Elizabeth Spann Craig's Blog, page 210
March 14, 2011
Literary Devices in the Non-Literary Novel
My son's Language Arts class is required to do a literary analysis at the end of each quarter on whatever novel they've read for fun.
I got an email yesterday from one mom in the class, saying that her son had chosen Delicious and Suspicious to analyze.
My first reaction was, "Uh oh." The assignment states:
A literary analysis is not merely a summary of a literary work. Instead, it is an argument about the work that expresses a writer's personal perspective, interpretation, judgment, or critical evaluation of the work. This is accomplished by examining the literary devices, word choices, or writing structures the author uses within the text. The purpose of a literary analysis is to demonstrate why the author used specific ideas, word choices, or writing structures to convey his or her message. It is a careful evaluation of the work.
This is one of those things that tends to make me feel insecure because I'm not writing literary fiction. I didn't write the book by planning out specific literary devices that I was going to include. I was focusing on the story.
What was my theme for the story? Murder happens? Hmm. Good versus evil? And how had I conveyed this message? Literary devices? Bleh.
Then I started thinking about it. Although I might not have planned to include different elements in my book, I think most of us include them without really thinking about it. Maybe this comes from years of reading.
Simile and metaphor? At first I thought figurative language counted among elements that I didn't include very often in my books. But then I started thinking about it—I'm fond of using them for my character descriptions. I'm not a huge fan of description, so if I can say a character's mustache makes him 'look like Captain Kangaroo,' then I'm going to go that route instead. Same with casual use of metaphors…the backyard was a furnace, not just 'hot.'
Imagery? My first reaction was that I don't use much imagery in my books because I avoid graphic depictions of crime scenes. But I do use imagery to set up scary scenes, humorous scenes, etc. Really, imagery is just getting our readers to picture and experience our made-up world by incorporating all of the senses in our writing. That's just something that comes naturally to writers, I think.
Allusion? That's one of my character, Myrtle Clover's, favorite things. She's a former English teacher and she's always muttering literary allusions under her breath and feeling clever.
Alliteration is sort of fun—I'll occasionally stick in a few examples (mostly, again, when I'm trying to be funny.)
Tone? Oh we all use specific word choices to create tone. And I don't think we're actually sitting down to analyze what we're doing, either. It's almost automatic.
Foreshadowing? I like to use a touch of it.
Flashbacks? Those have been sort of looked down on lately (and they can make life complicated for readers). I usually try to steer away from them.
Anyway, the more I thought about it, the more I realized that we're all using a lot more literary devices, elements, and figurative language than we might think. So no worries about Language Arts projects! In our pursuit of story, literature happens. :)
What literary devices do you use in your writing? Are you even really aware that you're including them?
Literary Devices in the Non-Literary Fiction Novel
My son's Language Arts class is required to do a literary analysis at the end of each quarter on whatever novel they've read for fun.
I got an email yesterday from one mom in the class, saying that her son had chosen Delicious and Suspicious to analyze.
My first reaction was, "Uh oh." The assignment states:
A literary analysis is not merely a summary of a literary work. Instead, it is an argument about the work that expresses a writer's personal perspective, interpretation, judgment, or critical evaluation of the work. This is accomplished by examining the literary devices, word choices, or writing structures the author uses within the text. The purpose of a literary analysis is to demonstrate why the author used specific ideas, word choices, or writing structures to convey his or her message. It is a careful evaluation of the work.
This is one of those things that tends to make me feel insecure because I'm not writing literary fiction. I didn't write the book by planning out specific literary devices that I was going to include. I was focusing on the story.
What was my theme for the story? Murder happens? Hmm. Good versus evil? And how had I conveyed this message? Literary devices? Bleh.
Then I started thinking about it. Although I might not have planned to include different elements in my book, I think most of us include them without really thinking about it. Maybe this comes from years of reading.
Simile and metaphor? At first I thought figurative language counted among elements that I didn't include very often in my books. But then I started thinking about it—I'm fond of using them for my character descriptions. I'm not a huge fan of description, so if I can say a character's mustache makes him 'look like Captain Kangaroo,' then I'm going to go that route instead. Same with casual use of metaphors…the backyard was a furnace, not just 'hot.'
Imagery? My first reaction was that I don't use much imagery in my books because I avoid graphic depictions of crime scenes. But I do use imagery to set up scary scenes, humorous scenes, etc. Really, imagery is just getting our readers to picture and experience our made-up world by incorporating all of the senses in our writing. That's just something that comes naturally to writers, I think.
Allusion? That's one of my character, Myrtle Clover's, favorite things. She's a former English teacher and she's always muttering literary allusions under her breath and feeling clever.
Alliteration is sort of fun—I'll occasionally stick in a few examples (mostly, again, when I'm trying to be funny.)
Tone? Oh we all use specific word choices to create tone. And I don't think we're actually sitting down to analyze what we're doing, either. It's almost automatic.
Foreshadowing? I like to use a touch of it.
Flashbacks? Those have been sort of looked down on lately (and they can make life complicated for readers). I usually try to steer away from them.
Anyway, the more I thought about it, the more I realized that we're all using a lot more literary devices, elements, and figurative language than we might think. So no worries about Language Arts projects! In our pursuit of story, literature happens. :)
What literary devices do you use in your writing? Are you even really aware that you're including them?
March 13, 2011
Things I've Learned About My Writing Process
Hi everybody! Hope you'll pop over to my friend Kaye Barley's blog, Meanderings and Muses today for my guest post there on "Things I've Learned About My Writing Process." This covers a little bit of everything—from how I start out on a new project to my mindset throughout it…and the furry guys who help me out along the way. Hope you'll join me. :)
March 12, 2011
Twitterific
I'm delighted that now we have an efficient method of locating resources on writing topics when you need them—via the Writer's Knowledge Base search engine and software engineer and writer Mike Fleming's ingenuity. The links I tweet (which are writers' blogs, agents' and editors' blogs) all are added to the engine to make it easier for you to access the information you're looking for.
Interested in a monthly newsletter with the top writing articles, blogger spotlights, and interviews with industry insiders? Sign up for the free WKB newsletter here: http://hiveword.com/wkb/newsletter . (You can unsubscribe at any time, and your email information is never shared.)
The Focus Group: http://bit.ly/e3h7yj
Detail Enhances Your Fiction: http://bit.ly/hZz3iZ
Style sheets, cheat sheets, & series bibles--keeping track of what we've written: http://bit.ly/fZpUa9
7 Tactical Fixes for Syntactical Impact: http://bit.ly/gEjlyY
Road test your writing by reading aloud (Guardian): http://bit.ly/gUjDig
Saturate your life with Creativity: http://bit.ly/i5UWIr
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Clear and simple writing advice: http://bit.ly/enedY5
A useful revision tip: http://bit.ly/fhIv8m
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5 Must-Have Qualities of a Successful Tech Writer: http://bit.ly/h2IcjC
Crime fiction--how murder investigations resemble chess matches: http://bit.ly/fC1sGy @mkinberg
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Have You Considered Speechwriting? http://bit.ly/fRJadI
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Tips for writing authentic dialogue: http://bit.ly/hRQKdq
6 steps to a successful plot: http://bit.ly/g16ufQ
Thoughts on keeping motivated daily: http://bit.ly/hvi8QD
Best Articles This Week for Writers 3/11/11: http://bit.ly/ha9h5Y @4kidlit
Writing Theory -- The Monomyth Part 5: http://bit.ly/dFsBtS
Sex in YA: http://bit.ly/g25Nf3
Too Much of a Good Thing: Over Plotting Your Novel: http://bit.ly/euouVa
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Should Beta Readers Match Your Market? http://bit.ly/eJ4AXl
Freelancers--Go From Temporary Help To "Trusted Ghostwriter": http://bit.ly/g2zcir
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Blogging bullies: http://bit.ly/ffhCTh
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Test your screenwriting IQ: http://bit.ly/ecsYlM
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How to Do a Structural Edit on Your Book: http://bit.ly/hqtILz
How to Build Your Writing Team: http://bit.ly/gNK27v @jhansenwrites
Your reader--an often-overlooked key to your writing success: http://bit.ly/eQV7D5
Why Entering Contests Boosts Writing: http://bit.ly/eZCmpi
Writing On The Days Between: http://bit.ly/ezTuXI @storiestorm
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The Perils of Pacing: http://bit.ly/eIEyx0
Critique Groups: Etiquette: http://bit.ly/fPTx4h
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Worldbuilding--taking your time: http://bit.ly/hMyqZc
Is your blog quotable? http://bit.ly/h7J7JN
Handling Back Story: http://bit.ly/fxEoAP @authorterryo
Tips for promoting your book with bookmarks: http://bit.ly/f8JXU4
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Small press vs. large press: http://bit.ly/ifxn58
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How to write believable heroes: http://bit.ly/hGvc9Q
Creating Multi-Faceted Characters: http://bit.ly/hgAGs3
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How to write a synopsis in a hurry: http://bit.ly/grmiXy
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Is the Anthology Dead? http://bit.ly/fjSVUS @hopeclark
Who Wants To Be A (Kindle) Millionaire? (Forbes): http://bit.ly/dITbm1
On the semicolon: http://bit.ly/g2Mjhe
Mystery Writer's Guide to Forensic Science: Collecting Evidence: http://bit.ly/hkkGWh @clarissadraper
Publishing Romance: The More Things Change... http://bit.ly/fpEaQ0
Search my tweets-- http://dld.bz/KPgS
A crazy anthropologist's view on close POV: http://bit.ly/gpH98x
An agent on movie deals: http://bit.ly/eK6ELS
HarperCollins caps e-book library loans at 26 check-outs. 2 sides of this argument: http://bit.ly/ehD02Y and http://bit.ly/es7ihW
Amanda Hocking and the 99-Cent Kindle Millionaires: http://bit.ly/ftRJpU
5 ways to find truth in your writing: http://bit.ly/fNq2xe @jammer0501
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How Excel can make book publicity easier: http://bit.ly/hZl1Ik
Writers with tips on writing fantasy: http://bit.ly/eKCm6B
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5 Keys to Unforgettable Story Introductions: http://bit.ly/efIUzw
Transitions: linking forward through the story: http://bit.ly/dO30Yn
Metaphors vs similes: http://bit.ly/fnW2PE @Paize_Fiddler
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Is Your Contact Page Holding You Back? http://bit.ly/eA3IZO
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7 Don't-Miss Sites for Online Marketing: http://bit.ly/eLjlFG
Things One Writer Wishes She'd Known Before Starting The Manuscript: http://bit.ly/hZs0Jh
Myst. Lov. Kitchen: Shakespeare, Fat Tuesday + a Recipe for Pumpkin Pancakes with Butter Pecan Sauce ... http://bit.ly/h3V9JP @CleoCoyle
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Returning to Our Creativity: http://bit.ly/hSxR8Q
Is Getting Traditionally Published Just a Crapshoot? http://bit.ly/igDiTi
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10 Time Management Tips for Writers: http://bit.ly/gUkiCs
6 Best Ways for Writers to Remember Ideas: http://bit.ly/gJq0W8
Quiet Time: Handling the Non-Action Scenes: http://bit.ly/hKZTmz
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The benefits of writers' groups: http://bit.ly/hdEloh
Fantasy, Romance, and the Omega author: http://bit.ly/gcX1Jl
What Makes a Good Ending? http://bit.ly/hhPTw8
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The Freelance Life: Tips on Staying Sane: http://bit.ly/fPdBr6
Best Tweets for Writers (week ending 3/4/11): http://bit.ly/f7dnLu
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8 traits of a first page that would encourage agents to read more: http://bit.ly/e4nJgY
4 critical points for writers: http://huff.to/f1zeE3
Describing with Verbs: http://bit.ly/dMXdsh
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Myst. Lov. Kitchen: Reader Appreciation Day! http://bit.ly/eGFyuQ @CleoCoyle
Why aliens are hell and zombies are heaven: http://on.io9.com/dU4419
5 Tips for Conducting Stellar Interviews: http://bit.ly/epOXnE
The magic of 100--a practical guide for writers to generate new ideas: http://bit.ly/hzMrGr @camillelaguire
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On choosing a font: http://bit.ly/f9ch0A
The 4 pitfalls of praise: http://bit.ly/enIqZr
Are You Stalling Your Writing Journey? http://bit.ly/gUNX79
Want to search my tweets? http://dld.bz/KPgS
Twitterific--the week in tweets: http://bit.ly/ibQp6u
How to spotlight important prose: http://bit.ly/idEpn4
Facebook changes that might help your blog or website: http://bit.ly/ebOu4b
Play by play narration: http://bit.ly/fzRnuT
What a Coincidence! Creating Plots That Don't Feel Like Accidents: http://bit.ly/f1iEkt
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5 Ways to Show Emotion in Your Writing: http://bit.ly/gT7qCS
Advice to writers: Skip the scenery (Salon): http://bit.ly/dTE9Py
What I Love Lucy Can Teach You About Writing Tics: http://bit.ly/fWtDMY
What's better than a writing course? http://bit.ly/hbd0VY
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3 goals for writers: http://bit.ly/heuGGO
The Backwards Approach to Drafting a Novel: http://bit.ly/eJBBUL
Recipe for a Quality Manuscript: http://bit.ly/eEtXCK @hopeclark
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SFF and the Classical Past, Part 7—Labyrinths: http://bit.ly/ghKMTR
Keeping Track of What We've Written
I'm pretty sure that I've mentioned before what a terrible memory I have.
It's bad. It's always been bad, and it's certainly not improving as I get older, either.
The bad thing is that people do expect you to remember small details about what you've written. :) And they should expect that. After all, we made it up.
But for some people, it's not that easy. I have a hard time remembering the names of people that I see fairly regularly at my children's extra-curriculars.
What I've done to serve as a crutch is to have a series bible for my series as well as sort of a cheat-sheet for each book that I've written. I'm starting my 8th book now, and details start getting a little foggy for books that I've written a while back.
Penguin Berkley was great to supply me with a style sheet that the copyeditor compiled for my series. I follow it to make sure I keep details the same. There are things in there like the name of the place where a particular character goes for manicures. One character's sorority is mentioned there, as well as the name of a blues band, etc.
A style sheet is very helpful for reminders on how we treated recipes in the book (we left numbers as numerals in recipes—didn't spell out 1 tablespoon as one tablespoon), as well as little reminders like this:
Sentence punctuation in italics if whole sentence is in italics; sentence punctuation in roman if only part of the sentence is in italics—quotes always in roman.
My series bible helps me keep track of character ages, traits, habits, hobbies; setting details; and any details of recurring subplots. I know a couple of writers who keep track of these things on an Excel sheet, but I use Word. I type out each character's name, how old they are, where they live in the town, what they look like, where they're originally from, etc.
Finally, I have a detailed cheat sheet for each book. This is, basically, a long synopsis. Sometimes I can't remember the ins and outs of all the plots (and mysteries can get convoluted with clues, red herrings, and alibis.) These cheat sheets are lifesavers.
I have a meeting with a book club next month and they picked Pretty is as Pretty Dies to read. That's fantastic, but I wrote that book back in 2005-2006ish. It was edited after that, but written 5-6years ago. A refresher is necessary. :)
How do you keep track of your story details and what program do you use to do it (or do you keep track in a notebook?)
March 11, 2011
Keeping Motivated Daily
I talked last Saturday a little about setting reasonable goals to encourage ourselves to stay motivated.
I think it's also important to find intrinsic rewards from writing.
I was away most of the day yesterday, chaperoning the state's middle school band competition at a North Carolina university.
For weeks, the kids' lives have been dominated by band. They've had extra practices after school and taped their individual practices at home for their teacher's review. They've mastered a rigorous program for the competition.
The school had won the state competition for 11 years in a row. The teacher is very talented, but drives the kids hard. And the kids, including my son, were complaining about it. They all seemed completely burned out and were talking about not continuing band into high school.
We listened to the other bands all afternoon yesterday. I know little about music, but I thought the bands sounded very good. Their playing was strong, clean, lively.
Our band was last and when they played, I could tell a difference. It was remarkable, actually. Their songs were complex, each piece several times longer than the other bands. They played the selections expertly, effortlessly, drawing us into the music.
They won for the 12th year in a row. Of course, they were absolutely ecstatic. They'd worked incredibly hard for weeks on it, plus the months in class.
I could see that their wells had been filled again. The work had been worth it. Their success had justified the means.
To me, though, the push was a little too hard. If it had been me, I'd have wanted to have a little more moderation…some daily successes to keep me going. Because the big wins can't be counted on.
Writers give up so much to write. The only way to really improve is to work at it—work hard at it. Frequent practice is crucial.
The rewards are not always a published book and critical acclaim. In fact, many of us might not end up published until years down the road. There are so many things that drain our creative wells—day jobs, family demands, setbacks, hectic schedules. We've got to find some sort of reward in the writing itself to make us continue, despite the hard work.
For all the days when writing is a grind for me, there are the days that really keep me going. Days when I've been really happy with a great turn of phrase, or a fitting subplot, or even just a nice word choice.
There are days when everything I've written is total crap…I think. Even on those days, though, I've found that there's something I can salvage from the day…an insight into a character, a decent bit of description, a nice word choice. Or even, the fact that I wrote at all—even though I clearly wasn't in the right frame of mind.
It's an odd time to make a resolution, but after each writing session, I'm planning to note something positive from the experience…something that worked. It's too easy to get burned out while writing. A little positive reinforcement is a great motivator.
What keeps you motivated with your writing?
March 9, 2011
HarperCollins' New Ebook Policy for Libraries
HarperCollins announced that it would only allow 26 borrows of its ebooks at libraries.
This, naturally, ignited something of a firestorm.
The point of libraries, of course, is to lend books to readers for free. The libraries buy a certain number of copies of a book or video or CD and then lend them out until the thing falls apart. That's what it's all about.
In addition, as Eric Blank at Pimp My Novel put it:
E-books don't take up physical shelf space, so the limiting factor that once forced a librarian to choose between replacing a popular title that's worn out and purchasing a different title—that is, space—no longer exists. More titles sold is good for everyone.
HarperCollins' response to the concerned patrons and librarians is:
Twenty-six circulations can provide a year of availability for titles with the highest demand, and much longer for other titles and core backlist. If a library decides to repurchase an e-book later in the book's life, the price will be significantly lower as it will be pegged to a paperback price point. Our hope is to make the cost per circulation for e-books less than that of the corresponding physical book. In fact, the digital list price is generally 20% lower than the print version, and sold to distributors at a discount.
But librarians contend that a print bestseller can be borrowed over 26 times before it starts self-destructing.
An article by Martin Taylor on the TeleRead blog supports HarperCollins' policy:
Ebooks don't wear out, they're easy to find and hard to lose, so chances are libraries will need fewer to service the same level of borrowing. And new technology is making the effort required to borrow minimal. These facts underpin concerns about how the paid ebook market will be affected if borrowing (especially from public libraries which are open to anyone) offers few disadvantages over purchase. Borrowing ebooks can be made as easy and accessible—24/7 from anywhere—as buying them.
To me, this is the sort of wrangling that goes on when changes occur in any kind of industry. But I hate that it's happening for libraries. I mean—come on. Libraries are getting absolutely shafted right now in every possible way…cut-backs, layoffs, closures—you name it.
My long-term strategy is to develop a relationship with my readers and increase my reader base as much as I can. One of the ways I do this is by making sure that my book is in as many public libraries as possible. I feel like the library is the #1 place for a reader to discover a new author or series. There's absolutely nothing to lose when you check a book out. It's risk-free. That means that you might be tempted to read something you ordinarily wouldn't buy at a store. This opens an opportunity for authors to find new readers.
The publisher's take on this, to me, seems to be a knee-jerk reaction to financial anxiety. And I know publishers are worried right now—I think most of us are. Bookstores are going bankrupt, libraries are closing, and it's a brave new world out there with ebooks (and one where we haven't figured out all the kinks yet.) But I just can't see where these types of policies are going to ultimately be good for the reader (or, by extension, the writers.)
What do you make of it? Have any ideas on strategies that can make both parties satisfied? Feel free to leave any thoughts or ideas on ebook library lending here in my comments, or to email HarperCollins, who is inviting discussion: library.ebook@HarperCollins.com
March 8, 2011
Small Press vs Large Press
March is the 14th anniversary of Small Press Month.
The organizers of the Small Press Month events state:
Held annually in March, Small Press Month raises awareness about the need for broader venues of literary expression.
That particular statement did make me curious. I'd actually like to see a little data to back it up. How much of a small publisher's catalog does consist of strikingly different material? On average, do they have a higher percentage of notably original work than larger publishers?
I've written for both small presses (Midnight Ink might qualify as midsized) and large publishers. I wrote traditional mysteries/cozies for both. Small presses do publish genre fiction, obviously, just like the bigger publishers.
I tend to read more about the differences between small and large publishers...which surprises me. I think small publishers and larger ones actually have a great deal in common. My personal experiences at both the big and small publishers were basically the same. These are just my own observations…obviously, others will have different opinions based on their own experiences.
Copyediting/editing?—Excellent for both publishers.
Contract?—The contracts were both of equal length and complexity (it wasn't as if the contract at the smaller press was simpler or less-convoluted.)
Amount of personal contact? I've had more contact with my editor at the larger press, but that could be due to the personalities of the individual editors involved. The editors are absolutely slammed with work at both publishing houses—regardless of the size of the publisher. This means there really isn't much time for chatting.
Willingness to work with debut writer? My contract with Penguin occurred soon after I'd signed my contract with Midnight Ink. Both were happy to work with a new writer.
Their passion over the job and my book: The same.
My input on cover art? The same. (Although that's an area where I'd rather the art department and marketing folks take charge…not my forte.)
Marketing plan? Mmm….probably the same. Obviously on a much bigger scale with the bigger publisher.
The biggest differences between the two? The amount of the advance (larger at the big publisher…which might not be fair for me to say, considering that I did negotiate my contract with the smaller publisher and my agent would have, clearly, done better) and the distribution and placement in bookstores (obviously much better with the larger publisher). But—the distribution aspect is changing, since the popularity of eReading is increasing daily.
The biggest argument in favor of a small publisher, I think, is the ability of an unagented writer to obtain a publishing contract. For me, it was harder to find an agent than it was a publisher. When Midnight Ink contacted me about buying Pretty is as Pretty Dies, they didn't mind a bit that I didn't have an agent at the time. They offered to give me a week to look for one…and when I still came up empty-handed, they worked directly with me to negotiate a contract. And Midnight Ink is a larger independent press.
I love the idea of giving readers variety and choices in their books. But I'm not convinced that most small publishers have a 'broader venue of literary expression' than the big boys. And my efforts to find data on the subject fell flat.
What do you think? If you've also been with a big pub and a small pub, did your experience differ from mine? Which did you prefer and which would you recommend to writers? At the bookstore, do you notice a huge difference in the catalogs of big and small presses?
March 7, 2011
More Tools of the Trade for Writers
If you missed yesterday's post, I'm running a short series on useful tools for writers. The nice thing about writing is that it can be a nearly free activity. But there are tools that can make writing (and promo) easier. Many of the tools are free, too, if you already have a computer and internet connection.
Promo is a necessary evil for any writer who has a book on the shelves. Fortunately, some of the promo has to do with author branding—and I find blogging fun. I make my blogging easier by using Windows Live Writer. It's a free download from Microsoft and is a whole lot easier to use than Blogger's program. It looks a lot like a Microsoft Word page. You can upload your posts to any blog provider.
Google Documents: I've jumped on the Google Docs bandwagon kind of late, but I do like it a lot. You can access your document anywhere and you could share it out with others, if you wanted to (critique groups, agent, editors come to mind…you can edit in real time with other users, too), or mark it as a private file. It could also be considered a nice way to backup your files by using a cloud and not having the manuscript located only on your computer (that's where we run into problems.) It's a free application.
OneNote: You might have OneNote on your computer and not even realize it's there. It comes with Microsoft Office if you operate Windows on your computer. Having OneNote is like having a binder-style notebook with tabs right there on your computer. So you could have a notebook titled "My Book." One section of your notebook could be Research, another could be Characters another could be Settings, etc. You can use it to organize notes (even handwritten ones) create tables, or organize brainstorming scribbles.
Here's a post I wrote that describes how I use OneNote. And this is an excellent post on Writers Alley on the program.
4x6 notecards and pencils: Notecards and pencils are the ultimate low-tech tools for me. I like the slightly bigger notecard size so I won't lose them as easily, but they still store nicely in my purse or laptop bag for those ideas that strike when I'm away from home. I'm a fan of pencils and I buy them in bulk at Costco. They're everywhere. Pens just seem to bleed too much for me.
Voice recorder: I do use voice recorders, especially when I'm driving on trips. (I tend to get lots of story ideas when driving.) You can buy voice recorders inexpensively (they're digital now), but I simply downloaded a free one on my phone. One touch of a button and it's recording my thoughts for later.
Evernote: I've also used Evernote on my phone, which does have a voice recording component, too. But I mostly like the way that I can take pictures with my phone, save it to Evernote with story notes, and then have those notes shared out onto my PC. (Yes, I'm a fan of surreptitiously taking pictures of people who look like characters. :) I also take pictures of settings (landscapes, old buildings, houses with interesting architecture, etc.) It's free.
Hope you'll continue to add to this list---I got some great suggestions on tools to try from yesterday's post! Have any other favorite tools?
March 6, 2011
Tools of the Trade for Writers
I came across this article a few days ago on the WordCount blog on tech tools for writers, and it got me thinking about the tools that I use every day.
The nice thing about writing as a hobby/career is that it really doesn't have to cost very much (which is nice because writers don't really make very much.) :)
But there are the extras. And it's fun to have them. These are the tools I use frequently:
Microsoft Word: MS Word and I have had rocky times in our relationship, I'll admit. But I do like some of its features. I use their highlighter to mark areas of my first draft that I realize are disasters. This helps me to move past the disaster and finish my first draft. Half the time I don't even analyze the troublesome section—I just mark it to figure out later.
Word's Track Changes is a necessity when revising with an agent or editor and shows who made what changes or suggestions. I use Track Changes, myself, in my daily writing—clicking 'review,' then 'new comment' and adding comments in the margins where I have a question: '"Is Beatrice's dog male or female?" is one comment I've got in my current WIP because I'm aware I'm being inconsistent. But it would have been time-consuming to chase down that detail during the first draft.
Not sure how to use Track Changes? Here is a link that shows you how to use Track Changes.
Countdown Timer: This timer is what I use to keep myself on track. What do I time? Everything. I give myself ten or fifteen minute intervals for checking in on social media, replaying to emails, or visiting blogs. I also set a timer for my writing time and make sure I keep working at least until it goes off.
Google: I have some sort of Google application up on my computer most of the day. I use Google's free Gmail program (I reserved my name pretty early in the process so that I could have an email address that made sense and sounded professional…so I'm Elizabethspanncraig(at)gmail(dot)com.)
I also like Google's calendar which I can update online. I frequently will copy/paste reminders to myself from actual emails I've gotten and just stick it on the Google calendar. It syncs with my phone and then I've got all the info I need when I'm out of the house, too.
I also use Google Reader to organize and read all the writing blogs I subscribe to. Here's a post I wrote, explaining a little more about how I use Google Reader.
This post is getting long, so I'll pick up tomorrow with some more tools—like One Note, Windows Live Writer, and even my favorite low-tech tools. :)
What are some of your favorite writing tools?