Sbr Martin's Blog - Posts Tagged "law-school"

I made another virtual stop today, at Bryce Beattie's StoryHack. This time, my guest appearance consisted of an interview. Bryce asked some really good questions, and I revealed some pretty interesting personal information. Click below to read or e-exchange.

Bryce's site features a lot of cool stuff for writers and readers alike. He also built and maintains, where writers and bloggers can find each other to plan the very best virtual tours - for free.

Check it out.

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What are three things about yourself that everybody should know?

My email signature reads:

sbr martin
author, journalist, and mother

So I guess these are the three things everybody should know about me. I am an author. I am a journalist. I am a mother. I’m a lot of other things, too, but let’s not get into all that right now. I list these three things in my signature because they are my callings. They are the three things I was meant to be, the three things I am.

What is one thing that almost nobody knows?

Well, I’m a married lady. Everybody knows that. What a lot of people don’t know is that it was I who popped the question.

I proposed to my husband when we were partying like rockstars at Thunder in the Valley, an annual biker rally held in Johnstown, PA. I don’t know many married couples who started out this way, where the lady got down on her knees. I thought it was an interesting occurrence, a twist on the common approach. So I tossed this fact into my fiction.

In “pig,” the main female character proposes to her man, much like I proposed to mine. But the circumstances surrounding their storybook engagement are entirely different than those surrounding mine.

Incorporating a real life event into my work is something I do from time to time. Where fact is stranger than fiction, I use it to my advantage. I take a tiny bit or reality and spin it into an elaborate, exaggerated, fictitious yarn.

What’s the best part about living in Pittsburgh?

My home. Believe it or not, I’ve lived in the same house since I was born. When I went to the University of Pittsburgh for undergrad, I stayed in the dorms for a while, shacked up with a fellow for a year or so, but those places were just rest-stops on my life’s road, a road which always led back to where I’m sitting right now.

Once upon a time, I was the little kid running around this house, breaking all the rules, tearing everything apart. Now I’m the parent here, the one trying to exercise control—raising my voice, making the rules, and cleaning up all the messes. At times, it’s somewhat surreal.

My father had a heart attack in this house—the heart attack that killed him. My mother’s heart failed here as well, when she fell on the basement floor, attacked by sickness inside her body. Congestive heart failure. Our Chihuahua crawled to sit atop her distended belly as we bustled to call the paramedics. Several hours later my Mama was dead.

It was in this home that I took care of my grandmother as she was dying, and it was in this home that I woke up at 4:15 a.m. on a June morning to find her dead. She’d died that exact moment, the moment I woke up.

But it was also in this home that I had oodles of birthday parties and found excessive amounts of presents under the Christmas tree. My mother left me notes and poems on the bathroom mirror, one of which I included in my first novel, “in wake of water.” My father sang me lullabies. My sister and I played on the front porch. And, here, right here, is where I brought my newborn babies home as an adult. I walked through the door with my children the exact same way my parents must’ve walked through the door with me.

This house is alive with what life is. It’s seen loss. It’s seen gain. It has become an accessory to my existence, a brick box that stores all of my memories and holds a future yet untold.

As per Pittsburgh itself, it’s a great city, and it’s all I know. I live close to the heart of the ‘Burgh—20 minutes from this, that, and the other place. I know the streets, the neighborhoods, and the personalities they hold. Living here is familiar and convenient for me. And, hey, we got a stellar football team. Go Steelers!

Do you have any strange writing practices or quirks?

Indeed, I do. I read most of what I write… out loud. I like my writing to have a certain rhythm or meter to it; it has to sound a certain way when recited or I won’t use it.

I’ve been told before that I speak this way, that there’s some type of tempo to my talk. And I try to put that into my work. I imagine myself as the narrator. I am the one telling you the secrets, the one letting you know what’s really going on. My voice reveals what’s between the lines.

Grammar and punctuation are the tools I use to bring my talk to my text. Those commas? That’s where I pause. Those complex sentence structures? That’s where I shift the speed of my conversational machine. I break some conventional rules of syntax here and there—and it’s all for the sake of semantics, my friend. I want my books to be lively and have a spirit that cannot be overlooked. So I try to put as much of myself into each book as I can, in hopes that my readers will read more than mere words.

And, for the record, I just read my response to this question aloud. I think it sounded pretty good.

What are a couple of your favorite novels? (Doesn’t have to be the top two per se)

My favorite book of all time (so far) is “Grendel” by John Gardner. I love the story, but love the writing even more. Another favorite is “Wicked: The Life and Times of the Wicked Witch of the West” by Gregory Maguire. The story is so intense. The plot is so thick. I really enjoyed every aspect of that novel.

These two books, my two favorites, share a common theme. They both reinvent antagonists from other works. “Grendel” is written from the perspective of the beast in the 8th century epic poem, “Beowulf.” And “Wicked” centers on Elphaba, the Wicked Witch of the West in “The Wizard of Oz.” Both works look at characters who were dismissed as “bad guys” in the original works in which they appeared. They were characters who didn’t get a lot of attention in the first place—all that was shown was the trouble they caused. But each of these books steps into an already-established literary world and takes a closer look. As you read these masterpieces, you discover that these “bad guys” aren’t really all that bad after all. They have redeeming qualities, extenuating circumstances, and struggles of their own. You get a full picture, a well-rounded perspective.

This is something that I have carried into my own writing. There are some flawed characters in my tomes. But, just as they are flawed, so too they are gifted with some good. I try to make my characters as believable and sincere as possible. To do so, I must tell the whole story. Humans have peaks and pits in their personalities and behaviors. We are heroes and villains alike. I want my readers to see both of these sides in my characters, to feel compassion for the antagonist once in a while, or to feel disgust at the protagonist when she steps out of line. My books don’t have “good guys” and “bad guys.” They have characters that will strike you as surprisingly real.

I see on your many pages around the net that you went to law school. Were you ever a lawyer?

Nope. I realized, at some point in my second year of law school, that I did not want to practice law. But I finished school, mostly to finish something I’d started.

I had the degree, but nothing to do with it. Then life stepped in. My Gramma was diagnosed with terminal lung cancer, and I spent my time caring for her. After that horrific ordeal, I found a man, got married, and had two precious babies who’ve brought me tremendous joy.

I learned a lot from law school about reading and writing, and it was my experiences as an editor and contributor to Pitt Law’s Journal of Law and Commerce that got me hired for freelance writing gigs. I soon developed a fat portfolio of articles with media outlets such as AOL’s Patch Network and CBS Local Media Pittsburgh.

So I ain’t a lawyer, but the law school thing helped me get where I am. I’m grateful for the time I spent there, not so much for the money though.

Tell everybody a bit about your book, Pig.

“Pig” is a cross-genre novel of contemporary psychological fiction. It’s the story of a woman named Lily who’s lived a life filled with ups and downs. From domestic abuse and alcohol addiction to motherhood and amazing sexual encounters, she’s seen it all and bore both misery and redemption each in her own special way.

The entire novel takes place at her husband Bender’s funeral, where she sits alone on a couch in the corner, desperately clinging to a scrap of paper she refuses to reveal. It’s that same scrap of paper that holds the truth about what really happened the night her husband suffered his fatal “accident.” And it is through flashbacks invoked by the familiar faces of funeral home patrons that the rest of Lily’s story and secrets unfold—including a very big secret that’ll make your jaw drop.

What should I have asked you about, if only I knew you well enough to ask?

You don’t have to know me well to ask about this. All you’d have to do is read through my answers to the previous questions to see that I’m partial to something that’s nowadays disfavored.

The serial comma—I love it! I’m a strong proponent of its perpetual use.

I employ the serial comma in my fiction, and in my multi-site online presence. I do not, however, use it in my journalism assignments. I’m not allowed to, as the Associated Press Stylebook condemns its usage except where why-so used for clarity in a complex series.

Kinda irks me a little, having to change something that I consider an integral part of my style so that I can conform to an official Style. But I gotta follow the rules sometimes to get that paycheck, right? I don’t think that’s selling out. It’s just making ends meet by doing what’s expected. Rest assured though, when I’m not under somebody else’s thumb, I stick that puppy in there every chance I get!

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Today, my blog tour lands me at the cyber-home of author J. Dane Tyler, where I expounded on my own writing history and process.

Check it out at

Just like me, JDT has some mighty cool initials! But that's just gravy. Take a look at his blog and you'll quickly discover that he's more than just a cool name - he's a name to know.

His site features a "Short Stories" section that'll keep your jaw dropping for hours. And, once you're done exploring his free content, don't be surprised if you find yourself on Amazon purchasing his books, which are only $2.99 a pop (

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Writing as a Reader: My Novel Approach to the Novel

I have been fortunate enough to study under the greats when it comes to literature and the art of writing fiction. Chuck Palahniuk schooled me on plot twists and the intentional consequences of inserting highly technical medical jargon into otherwise smooth text. Anne Rice educated me on the finer points of character depth and development.

The idea that one character can be both a protagonist and an antagonist at the same time was taught to me by John C. Gardner, as well as by Gregory Maguire. From Mr. William Faulkner, I learned how to further broaden a narrative’s “God” perspective. William Shakespeare, Jean Racine, and Nathaniel Hawthorne were but a few of my other instructors, joined by nonfiction scholars such as Sigmund Freud, Bruno Bettelheim, and Howard Zinn.

Needless to say, though I’ll say it anyway, it was not directly under these greats that I studied. Practical considerations such as time and geography aside, I can’t even begin to fathom the tuition cost of a fabled institution that had all these famed artists on staff!

Every writer is first and foremost a reader, and I am no exception. It was through my academic and personal studies that I discovered and dissected my own writing curriculum. By reading the works of others—from the backs of cereal boxes to the most brilliant works of fiction—I learned invaluable lessons that have influenced the ways I live, learn, and write.

That said, I have had no formal, official, or university-approved training in my art. In college, I took only those writing courses required for graduation and the completion of my psychology major.

I am what some would call a self-taught writer/author. But what beauty I now create came from once-upon-a-time rocky soil. Writing was not always my strong point.

When I started high school at The Ellis School in 1992, my first English assignment was to write a critical analysis of Beowulf. After working at my typewriter for hours, I submitted a paper I thought was pretty damn good. My teacher, however, did not agree.

When the paper was handed back a week later, it was returned without a grade. The words “See me” appeared in the front page margin. What I had considered damn good was, in fact, a crude and poorly-written book report that lacked analysis and sentence variety.

Rather than conceding to my inadequacy, I confronted it, determined to equip myself with stronger skills. Though I embraced help from my high school teachers and a faculty tutor, I placed the brunt of the burden on myself. The scholastic guidance I received was but the first step in a long process that lead to my proactive adventure with the English language and my own understanding of the elements of artful and effective writing.

I honed these self-taught skills and put them to use in my undergraduate studies at the University of Pittsburgh, receiving stellar marks in courses requiring essay work.

It was in my junior year that I again met a familiar situation. After working at my laptop for hours, I submitted a psychology paper I thought was pretty damn good. When the paper was handed back a week later, it was returned without a grade. “See me” appeared in the front page margin.

What I considered damn good was, in fact, so damn good that my instructor questioned whether I had actually written it and dismissively accused me of plagiarism, requiring me to defend myself in front of the head of the Psychology Department before penal action was taken.

Armed with samples of my writing submitted to other professors, I met with the department head, who thoroughly reviewed my work before tabling the claim and calling the instructor into her office to begrudgingly apologize to me for her false accusation.

The next scrutiny my work received was of a far more honorable sort. I was given an English Composition Award for a piece I’d written in an undergraduate legal writing course, a remarkable feat as such awards are rarely doled out for professional writing coursework.

After college, I studied law at the University of Pittsburgh School of Law, where my writing was recognized by publication in the school’s Journal of Law and Commerce and by an invitation to speak at the 54th annual Conference on College Composition and Communication.

Having tackled critical composition and legal analysis, I next moved on to wrestle other forms of writing. Since 2011, I have worked as a freelance reporter, accumulating journalism experience with media outlets such as CBS Local Media Pittsburgh and AOL’s Patch Network. At Patch alone, I wrote approximately 150 articles over the course of ten months.

My debut novel, In Wake of Water, marked my entry into another genre of writing—fiction. Less than four months after its publication, I finished my second novel, Pig, which was honored as a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest.

Of my manuscript, Publishers Weekly wrote: “The ultimate resolution of the story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, but also, in a strange way, enriched.”

A review like that is evidence that I’ve been doing something right. But what?

I’ve been asked about my writing process countless times. My answer is always the same: I write with the intention of writing a good story. To some, this seems like an evasive answer, like I’m purposefully trying to conceal my trade secrets.

Dagnamit, I’m not trying to be cagey! I’m being perfectly candid.

I don’t sketch out a plot. I use no outlines or plans other than those in my head. I just think about what I want to write until I am ready to write it. And, as I write it, more thoughts come to me.

When penning (or, rather, typing) Pig, I started off with a general idea of the story I wanted to tell, the story of a woman reflecting on the loves and losses of her life. My main objective was to have her be a well-rounded person who endured both pits and peaks during her existence. She, as well as the cast of supporting characters, was to be both beautiful and flawed, just as we real people are.

I decided to have her life recounted in a setting where reflection is quite common: at a funeral home. I have experienced the deaths of many family members, and, therefore, understand and appreciate how the faces of funeral home patrons can stir memories, both good and bad.

Along that vein, I formulated the general structure of the imminent novel. I set out to alternate present tense happenings at the funeral home with past tense recollections of the main character’s life.

At the beginning of my writing process, that’s all I had in mind. I didn’t yet have the specifics of the story. I let those come to me, one chapter at a time. I’d sit down, write a chapter, and then think about what should come next.

What else would I want to know about this character or that event? What would shock me? How about a red herring, something that seems important but is nothing more than distraction? Where can I hide a clue to a secret I’ll reveal later? Can I make my characters any more believable? Any more compelling? Why did she do this, he do that, or they do the other thing?

Etc., etc., etc. until completion.

And, speaking of completion, I wrote the end of my novel when I got to the end. I didn’t have the ending in mind at the beginning. The conclusion flowed from me as the chapters before it had done, in a natural, coursing manner. In many ways, I think the resolution was there all along. It was just waiting for me to find it.

Perhaps my approach to the novel is novel, although I doubt I’m the first person to ever write this way. Given my background, or lack thereof, I write the only way I know how—as a reader. It is my greatest hope that my work will affect other readers as strongly as reading others has affected my work.

Read it. Live it. Love it. sbr.

Books by sbr martin:

available for purchase on Amazon at and likeable on Facebook at

In Wake of Water: available for purchase on Amazon at and likeable on Facebook at

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Reblogged on The Writers' Nesst at on July 19.
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My second stop today was at Lindsay and Jane's Views and Reviews, where Jane interviewed me after reading and reviewing "pig" last week.

Jane came up with some really good questions, and I came up with some pretty decent answers. Read, read, read at http://lindsayandjaneviewsandreviews....

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Interview with SBR Martin

Recently I read a book called 'Pig' so hopefully I can be forgiven for expecting a book about a farm animal!....It is not about a farm animal!

'Pig' is one of the most unique books I have read in a while and I was totally blown away by it. Today I would like to welcome to the page the author of that book sbr Martin.

Q:- Would you tell us a little bit about your first novel? 'In Wake of Water' as I haven't managed to read it yet.

sbr: Well, the jacket blurb reads: "Enter a world of sex, deception, ignorance, and guilt. Malformed metaphysical ideas and corrupt social mores intertwine against the backdrop of a small town where there are too many secrets and life is anything but ideal. When a girl gets lost in this world and decides to escape, what will happen in her wake?"

But you didn't really need me to tell you that, huh? I guess I would describe "In Wake of Water" as a contemporary psychological thriller where the two main characters explore different permutations of, and alternatives to, life and death. There are some pretty shocking plot twists, and the side stories of supporting characters are both disturbing and oddly amusing.

Comparing my two novels, I’d say that “In Wake of Water” was written somewhat differently than “pig.” “In Wake of Water” was written more like a throwback to classic literature, with some purple prose piercing through the pages. “Pig” is written more directly, with more storytelling and less writing for the sake of writing.

I largely attribute this difference in style to the fact that i was in law school when I wrote "In Wake of Water" and was working as a Journalist when I wrote "Pig" - the writing I was doing elsewhere in my life influenced my authorship of each book.

Q:- Your second book ‘Pig’ managed to get as far as second prize quarterfinalist in the Amazon Breakthrough Novel Award Contest. Can you describe how you felt when you found out how well your work had done?

sbr: I was honored, tosay the least. Along with a novel's placement in the competition, the author is given feedback from Amazon Top Reviewers and from Publishers Weekly. The feedback is designed to highlight both the strengths and weaknesses of the author's work. In many ways, it is this that is the author's greatest prize (at last for authors who don't make it all the way!).

The Amazon reviewers weren't too shy to say what thy didn't like_and I wasn't too humble to take it to heart. For instance, one reviewer said that he didn't like how I used a lot of numbers in the book description. All you need to do is take a gander at the Amazon product page to see that I appreciated his advice and incorporated it into the presentation of my book.

The review from Publishers Weekly was absolutely incredible. There were no critical words in it, though I've seen other novels in the contest reviewed in a harsh light. Given the glowing Publishers Weekly review, I must admit that I'm not certain why "Pig" didn't make it any further than it did in the contest. I've fingered its dark content as the likely culprit. But, nonetheless, for it to get as far as it did is a huge accomplishment. It's the type of recognition that every fresh author craves, but so very few get.

Quick Fire Questions

a) What colour shoes are you wearing?
sbr: Right now, I'm actually not wearing any shoes. Whenever possible, I like to go barefoot-and, seeing as how I'm just chilling at home right now, there is no need for me to wear shoes at the moment. But, typically my shoes are some shade of black.

b) Do you take sugar?
I love sugar! I have a sweet tooth for cookies,candy,cake and the like. I especially love Sweedish Fish. As far as taking sugar in my coffee or tea, I take sugar substitutes with Splenda as my first choice. I eat enough sugar as it is, so I can't justify drinking it too.

c) Name of your first pet?
The family pet I remember from my youngest days was a black poodle named Fifi. The first pet that was "mine" was a minnow named Minnie, who I brought ome from the Girl Scout camp in a Styrofaom cup.

Minnie lived for only one month in my house. I woke up on her one-month birthday and starting singing "Happy Birthday" as I made my way to her bowl in my bedroom. She was dead. We had a funeral and wake for her later that same day. To anyone who has read "Pig," the idea of having a funeral and a wake for a lost pet should sound vaguely familiar. Little bits of fact alwayd find their way into my fiction, though they're there spun out beyond recognition.

d) Night on the town or quiet night in?
I must be getting old. Quiet night in. It's too costly to go out these days. Dinner and a movie, and gasoline for transport, are so expensive nowadays-and often not worth the investment of my time or money. I have to toddler daughters, so they occupy the majority of my resources.

Don't get me wrong. I do like to go out for a night on the town every now and then. It's just not my regular practice. That said, a quiet night is a rarity too-again, I remind you, I have two toddler daughters!

Jane: Believe me as they go from toddler to child, from child to teenager, and teenager to adult, a quiet night in is even more rare!!

e) McDonalds or Burger King?
sbr: McDonalds. I'm not into that flame-broiled taste and I much prefer nuggets with the preface of Mc attached.

Q:- The story of Lily’s life in ‘Pig’ was so realistic that I felt like I was reading a biography. Did you work closely with abused women to gather your information or was it written purely from your imagination?

sbr: Neither. I don't think anyone writes anything purely from imagination-not even the most complicated stories or the most nonhuman, or inhumane, characters. At least I don't.

Did you ever see a couple get into a fight in public-maybe on the trolly or at the market? Did you ever think to yourself that the man took the argument too far? Did he call her a bad name? did he grab her arm and lead her away?

And, if you ever saw these things, did you ever wonder: if he does that to her in public, what does he do to her behind closed doors?

Or, here's another line of thought. Did you ever have a fight with a loved one? Did yoe ever call someone a mean name? were you called a mean name? Did you and/or he/she ever get physical? And, if you ever experienced these things, did you ever wonder: what would have happened if I, or the other person, took things even further? What would have happened if I hadn't quieted my own rage?

Now, this is all to show that there are little scenarios we all face every now and then, questions we ask ourselves from time to time, that can really get the imagination going. There are things we witness, or execute, in our own very real lives that can be fictionalized to a haunting extreme.

Q:- In recent years we have seen an influx of new authors. How difficult/easy has it been to market your work, make it stand out amongst the rest and encourage readers to buy it?

sbr: I've tried to keep my language clean in my responses to your questions, which hasn't been too hard-until now. Let's just say this: It's really difficult!!!!

There has been a huge influx of new authors in recent years, and many of them are terrific writers. It’s hard to get noticed and stand out. It’s hard to compete with big names, and even with smaller names who have more spare cash in their hands. It’s hard. It’s just hard.

The best I can do is create an impressive piece of work and hope that people hear about it. I’ve been pounding the e-pavement with “pig,” pitching it to reviewers left and right, taking part in a virtual blog tour, promoting on Facebook, offering giveaways—the list goes on and on, and I’m always open to new ideas.

I decided to do a lot of my own PR this time around, even though that’s verboten in the traditional literary world. But the traditional literary world is changing quite rapidly. eBooks are all the rage, self-publishing and print-on-demand are just as common as the big publisher names, and everyday people are taking to reviewing books. Self-promotion isn’t shameless when you’ve got a good product to push. And “pig” is a good product. It’s a different kind of book. People just need to know it exists.

Q:- Do you write thrillers because this is the genre you most enjoy to read?

sbr: I typically like to say that I don’t have a favorite genre, because I really do enjoy all different types of books. Some of my favorites have paranormal/horror elements in common—like Anne Rice’s Vampire Chronicles, John Gardner’s “Grendel,” and Gregory Maguire’s “Wicked”—but I also love biographies and psychoanalytical works.

The theme that runs rampant through all of my desert island books is the element of surprise. Fiction or nonfiction, I like to be shocked. Perhaps the shock comes in a fictional plot twist, or after the suspense leading up to the reveal of a big secret; or, perhaps, it comes from learning about the childhood of Maya Angelou or the troubled life of rock icon Tommy Lee; perhaps it comes at learning how one scholar interprets the disturbing undercurrents of fairytales, if not at discovering the disturbing undercurrents themselves.

So it is that element of "the thrill" that is found in many different genres which I like to read, and to which I also like to write.

Q:- If ‘Pig’ was made into a film, who would you choose to play the characters Lilly and Bender? Personally I think Ray Liotta would make a great Ben and Barbra Alyn Woods would make the perfect Lily!

sbr: I haven't really thought about who'd play Lily and Bender, though I've thought about "Pig" being made into a film. Because the book spans nearly 30 years, it's hard for me to think of the ideal actors. Should I pick actors to portray young Lilly and Bender, or lder Lilly and Bender? Most of the story takes place when they are in their 30s/40s, but the backbone of the tale is set when they're older. Can one lady, and one fellow, portray both ages well?

While I haven't thought much about casting Lily and Bender,I have thought about casting Leo. I think Russell Brand would be perfect.

I do like your suggestions of Ray Liotta and Barbara Alyn Woods—both are great performers and could express the attributes, and flaws, of my characters quite well. So let’s you and I get a hold of these folks and pitch the flick to them!

Q:- If you could spend one week in any period of history, which period would you choose?

sbr: Oh my, I’ve been asked this question before, but not in an interview context. Every time someone asks me, I say a different period, not because I’m fickle but because, as I continue to learn and grow in life, my answer reflects what I’ve most recently learnt.
At 34 years old, I have only just come across “Classic Rock.” For years, I was all about bands like Nirvana, Radiohead, and The Eels. These are the types of bands with which I grew up, the soundtracks to college parties and long drives in my various cars over the years.

I used to dismiss Classic Rock, because I had Modern Rock. But I haven’t been pleased with what’s been calling itself “Rock” these days. I took to playing a classic rock radio station in my car and fell head over heels for Led Zeppelin. My appreciation for other bands of that era is also evolving. I’m giving Pink Floyd, Hendrix, CCR, and Cream a shot, as well as the Rolling Stones and Queen.

To answer your question… I’d like to spend a week in the era when Classic Rock was just rock. The late-1960s/early-1970s sound pretty fun. Plus, denim jeans from the era were skintight and wide-legged—fabulous!

Q:- Did you hire an editor and/or Cover designer for your book? If so how did you find people you trusted?

sbr: “Pig” features cover art by Jenn Wertz, a musician/artist best known as an original member of multi-platinum recording artists Rusted Root. I am fortunate enough to have her in my circle of friends, so acquiring her artwork was an easy and trustworthy transaction.

Another lady I’m pleased to have in my circle of friends is Lizzy Bittner, who did the author photography for both of my books, and the cover photography for “In Wake of Water.” I’ve known Lizzy since childhood, and she basically donated her services to my literary cause.

Q:- What question would you have liked me to ask in this interview but I didn’t?

sbr: Well, my dear, I'll take this as an opportunity to plug my work...

Below is my short bio and all of my favorite links, written in third person for effect.

SBR Martin is an author of contemporary psychological fiction. Her most recent release, Pig, was a Second Prize Quarterfinalist in the 2012 Amazon Breakthrough Novel Award Contest, where Publishers Weekly wrote of Martin’s work: “The ultimate resolution of the story makes for quite a surprise… (Martin) is able to build good characters, flawed and believable, yet familiar; so that at the end one is saddened, but also, in a strange way, enriched.”

Martin was bred, born, and raised in Pittsburgh, Pennsylvania, where she continues to live and work as a writer, journalist, and mother. She holds a law degree from the University of Pittsburgh School of Law, as well as a journalism portfolio replete with contributions to media outlets such as AOL’s Patch Network and CBS Local Media Pittsburgh.

Pig is her second book, published less than one year after the Oct. 2011 release of her debut novel, In Wake of Water.

Books by SBR Martin:

available for purchase on Amazon at and likeable on Facebook at

In Wake of Water: available for purchase on Amazon at and likeable on Facebook at

SBR Martin’s other online presences:

SBR can be found online in myriad places, including multiple stops along her virtual tour. Guest posts, interviews, and other visits are chronicled on her Goodreads blog. If you’d like SBR to make a special appearance on your blog/site, contact her directly at

SBR on Goodreads:

SBR on Amazon:

SBR on Facebook:

SBR on YouTube:

SBR on Twitter:


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