Chris Hardwick's Blog, page 213

20th Century Studios Has Already Made a Secret PREDATOR Movie and Is Developing an ALIEN: ROMULUS Sequel

“There’s a secret Predator movie that has already finished filming. It’s coming out next year.” That kind of ridiculous statement sounds like something you’d laugh at on conspiracy subreddit. Only, it’s absolutely true. In an interview with The Hollywood Reporter, 20th Century Studios head Steve Asbell revealed Prey director Dan Trachtenberg has already directed another Predator film. Plus, it will actually come out before his other announced Predator movie Badlands premieres in 2025. And as if that’s not enough incredible news for fans of famous sci-fi monsters, Asbell also said 20th Century is already developing its next Alien movie.

Twentieth Century Films

Predator: Badlands starring Elle Fanning will come to theaters on November 7, 2025. Yet, somehow, without anyone knowing it was even in production, a totally different Predators film from Dan Trachtenberg will debut before that. “There’s a secret Predator movie that will come out before the theatrical one,” Asbell told THR. Calling Badlands the “theatrical one” indicates this previously unknown entry in the franchise will arrive on streaming. Tracthenberg’s first Predator movie Prey was originally set to premiere on Hulu. It ended up in theaters instead thanks to a last second switch.

What is this secret Predator movie about? No idea. What about its title? Beats us! Who will star in …..look we don’t know anything! No one does, which is what makes this so incredible. Disney let a studio make a film for a major IP but didn’t let anyone know until now.

Twentieth Century Films

Something else that is no longer a secret is that 20th Century Studios is also developing a sequel to Alien: Romulus. Asbell said they haven’t “quite closed our deal” with director Fede Alvarez yet, but they “are going to.” He also said Alvares has “an idea that we’re working on” and hinted it might very well involve the characters who survived Romulus.

A new Alien movie and an unexpected bonus Predator film? What’s next, another Alien vs Predator? Actually, yeah, maybe. When asked about that happening Asbell said, “Probably.” Though he also mentioned “it wouldn’t be in the way you think,” because it wouldn’t be like the previous crossovers.

Considering what we learned about 20th Century Studios’ plans for both franchises today, nothing will surprise us. Not even a surprise movie.

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New STAR WARS and Marvel Collector’s Edition Blu-rays On the Way

Disney is releasing four new collector’s edition 4K UHD Blu-rays of popular Star Wars and Marvel Studios shows, available on Disney+. These include The Mandalorian Season 3, Ahsoka Season 1, Hawkeye Season 1, and Loki Season 2, all of which will hit physical media on 4K UHD for the first time.

Disney

All the new releases come in Steelbook packaging with bonus features, exclusive art, and collector concept art cards. Illustrator and painter Attila Szarka designed the box art for all titles.

All four new releases will be available for pre-order starting Oct 31. Mirroring the previous Lucasfilm and Marvel Studios Blu-ray releases, the new Steelbooks will be available nationally. Furthermore, the new releases will be the first Disney+ originals to have Ultra HD Dolby Vision and Atmos audio.

Disney

The Mandalorian season three Blu-ray includes three bonus features, including a tribute to the late Carl Weathers, who played Greef Karga. There is also a segment on how the art department made all the creatures and droids in the show. On top of that, Jon Favreau, Dave Filoni, and the filmmakers “explore the expanding world of Season Three’s Mandalorian warriors.”

Disney

The Ahsoka season one Blu-ray has four bonus features, including a spotlight on Ahsoka’s allies and uncovering the secrets of her foes. Moreover, the feature Ahsoka: Legacy shows the development process for the show.

Disney

The Hawkeye Blu-ray includes four bonus features, one of which offers over 12 deleted scenes from the show. The Blu-ray also includes a gag reel, which I need to see because I would never pass up more Kate and Clint interactions. The other bonus features showcase the making of the show and its development.

Disney

The Loki season two Blu-ray has four bonus features, including three extended and deleted scenes. A gag reel is also included in this title, which is bound to be hilarious because it’s Tom Hiddleston. The Blu-ray also includes Assembled: The Making of Loki Season 2, continuing the behind-the-scenes series that began with the show’s first season. Tom Hiddleston and Kevin Feige track the history of Loki, digging deeper into the beloved anti-hero.

All four new titles are available on Dec 3 for your viewing and collecting pleasure.

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GOOD OMENS Final Season Will Be Just a Single 90-Minute Episode

Last month, Neil Gaiman said he would step away from Good Omens‘ third and final season after production stopped on the show following allegations against him for sexual assault. That was not enough to guarantee the Prime Video series would return. Now we know the show will resume without him. Only it will say goodbye much faster than fans expected. Instead of a full season of television Good Omens will end with a single 90-minute episode.

Prime VIdeo

Variety reports the Prime Video series adaptation of the 1990 novel co-written by Gaiman and the late Terry Pratchett will get to end its story. That was in doubt amid the ongoing, very serious accusations against Gaiman. Amazon has decided the third and final season, based on the sequel novel the two planned but never wrote, will essentially be a feature film farewell instead of a full season. When production on the show resumes early next year in Scotland it will be to produce a single hour-and-a-half finale.

Neil Gaiman is said to have worked on the show’s last episode previously. However, he will not be there for filming. He is also no longer listed as an executive producer.

Renegade Game Studios

This abridged send off will disappoint Good Omens fans. But at least the show is getting an actual ending. Studios have already cancelled other Gaiman-connected projects or had stopped productions before they even started. Meanwhile some remain in a weird limbo and could soon have their plug pulled. A single episode goodbye seems like a fair, reasonable way to let people who care about the series and those who work get some closure while still acknowledging to the credible accusations against the person most connected to the show.

If you or someone you know is suffering from sexual abuse, contact the  RAINN National Sexual Assault  Hotline at 1-800-656-4673.

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AGATHA ALL ALONG’s Latest Death Was the Show’s Most Emotional Yet

The seventh episode of Agatha All Along revealed Billy Maximoff did not actually kill Lilia and Jen when he forced them off the Witches’ Road. But “Death’s Hand in Mine” did claim a beloved character. Agatha All Along‘s penultimate episode was the latest installment to feature a gut-wrenching death, but at least this time, the deceased knew what was coming for them.

[image error]Marvel Studios

Patti LuPone’s divination witch Lilia, the heart and soul of Agatha All Along‘s coven, sacrificed herself to stop the Salem’s Seven and sadly met her death in the latest episode of the series. After successfully completing her Tarot Card Trial while dressed as Glinda the Good Witch from The Wizard of Oz, Lilia sent her fellow sisters in the craft off to their final stop. She then locked the iron maiden door behind them, closing her own exit to The Road. She wanted to ensure the sinister group seeking retribution against Agatha would never harm her friends.

As the vengeful witches surrounded her, Lilia turned The Tower card she’d played during her own reading upright. That brought about “sudden upheaval,” flipping the castle upside down. The unprepared Salem’s Seven then learned about the “disaster” and “destruction” foretold them about. The seven fell into the swords hanging from the castle’s ceiling.

Marvel Studios

For a brief moment, Lilia held on to the Tarot table, but she couldn’t maintain her grip. Alas, Agatha All Along‘s Lilia fell to her death. Only, in some ways, she had already died. Lilia spent the last few years of her life experiencing time out of order. The episode started with her, dressed as Glinda, falling into an abyss. And Lilia had already previously met Death herself, Aubrey Plaza’s Rio Vidal. Death came for Lilia after Teen sent her off The Road. (So maybe Teen did kill her? It’s debatable!)

No matter when she technically died, Lilia faced her final moments alive with joy and courage. She had found a new coven. She was someone who mattered once again. For centuries, she had locked herself away from her sisters in magic. She made herself a nobody. But Agatha All Along‘s Lilia got everything she wanted from The Road, though death found her before she could reach the end. People cared about her, and she cared about them, and Lilia learned who she was and always had been.

Marvel Studios

Before Lilia died, she was a part of something on Agatha All Along. More importantly, for a witch who didn’t think she had anything to offer anyone, she was the best part of it. That was true even before she gave up her life to save her friends. Lilia’s death on Agatha All Along is a sad one, but Lilia’s journey is joyous.

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Who Is AGATHA ALL ALONG’s Rio Vidal? The True Identity of Aubrey Plaza’s Character, Revealed

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During Agatha All Along‘s time-skipping seventh episode, Lilia’s mother told her, “Death comes for us all.” Only it turned out Death had been there from the start of the show. The coven learned the secret Agatha Harkness has been keeping from her fellow witches about her ex. We’ve been asking for a while now: who is Agatha All Along‘s Rio Vidal really? Well, we finally learned that Aubrey Plaza’s Rio Vidal is the MCU’s Death, an Agatha revelation that completely changes the stakes for all of the characters at the end of The Witches’ Road.

Marvel Studios

When she was a child, Patti LuPone’s divination witch Lilia experienced life out of order. It was a miserable way to exist, so she put that aspect of herself “away.” Her time-jumping malady only returned when she met the ill-fated William Kaplan. It then got much worse when she joined up with Agatha. On the Agatha All Along, she’d enter trance-like states and speak what seemed like nonsense. Lilia herself never even remembered those moments.

She finally pieced the puzzle of her prophesies and cries together during her final moments alive. The Tarot Card castle was her trial, and as she placed the final card to name her “destination,” she told her coven that Rio is the figure “all roads” lead to. Agatha All Along‘s Rio Vidal, as we suspected she might be, is literally the MCU’s Death herself.

That’s Rio’s “job,” the one she vaguely referenced earlier in the season. Rio Vidal is why the Ouija board said “Death” was in the room with the witches in Agatha All Along‘s fifth episode. Rio made it onto the Road not because of a summoning spell but because she came to claim Mrs. Hart’s body after they buried her. That’s also why Agatha turned to Rio and quietly pleaded “don’t” when she thought Teen would die. Rio, “the original Green Witch” who will take everybody returned to the earth, would have been the one to take him, just as she was the one tasked with taking Agatha’s son Nicholas long ago.

Marvel Studios

Rio Vidal’s real secret identity as Death on Agatha All Along doesn’t make her inherently evil, though. Lilia’s mother was right when she said Death comes for us all. It doesn’t matter if we’re good or bad, righteous or evil. Death is, seemingly, neutral. And yet, that doesn’t mean Rio Vidal is, not after what we’ve seen her do on the show.

Death isn’t the (possibly still-in-love with her ex) former partner of every coven’s leader. Death doesn’t have a wildly emotional and complicated past with every untrustworthy, power-hungry witch out there. Because while Death might be neutral about most people, Rio is clearly not neutral when it comes to Agatha Harkness. Rio helped her former lover break free of her imprisonment, but we still don’t know why. What exactly does Death want with Agatha and her coven in Agatha All Along? Is Rio just there for “the bodies?” If so, there would be easier, less messy, and less burdensome ways to get them.

Marvel Studios

The MCU’s version of Death seems to want something more on Agatha All Along. Does she want to see Agatha suffer? To see Agatha dead? Or does Death, guilt-ridden over taking the child of the person she loved most, want to help Agatha? In some ways, she helped Alice and Lilia. They both died on The Road, but they also got the one thing they most wanted (Alice learned what her mother did for her and ended their generational curse; Lilia found her coven and wasn’t alone anymore).

Maybe they were always going to die, and Rio Vidal made sure they got what they wanted before their deaths. Maybe she’s doing the same for Agatha. Or maybe she needs to reach the end of the Witches’ Road herself so she, too, can get her wish. Even Death must want something.

We’ll get more answers about Death in Agatha All Along‘s season finale, but no matter what Rio Vidal wants, Agatha should definitely listen to Lilia and hit the deck when Death calls her a coward. No matter Rio’s true intentions, good or bad or something in between, we trust Lilia way more than Death itself.

Mikey Walsh is a staff writer at Nerdist who would try and get along with Rio Vidal. You know, just in case. You can follow him on  Bluesky at @burgermike. And also anywhere someone is ranking the Targaryen kings.

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Eva Longoria Spent $6 Million to Help Fund the Original JOHN WICK at the Last Minute

Ten years ago, a little revenge movie about an ex-assassin getting vengeance over his murdered puppy came out in theaters by the name of John Wick. It didn’t quite light the world on fire theatrically, but eventually, people learned about this incredible shoot-em-up action movie. Three sequels, a TV series, and an upcoming spinoff later, Keanu Reeves’ character of John Wick in a household name. Not to mention also a billion-dollar franchise. But the whole thing almost didn’t happen, and John Wick was only saved at the eleventh hour by former Desperate Housewives star Eva Longoria.

Hulu/Lionsgate

Via Variety, we learned that during an interview with Business Insider, original John Wick creators Chad Stahelski and David Leitch recalled how Longoria put up $6 million to close an unexpected gap in the film’s funding. The overall budget for the original John Wick was somewhere between $20 and $30 million. Longoria invested the $6 million that remained with less than 24 hours to go before filming on John Wick began. She ended up being the guardian angel of the project. If she had not provided the money, production would have surely shut down.

That first John Wick film went on to gross $86 million, a decent return on investment for Longoria and co. It, of course, launched a franchise as well. Stahelski and Leitch eventually took Longoria out to lunch to thank her for her last-minute save of John Wick. Leitch said that Longoria would later tell him that investing in the film was “The best money she’d ever spent.” Considering how huge the franchise has become, we bet she’s not lying. So, as a thank you, will they ever put Longoria in a John Wick project? Leitch said “She wants to for sure, she wants to do action. I would love to work with her; we’re trying to find something.” Here’s hoping Eva checks into the Continental Hotel before too long.

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10 Best Horror Movie Remakes, Ranked

People like to poo-poo remakes of any kind. “Phooey and pshaw!,” they seem to say with their words. Well, ever hear of a little movie called Star Wars? That’s a remake of The Hidden Fortress literally shot-for-shot. The character names are exactly the same… oh darn, IMDb’s broken today, so you can’t check. At any rate, not all remakes are blatant cash-grabs, and even if they are, some of them are just as good or even improvements on the original. Nowhere is that more true than in the world of horror movies.

Not all horror remakes are good, but I feel like they tend to have a higher success rate than most. In some cases, the remakes are even better than the originals. And what better time to discuss these great horror remakes than Spooky Season, aka Nerdoween?

Universal/Dreamworks10. The Hills Have Eyes (2006)

Wes Craven’s early films are particularly grim and upsetting. His first, The Last House on the Left is a horror-fueled remake of the Ingmar Bergman drama The Virgin Spring and it is NOT FUN. But it nevertheless has an important place in horror history. His follow-up, 1977’s The Hills Have Eyes, does not enjoy that level of importance but is likewise a grim and horrible experience. So why not give the remake to Alexandre Aja who at the time had just made the New French Extremity classic High Tension? A family gets lost in the desert and a family of irradiated cannibal mutants terrorize and butcher them. It’s gnarly, but I’d rather watch the remake than the original if I’m honest.

9. The Crazies (2010)

The Crazies from 1973 is nobody’s favorite George A. Romero movie, but it’s one of his most effective. Showing the speed at which a neurotoxin sweeps through a rural Pennsylvania community, creating a population of frothing murderers, the horror comes less from the kills and more from the military’s complete inability to reverse, stop, or even contain it. The original was a dry run for similar themes and production values as Dawn of the Dead.

Conversely, the 2010 remake directed by Breck Eisner does focus on the horrifying murders—many especially grisly—befalling the little town, with Sheriff Timothy Olyphant and his wife Radha Mitchell among the small band of uninfected trying to overcome rabid neighbors and wanton government cover-ups. I was supremely shocked this movie’s not merely halfway decent but pretty darn good in its own right.

8. Evil Dead (2013)

Technically more of a reboot/requel, but Fede Alvarez’s Evil Dead definitely goes back to the grueling terror of Sam Raimi’s 1979/1981 original. Updating the concept from just friends heading to a cabin in the woods for fun to be about friends in a support weekend for one of their own (Jane Levy) suffering from drug withdrawal. It’s a fascinating and resonant wrinkle to the familiar tale of demon possession that leaves the Ash Williams quips aside in favor of unbridled, oppressive nightmare stuff.

7. Suspiria (2018)

Remake Dario Argento at your own risk, I always said. Well, Luca Guadagnino did risk and turned in a completely different movie in every sense of the word, except for story and characters. A true reimagining of the source material, in which Susie Bannion (Dakota Johnson) begins her training at an elite dance school in the wall-separated Berlin of the early ’80s. Turns out, the school is home to a coven of witches, and anyone who looks into it befalls a grim fate.

Both films are gruesome and stylish in their own way, but Guadagnino’s movie actually focuses on the dancing, more of an afterthought in the Argento film. We also get the great Tilda Swinton playing triple duty as both one of the witchy dance instructors, an old German psychiatrist man, and a third character who shall remain nameless in case you haven’t seen it.

6. The Blob (1988)

This one is an improvement on the ’50s drive-in classic in just about every possible way. Chuck Russell’s direction and his and Frank Darabont’s script modernize the concept of a mass of unknown, carnivorous gloop engulfing the entire town and add much needed humor and characters you want to spend ample time with. And then they turn everything upside down by killing off major characters early and often with some of the grosses and most effective practical effects of the era. If you want to see people get dissolved into raw component parts, this is the movie for you!

The original is a fine example of sci-fi/horror in the middle of the red scare with some fun effects for the time. The remake on the other hand is something of a masterpiece of ’80s excess in horror, in the best way. Smart, scary, and supremely gross. The one thing the 1959 version has over the 1988 version is its main hero character. Steve McQueen in his first major role in the original. The remake just has a mulletted Kevin Dillon. Not even close.

5. Dawn of the Dead (2004)

Long, long, loooooong before anyone had ever heard of either the DCU or the DCEU with regard to superhero movies, a Troma filmmaker and a commercial director wrote and directed a remake to one of the best horror movies of all time. Writer James Gunn and director Zack Snyder collaborated on a fast-paced, super-stylish remake of George A. Romero’s undisputed masterpiece, Dawn of the Dead, and it shouldn’t have been as good as it is. But it’s very good indeed.

What remains from Romero’s ode to the evils of consumerism is the central premise: a group of people hole up in an empty shopping mall during a zombie apocalypse. The remake has more people, faster zombies, way more action and explosions, and far less of the pathos and metaphor. But it actually has more humanity and arguably more believable characters. It also introduced me to Richard Cheese, so thanks for that, movie. Twenty years later, it might still be Snyder’s best movie and proved what Gunn could do with proven properties. A banger all ’round.

4. The Ring (2002)

Gore Verbinski’s American remake of the 1998 Hideo Nakata film Ring has the dubious honor of being the one and only Hollywood redo of a J-Horror film that actually works. Even Takashi Shimizu’s own American remakes of his Grudge movies don’t quite have the bite of the OGs. And it is certainly worthy of an argument, but I sort of think the American The Ring is a bit better than the original in some big ways. Sporting a bigger budget helps, no doubt, but I think the mood and atmosphere hit harder for me, as does the central mystery.

Again, the overall premise is largely the same. A haunted video tape kills people seven days after they watch it and a single mother (Naomi Watts) has to try to solve the mystery of the strange tape and the ghost within it before her time, and her son’s, run out. After 22 years, we’re right at the end of the period of time where this movie can truly impact people given that nobody has VHS players anymore, much less physical media. A newer attempt utilizing a cursed YouTube video or whatever the hell exists but is not good. The Ring is a time capsule in so many ways, but it still packs a punch where it counts.

3. Invasion of the Body Snatchers (1978)

Three separate remakes of the 1956 Cold War classic, Invasion of the Body Snatchers, have his screens over a period of 50 years. Only the first remake, Philip Kaufman’s from 1978, is truly successful, and might even rival the original for quality. Set in a gloomy, chilly San Francisco, the movie follows a group of disparate people as they all come to realize a slow invasion of otherworldly creatures is underway, in which they duplicate and assimilate members of the human race while they sleep. It’s a supremely terrifying idea, made all the more gruesome with ’70s effects.

The remake adds an undercurrent of self-help gurus and phoney psychologists to make the survivors think they’ve lost their minds, which is very of the moment. The movie has an incredibly tense, paranoiac air the whole way through which just gets more and more effective by the end. And let’s not ignore the fact that the cast is truly incredible. Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, and a very un-Spock Leonard Nimoy all hit on all cylinders. It’s a tremendous accomplishment.

2. The Fly (1986)

Speaking of Jeff Goldblum, we have what still might be his best and most Goldblumy performance. One of the major themes of this list, I’m realizing, is that in the late ’70s through the late ’80s, Hollywood made a lot of great horror remakes of kinda hoky ’50s sci-fi movies. The Fly from 1958 had a great premise, a scientist working on teleportation whose molecules meld with that of a housefly. In practice, that was a guy in a lab coat wearing a giant fly mask and glove walking around scaring people. Fun for the time, sure.

But put it in the hands of Canada’s grisliest director, David Cronenberg, and we have a tragedy of a man’s slow loss of self amid disgusting body horror that still nauseates today. What you don’t get in 1986’s The Fly is a man in a fly mask. Instead, it’s a metaphor for everything from drug abuse to cancer or the AIDS epidemic as a woman (Geena Davis) watches her new boyfriend literally change, decay, and fall apart in front of her eyes. Brundlefly is both monster and victim, and it’s simply one of the best films of its kind.

1. The Thing (1982)

While putting together this list, thinking of entries and ranking them, proved more difficult than I expected, number one was never in doubt. How good is John Carpenter’s The Thing? It’s so good I bet some people don’t even realize it’s a remake. The 1951 sci-fi thriller, again, is fun and effective for its time. The 1982 film is the pinnacle of practical effects, paranoid atmosphere, subtle Lovecraftian themes, and a perfect ensemble to play it all out.

People talk way too much about how much the movie flopped on its initial release, and that is tragic as it meant Carpenter wasn’t able to continue making movies at this scale. But most works of genius are misunderstood in their own time. This movie rips. Rob Bottin should have won 13 Oscars for his creature work on this alone, creating still to this day the best interpretation of an uncanny, unknowable entity which can absorb and look like anything. Not just the best horror remake, not just the best John Carpenter movie, it belongs in the pantheon of best horror films—maybe even just films full stop—in the history of everything.

Kyle Anderson is the Senior Editor for Nerdist. He hosts the weekly pop culture deep-dive podcast Laser Focus. You can find his film and TV reviews here. Follow him on Instagram and Letterboxd.

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Quests N’ Answers | Inside Sagas of Sundry: Goblin Mode Ep. 7

Welcome to Quests N’ Answers, the companion series to Sagas of Sundry: Goblin Mode! ***Spoilers ahead for episode 7***

Explosives, sky pirates, and existential crises, oh my! The Minions of Mayhem’s latest adventure has them questioning everything from their morality to whether or not they might secretly be a baby. Join Dan Casey, special guest Ify Nwadiwe, and cast members Amy Vorpahl, Jason Nguyen, and Danielle Radford as they take you deep behind the scenes of how the Heist of the Century turned

New episodes of Sagas of Sundry: Goblin Mode air every Monday on Geek & Sundry or wherever you get your podcasts: https://lnk.to/goblinmodepod

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Death From Above (w/ Ify Nwadiwe) | Sagas of Sundry: Goblin Mode | Episode 7

Knack Brekka is about to explode…with excitement and maybe with barrels of gunpowder too! Will the Minions of Mayhem succeed in their daring heist at the Fiends United headquarters? Can they escape the rager they started with a vault full of loot in tow? And who exactly is this mysterious new figure played by the one and only Ify Nwadiwe? Find out in the latest episode of Saga of Sundry: Goblin Mode.

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VENOM 3: Who Is Knull?

Venom: The Last Dance is almost here, but fans are already excited by the yet to be seen villain in the film, Knull. Who is this Symbiote King? Kyle Anderson has you covered with everything you need to know before you head to the theater!

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