which time I forgot I was a wife, a mother, and a human being.
I’d been slightly more than 3.5 years sober when I relapsed. The gestation and birth of my daughters, combined with my creative endeavors, allowed me to stay sober for what was the longest period of sobriety in my adult life (so far). Having been clean for so long, I thought my disease was cured and that I could once more drink like a normal person.
I was wrong. Just one drink opened the floodgates, and soon enough I sunk to new depths of addiction.
I was arrested on Jan. 2, 2012, for driving under the influence and open lewdness. When the cops found me, I was parked and engaged in sexual activity with a 25-year-old rocker boy I’d met a half-hour earlier in the bar. Although it is physically impossible to do what I was doing and drive at the same time, my mere possession of the car keys was enough to constitute the backbone of a DUI arrest, which was fleshed out by my .217% blood alcohol content.
My arrest was a low point, but it didn’t stop me. I kept drinking, regressing at a rapid rate. Over the next few weeks, I fell down and broke the fifth metatarsal in my right foot; wrecked my car into a parked car; and, was sexually assaulted by a stranger with whom I’d hitched a ride.
Things weren’t getting out of control—they were already out of control. I didn’t know how to stop, and, despite the devastation I caused, I didn’t know if I even wanted to stop.
I’d isolated myself from friends and family, who nonetheless kept calling and begging me to seek help. However, it wasn’t until a call was placed to someone else that I finally got the message.
An unnamed person had called the county’s child welfare unit, a representative of which showed up at my door to investigate a claim that my children were being neglected by their alcoholic mother.
I was sober when the rep appeared, and even more so when she left. Upon finding no evidence to support the claim, the case was dropped. But the fact that suspicion had been raised, and that fact alone, was the last straw I needed to break my back. Things had to change.
The first thing I changed was my isolation. I picked up the phone and returned a call I had received from a dear friend. He was a drunk, just like me—only he hadn’t drank in well over a year, and was living a productive life that glimmered with a successful career and a happy family.
This dude used to be hardcore. Though he’d been lucky when it came to things like driving, he had been just as bad as me, if not worse. If he could quiet his demons, maybe I could too.
Because he was like me, I was able to listen to him and take his words to heart, something I couldn’t do when nonalcoholic folks tried to talk sense into me. He understood addiction, compulsion, and withdrawal. He knew what it was like to be in a place where you couldn’t live with, or without, booze.
He suggested that I go to in-patient rehab, to which I reluctantly agreed. My stay in rehab was short-lived, because I jumped on the chance to come home when my husband had difficulty finding adequate childcare in my absence.
Leaving the rehab center after only a few short days, I immediately set up an appointment for out-patient care and again called my dear friend, who suggested that I affiliate myself with other recovering alcoholics post haste.
And so began my path not only to sobriety but also to discovery, growth, and enlightenment. For the first time in my life, I admitted, and accepted, that I was an alcoholic. I finally embraced things I’d shied away from in the past, welcoming the likes of rehabilitation, therapy, and fellowship with likeminded alkies.
What I have now is different than what I had for those 3.5 years—those years were not lived in sobriety. They were nothing more than dry years, where I simply abstained from drinking but remained an alcoholic in my thinking; where I never had any type of program in place; where I didn’t use any outside tools for recovery and selfishly thought I alone held all the power.
So what does any of this have to do with spiritual practice? Simple answer: Everything!
It was through this process, through the ups and downs here described, that I was able to find a certain comfort in my existence and the ability to address life’s situations with level-headedness and gratitude.
In my recovery process, I have heard a prayer repeated constantly. I’m sure you’ve heard it, too. At first, it sounds like a lovely little poem—something that’d look nice on a prayer card or bumper sticker, something easy to recite and to remember.
The prayer goes:
Yep. The good ole’ Serenity Prayer. Told ya’ you’d know it! Do you really know it though?
Something so sweet and simple is very easy to gloss over and undervalue. But if you take the time to really think about the meaning of each and every word, it makes a world of difference, and makes the world a different place.
This one prayer is the basis of my spiritual practice, of my daily living. I say it to myself, aloud or in my head, at least three times a day, more when needed.
It is by this prayer that I am able to face my alcoholism. Each day, I remind myself that I am an alcoholic. I cannot change that fact. What I can change is how deal with my compulsion to drink. I can give in to it, or I can subdue it.
It is by this prayer that I am able to face arguments with my husband, guff from my children, or financial problems. When something comes up, I remind myself that I cannot change my husband’s personality, I cannot change the trials of raising toddlers, and I cannot change the economy. What I can change is how I respond to these stressors.
And it is by this prayer that I am able to face a difficult situation looming in my immediate future.
I did the crime. Now I must pay the time. I have been sentenced to serve 90 days in a correctional facility because of my DUI offense. I cannot change my sentence. What I can change is how I handle my time on lockdown and how I approach my incarceration.
I can enter the facility bitter and closed-minded, or humble and open-minded. I can view my time there as an interruption of my freedoms, or as an opportunity to polish my appreciation for them. I can consider myself damned, or I can find redemption.
The firsts of each of these options are the easy way, and are the way of the alcoholic who is still in denial. I choose the harder choices, taking on the challenge of uncovering this cloud’s silver lining. With serenity, courage, and wisdom, I shall dedicate my time to learning more about myself and God as I understand him. I’ll work to figure out God’s plan for me, and pray for the strength to put that plan into action.
SBR Martin is an author of contemporary psychological fiction. Her most recent release, Pig, was a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, where Publishers Weekly wrote of Martin’s work: “The ultimate resolution of the story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, but also, in a strange way, enriched.”
Martin was bred, born, and raised in Pittsburgh, Pennsylvania, where she continues to live and work as a writer, journalist, and mother. She holds a law degree from the University of Pittsburgh School of Law, as well as a journalism portfolio replete with contributions to media outlets such as AOL’s Patch Network and CBS Local Media Pittsburgh.
Pig is her second book, published less than one year after the Oct. 2011 release of her debut novel, In Wake of Water.
Books by SBR Martin:
Pig: available for purchase on Amazon at http://www.amazon.com/Pig-ebook/dp/B0... and likeable on Facebook at http://www.facebook.com/sbrmartin.pig
In Wake of Water: available for purchase on Amazon at http://www.amazon.com/In-Wake-Of-Wate... and likeable on Facebook at http://www.facebook.com/inwakeofwater
SBR Martin’s other online presences:
SBR can be found online in myriad places, including multiple stops along her virtual tour. Guest posts, interviews, and other visits are chronicled on her Goodreads blog. If you’d like SBR to make a special appearance on your blog/site, contact her directly at sbrmartin@sbrmartin.com.
SBR on Goodreads: http://www.goodreads.com/sbrmartin
SBR on Amazon: http://www.amazon.com/author/sbrmartin
SBR on Facebook: http://www.facebook.com/sbrmartin
SBR on YouTube: http://www.youtube.com/user/sbrmartin
SBR on Twitter: http://twitter.com/sbrmartin
SBR on SBR: http://www.sbrmartin.com
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The first is to Loran's Heart, a website dedicated to spiritual practices and growth. Read my guest post at http...://www.loransheart.com/uncovering-this-c....
And please take the time to look around Loran's site. Loran is the author of three different "Journey" journals, which each prompt the reader-writer to explore parts of herself and motivate enriching change.
Loran and I will be penpals when I am "away," and together we will exchange letters where I work on the steps of her "Transformation Journey." So stay tuned for my follow-up post in a few months, after I have embarked on this journey.
~~~~~ ~~~~~ ~~~~~
Repost:
Uncovering This Cloud’s Silver Lining: My Spiritual Practices as an Alcoholic by SBR Martin
This is a very special guest post by SBR Martin. Quite often spirituality plays an important role in recovery from alcoholism. Sometimes it’s a difficult path. (Intro from Loran Hill)
I woke up, drenched in sweat and disoriented. Where was I? Images filled my head, confronting me one after the other: a dozen discarded beer cans; an empty fifth of vodka and two bone-dry glasses; a naked man, a stranger, on top of me, making love to me on the floor of his stall-like shower.
My head started pounding, my heart racing. Was I hung-over? Still drunk? What had I just done? Did I slip… again?
I turned over where I lay and saw my 4-year-old daughter in bed next to me, nestled in the crook of my sleeping husband’s back. My 2-year-old was jumping up and down and giggling in her crib in the far corner. Calmness soon overcame me, for I was home, I was safe—and I was sober. It was just a dream.
Dreams like these are called “drunk dreams.” I, like many other alcoholics, have them every so often. They’re terrifying and uncomfortable, but they’re not so much a curse as a blessing. Five months into my newfound sobriety, I see them as a manifestation of my fears and a reminder of both my successes and my failures. They show me what would happen, and what has happened, if I pick up a drink.
The dreams started some time after the nightmare ended on Feb. 20, 2012. That’s the date of my last drink in a 10-month-long bender of compulsive binge drinking, during which time I forgot I was a wife, a mother, and a human being.
I’d been slightly more than 3.5 years sober when I relapsed. The gestation and birth of my daughters, combined with my creative endeavors, allowed me to stay sober for what was the longest period of sobriety in my adult life (so far). Having been clean for so long, I thought my disease was cured and that I could once more drink like a normal person.
I was wrong. Just one drink opened the floodgates, and soon enough I sunk to new depths of addiction.
I was arrested on Jan. 2, 2012, for driving under the influence and open lewdness. When the cops found me, I was parked and engaged in sexual activity with a 25-year-old rocker boy I’d met a half-hour earlier in the bar. Although it is physically impossible to do what I was doing and drive at the same time, my mere possession of the car keys was enough to constitute the backbone of a DUI arrest, which was fleshed out by my .217% blood alcohol content.
My arrest was a low point, but it didn’t stop me. I kept drinking, regressing at a rapid rate. Over the next few weeks, I fell down and broke the fifth metatarsal in my right foot; wrecked my car into a parked car; and, was sexually assaulted by a stranger with whom I’d hitched a ride.
Things weren’t getting out of control—they were already out of control. I didn’t know how to stop, and, despite the devastation I caused, I didn’t know if I even wanted to stop.
I’d isolated myself from friends and family, who nonetheless kept calling and begging me to seek help. However, it wasn’t until a call was placed to someone else that I finally got the message.
An unnamed person had called the county’s child welfare unit, a representative of which showed up at my door to investigate a claim that my children were being neglected by their alcoholic mother.
I was sober when the rep appeared, and even more so when she left. Upon finding no evidence to support the claim, the case was dropped. But the fact that suspicion had been raised, and that fact alone, was the last straw I needed to break my back. Things had to change.
The first thing I changed was my isolation. I picked up the phone and returned a call I had received from a dear friend. He was a drunk, just like me—only he hadn’t drank in well over a year, and was living a productive life that glimmered with a successful career and a happy family.
This dude used to be hardcore. Though he’d been lucky when it came to things like driving, he had been just as bad as me, if not worse. If he could quiet his demons, maybe I could too.
Because he was like me, I was able to listen to him and take his words to heart, something I couldn’t do when nonalcoholic folks tried to talk sense into me. He understood addiction, compulsion, and withdrawal. He knew what it was like to be in a place where you couldn’t live with, or without, booze.
He suggested that I go to in-patient rehab, to which I reluctantly agreed. My stay in rehab was short-lived, because I jumped on the chance to come home when my husband had difficulty finding adequate childcare in my absence.
Leaving the rehab center after only a few short days, I immediately set up an appointment for out-patient care and again called my dear friend, who suggested that I affiliate myself with other recovering alcoholics post haste.
And so began my path not only to sobriety but also to discovery, growth, and enlightenment. For the first time in my life, I admitted, and accepted, that I was an alcoholic. I finally embraced things I’d shied away from in the past, welcoming the likes of rehabilitation, therapy, and fellowship with likeminded alkies.
What I have now is different than what I had for those 3.5 years—those years were not lived in sobriety. They were nothing more than dry years, where I simply abstained from drinking but remained an alcoholic in my thinking; where I never had any type of program in place; where I didn’t use any outside tools for recovery and selfishly thought I alone held all the power.
So what does any of this have to do with spiritual practice? Simple answer: Everything!
It was through this process, through the ups and downs here described, that I was able to find a certain comfort in my existence and the ability to address life’s situations with level-headedness and gratitude.
In my recovery process, I have heard a prayer repeated constantly. I’m sure you’ve heard it, too. At first, it sounds like a lovely little poem—something that’d look nice on a prayer card or bumper sticker, something easy to recite and to remember.
The prayer goes:
God,
Grant me the Serenity to accept the things I cannot change,
The Courage to change the things I can,
And the Wisdom to know the difference.
Yep. The good ole’ Serenity Prayer. Told ya’ you’d know it! Do you really know it though?
Something so sweet and simple is very easy to gloss over and undervalue. But if you take the time to really think about the meaning of each and every word, it makes a world of difference, and makes the world a different place.
This one prayer is the basis of my spiritual practice, of my daily living. I say it to myself, aloud or in my head, at least three times a day, more when needed.
It is by this prayer that I am able to face my alcoholism. Each day, I remind myself that I am an alcoholic. I cannot change that fact. What I can change is how deal with my compulsion to drink. I can give in to it, or I can subdue it.
It is by this prayer that I am able to face arguments with my husband, guff from my children, or financial problems. When something comes up, I remind myself that I cannot change my husband’s personality, I cannot change the trials of raising toddlers, and I cannot change the economy. What I can change is how I respond to these stressors.
And it is by this prayer that I am able to face a difficult situation looming in my immediate future.
I did the crime. Now I must pay the time. I have been sentenced to serve 90 days in a correctional facility because of my DUI offense. I cannot change my sentence. What I can change is how I handle my time on lockdown and how I approach my incarceration.
I can enter the facility bitter and closed-minded, or humble and open-minded. I can view my time there as an interruption of my freedoms, or as an opportunity to polish my appreciation for them. I can consider myself damned, or I can find redemption.
The firsts of each of these options are the easy way, and are the way of the alcoholic who is still in denial. I choose the harder choices, taking on the challenge of uncovering this cloud’s silver lining. With serenity, courage, and wisdom, I shall dedicate my time to learning more about myself and God as I understand him. I’ll work to figure out God’s plan for me, and pray for the strength to put that plan into action.
SBR Martin is an author of contemporary psychological fiction. Her most recent release, Pig, was a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, where Publishers Weekly wrote of Martin’s work: “The ultimate resolution of the story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, but also, in a strange way, enriched.”
Martin was bred, born, and raised in Pittsburgh, Pennsylvania, where she continues to live and work as a writer, journalist, and mother. She holds a law degree from the University of Pittsburgh School of Law, as well as a journalism portfolio replete with contributions to media outlets such as AOL’s Patch Network and CBS Local Media Pittsburgh.
Pig is her second book, published less than one year after the Oct. 2011 release of her debut novel, In Wake of Water.
Books by SBR Martin:
Pig: available for purchase on Amazon at http://www.amazon.com/Pig-ebook/dp/B0... and likeable on Facebook at http://www.facebook.com/sbrmartin.pig
In Wake of Water: available for purchase on Amazon at http://www.amazon.com/In-Wake-Of-Wate... and likeable on Facebook at http://www.facebook.com/inwakeofwater
SBR Martin’s other online presences:
SBR can be found online in myriad places, including multiple stops along her virtual tour. Guest posts, interviews, and other visits are chronicled on her Goodreads blog. If you’d like SBR to make a special appearance on your blog/site, contact her directly at sbrmartin@sbrmartin.com.
SBR on Goodreads: http://www.goodreads.com/sbrmartin
SBR on Amazon: http://www.amazon.com/author/sbrmartin
SBR on Facebook: http://www.facebook.com/sbrmartin
SBR on YouTube: http://www.youtube.com/user/sbrmartin
SBR on Twitter: http://twitter.com/sbrmartin
SBR on SBR: http://www.sbrmartin.com
~~~~~ ~~~~~ ~~~~~
Interview with SBR Martin on Lindsay and Jane's Views and Reviews
My second stop today was at Lindsay and Jane's Views and Reviews, where Jane interviewed me after reading and reviewing "pig" last week.
Jane came up with some really good questions, and I came up with some pretty decent answers. Read, read, read at http://lindsayandjaneviewsandreviews....
~~~~~ ~~~~~ ~~~~~
Repost:
Interview with SBR Martin
Recently I read a book called 'Pig' so hopefully I can be forgiven for expecting a book about a farm animal!....It is not about a farm animal!
'Pig' is one of the most unique books I have read in a while and I was totally blown away by it. Today I would like to welcome to the page the author of that book sbr Martin.
Q:- Would you tell us a little bit about your first novel? 'In Wake of Water' as I haven't managed to read it yet.
sbr: Well, the jacket blurb reads: "Enter a world of sex, deception, ignorance, and guilt. Malformed metaphysical ideas and corrupt social mores intertwine against the backdrop of a small town where there are too many secrets and life is anything but ideal. When a girl gets lost in this world and decides to escape, what will happen in her wake?"
But you didn't really need me to tell you that, huh? I guess I would describe "In Wake of Water" as a contemporary psychological thriller where the two main characters explore different permutations of, and alternatives to, life and death. There are some pretty shocking plot twists, and the side stories of supporting characters are both disturbing and oddly amusing.
Comparing my two novels, I’d say that “In Wake of Water” was written somewhat differently than “pig.” “In Wake of Water” was written more like a throwback to classic literature, with some purple prose piercing through the pages. “Pig” is written more directly, with more storytelling and less writing for the sake of writing.
I largely attribute this difference in style to the fact that i was in law school when I wrote "In Wake of Water" and was working as a Journalist when I wrote "Pig" - the writing I was doing elsewhere in my life influenced my authorship of each book.
Q:- Your second book ‘Pig’ managed to get as far as second prize quarterfinalist in the Amazon Breakthrough Novel Award Contest. Can you describe how you felt when you found out how well your work had done?
sbr: I was honored, tosay the least. Along with a novel's placement in the competition, the author is given feedback from Amazon Top Reviewers and from Publishers Weekly. The feedback is designed to highlight both the strengths and weaknesses of the author's work. In many ways, it is this that is the author's greatest prize (at last for authors who don't make it all the way!).
The Amazon reviewers weren't too shy to say what thy didn't like_and I wasn't too humble to take it to heart. For instance, one reviewer said that he didn't like how I used a lot of numbers in the book description. All you need to do is take a gander at the Amazon product page to see that I appreciated his advice and incorporated it into the presentation of my book.
The review from Publishers Weekly was absolutely incredible. There were no critical words in it, though I've seen other novels in the contest reviewed in a harsh light. Given the glowing Publishers Weekly review, I must admit that I'm not certain why "Pig" didn't make it any further than it did in the contest. I've fingered its dark content as the likely culprit. But, nonetheless, for it to get as far as it did is a huge accomplishment. It's the type of recognition that every fresh author craves, but so very few get.
Quick Fire Questions
a) What colour shoes are you wearing?
sbr: Right now, I'm actually not wearing any shoes. Whenever possible, I like to go barefoot-and, seeing as how I'm just chilling at home right now, there is no need for me to wear shoes at the moment. But, typically my shoes are some shade of black.
b) Do you take sugar?
sbr: I love sugar! I have a sweet tooth for cookies,candy,cake and the like. I especially love Sweedish Fish. As far as taking sugar in my coffee or tea, I take sugar substitutes with Splenda as my first choice. I eat enough sugar as it is, so I can't justify drinking it too.
c) Name of your first pet?
sbr: The family pet I remember from my youngest days was a black poodle named Fifi. The first pet that was "mine" was a minnow named Minnie, who I brought ome from the Girl Scout camp in a Styrofaom cup.
Minnie lived for only one month in my house. I woke up on her one-month birthday and starting singing "Happy Birthday" as I made my way to her bowl in my bedroom. She was dead. We had a funeral and wake for her later that same day. To anyone who has read "Pig," the idea of having a funeral and a wake for a lost pet should sound vaguely familiar. Little bits of fact alwayd find their way into my fiction, though they're there spun out beyond recognition.
d) Night on the town or quiet night in?
sbr: I must be getting old. Quiet night in. It's too costly to go out these days. Dinner and a movie, and gasoline for transport, are so expensive nowadays-and often not worth the investment of my time or money. I have to toddler daughters, so they occupy the majority of my resources.
Don't get me wrong. I do like to go out for a night on the town every now and then. It's just not my regular practice. That said, a quiet night is a rarity too-again, I remind you, I have two toddler daughters!
Jane: Believe me as they go from toddler to child, from child to teenager, and teenager to adult, a quiet night in is even more rare!!
e) McDonalds or Burger King?
sbr: McDonalds. I'm not into that flame-broiled taste and I much prefer nuggets with the preface of Mc attached.
Q:- The story of Lily’s life in ‘Pig’ was so realistic that I felt like I was reading a biography. Did you work closely with abused women to gather your information or was it written purely from your imagination?
sbr: Neither. I don't think anyone writes anything purely from imagination-not even the most complicated stories or the most nonhuman, or inhumane, characters. At least I don't.
Did you ever see a couple get into a fight in public-maybe on the trolly or at the market? Did you ever think to yourself that the man took the argument too far? Did he call her a bad name? did he grab her arm and lead her away?
And, if you ever saw these things, did you ever wonder: if he does that to her in public, what does he do to her behind closed doors?
Or, here's another line of thought. Did you ever have a fight with a loved one? Did yoe ever call someone a mean name? were you called a mean name? Did you and/or he/she ever get physical? And, if you ever experienced these things, did you ever wonder: what would have happened if I, or the other person, took things even further? What would have happened if I hadn't quieted my own rage?
Now, this is all to show that there are little scenarios we all face every now and then, questions we ask ourselves from time to time, that can really get the imagination going. There are things we witness, or execute, in our own very real lives that can be fictionalized to a haunting extreme.
Q:- In recent years we have seen an influx of new authors. How difficult/easy has it been to market your work, make it stand out amongst the rest and encourage readers to buy it?
sbr: I've tried to keep my language clean in my responses to your questions, which hasn't been too hard-until now. Let's just say this: It's really difficult!!!!
There has been a huge influx of new authors in recent years, and many of them are terrific writers. It’s hard to get noticed and stand out. It’s hard to compete with big names, and even with smaller names who have more spare cash in their hands. It’s hard. It’s just hard.
The best I can do is create an impressive piece of work and hope that people hear about it. I’ve been pounding the e-pavement with “pig,” pitching it to reviewers left and right, taking part in a virtual blog tour, promoting on Facebook, offering giveaways—the list goes on and on, and I’m always open to new ideas.
I decided to do a lot of my own PR this time around, even though that’s verboten in the traditional literary world. But the traditional literary world is changing quite rapidly. eBooks are all the rage, self-publishing and print-on-demand are just as common as the big publisher names, and everyday people are taking to reviewing books. Self-promotion isn’t shameless when you’ve got a good product to push. And “pig” is a good product. It’s a different kind of book. People just need to know it exists.
Q:- Do you write thrillers because this is the genre you most enjoy to read?
sbr: I typically like to say that I don’t have a favorite genre, because I really do enjoy all different types of books. Some of my favorites have paranormal/horror elements in common—like Anne Rice’s Vampire Chronicles, John Gardner’s “Grendel,” and Gregory Maguire’s “Wicked”—but I also love biographies and psychoanalytical works.
The theme that runs rampant through all of my desert island books is the element of surprise. Fiction or nonfiction, I like to be shocked. Perhaps the shock comes in a fictional plot twist, or after the suspense leading up to the reveal of a big secret; or, perhaps, it comes from learning about the childhood of Maya Angelou or the troubled life of rock icon Tommy Lee; perhaps it comes at learning how one scholar interprets the disturbing undercurrents of fairytales, if not at discovering the disturbing undercurrents themselves.
So it is that element of "the thrill" that is found in many different genres which I like to read, and to which I also like to write.
Q:- If ‘Pig’ was made into a film, who would you choose to play the characters Lilly and Bender? Personally I think Ray Liotta would make a great Ben and Barbra Alyn Woods would make the perfect Lily!
sbr: I haven't really thought about who'd play Lily and Bender, though I've thought about "Pig" being made into a film. Because the book spans nearly 30 years, it's hard for me to think of the ideal actors. Should I pick actors to portray young Lilly and Bender, or lder Lilly and Bender? Most of the story takes place when they are in their 30s/40s, but the backbone of the tale is set when they're older. Can one lady, and one fellow, portray both ages well?
While I haven't thought much about casting Lily and Bender,I have thought about casting Leo. I think Russell Brand would be perfect.
I do like your suggestions of Ray Liotta and Barbara Alyn Woods—both are great performers and could express the attributes, and flaws, of my characters quite well. So let’s you and I get a hold of these folks and pitch the flick to them!
Q:- If you could spend one week in any period of history, which period would you choose?
sbr: Oh my, I’ve been asked this question before, but not in an interview context. Every time someone asks me, I say a different period, not because I’m fickle but because, as I continue to learn and grow in life, my answer reflects what I’ve most recently learnt.
At 34 years old, I have only just come across “Classic Rock.” For years, I was all about bands like Nirvana, Radiohead, and The Eels. These are the types of bands with which I grew up, the soundtracks to college parties and long drives in my various cars over the years.
I used to dismiss Classic Rock, because I had Modern Rock. But I haven’t been pleased with what’s been calling itself “Rock” these days. I took to playing a classic rock radio station in my car and fell head over heels for Led Zeppelin. My appreciation for other bands of that era is also evolving. I’m giving Pink Floyd, Hendrix, CCR, and Cream a shot, as well as the Rolling Stones and Queen.
To answer your question… I’d like to spend a week in the era when Classic Rock was just rock. The late-1960s/early-1970s sound pretty fun. Plus, denim jeans from the era were skintight and wide-legged—fabulous!
Q:- Did you hire an editor and/or Cover designer for your book? If so how did you find people you trusted?
sbr: “Pig” features cover art by Jenn Wertz, a musician/artist best known as an original member of multi-platinum recording artists Rusted Root. I am fortunate enough to have her in my circle of friends, so acquiring her artwork was an easy and trustworthy transaction.
Another lady I’m pleased to have in my circle of friends is Lizzy Bittner, who did the author photography for both of my books, and the cover photography for “In Wake of Water.” I’ve known Lizzy since childhood, and she basically donated her services to my literary cause.
Q:- What question would you have liked me to ask in this interview but I didn’t?
sbr: Well, my dear, I'll take this as an opportunity to plug my work...
Below is my short bio and all of my favorite links, written in third person for effect.
SBR Martin is an author of contemporary psychological fiction. Her most recent release, Pig, was a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, where Publishers Weekly wrote of Martin’s work: “The ultimate resolution of the story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, but also, in a strange way, enriched.”
Martin was bred, born, and raised in Pittsburgh, Pennsylvania, where she continues to live and work as a writer, journalist, and mother. She holds a law degree from the University of Pittsburgh School of Law, as well as a journalism portfolio replete with contributions to media outlets such as AOL’s Patch Network and CBS Local Media Pittsburgh.
Pig is her second book, published less than one year after the Oct. 2011 release of her debut novel, In Wake of Water.
Books by SBR Martin:
Pig: available for purchase on Amazon at http://www.amazon.com/Pig-ebook/dp/B0... and likeable on Facebook at http://www.facebook.com/sbrmartin.pig
In Wake of Water: available for purchase on Amazon at http://www.amazon.com/In-Wake-Of-Wate... and likeable on Facebook at http://www.facebook.com/inwakeofwater
SBR Martin’s other online presences:
SBR can be found online in myriad places, including multiple stops along her virtual tour. Guest posts, interviews, and other visits are chronicled on her Goodreads blog. If you’d like SBR to make a special appearance on your blog/site, contact her directly at sbrmartin@sbrmartin.com.
SBR on Goodreads: http://www.goodreads.com/sbrmartin
SBR on Amazon: http://www.amazon.com/author/sbrmartin
SBR on Facebook: http://www.facebook.com/sbrmartin
SBR on YouTube: http://www.youtube.com/user/sbrmartin
SBR on Twitter: http://twitter.com/sbrmartin
SBR on SBR: http://www.sbrmartin.com
~~~~~ ~~~~~ ~~~~~
Jane came up with some really good questions, and I came up with some pretty decent answers. Read, read, read at http://lindsayandjaneviewsandreviews....
~~~~~ ~~~~~ ~~~~~
Repost:
Interview with SBR Martin
Recently I read a book called 'Pig' so hopefully I can be forgiven for expecting a book about a farm animal!....It is not about a farm animal!
'Pig' is one of the most unique books I have read in a while and I was totally blown away by it. Today I would like to welcome to the page the author of that book sbr Martin.
Q:- Would you tell us a little bit about your first novel? 'In Wake of Water' as I haven't managed to read it yet.
sbr: Well, the jacket blurb reads: "Enter a world of sex, deception, ignorance, and guilt. Malformed metaphysical ideas and corrupt social mores intertwine against the backdrop of a small town where there are too many secrets and life is anything but ideal. When a girl gets lost in this world and decides to escape, what will happen in her wake?"
But you didn't really need me to tell you that, huh? I guess I would describe "In Wake of Water" as a contemporary psychological thriller where the two main characters explore different permutations of, and alternatives to, life and death. There are some pretty shocking plot twists, and the side stories of supporting characters are both disturbing and oddly amusing.
Comparing my two novels, I’d say that “In Wake of Water” was written somewhat differently than “pig.” “In Wake of Water” was written more like a throwback to classic literature, with some purple prose piercing through the pages. “Pig” is written more directly, with more storytelling and less writing for the sake of writing.
I largely attribute this difference in style to the fact that i was in law school when I wrote "In Wake of Water" and was working as a Journalist when I wrote "Pig" - the writing I was doing elsewhere in my life influenced my authorship of each book.
Q:- Your second book ‘Pig’ managed to get as far as second prize quarterfinalist in the Amazon Breakthrough Novel Award Contest. Can you describe how you felt when you found out how well your work had done?
sbr: I was honored, tosay the least. Along with a novel's placement in the competition, the author is given feedback from Amazon Top Reviewers and from Publishers Weekly. The feedback is designed to highlight both the strengths and weaknesses of the author's work. In many ways, it is this that is the author's greatest prize (at last for authors who don't make it all the way!).
The Amazon reviewers weren't too shy to say what thy didn't like_and I wasn't too humble to take it to heart. For instance, one reviewer said that he didn't like how I used a lot of numbers in the book description. All you need to do is take a gander at the Amazon product page to see that I appreciated his advice and incorporated it into the presentation of my book.
The review from Publishers Weekly was absolutely incredible. There were no critical words in it, though I've seen other novels in the contest reviewed in a harsh light. Given the glowing Publishers Weekly review, I must admit that I'm not certain why "Pig" didn't make it any further than it did in the contest. I've fingered its dark content as the likely culprit. But, nonetheless, for it to get as far as it did is a huge accomplishment. It's the type of recognition that every fresh author craves, but so very few get.
Quick Fire Questions
a) What colour shoes are you wearing?
sbr: Right now, I'm actually not wearing any shoes. Whenever possible, I like to go barefoot-and, seeing as how I'm just chilling at home right now, there is no need for me to wear shoes at the moment. But, typically my shoes are some shade of black.
b) Do you take sugar?
sbr: I love sugar! I have a sweet tooth for cookies,candy,cake and the like. I especially love Sweedish Fish. As far as taking sugar in my coffee or tea, I take sugar substitutes with Splenda as my first choice. I eat enough sugar as it is, so I can't justify drinking it too.
c) Name of your first pet?
sbr: The family pet I remember from my youngest days was a black poodle named Fifi. The first pet that was "mine" was a minnow named Minnie, who I brought ome from the Girl Scout camp in a Styrofaom cup.
Minnie lived for only one month in my house. I woke up on her one-month birthday and starting singing "Happy Birthday" as I made my way to her bowl in my bedroom. She was dead. We had a funeral and wake for her later that same day. To anyone who has read "Pig," the idea of having a funeral and a wake for a lost pet should sound vaguely familiar. Little bits of fact alwayd find their way into my fiction, though they're there spun out beyond recognition.
d) Night on the town or quiet night in?
sbr: I must be getting old. Quiet night in. It's too costly to go out these days. Dinner and a movie, and gasoline for transport, are so expensive nowadays-and often not worth the investment of my time or money. I have to toddler daughters, so they occupy the majority of my resources.
Don't get me wrong. I do like to go out for a night on the town every now and then. It's just not my regular practice. That said, a quiet night is a rarity too-again, I remind you, I have two toddler daughters!
Jane: Believe me as they go from toddler to child, from child to teenager, and teenager to adult, a quiet night in is even more rare!!
e) McDonalds or Burger King?
sbr: McDonalds. I'm not into that flame-broiled taste and I much prefer nuggets with the preface of Mc attached.
Q:- The story of Lily’s life in ‘Pig’ was so realistic that I felt like I was reading a biography. Did you work closely with abused women to gather your information or was it written purely from your imagination?
sbr: Neither. I don't think anyone writes anything purely from imagination-not even the most complicated stories or the most nonhuman, or inhumane, characters. At least I don't.
Did you ever see a couple get into a fight in public-maybe on the trolly or at the market? Did you ever think to yourself that the man took the argument too far? Did he call her a bad name? did he grab her arm and lead her away?
And, if you ever saw these things, did you ever wonder: if he does that to her in public, what does he do to her behind closed doors?
Or, here's another line of thought. Did you ever have a fight with a loved one? Did yoe ever call someone a mean name? were you called a mean name? Did you and/or he/she ever get physical? And, if you ever experienced these things, did you ever wonder: what would have happened if I, or the other person, took things even further? What would have happened if I hadn't quieted my own rage?
Now, this is all to show that there are little scenarios we all face every now and then, questions we ask ourselves from time to time, that can really get the imagination going. There are things we witness, or execute, in our own very real lives that can be fictionalized to a haunting extreme.
Q:- In recent years we have seen an influx of new authors. How difficult/easy has it been to market your work, make it stand out amongst the rest and encourage readers to buy it?
sbr: I've tried to keep my language clean in my responses to your questions, which hasn't been too hard-until now. Let's just say this: It's really difficult!!!!
There has been a huge influx of new authors in recent years, and many of them are terrific writers. It’s hard to get noticed and stand out. It’s hard to compete with big names, and even with smaller names who have more spare cash in their hands. It’s hard. It’s just hard.
The best I can do is create an impressive piece of work and hope that people hear about it. I’ve been pounding the e-pavement with “pig,” pitching it to reviewers left and right, taking part in a virtual blog tour, promoting on Facebook, offering giveaways—the list goes on and on, and I’m always open to new ideas.
I decided to do a lot of my own PR this time around, even though that’s verboten in the traditional literary world. But the traditional literary world is changing quite rapidly. eBooks are all the rage, self-publishing and print-on-demand are just as common as the big publisher names, and everyday people are taking to reviewing books. Self-promotion isn’t shameless when you’ve got a good product to push. And “pig” is a good product. It’s a different kind of book. People just need to know it exists.
Q:- Do you write thrillers because this is the genre you most enjoy to read?
sbr: I typically like to say that I don’t have a favorite genre, because I really do enjoy all different types of books. Some of my favorites have paranormal/horror elements in common—like Anne Rice’s Vampire Chronicles, John Gardner’s “Grendel,” and Gregory Maguire’s “Wicked”—but I also love biographies and psychoanalytical works.
The theme that runs rampant through all of my desert island books is the element of surprise. Fiction or nonfiction, I like to be shocked. Perhaps the shock comes in a fictional plot twist, or after the suspense leading up to the reveal of a big secret; or, perhaps, it comes from learning about the childhood of Maya Angelou or the troubled life of rock icon Tommy Lee; perhaps it comes at learning how one scholar interprets the disturbing undercurrents of fairytales, if not at discovering the disturbing undercurrents themselves.
So it is that element of "the thrill" that is found in many different genres which I like to read, and to which I also like to write.
Q:- If ‘Pig’ was made into a film, who would you choose to play the characters Lilly and Bender? Personally I think Ray Liotta would make a great Ben and Barbra Alyn Woods would make the perfect Lily!
sbr: I haven't really thought about who'd play Lily and Bender, though I've thought about "Pig" being made into a film. Because the book spans nearly 30 years, it's hard for me to think of the ideal actors. Should I pick actors to portray young Lilly and Bender, or lder Lilly and Bender? Most of the story takes place when they are in their 30s/40s, but the backbone of the tale is set when they're older. Can one lady, and one fellow, portray both ages well?
While I haven't thought much about casting Lily and Bender,I have thought about casting Leo. I think Russell Brand would be perfect.
I do like your suggestions of Ray Liotta and Barbara Alyn Woods—both are great performers and could express the attributes, and flaws, of my characters quite well. So let’s you and I get a hold of these folks and pitch the flick to them!
Q:- If you could spend one week in any period of history, which period would you choose?
sbr: Oh my, I’ve been asked this question before, but not in an interview context. Every time someone asks me, I say a different period, not because I’m fickle but because, as I continue to learn and grow in life, my answer reflects what I’ve most recently learnt.
At 34 years old, I have only just come across “Classic Rock.” For years, I was all about bands like Nirvana, Radiohead, and The Eels. These are the types of bands with which I grew up, the soundtracks to college parties and long drives in my various cars over the years.
I used to dismiss Classic Rock, because I had Modern Rock. But I haven’t been pleased with what’s been calling itself “Rock” these days. I took to playing a classic rock radio station in my car and fell head over heels for Led Zeppelin. My appreciation for other bands of that era is also evolving. I’m giving Pink Floyd, Hendrix, CCR, and Cream a shot, as well as the Rolling Stones and Queen.
To answer your question… I’d like to spend a week in the era when Classic Rock was just rock. The late-1960s/early-1970s sound pretty fun. Plus, denim jeans from the era were skintight and wide-legged—fabulous!
Q:- Did you hire an editor and/or Cover designer for your book? If so how did you find people you trusted?
sbr: “Pig” features cover art by Jenn Wertz, a musician/artist best known as an original member of multi-platinum recording artists Rusted Root. I am fortunate enough to have her in my circle of friends, so acquiring her artwork was an easy and trustworthy transaction.
Another lady I’m pleased to have in my circle of friends is Lizzy Bittner, who did the author photography for both of my books, and the cover photography for “In Wake of Water.” I’ve known Lizzy since childhood, and she basically donated her services to my literary cause.
Q:- What question would you have liked me to ask in this interview but I didn’t?
sbr: Well, my dear, I'll take this as an opportunity to plug my work...
Below is my short bio and all of my favorite links, written in third person for effect.
SBR Martin is an author of contemporary psychological fiction. Her most recent release, Pig, was a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, where Publishers Weekly wrote of Martin’s work: “The ultimate resolution of the story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, but also, in a strange way, enriched.”
Martin was bred, born, and raised in Pittsburgh, Pennsylvania, where she continues to live and work as a writer, journalist, and mother. She holds a law degree from the University of Pittsburgh School of Law, as well as a journalism portfolio replete with contributions to media outlets such as AOL’s Patch Network and CBS Local Media Pittsburgh.
Pig is her second book, published less than one year after the Oct. 2011 release of her debut novel, In Wake of Water.
Books by SBR Martin:
Pig: available for purchase on Amazon at http://www.amazon.com/Pig-ebook/dp/B0... and likeable on Facebook at http://www.facebook.com/sbrmartin.pig
In Wake of Water: available for purchase on Amazon at http://www.amazon.com/In-Wake-Of-Wate... and likeable on Facebook at http://www.facebook.com/inwakeofwater
SBR Martin’s other online presences:
SBR can be found online in myriad places, including multiple stops along her virtual tour. Guest posts, interviews, and other visits are chronicled on her Goodreads blog. If you’d like SBR to make a special appearance on your blog/site, contact her directly at sbrmartin@sbrmartin.com.
SBR on Goodreads: http://www.goodreads.com/sbrmartin
SBR on Amazon: http://www.amazon.com/author/sbrmartin
SBR on Facebook: http://www.facebook.com/sbrmartin
SBR on YouTube: http://www.youtube.com/user/sbrmartin
SBR on Twitter: http://twitter.com/sbrmartin
SBR on SBR: http://www.sbrmartin.com
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