Neda Aria's Blog, page 8

Nature is No Thing: An Ecofeminist Novelist Sounds Offby Cassie Premo Steele

“Then I’d been surrendering to rage. Now I was freeing into life.”

-from Beaver Girl by Cassie Premo Steele

I live in a deeply rural state. But I don't regret it.

Honestly, when I watch shows that are set in major cities, I feel sorry for the people who live surrounded by miles of concrete. What chance do they have of wanting to make environmental change when they've lost touch with what nature even is?

My wife and I both work from home, so instead of a commute, we feed birds. We have come to know the birds in the yard by name. One day during the pandemic, we noticed a male cardinal who looked like he’d been through a bad bar fight. The red feathers on his head were gone. All that was left was a little black stump.

“It gets better,” my wife said to him, as we tried to bolster his spirits and our own.

The phrase also has echoes of the campaign founded by Dan Savage and his husband Terry Miller to encourage LGBTQ+ young people to hold on, to persevere until they find the communities and friends who will assure them that bigotry and hatred are not ubiquitous.

It Gets Better became his name.

Here we are, three years later, and he has come to flaunt his uniqueness and gain respect from us and his peers.

He survived.

Is this nothing?

*

Like many other beings in western capitalist culture, such as women, children, people of color, and LGBTQ+ people, nature itself has been objectified and reduced to its use value.

Nature has been made into a thing just as we have been.

The rude calls out of vehicles when women and people of color and LGBTQ+ people walk down the street?

These are the growls of predators.

But not apex predators.

These calls come from those in the middle of the food chain who are being eaten away minute by minute on a low hourly wage or by their identities as straight males.

But they, at least, have a voice.

If you’ve ever stood on the side of the street as the car rolls away, wondering if you should flip a bird and if this would escalate the situation, then you know what I mean.

If you haven’t, you might at least have compassion?

Is this no thing?

*

Recently while meeting with my therapist, I had one of those “aha” moments like I used to love watching on the Oprah Show.

“I just realized,” I said to her. “I often mistake compassion for judgment.”

“What do you mean?” she asked.

“I mean that when a friend is suffering, I sometimes feel bad offering sympathy because, in a deep part of me, I hear it as judgment, and I don’t want to judge my friend.”

“Tell me more.”

“Well, I guess I think that when I’m not feeling great, I must have done something to deserve it. So I don’t want to share these feelings with others because I’m already ashamed and judging myself.”

Later, I realized that we also extend this compassion/judgment crux to nature itself.

Are we moved to tears by stories of coral reefs being bleached to deadly white?

Or do we get angry and resentful of Everything that is causing such destruction?

And does this result in a kind of overwhelm and paralysis so no change happens?

Do we conclude that those with power, the very structures of society itself, form an Everything that allows Nothing outside itself?

And are we, too, Nothing?

*

By living in a state that is rural, I am able to maintain a relationship with the natural world such that it’s impossible for me to see it as a thing, and I find this resistance deeply satisfying.

One morning years ago, when my wife was starting a new job, a heron in the neighborhood left her a small fish by her car door.

A gift to thank her for her work.

Because we all work.

Some work for greed. Some work for care.

This is no small thing.

*

This past July 4th, as I was cutting the grass, I heard an “egg song” coming from our chicken coop.

We had learned, from raising chickens, that they sing after laying an egg. A kind of pride song, a celebration and announcement that their work is done.

It was strange, though, because our chickens are past laying age, and I hadn’t heard the song in almost a year.

When I came in from mowing the grass, the look on my wife’s face said something was wrong.

“I went to check on the chickens,” she said. “Skye is dead.”

Our hardest worker, a black and white Barred Plymouth Rock, the one who was the first to lay after our daughter left for college, the one who laid every single day for years, was dead.

And she’d sung her own praise song before she went.

This is no small thing.

*

One Friday afternoon, I sat down next to my dog, Lenny Bruce, to knit and listen to Science Friday and heard a story about beavers: it seems that the places in the American West that have healthy beaver populations are surviving the increasing wildfires that are resulting from climate change.

Beavers are saving the environment.

Beavers can save us.

This struck me in a way that I’ve experienced before when I felt an idea for a book coming.

But this time, I did something I’d never done. I treated myself with more compassion than judgment and I tweeted about it. I asked for help.

And the #beaverbeliever community responded.

I received book recommendations from beaver scholars such as Frances Backhouse, Alison Zak and Emily Fairfax, who’d been the one interviewed on Science Friday in the first place.

I even received a Google Drive link to photographs of beavers taken by Ben Goldfarb, the author of the New York Times bestselling book, Eager: The Surprising, Secret Story of the Life of Beavers and Why They Matter.

The next morning, I went for a walk in my neighborhood with my dog Lenny.

We took our usual route, a two-mile loop that meanders past creeks and ponds in our woody, swampy neighborhood.

And one mile from our house, in the largest nearby pond, there they were.

Bites on the trees.

Evidence of beavers within walking distance of my house.

I had walked by this pond for years, and here they were, right here. One day after having the idea for my novel, Beaver Girl.

This is no small thing.

*

Was it luck that I saw evidence of beavers in my neighborhood right after having the idea for the novel?

Serendipity? Coincidence? Or a sign?

Proof of a deeper pattern at work in all of existence? In beingness itself?

I don’t know.

I do know that I’m lucky that the editors at Outcast and Anxiety Presses are not afraid to publish a novel that takes place after climate collapse and is told through two alternating points of view: Livia, a 19-year-old survivor of sexual assault and Chap, the father of a growing beaver family surviving deep within a national forest.

I lost count of the numbers of publishers who said, basically, “We don’t want talking animals.”

Silence is complicity, y’all.

And combatting this is the reason that we as writers, especially novelists, exist.

That is really something.

-

Cassie Premo Steele, an ecofeminist lesbian novelist, blends nature, gender, and love in her new novel, Beaver Girl, which champions diverse characters – both human and animal – who navigate the complexities of identity and survival. Carving a distinctive niche in contemporary storytelling, Beaver Girl inspires a deeper appreciation of the interconnectedness of humanity and nature. Read an excerpt at www.cassiepremosteele.com

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The Anatomy of Dark Romance: Key Characteristics and Themes (Part 1)

Dark Romance, as we discussed in previous article, is a sub-genre of romance literature, that has been intriguing readers with its intoxicating blend of love and danger. Delving into the edgy, often taboo terrains of human experience, it probes the ambiguous boundaries between passion, consent, and manipulation. In this article I will dissect the key characteristics and themes prevalent in Dark Romance, enlightening both avid readers and budding writers on what makes this genre both captivating and controversial. Let's go!

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Unconventional Romantic Dynamics:

Dark Romance frequently ventures into unexplored or taboo territories of romantic relationships, often highlighting pronounced power imbalances between characters. This could range from socioeconomic disparities to captor-captive dynamics, which create a complex, tension-filled backdrop for the unfolding romance. Moreover, themes of possessive or obsessive love distinguish Dark Romance from more conventional romantic narratives, often challenging traditional notions of love and affection.

Here are 2 aspects that make unconventional romantic dynamics:

1. Power Imbalances: Dark Romance often explores pronounced power imbalances between characters. This could manifest through socioeconomic disparities, hierarchical relationships, or even captor-captive dynamics.

“He was my tormentor and my solace; the creator of the dark and the light within.” ― CJ Roberts, Captive in the Dark

2. Possessive or Obsessive Love: Relationships in Dark Romance can veer towards possessiveness or obsession, a far cry from the healthier portrayals in conventional romances.

“But the most important thing I know is that I want the possibility of you more than the reality of [her].” ― Caroline Kepnes, You

Exploration of Taboos:

Dark Romance doesn’t shy away from exploring non-consensual encounters or elements of violence and danger, thus probing the darker facets of human interactions. These elements provide a murky, often discomforting playground that both enthralls and challenges readers, compelling them to confront societal taboos and their own boundaries.

1. Non-Consensual Encounters:

The genre often tiptoes along the fine line of consent, providing a murky playground that can both enthrall and discomfort readers.

“I want to hurt you. I want to own you. I want to devour you. I want to make you mine. I’m already yours.” ― Pepper Winters, Tears of Tess

2. Violence and Danger:

Scenes of violence, peril, and the threat of physical harm are common, adding a palpable tension to the narrative.

“She needed a hot shower, a warm bed, and me.” ― Penelope Douglas, Corrupt

Emotional Intensity and Psychological Depth:

Characters within Dark Romance are frequently embroiled in psychological turmoil, their internal struggles reflecting the external chaos prevalent in the narrative. Despite the overarching darkness, a recurring theme is the redemptive power of love, offering a beacon of hope amid a sea of despair, thus adding emotional richness and complexity to the narrative.

1. Psychological Turmoil:

Characters in Dark Romance are often embroiled in psychological battles, their inner turmoil mirroring the external chaos.

“He gave me lies, and for him, I closed my eyes.” ― L.J. Shen, Sparrow

2. Healing Through Love:

Despite the darkness, the redemptive power of love is a recurring theme, offering a glimmer of hope amid despair.

“Okay, Jen, he could fuck you with that voice alone and you’re Squeaky McSqueakerson? Let’s try for a little more on the sexy purr side, please” ― Katie Allen, Breaking the Silence

To conclude Part 1 I can say that Dark Romance is vast, tantalizing, and at times, unsettling both for readers and more for writers. By acquainting yourself with its thematic underbelly, both as readers and writers we can better navigate its shadowy alleys. Whether you are a seasoned aficionado or a curious newcomer, understanding the anatomy of Dark Romance is essential to appreciating the allure and confronting the controversies inherent within this provocative genre. In next post we will discuss the ethical dilemmas, eroticism and trigger warning. It'll coming up next Friday. See you there.

Don't forget to share your opinion on this post. I would be glad to hear from you and what you have to day about this genre.

The Ethical Dilemmas of Transgressive Fiction: When is Too Far, Far Enough?

Transgressive fiction as we discussed previously in different articles a genre known to break the boundaries of what society considers acceptable or conventional, and brings with it a plethora of ethical dilemmas. Whether it's dark romance that flirts with themes of non-consent and violence, or transgressive science fiction that ventures into dystopian realities fraught with moral quandaries, as a writer of this the genre indeed I always ask the question – when is too far, far enough?

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Are We Shattering Norms or Inciting Violence?

Transgressive fiction often seeks to push the limitations, presenting readers with narratives that break free from the conventional norms that dictate moral behavior. Authors in this genre are not afraid to dig into the dark corners of the human psyche, laying bare desires and actions that society traditionally shuns. The danger here lies in the potential normalization of violence, non-consent, and other forms of harm. Is there a point at which exploring these themes stops being a form of societal critique and starts becoming an incitement or endorsement of harmful behaviors? It means, as an author you always should have a goal asking what's the moral of your story.

What Is The Tightrope of Responsible Representation?

The responsibility that comes with writing transgressive fiction cannot be understated. Authors tread a delicate balance between unveiling the unspeakable and creating a platform that might potentially glamorize destructive behavior. The portrayal of such actions requires a sensitive, thoughtful approach that can challenge readers to think more deeply about the boundaries of ethics and morality, without crossing into the territory of glorification.

Do Trigger Warnings and Reader Safety Makes Sense?

With the rise of dark romance readership as we will discuss further in the next article and transgressive sci-fi, the role of trigger warnings has never been more critical. These small notes serve as a beacon of safety, allowing readers to engage with content at their comfort level and avoid materials that could potentially be harmful to them. Including clear and explicit trigger warnings thus becomes an ethical obligation for authors and publishers alike, allowing readers to navigate the murky waters of transgressive fiction safely.

6 steps to write a trigger warning: Identify Potential Triggers: Start by identifying elements in your story that may potentially be triggering to some readers. These could be instances of violence, abuse, substance use, or other themes that may induce distress. Use Generic Terms: Utilize generic terms that give a hint about the content without going into specific details. For example, instead of saying " Character A attempts suicide in chapter 3", you could state "Contains scenes of self-harm". Group Them If Necessary: If your story contains numerous potential triggers, consider grouping them into categories. For instance, you might group various forms of violence under a single warning such as “contains violent content”. Positioning The Warnings: Choose a strategic position to place the warnings, such as the book’s back cover or before the table of contents, where readers can easily find them before diving into the story. Encourage Reader Discretion: Encourage reader discretion by adding a statement that advises readers to proceed with caution and to prioritize their mental well-being. Consult With Sensitivity Readers" Consider consulting with sensitivity readers to help identify potential triggers and to phrase warnings in a way that is both respectful and non-spoilery.4 Example Trigger Warnings: Contains Mature Content: A generic warning that advises readers about the presence of adult themes without going into specifics. Graphic Violence: This warns readers of potentially disturbing violent scenes without detailing the extent or context of the violence. Emotional Distress: This can encompass a variety of scenarios, warning readers about potentially emotionally charged content without giving away plot points. Discussions of Substance Use: Alerts readers to the presence of substance use without specifying the nature or role it plays in the story.

Adding a note that suggests readers can reach out to the author or publisher for more detailed content warnings if they prefer can also be

The Redemptive Power of Transgressive Narratives

Despite its dive into dark and uncomfortable territories, transgressive fiction also holds the power to heal and redeem. How? Simply by shining a light on the dark aspects of human nature, it allows for a deeper exploration of the complexities of the human condition. This form of storytelling can act as a cathartic release, helping readers with a space to confront and process their fears and traumas in a controlled environment.

As transgressive fiction continues to be written and read, the conversation surrounding its ethical boundaries will likely grow more nuanced. Authors, readers, and industry stakeholders must engage in open dialogues about the responsible creation and consumption of these narratives. Yet, the ban culture and overly sensitivity of Wokeness, should not impact this specific genre. Critical engagement with these works, involving the analysis of themes and the impacts of such stories on society, becomes a vital tool in defining the ethical "line" in transgressive fiction.

In conclusion, I can say that the ethical dilemmas surrounding transgressive fiction are both complex and necessary to explore. As a genre that seeks to push boundaries and challenge societal norms, it behooves both authors and readers to engage with these works with a critical, thoughtful eye. Only by grappling with these dilemmas can we hope to navigate the fine line between exploration and exploitation, forging a path towards responsible and enriching transgressive literature.

The Evolution of Dark Romance: A Historical Perspective

In the literary world, dark romance has carved out a niche and recently, it's becoming more and more popular. When we say 'literary world', we're referring to where a book or a piece of creative writing is depicted as literature not trash. Dark Romance, if written well, is a rich blend of passionate love stories infused with darker, often foreboding transgressive elements. The romance genre in general is experiencing a notable surge in popularity, dominating the book market with substantial growth in recent years. In 2018, the genre garnered $1.3 billion in sales in the U.S alone, accounting for a quarter of all book sales and half of mass-market book sales (source). This upward trajectory has continued, with the genre witnessing a remarkable growth of 41% in 2021 and further escalation in 2022, marking the highest sale point since 2014, as per data from NPD BookScan. Additionally, the UK observed a similar trend, recording the highest sales since the release of "Fifty Shades of Grey" in 2012, with an estimated 14.3 million copies sold from January to August in the last year, a significant increase from over 11 million sold during the same period in 2020. Industry experts anticipate this trend to persist in 2023, solidifying romance novels as a booming sector in the literary market.

But how has this genre evolved over time? This article will walk you through the historical milestones that have defined the dark romance genre, enriched with examples and deep analyses of notable works. Let's take a historical journey to understand the depths of dark romance literature and what we can predict about the future of this genre based on data.

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The Genesis: Gothic Romance (18th Century)Books: "The Castle of Otranto" by Horace Walpole "Mysteries of Udolpho" by Ann Radcliffe

The seeds of dark romance were planted in the 18th century with the emergence of Gothic romance. The Gothic genre is named after Gothic architecture, which is distinguished by pointed arches and flying buttresses. This architecture, which was common in old French and English cathedrals, was coupled with sensations of creepiness and fear that no one had ever experienced in a building like this before. Gothic literature tries to portray this sense of unease (source). With the publication of The Castle of Otranto in 1764, Horace Walpole is often regarded as the father of Gothic Romance. By introducing something as innocent as romance into the backdrop of a Gothic novel or film, we are left with a distressing story in which we sympathize strongly with the leads' search for love.

“It is sinful to cherish those whom heaven has doomed to destruction.” ― Horace Walpole, The Castle of Otranto

19th Century: A Period of BlossomingBooks: "Wuthering Heights" by Emily Brontë "Jane Eyre" by Charlotte Brontë

As we venture into the 19th century, the dark romance genre witnessed a blossoming, with books exploring complex relationships filled with passion and darkness. Emily Brontë’s “Wuthering Heights” stands as an epitome, where love transcends life and death, weaving a complex web of passion and vengeance.

"If he loved with all the powers of his puny being, he couldn’t love as much in eighty years as I could in a day." ― Emily Bronte, Wuthering Heights

20th Century: Modern Complexity

Books:

"Rebecca" by Daphne du Maurier "Gone with the Wind" by Margaret Mitchell

In the 20th century, the genre matured, reflecting the complexities of modern relationships. “Rebecca” by Daphne du Maurier delved into psychological depths, presenting a love story shrouded in mystery and tinged with darkness.

“I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say.” ― Daphne duMaurier, Rebecca

21st Century: A Diverse LandscapeBooks: "Dark Lover" by J.R. Ward "Fifty Shades of Grey" by E.L. James

The 21st century has ushered in a more diverse landscape for dark romance, encompassing a range of narratives that explore love in different, often controversial, shades. E.L. James's "Fifty Shades of Grey" is a testament to this evolution, painting a love story enriched with darker desires and complex dynamics.

“There's a very fine line between pleasure and pain. They are two sides of the same coin, one not existing without the other.” ― E.L. James, Fifty Shades of Grey

THE Rise of Dark Romances & Traumatic Narratives

In the contemporary literary scene, Colleen Hoover stands as a formidable giant, having a significant influence that spans both self-publishing and traditional publishing avenues. Last year, her literary prowess culminated in an impressive sales record of over 8 million books, resonating particularly with young adults and teenagers who are fervently reading her works, commonly referred to as "CoHo". Hoover's storytelling technique, which delves deeply into intense and emotional topics such as domestic abuse, substance addiction, and homelessness, is markedly appreciated for its hopeful conclusions, providing a sense of solace amidst the chaos.

This trend of blending romantic elements with traumatic narratives is not unique to Hoover. Authors like Ana Huang, with her "Twisted Love" series, and Abby Jimenez explore characters grappling with painful pasts, infertility, varying forms of abuse, and illnesses, expanding the thematic range in the romance genre.

Furthermore, there is an emergent popularity in the sub-genre known as Dark Romance. This niche often ventures into territories involving mafia narratives, kidnapping plots, explorations of non-consensual experiences, and even delves into rape fantasies. While treading closer to erotica at times, these stories find a substantial following, featuring heavily in romance-centric discussions and platforms like BookTok (2B views on Dark Romance Books). The appeal largely stems from the cathartic experiences these novels offer, echoing the storytelling traditions since the times of Ancient Greece. They promise intense emotional engagements, intriguing plots, and an exploration of sexual taboos.

The Future of Dark Romance Trends

Based on the data presented, it seems that the romance genre, including the dark romance subgenre, is poised for continued growth and transformation. The genre has been experiencing a resurgence in recent years, with sales and revenues reaching remarkable heights. Particularly notable is the engagement of younger readers, who represent a significant portion of the romance readership demographic. This younger audience is likely to be more receptive to dark romance novels, which often intertwine elements of passion and suspense, offering a more nuanced and potentially darker narrative compared to traditional romance stories.

(Data below is adapted from ,Link 1 , ,Link 2 , ,Link 3 , ,Link 4 , ,Link 5 )

Moreover, with a sizeable 46.4% of readers consuming at least one novel per week, there exists a substantial market for dark romance narratives that can captivate readers with enthralling and intense storylines. (source) The digital transformation of the genre, with a prominent preference for e-books, might foster the growth of dark romance, facilitating the accessibility and distribution of a diverse range of stories in this subgenre. Thus, the future seems promising for dark romance, likely witnessing an expansion of its readership and a proliferation of innovative, gripping narratives that appeal to a new generation of readers.

To conclude I can say that Dark romance has traveled a long road, from the haunted corridors of Gothic castles to the complex modern landscapes where love intertwines with darker elements. As we stand in the 21st century, the genre offers a rich and diverse tapestry of narratives that continue to push boundaries, inviting readers to explore the darker corners of love and passion. By understanding its historical evolution, readers and writers alike can appreciate the depth and complexity that the dark romance genre has to offer, promising a future where the boundaries of love and darkness continue to expand and evolve.

Subscribe for accessing to my upcoming Dark Romance trilogy as well as Dark romance Stand Alone pre order and access to exclusive news on latest Dark Romance and Transgressive Fiction books, data, trends, writing tips, free downloadable and more.

Comment below your favorite Romance, Dark romance or transgressive fiction and tell me why do you recommend it to me to read.

The Absurd and the Real: How I Craft Stories from Life's Contradictions

Life is a mosaic of contradictions, where the mundane and the extraordinary, the tragic and the comedic, seamlessly intertwine. As a writer, I find comfort and inspiration in these paradoxes, channeling them into the heart of my narratives. In this exploration, we will journey through the realm of the absurd and the real, discovering how I harness life's contradictions as a woman born and raised in Iran (read my article From Iran to the World: How Cultural Context Shapes My Writing) to craft stories that resonate with the complexity of human existence.

Bhutan 2014

Embracing the Absurd

Venturing into the realm of the absurd is akin to exploring a realm where imagination thrives without restraint. It's an exhilarating journey that allows to transcend the ordinary and stretch the limits of what we perceive as possible. Within this unique landscape, the very rules that govern our reality become malleable, allowing for a form of artistic expression that challenges conventions and delights the curious mind. Life's inherent absurdities—those intriguing instances that defy the chains of logic and rationale—find their place as the cornerstone of my storytelling endeavors.

In my recent short story collection titled "Machinocracy," I draw upon the dark experiences I've encountered travelling the world to craft narratives that explore the absurdity of mass naivety and the paradoxical dynamics between those in power and the masses they govern. One story, in particular, titled "Eat With The Donkeys," stands as a reflection of these influences.

In this story, I create a world where the populace is symbolized by marionettes, moving to the orchestrated tune of the puppeteer elite. The protagonist, Amara, finds herself catapulted into a world of opulence and power, believing that she has finally been recognized for her worth. As Amara sits at the head of the table during the People's Dinner, surrounded by the elite, her perspective shifts dramatically. Amidst the extravagance and decadence, she ardently echoes the views of the privileged, echoing their disdain for the poor and attributing their plight solely to their perceived laziness. In her eagerness to align with the elite, Amara mirrors the journey of individuals who adopt the perspectives of those in power, disregarding their own experiences of struggle and vulnerability. Through Amara's journey, the story delves into the complexity of privilege, showcasing how individuals like her can be swayed by the allure of wealth and influence. Her transformation from a recipient of mockery to an embracer of elitism highlights the psychological effects of being accepted into a privileged circle even for a short time. This resonates with my exploration of absurdity, as Amara's actions and beliefs become absurd in the face of her own experiences and origins struggling in poverty that is build by these elites. The story's setting of a lavish dinner juxtaposed against the grim reality of the outside world underscores the stark contrast between privilege and poverty, exposing the mechanisms that perpetuate societal divisions.

This allegory finds its roots in the very real struggles I've witnessed, where individuals navigate a society influenced by the whims of a minority in control. The story's protagonist embodies the collective naivety that blinds the masses to their own predicament. Her strings are pulled by the puppeteer's masterful hand, and she goes about her life in servitude, unaware of the manipulations that govern her existence. In "Machinocracy," my intent is not only to showcase the absurdity inherent in such societal structures but also to provoke thought and reflection. By infusing elements of the surreal and the bizarre into these narratives, I hope to offer readers a unique lens through which to examine the world around them, encouraging them to question the status quo and challenge the notions that govern their lives. These unexpected moments, often dismissed as incongruous or irrational, hold an undeniable allure. They beckon to me, whispering tales of wonder that beg to be told. As a storyteller, I find myself drawn to these instances, those glimpses of the inexplicable, as they offer a gateway to weaving narratives that both captivate and challenge.

In my creative process, I draw inspiration from the surreal, the nonsensical, and the bizarre—elements that, when skillfully interwoven, transform the ordinary into the extraordinary. By blending these whimsical fragments with the essence of reality, I construct a multidimensional tapestry that resonates with readers. This fusion of the fantastical and the tangible not only engages the imagination but also prompts contemplation. It's within the marriage of these seemingly disparate elements that I find my stories, where the absurd grants me the liberty to explore uncharted territories, spark new perspectives, and invite readers to question the boundaries of their own perceptions. It all taught me to not take myself so seriously.

With besties and writers, Bangkok 2020

The Dance of Contradictions

In the midst of our everyday lives, we navigate a profound dance between opposing forces—finding joy within sorrow, embracing hope amid despair, and discovering beauty amidst chaos. These threads of contrast form the very essence of my storytelling, where the collision of these dualities illuminates the rich complexity of the human experience. My personal experiences of traversing different corners of the world have deeply influenced my perspective on this delicate balance. From the serene landscapes of Bhutan to the opulence of the Emirates, the ancient mystique of Ireland to the vibrant energy of Turkey, and the tropical allure of the Philippines to the spiritual depths of Thailand, each journey has enriched my understanding of life's complexities. As I ventured through Bhutan's tranquil valleys, I witnessed a society that reveres happiness as a fundamental goal, reminding me of the fragile balance between contentment and ambition.

With friends in Bhutan 2014

In the Emirates, I marveled at the juxtaposition of modern skyscrapers against timeless deserts, underscoring the interplay between progress and tradition. Ireland's folklore and rolling landscapes revealed the enchanting dance between imagination and reality. Turkey's intricate history and diverse culture spoke to the harmonious coexistence of opposing ideologies.

Turkey, Istanbul 2010

The Philippines' warm beaches and resilient spirit echoed the profound link between natural beauty and human resilience. Last but not least, Thailand's temples and bustling streets symbolized the interweaving of spirituality with the rhythms of daily life and given me a place to call home for 11 years. Each country became a mirror, reflecting the intricate dance of contradictions that shape our existence. These experiences have lent depth to my characters, as I guide them through their own intricate journeys, allowing them to confront their internal battles within the backdrop of a world that often eludes easy understanding. Through my storytelling, I seek to honor the delicate equilibrium between opposing forces that I have witnessed across the globe, inviting readers to contemplate the tapestry of life in all its intricate beauty.

In this regard, dark fiction serves as the perfect canvas for exploring life's contradictions. In the depths of darkness, truths are often illuminated with stark clarity. The stories I craft delve into the corners of the human psyche, shining light on the aspects that are often shrouded in shadows. The absurdity of life's darkest moments, when juxtaposed with the mundane, can bring forth narratives that challenge readers to confront uncomfortable truths. Within my trilogy I've harnessed the realm of dark fiction as my creative canvas to delve into life's intricate contradictions of a woman born and raised in the middle east. It's within the depths of darkness that truths emerge with uncompromising clarity. The narratives I weave venture deep into the recesses of the human mind, casting a spotlight on the facets often obscured by shadows. "Machinocracy" on the other hand, it is a prime example of how I employ these techniques. Through the lens of satire, I exploit the potent force of exaggeration. By magnifying elements of reality, satire allows me to accentuate the absurdities that exist within our world. This technique serves as a catalyst for readers to pause, reevaluate their preconceptions, and question the established norms and power dynamics. With a touch of humor, I unveil the hidden layers of societal constructs, sparking a collective reassessment of the status quo.

For this, we should not underestimate the power of satire, as a form of storytelling that thrives on contradictions. I love exaggeration and by exaggerating reality, satire highlights its absurdities, making us pause and reconsider our assumptions. Satire, I've discovered, is an extraordinary vehicle through which the genuine and the absurd harmonize seamlessly. It affords me the opportunity to pinpoint and showcase the peculiarities we often overlook, thereby offering readers a fresh perspective on their surroundings. Through these literary tools, I've endeavored to create narratives that embrace the contradictions inherent in life, urging readers to explore the interplay between darkness and light, absurdity and reality, and ultimately to question the tapestry of existence itself.

Conclusion

As I write more and more, I've come to realize that the beauty of life lies in its contradictions. These contradictions are the soul of storytelling, the essence of what makes fiction reflect reality in its truest form. From the absurdity of a seemingly insignificant moment to the profundity of life-altering events, I draw inspiration from these contrasts to create narratives that celebrate the complexity of the human experience. Through my stories, I invite readers to ponder the absurd and the real, to explore the tapestry of contradictions that make us who we are.

And you? What you drive inspiration from?

Writer Vs. Writer: Michael Collins

In this post we will be chatting Michael R Collins. Michael is from the wilds of southern Idaho, a Bi author with a trail of captivating novels. From Austin, Texas bassist to Pennsylvania settler, his journey fuels his unique storytelling. Recent novellas like "Verum Malum" and "Dick Wiggler and Other Useless Superpowers" showcase his dynamic range. His writing space is minimal, occasionally accompanied by mood-setting music. If that resonate with you, let's beginning our journey getting to know this skilled author.

Hi Michael. Thanks for joining us for this interview. You mentioned you were born in southern Idaho. How has your upbringing in such a location influenced your writing?

Thank you for interviewing me. I really appreciate it.

Southern Idaho is still fairly rural. It’s not near any major urban areas, so I think it gave me a sense of space that I like to use in my writing. I like to leave openings in my narratives to let the reader fill in with their own imaginations, making it more personal for them. Because I grew up in a rural environment, then moved to Austin, then eastern Pennsylvania, its allowed me to use various sorts of settings in my stories to add much more flavor than I would have had I stayed in one place.

That's very interesting and relatable. Well, I'm curious how would you describe if your personal experiences and gender identity played a role in shaping the themes and characters in your novels? How so?

One of the strongest tools writers are their personal experiences. I think it adds an authenticity and tone to their work. For myself, I grew up knowing I was different, but not exactly understanding how or why. As I matured, I came into that understanding. Since then, I’ve incorporated it into my writing. Living in an area that wasn’t as friendly to the LGBTQ+ community had its challenges. Being bisexual on top of that, more so. I identify as cis male, but it’s a fuzzy line. It’s interesting playing around with liminal spaces and gray areas for that reason. Few things have solid boundaries, especially in terms of the human experience and these are the best places to write about. I also feel it’s important to have diverse characters and queer representation in my work. While I can’t speak to everyone’s experiences, I can draw on my own to bring more representation and different textures into the worlds I create.

I understand. Sometimes, it's the limitations that boost creativity. You've published four novels and some novellas. Can you share your favorite piece among them and the reasons behind your choice?

The favorites question is always the hardest for me. I suppose if I had to pick one, it would have to be Verum Malum. I wrote it at a time when I wasn’t sure about myself as a writer or if I wanted to continue writing. The process of writing it, and how it turned out, was more satisfying than I expected. Plus, with its release through Gloom House Publishing, I gained a whole community and good friends. That was unexpected and has proven to be the most wonderful part of the whole experience.

Wonderful in deed. As a "pantser" in your writing process, how do you handle moments when the story seems to take an unexpected turn? Do you embrace the change or try to redirect it back to your original idea?

I think I’m a pantser because I enjoy unexpected turns. In some ways I like to be as surprised by what comes next as the readers do. I generally have an idea what’s going to happen and where it’ll end up, but I don’t dwell on the details until I’m sitting down to a particular scene. If things do start going a little too sideways, I’ll stop and evaluate just how far I want it to go. Sometimes I may need to nudge it back on track and other times I’ll see where it takes me. I have found that if I over organize a story ahead of time, I will lose interest. I suppose it’s because I’ve already told the story in my head, and I might as well go on to the next one. Over the years, I have been able to find a balance between being organized and just letting the story lead the way.

So you let ideas marinate before writing. Could you elaborate on how this process of incubation helps you develop your stories?

An initial idea is a wonderful thing, but ideas are interconnected things. I like to take the time to explore those connections. What set of circumstances gave birth to the idea? What are the consequences of the actions related to it? These are questions that I like to spend time on. Not only do they help flesh out the ideas but often light the way forward. I like to give time during later drafts too. Editing with fresh eyes helps find flaws and show missed opportunities that I didn’t notice during the first or second drafts. It also keeps me from getting tired of my own work as I go over it for the millionth time.

Well, that makes sense. On occasions when I find myself unsatisfied even after multiple rounds of editing, I turn to music. Specifically, I curate a playlist of particular songs that embody the essence of the story I'm currently engaged in. Can you share an example of a scene from your works that was significantly enhanced by the right piece of music?

When I was writing ‘I Am the Gate’, a story that in the ‘IN UTURUS’ anthology, I was listening to a lot of moody atmospheric music. One song, ‘The Cellar’ by Antonio Cora really seemed to get me through and helped set the texture of it. It’s creepy subtle tones helped build the dark atmosphere and made a complimentary offset to the craziness that takes place in the last half of the story.

Could you describe how your perspective changes when you come back to a draft with "fresher eyes"?

With fresher eyes I can pick up things I missed, or wanted to say, but didn’t because I was so busy trying to get the story out in the first place. The biggest perspective change is when I catch myself experiencing it, not as the story’s creator, but as its reader. Often that’s where I can see what is, or isn’t, working. Or maybe I see an opportunity to riff off something I hadn’t considered before.

Let's talk about "Verum Malum" and "Miracles for Masochists" intriguing titles. What inspired these novellas, and how do they differ from your other works?

Verum Malum came from the fact that I am a little bit of a science dork. I enjoy reading about sub-atomic particle theory and spatial dimensions. I also have a slight fascination with occult and demonic stories. Verum Malum was adapted from a short story I wrote as an effort to expand on both of these subjects into a cosmic-occult package. It’s different from my previous works because I think I had much more confidence writing it than on previous stories.

Miracles for Masochists was born when James G. Carlson asked if I’d be interested in doing a shared collection with him. James is a great guy and hell of a writer, so I was all in. We each contributed stories and then collaborated on one together. Most of my stories were ones that I had sitting around, and it was fun revisiting them and banging them into shape. Our collab story, ‘The Sequined Spector’ is a quirky story involving the spirit of Elvis that we both had a lot of fun writing. Its definitely a favorite.

Writing under the name "Mick Collins" for "Dick Wiggler and Other Useless Superpowers" seems like a departure from your other works. What prompted this change, and did it influence the style or content of the book?

I decided to write Dick Wiggler as Mick instead of Michael because I wanted to write something funny. Everything I’ve written as Michael has been serious, or horror, so the change made sense. Everybody knows me as Mick and I figured that it would be an easy way to promote as myself but let readers know that they can expect something different. I’ve kept it going when I kicked off the ‘Obscene Adventures of Bisexual Zombie’ series through Godless.com

I don’t think the name change influenced the style of the story, but I definitely think I was ready to write something different. I wanted something light and funny. I have a goofy sense of humor to begin with and I really felt the need to express it. If nothing else, it was a lot of fun to write.

Lastly, if you could spend a day with one of the characters from your novels, who would it be and why? What activities would you do together during your adventure?

That’s a tough question. I think Twila from my first novel ‘Night Shall Overtake’ (rereleasing in 2024) would be fun to hang with. She is witty and observant, but also very no nonsense. I think we’d get along quite well and probably just go to a bar somewhere and shoot the shit. Being a shapeshifter, she’d probably get half loaded and start messing with people using her abilities, which would be fun to watch.

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From Iran to the World: How Cultural Context Shaped My Writing

The journey of a writer is not merely a progression of words on paper; it's a transformation of experiences, perspectives, and cultural influences into stories that resonate with readers across the globe. I was brainstorming some ideas with ChatGPT and shockingly, it gave me an idea of the intricate relationship between my Iranian (we love to call it Persian) heritage and my writing, I'm reminded of how these two facets intertwine to create narratives that bridge the gap between the local and the universal. So, I decided to write about it, somehow I felt it may be of some interest to some of you. To know who I am and why I write what I write.

Disclaimer: if your sensitive don't read this article.

Early Learn of Living Abroad taken in Ireland 2010

Iran, where I was born and grew up, with its ancient cities, bazaars filled with colors and scents, and the echoes of a poetic heritage, became the birthplace of my wild imagination. But within its beauty and mystique lay a society where norms and limitations often confined women to prescribed roles specially the period I was born in. It was during a tumultuous era—right in the midst of a post-Islamic revolution society and the early years of an arduous 8-year war between Iran and Iraq. It was an unforgiving time for a woman to come into existence, a time when feminophobia was intensified by the prevailing Islamic values of the newly established government, which sought to redefine traditional gender roles.

There is a series of photograph about this time in Iran by German photographer, Casey Hugelfink, that Guardian called it "a glimpse of a forbidden place," portraying a chapter in history that is described as a "dark decade after the 1979 revolution, throughout the Iran-Iraq war, when the country was sealed off to reporters and most of the world." Born into such a context, being a girl without a male guardian to protect me, my sister and a single mother, it was an especially somber period to grow up. It was the beginning of dehumanizing women as second gender and walking wombs and reduce their legal worth into half of a man. Reducing women to sex objects and associating them with perceived sin by which it allowed many men of any age allow themselves to tear your privacy as a person and molest you as young as age 9.

It means, kids were sexualized since very young age. In that period, according to Iran’s first Supreme Leader, Khomeini, sexual experiences, with the exception of intercourse, are permitted with girls of all ages. He has issued a fatwa that “anyone who has a wife less than nine years of age is not allowed to engage in sexual intercourse, whether she is his permanent or temporary wife. However, other forms of sexual pleasures are permitted, such as touching with lust, hugging, and rubbing penis between the buttocks and thighs; even if she is a nursing baby.” (source) Such an approach clearly encourages pedophilia and child abuse as a right of all men and I was by no means an exception. I stole a book written by him from my grandfather's bookshelves when I was about 12 – 13 years old to learn more about sex (as any healthy teenager would). It was my youngest uncle who told me to read it (yeah gross, I know).

I remember when I read about such statement, I felt uncomfortable with whatever he said. If you search that book for “intercourse” it results in repeating the word 64 times. It's even more bothering to know that there are other information on 'sex for men' on having sex with permanent and temporary wives, permitted sex with one’s slave woman, and permitted one time sex with one’s wife dead body, permitted sex with legal prostitution and the fee one needs to pay for such service and so on. This book is supposed to be an Islamic guide to whatever and all you can find is form. It's a Kamasutra of Khomeini perhaps. Just imagine what would happen if you're a 9 year old kid playing in the streets where men could see you as a potential wife, in the best scenario, or allow themselves to do whatever they want to you as Islam allowed them. I confirm here that in Iran and all Islamic countries, marrying a child before puberty is acceptable if it is under supervision of a male adult or guardian.

The Struggles that Ignite Imagination

Why I'm telling you these? Well, the simple answer is that I want to show the absurdity of growing up a girl in such context and how it shaped my writings. Growing up as a woman in Iran meant navigating the contradictions of a society that simultaneously celebrated art, history, and intellect, while imposing restrictions that left many women silenced. It is when and where that if you're not pro islamist men and their desires, you're a slut! It was within these contradictions that my writing found its fire. The limitations and expectations propelled me to craft stories that challenged norms, exploring the very concepts that were deemed taboo. Through the written word, I found a way to voice the unspoken, to question the unquestioned, and to unmask the societal intricacies that often go unnoticed. That why I write what I write and why I'm brave enough to express my perspectives toward certain subjects or explore the dark depth of human psyche that is impacted and molded by such norms and environment. And I write for simple reason of fighting the identity they wanted me to have: A daughter to a man, a wife to a man, a mother to a man. Not that I'm anti man or anything. I am anti identifying a woman only by having a man by her side as if she has no individuality, goals, dreams. As if it's ok to do whatever you want to her as a man and it is her fault if you did. As if it is her job to run away, to cover up, to shut up so you as a man don't get a hard on. It was a corrupted time and place to be born and grow up. A place that thought me to be transgressive to all these, to hate all these, to fight against all these. I wish I had the courage to release my autobiography 'Virginity for Sale' for all of you to read but I'm still not that brave. Maybe one day, when I feel I am strong enough to share... until then... I write fiction. Or maybe sooner depends on you. Vote down if you wanna read it:

It was such a society with its weight of history, tradition, and religious norms that has shaped the very core of who I am as a woman and as a writer. That is why perhaps many assume me as an extreme feminist sometimes without really reading what I write and why I write them. I remember once a guy messaged me on Instagram telling me that he's gonna buy Feminomaniacs for his ex because he thought I am as "crazy and shit headed" as she (as he called her). This guy was an American, not Muslim, nor Iranian and I met many of them since I left Iran in hope I find my equal position in society.

Such encounters made me think perhaps, it's not just Iran, not just Islam but it's the world that tend to still put women as second genders categorizing women with a strong opinion and voice as 'crazy'. He was a type that judge a book by it's cover, in this case, by its title and a type that never read or think.

It was living abroad that further shaped my writing. I left Iran amidst Iran Green Revolution in 2009. It was widespread protests and demonstrations that erupted in Iran following the 2009 presidential election. The movement was driven by allegations of election fraud and a desire for political reform. Demonstrators, largely composed of young people and students, took to the streets to demand fair elections and greater civil liberties. Despite initial momentum, the protests were met with a violent government crackdown, leading to a decline in the movement's visibility and impact. It was the dead end for me as I lost many of my friends. I couldn't take it anymore and I left. What happens next is not of importance in this article, I wrote about it in my secret autobiography. But what is important is that women still are fighting for their rights there. With the death of Mahsa Amini that recently marked as one year aniversary of her death by Iran's infamous 'morality police'.

As I read an article on return of these stupid police, it hit close to home for me as someone who weaves stories out of the intricate threads of cultural context. No matter how much I want to detach myself from my origin, yet, I can't help but connect with the brave activists who refuse to back down in the face of this repressive force. The return of the "morality police" isn't just a headline—it's a haunting reminder that the struggles I explore in my stories are not confined to fiction. The echoes of my own experiences resonate through their stories. That the unsettling reality of children being sexualized from a tender age, especially young girls, still exists. The psychology of growing up in this environment is a constant interplay between what's expected and what's desired. The tug-of-war between staying within the lines drawn by society and breaking free to embrace individuality creates a complex emotional landscape. It's a struggle to preserve a sense of self amid the pressures to conform.

In my latest trilogy (coming up next year), I delve into the journey of a Middle Eastern woman who has been entangled in such a mindset from her early years and it has carried into her adulthood, leaving her struggling to find herself. She grapples with the perception that her value and identity are tied to her sexuality and toxic relationships with abusive men, and she's yet to discover her self-worth independent of them. This book more than ENARO, Feminomaniacs or resonated with me. So, writing is the canvas on which my internal struggle finds its voice. The emotions I've felt, the battles I've fought within, and the longing to break through barriers all manifest in the characters and narratives I create. Each story becomes an opportunity to delve into the psyche of individuals who, like me, grapple with the expectations placed upon them.

As my writing journey expanded beyond Iran's borders, I found that the themes I explored—be it the complexities of human behavior, the power dynamics within societies, or the struggle for individuality—transcended cultural boundaries. These themes resonated with readers from different corners of the world, fostering connections that reminded me of the universal human experience that unites us all. In the ever-expanding world of literature, cultural context serves as both a lens through which we view our own stories and a bridge that connects us to the stories of others. My Iranian heritage is not just a backdrop for my writing; it's an essential thread that weaves the tapestry of my narratives. As I continue to explore the depths of human behavior, societal dynamics, and the boundaries of imagination, I am reminded that through the act of writing, I can break down barriers, inspire conversations, and share the unique journey that began in Iran and now resonates with the world.

Bangkok Women Writer's Group's 20th Anniversary: Authors of ,Rhythm of Missing Pieces

And you? What do you think about what impacts your writings?

Abortion Policies and Tactics of Media Manipulation Unveiled – Are Are You Falling for Them?

In a nation that prides itself on values of life, liberty, and pursuit of happiness, the abortion debate has become a contentious battleground where deeply held beliefs and the interests of capitalism collide. The recent discussion surrounding the cost of childbirth in the United States, coupled with the legality of abortion, raises thought-provoking questions about the true motives behind protecting children and the pro-life stance. Is this really a matter of safeguarding the sanctity of life, or is it a business-driven scheme masked by moral concerns? I'm gonna answer that!

,Image source

The Cost of Childbirth: A Capitalistic Conundrum

Recent data reveals that the average cost of childbirth in the United States can be as high as $30,000, depending on the type of delivery and individual circumstances. This staggering price tag raises concerns about equitable access to healthcare and puts forth a glaring juxtaposition between the nation's claim to prioritize children's lives and the capitalist healthcare system's relentless pursuit of profit. Based on a report by Peterson-KFF Health System Tracker, 2022 these costs are based on large group health insurance plans:

Vaginal deliveries, which are often considered the more cost-effective option, still come with a hefty price tag of around $14,768 on average. Cesarean sections, while sometimes medically necessary, can cost up to a staggering $26,280.

These exorbitant figures illuminate a stark reality where childbirth, a natural and essential process, has been transformed into a commodity to be capitalized upon.

Abortion Policies and the Pro-Life Mask

In this landscape, the question of whether the laws surrounding abortion genuinely prioritize the sanctity of life or cater to a capitalist agenda becomes pertinent. The argument for "pro-life" policies often centers around protecting unborn children and their rights. However, a critical examination reveals that these policies may not be as altruistic as they seem. As New York Times in an article 'Abortion Is a Business Issue' explains abortion's impact on business, with women comprising much of the workforce, contrasts with its divisive nature. Many companies remain quiet due to fears of alienating stakeholders. Some, like Apple and Amazon, support abortion-related policies, while others, including Walmart and Disney, have yet to comment. The clash extends to states enacting abortion bans while courting businesses. The issue's complexity and its intersection with politics and talent acquisition contribute to the corporate world's cautious stance.

Fortune on the other hand in an article 'The business case for abortion care policies' discuss companies such as Patagonia and Dick's Sporting Goods have unveiled abortion care policies. While their actions drew both support and skepticism, the decision's influence on employees compelled their involvement. The economic toll of state-level abortion restrictions is evident, amounting to a $105 billion cost in reduced earnings, high turnover, and absences. Eliminating these restrictions could have boosted private sector growth by nearly 10%. For employees in states with abortion bans, difficult choices await, with lower-wage workers disproportionately affected. Balancing economic interests with social responsibility is key, as failure to implement meaningful abortion care policies may lead to employee loss, recruitment challenges, and financial setbacks for corporations and startups.

By making abortion illegal or imposing significant restrictions, governments effectively control women's reproductive choices. This control over reproduction grants authorities the power to ensure a steady influx of potential consumers and workers, sustaining the capitalist machinery. It is worth considering whether such policies truly value life or if they merely contribute to a larger system designed to generate profit by expanding the population and ensuring a constant supply of labor.

Capitalism's Manipulation of Masses: The Profitable Ploy

Capitalism has a remarkable ability to mold public perceptions and attitudes to its advantage. It often employs strategies that manipulate emotional triggers and moral values to justify its actions. Some historical examples of how capitalism has utilized strategies to shape public perceptions and attitudes to its benefit by manipulating emotional triggers and moral values are:

Tobacco Industry Manipulation: In the mid-20th century, the tobacco industry employed marketing tactics that downplayed the health risks of smoking. By using images of doctors and creating a sense of sophistication and independence, they manipulated emotional triggers and societal values to maintain and expand their customer base. This manipulation only came to light as scientific evidence mounted against tobacco's health hazards. ( source ) Fast Food Advertising: The fast food industry has historically used appealing advertisements that target children, invoking emotions of happiness and excitement. Through catchy jingles and colorful mascots, companies have associated their products with family values and joy, despite concerns about the health implications of excessive fast food consumption. ( source ) Environmental Exploitation: Capitalism often exploits natural resources without addressing the environmental consequences. Oil companies, for instance, have used patriotic and economic rhetoric to justify their actions, claiming that their activities support national prosperity and energy independence. This tactic can downplay concerns about ecological damage. ( source ) Labor Exploitation: During the Industrial Revolution, capitalist ventures often exploited workers by subjecting them to unsafe and dehumanizing conditions. To justify this, proponents of capitalism sometimes argued that harsh working conditions were necessary for economic progress and societal advancement, appealing to the values of progress and self-reliance. ( source ) Pharmaceutical Marketing: The pharmaceutical industry often employs emotional triggers and moral values to market their products. By portraying medications as solutions to personal and health challenges, they tap into societal desires for well-being and a better quality of life, sometimes obscuring the potential risks and costs associated with certain medications. ( source ) Corporate Social Responsibility (CSR): Some companies use CSR initiatives to project an image of social responsibility and ethical practices, even if their core business activities may raise ethical concerns. This strategy appeals to consumers' desire to support morally conscious companies while potentially diverting attention from other aspects of their operations. ( source )

In case of childbirth costs and abortion policies, capitalism cleverly exploits the notion of protecting life, evoking emotions and sentiments that resonate deeply with the masses. (source). By positioning itself as the guardian of life, capitalism masks its underlying motives. It effectively creates a narrative where dissent against policies or practices can be perceived as an affront to life itself. In this way, any critique of the exorbitant costs associated with childbirth or the limitations on abortion can be swiftly dismissed as opposition to a supposed higher moral ground. So is it the matter of profit or life?

Critics argue that certain anti-abortion policies might not be as much about protecting life as they are about maintaining control and profit. (source) The confluence of high childbirth costs, restricted access to abortion, and the complexities of the healthcare industry could be seen as a strategic way to ensure a continuous stream of revenue for medical institutions and pharmaceutical companies. By limiting alternatives, such as safe and legal abortion options, these entities could potentially secure a captive market that's compelled to navigate expensive childbirth procedures. As a person, where is your position?

Media Manipulation: Dividing the Masses and Distracting from the Truth

Media manipulation has become a potent tool for shaping public opinion, influencing beliefs, and diverting attention from critical issues. Through propaganda and the art of division, those with vested interests can manipulate the masses, fostering a climate where truth becomes obscured and power consolidated. Here is 5 mechanics of media manipulation and how the strategy of creating divisions within society serves to distract people from the truth:

Manufacturing Consent: Media manipulation often operates by framing narratives and controlling the discourse around key issues. By controlling the stories that gain prominence, media outlets can influence the collective mindset, molding opinions in favor of certain agendas. This process, as described by media scholar Noam Chomsky and Edward S. Herman, involves "manufacturing consent" – shaping public consent through the careful selection of information, emphasizing certain aspects while downplaying others. Creating Dichotomies: One effective way to manipulate the masses is to create dichotomies, such as "us versus them" narratives. These divisions can be along lines of political affiliation, race, religion, or other socio-cultural factors. By pitting different groups against each other, attention is shifted away from systemic issues or those in power. People become so engrossed in defending their "side" that they lose sight of the broader realities or the actual motives driving those in control. Echo Chambers and Confirmation Bias: Social media has intensified the impact of media manipulation by enabling the creation of echo chambers – spaces where individuals are exposed primarily to information that aligns with their existing beliefs. This fosters confirmation bias, where people seek out information that reinforces their viewpoints and reject contradictory evidence. This fragmentation of information consumption contributes to polarized societies and hinders critical thinking. Manufactured Outrage and Emotional Manipulation: Media manipulation often involves evoking strong emotions to trigger reactions. By amplifying certain incidents or opinions, media outlets can stoke outrage or fear, prompting immediate emotional responses from the public. These heightened emotions can cloud rational judgment and hinder nuanced discussions about complex issues. The focus shifts from a pursuit of truth to a desire for emotional catharsis. Distracting from Systemic Issues: One of the most insidious aspects of media manipulation is its ability to distract from systemic problems. By focusing public attention on sensationalist stories or personal scandals, media outlets divert the masses' focus away from more significant issues, such as economic inequality, corporate influence, and the erosion of civil liberties. This serves the interests of those in power by keeping them shielded from scrutiny. The Illusion of Choice: In a world of information overload, the illusion of choice can be deceptive. Media outlets may present varying perspectives, but often within a narrow range that serves a particular narrative. This perpetuates the idea that people have diverse options for information, while subtly guiding them toward predetermined conclusions.

I created a test to help you evaluate whether you easily fall for such propaganda. Check below:

So I believe that to unravel the complexities of abortion policies and childbirth costs, it is imperative to look beyond the surface rhetoric and question the motives that drive them. The interplay between capitalism and moral values can be intricate and deceptive, often concealing true intentions. As a society, it is crucial to engage in critical discourse, acknowledge the manipulation at play, and strive for a healthcare system that genuinely prioritizes well-being over profit.

In conclusion, while the notion of protecting children's lives appears noble on the surface, a deeper analysis suggests that profit-driven motives may play a significant role in shaping these policies. To achieve a more equitable and morally transparent society, it is vital to critically examine the systems at play and work towards healthcare and reproductive policies that prioritize the well-being of individuals over economic gains.

Writer Vs. Writer: Terry Miller

Today, we have the pleasure of diving into the world of horror with the talented author Terry Miller. Known for his unique take on both traditional and extreme horror, Terry has captivated readers with his novellas and short story collections that take them on thrilling journeys to the darker side of human existence. Terry's upcoming short horror collection, "We All Die Eventually," promises to offer a different flavor of horror. For those who dare to venture into the darker realms of horror, Terry's novella "Love You to Death" awaits release via D&T Publishing. Falling into the extreme spectrum of horror, this work is a testament to Terry's fascination with exploring the boundaries of human depravity. With a liberating sense of creative freedom, Terry pushes the limits, crafting gripping narratives that delve into the darkest corners of the human psyche. Let's chat and learn more about Terry.

Thanks for joining us today, Terry. Let’s start with your novella "Den of the Wererats" was published by Gloom House Publishing/Bastardized Books. Could you provide us with a glimpse into the world and story of this novella? What drew you to explore the concept of wererats, and how did the collaboration with Gloom House enhance your work?

Before I even began, I knew I wanted to write a quick-paced, fun novella. It takes place in my hometown of Portsmouth, Ohio. Jonathan and Paul are new to the area and are looking for members for their pack. They quickly find two in Devin and Becky. What it means to be a wererat is pretty obvious on the surface, party, get laid, and kill. But that is only the sweet toppings on a multi-layered cake. Soon, the two new pack members find themselves in a world they never dreamt of. Devin has a conscience, but it doesn't stop him in indulging in the fun. Becky has a destiny that becomes the worst if her nightmares. While all this deceit and malice going on, there's another secret one of their favorite bartenders keeps which eventually rattles the pack to its core.

It's intriguing to hear that you have a short horror collection titled "We All Die Eventually" releasing this fall via Gloom House Publishing. Can you share any insights into the themes or stories readers can expect from this collection? How does it differ from your other works in terms of tone or content?

“We All Die Eventually" is a collection of my early stories and a few poems. These were all written before I decided to go the more extreme route. These stories are more traditional horror. There's werewolves, creepy night visitors, the devil, and even a tribute to the great Edgar Allan Poe based rather loosely around “The Raven" and “Annabel Lee".

That's interesting. May I know about your novella, "Love You to Death". What attracts you to this particular subgenre, and how do you approach crafting stories that push the boundaries of horror?

Oh my…where to begin? I simply love the freedom to explore the darker side of things. Extreme horror is a genre that isn't scared to lay all the cards out on the table. I suppose, for me personally, it's a bit therapeutic to write these over-the-top scenes of blood and gore. It's just so satisfying to think up creative ways of killing off characters. I just go full in and write what comes to mind at the time. Sometimes I look back and think, what the hell?

I can relate to that. Whatever I've written, I looked back and said the same. What inspires you to write such stories?

We all have a dark side. Perhaps some of us more than others. It wouldn't be too far off to say that writing stories like Love You to Death is a bit of me exorcising my own demons. The mind can go to some dark places. I guess that's why so many say man is the greatest monster of them all.

That makes sense. I realize that collaboration plays a significant role in your work, as evidenced by your split collection with Stephen J. Semones called "Monsters." How did this collaboration come about, and what was the experience like working with another author to create a cohesive collection? Do you have any plans for future collaborations?

I met Stephen at a convention in Harlan, Kentucky. We just started talking about writing and added each other on Facebook. We talked here and there and he mentioned to a split collection someday. I considered it for some time and then agreed it'd be a fun project. A couple of those stories of mine appear in “We All Die Eventually”. At the moment, there's nothing set in stone to work on another project with anyone, but I'm not against it.

I like it when you mentioned that your creativity is sporadic and your mind tends to wander. How do you manage to channel and focus your ideas when they come to you? Are there any particular strategies or rituals you employ to overcome creative blocks or maintain a consistent writing routine?

Cell phones are a wonderful creation. Anytime I have an idea, I can just jot it down and save it in my notes. They usually hit while I'm lying in bed, of course, so the phone comes in handy. Sometimes, you just got to force yourself to sit down and write. One time, you might stare at a blank page endlessly. The next time you might get a couple sentences down and the floodgates open.

That's true. That's what I discovered last year and finished first 2 books of my upcoming trilogy. I wrote two books in Gmail. That was every evening for 3 hours nonstop writing process. What about you. I'd like to know about the process of writing "Den of the Wererats" which took you a full year, and you expressed satisfaction with the end result. How do you balance the desire to create quality work with the need for productivity? Are there any specific challenges you face as a writer that you've had to overcome during your journey?

I see authors releasing new books every month. I don't know how they do it. I can't write that fast. Part of it is the obsession with going back through a manuscript and feeling the evil Impostor Syndrome creeping in. Other times it’s simply because of my memory. If I had to take a break of a few weeks for self-care or whatever reason, I find I have to fully reacquaint myself with the story. I have so many ideas, but getting them to where I want them can be a challenge. I wish, in all seriousness, that I could write a new novella every three months. For me, that would be ideal.

You're an inspiration. What is your advice to aspiring writers?

I'll say what I've heard so many other writers say. Write. It's okay that it's not perfect the first time. It's okay if you need to go back over a manuscript multiple times. We all do it. Just get your thoughts down. You can rewrite and edit later.

With more books in the series of "Den of the Wererats" planned for the future, what can readers expect from the continuation of this series? Are there any new themes or directions you plan to explore within this world?

The first one had lots of twists and turns. Readers can experience much of the same for the planned sequels. I already have a twist for the second book that turns the series on its ear and, hopefully, have readers curious as to what in the world can be next. Also, after these main wererats tales, I hope to bring more were-creatures out to play.

As a writer who delves into traditional horror as well as the extreme spectrum, what do you believe are the unique qualities and impacts of each subgenre? How do you navigate the different expectations and audiences that come with writing within these various horror categories?

With traditional horror, it's practically impossible to create something that hasn't been done before. But there's a huge audience for that, way more so than for the extreme end of the spectrum. So, writing those traditional stories, I just tried my best to have fun with it and hope people enjoy them. With extreme horror, there's a growing audience and so many horror readers that have no idea that this stuff exists. So, if something I write is one of their initial experiences with the genre, I want it to leave its mark.

Thank you Terry for joining us today. Look forward to future collaborations. If you would like to know more about Terry and his books you can visit the following links or you can leave a question in the comment section below:

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Fahrenheit 451: Detailed book analysis

I'm a big fan of Ray Bradbury and I bet majority of you have read Fahrenheit 451 published in 1953. If not, go read that book first before you read my analysis. Fahrenheit 451 is a powerful and prescient dystopian novel that explores the dangers of censorship, conformity, and the loss of critical thinking in a society obsessed with mindless entertainment. Set in a future where books are outlawed, and intellectualism is suppressed, the novel follows the journey of Guy Montag, a fireman whose job is to burn books. Bradbury's visionary tale continues to resonate with readers, serving as a warning against the perils of an increasingly digitized and intellectually apathetic world. This book is another great example of postmodern literature. In the bleak world created by Bradbury , truth is subjective, and reality is distorted through the pervasive influence of mass media and technology. The fragmented narrative structure, nonlinear storytelling, and the protagonist's internal conflicts embody the postmodernist themes of uncertainty, existential angst, and the breakdown of grand narratives. Additionally, Fahrenheit 451 explores the loss of individuality and the dehumanizing effects of a society obsessed with instant gratification, drawing parallels to the postmodern critique of mass consumer culture and the alienating aspects of contemporary existence. Through its exploration of a society in which knowledge is feared and creativity stifled, Fahrenheit 451 encapsulates the postmodernist vision of a world adrift in a sea of information, questioning the very essence of human existence.

Fahrenheit 451:

Summary

Plot

Setting

Characters

Style

Themes

Motifs

Symbols

What I think

Interesting Facts

Fahrenheit 451 Summary

"Fahrenheit 451" depicts a society where books are banned and burned by firemen to suppress knowledge and independent thought. The story follows Guy Montag, a fireman, as he begins to question his role and society's values after encountering a rebellious young woman and a community of book lovers. Montag embarks on a transformative journey, defying the oppressive regime to preserve literature and reclaim the power of knowledge. Through powerful symbolism and poetic prose, the novel explores themes of censorship, conformity, and the resilience of the human spirit against a backdrop of a bleak and controlled future.

Fahrenheit 451 Plot

Fahrenheit 451 is set in a society where books have been banned and "firemen" are tasked with burning any remaining copies. Guy Montag, a fireman, lives a seemingly content life, blindly following orders and immersing himself in a world of mind-numbing entertainment. However, his encounter with a free-spirited young woman named Clarisse McClellan and a series of events start to unravel the fabric of his existence.

As Montag questions his purpose and the value of books, he begins secretly collecting them, putting his life at risk. His rebellion against the oppressive regime culminates in his escape from the city and the emergence of a new community of "book people" who memorize and preserve literature in their minds.

Fahrenheit 451 Themes and CommentaryCensorship and Intellectual Freedom:

At its core, Fahrenheit 451 is a poignant commentary on censorship and the suppression of intellectual freedom. The banning and burning of books represent the stifling of diverse opinions and the attempt to control the flow of information, leaving the populace devoid of critical thinking and individuality.

The Power of Knowledge:

Bradbury emphasizes the transformative power of books and the knowledge they contain. In a world that values superficial entertainment and instant gratification, the novel underscores the importance of literature in fostering empathy, critical thought, and a deeper understanding of the human condition.

Conformity and Mindless Consumption:

The novel critiques the dangers of conformity and the mindless consumption of shallow media. Bradbury's "parlor walls" – giant interactive screens that broadcast mind-numbing programs – are a chilling representation of our modern addiction to constant distractions and passive entertainment.

The Dangers of Apathy:

Fahrenheit 451 highlights the consequences of societal apathy and indifference towards important issues. The citizens in the novel are so numbed by the constant barrage of entertainment that they fail to question the world around them, leading to the rise of a repressive government.

Fahrenheit 451 Setting

Fahrenheit 451 is set in an unnamed city in a future dystopian America. The city is characterized by its sterile, technology-driven landscape, where emotional connections and intellectual pursuits are suppressed in favor of mindless entertainment.

Fahrenheit 451 Characters

Fahrenheit 451 features a small but significant cast of characters, each playing a distinct role in the novel's exploration of censorship, conformity, and the value of knowledge. 6 key characters of Fahrenheit 451 :

1. Guy Montag:

The protagonist of the novel, Guy Montag, is a complex and dynamic character. At the beginning of the story, he is a dedicated fireman who takes pleasure in burning books and suppressing knowledge. However, as he meets Clarisse McClellan and encounters the rebellious book-loving community, Montag undergoes a profound transformation. He begins to question the society he once embraced, seeking meaning and truth beyond the shallow distractions of his previous life. Montag's journey represents a search for individuality and a rejection of the conformist culture he once epitomized.

2. Mildred Montag:

Mildred, Guy Montag's wife, embodies the shallow and conformist nature of their society. She is obsessed with her "family" on the parlor walls, large interactive screens broadcasting mindless entertainment. Mildred is emotionally distant and disconnected from reality, reflecting the dehumanizing effects of a culture that prioritizes instant gratification over intellectual engagement.

3. Captain Beatty:

Captain Beatty is Montag's superior and the chief antagonist in the novel. Although he is well-read and knowledgeable, he represents the dark side of intellectualism, as he uses his knowledge to justify the suppression of books and free thought. Beatty is conflicted between his understanding of the value of literature and his commitment to the oppressive regime. He is a tragic figure, representing the dangers of compromising one's beliefs for the sake of conformity.

4. Clarisse McClellan:

Clarisse is a young and free-spirited girl who befriends Montag and serves as a catalyst for his transformation. Her curiosity, innocence, and love for nature contrast sharply with the numbness of the society around her. Clarisse symbolizes the power of curiosity and the potential for genuine human connection in a world where superficial relationships dominate.

5. Faber:

Faber is a retired English professor whom Montag seeks out for guidance and wisdom. He becomes Montag's mentor, helping him understand the true value of literature and the importance of preserving knowledge. Faber embodies the humanist perspective and the hope for a better future through intellectual engagement and critical thinking.

6. Granger and the Book People:

Granger is the leader of the group of intellectuals known as the "book people." They are individuals who have memorized books in order to preserve knowledge and pass it on to future generations. Granger and his group represent the resilience of the human spirit and the indomitable quest for truth and freedom, even in the face of repression.

Fahrenheit 451 Style

Ray Bradbury's writing style in Fahrenheit 451 is richly poetic and evocative, creating a vivid and dystopian atmosphere that lingers in your mind. He employs powerful imagery and metaphors to convey the emotional and psychological turmoil of the characters and the unsettling world they inhabit. Bradbury's prose is both introspective and sensory, captivating you with his profound exploration of themes such as censorship, the impact of technology, and the significance of literature in preserving humanity's collective memory. His use of vivid descriptions and carefully crafted dialogue adds depth to the narrative, while the seamless integration of symbolism and allegory makes Fahrenheit 451 a timeless literary masterpiece that continues to resonate with audiences across generations.

Fahrenheit 451 Themes

Fahrenheit 451 6 prominent themes explored in the novel include:

Censorship and Suppression of Knowledge: One of the central themes in Fahrenheit 451 is the censorship and banning of books. In the novel's dystopian society, books are considered dangerous and are burned to prevent people from having access to independent thought and critical ideas. This theme serves as a cautionary reminder of the dangers of restricting information and the importance of preserving intellectual freedom. Conformity and Mindless Entertainment: Bradbury critiques the prevalence of mindless entertainment and the culture of conformity that dominates the society in Fahrenheit 451. People are bombarded with shallow distractions and instant gratification, which numbs their ability to think critically and engage with meaningful ideas. The novel warns against the dangers of sacrificing individuality for the sake of conforming to societal norms. Loss of Intellectual Curiosity: In the novel's dystopia, intellectual curiosity is suppressed, and the pursuit of knowledge is discouraged. People are discouraged from thinking deeply or questioning the status quo, which leads to the decline of meaningful conversations and emotional connections. This theme serves as a reminder of the importance of curiosity and the value of seeking knowledge to understand the world better. Value of Literature and Human Connection: Fahrenheit 451 emphasizes the transformative power of literature and the emotional connection it fosters among individuals. Through books, characters in the novel find solace, empathy, and a deeper understanding of themselves and others. The theme highlights the significance of preserving literature as a means of preserving human experiences and the collective memory of society. Dystopian Society and Totalitarianism: The novel depicts a dystopian society where an authoritarian government controls information and suppresses individual freedoms. Fahrenheit 451 serves as a warning against the dangers of totalitarianism and the erosion of civil liberties when the government gains too much power and control over its citizens. Destruction and Rebirth: Throughout the novel, fire symbolizes destruction, as the firemen burn books and suppress knowledge. However, fire also represents rebirth and renewal, as it becomes a symbol of hope and change in Montag's transformation and the emergence of the book people who preserve literature. This theme explores the cyclical nature of destruction and renewal in society.Fahrenheit 451 Motifs

Fahrenheit 451 employs several recurring motifs. I chose 7 of the prominent motifs in the book:

Fire: Fire is a dominant motif throughout the novel and serves as a multifaceted symbol. As a tool of the firemen, fire represents destruction and censorship, as books are burned to suppress knowledge and independent thought. However, fire also symbolizes rebirth and renewal, as seen in Montag's transformation and the hope for a better future through the preservation of literature by the book people. Mechanical Hound: The mechanical hound is a menacing and relentless motif, representing the government's control and surveillance over its citizens. The hound's pursuit of Montag embodies the fear of an all-seeing, oppressive authority that punishes those who resist conformity. Mirrors and Reflections: Throughout the novel, mirrors and reflections serve as symbols of self-awareness and introspection. Characters often confront themselves in mirrors, representing their internal struggles and questioning their identities and actions. This motif highlights the theme of self-discovery and the journey of questioning one's beliefs and values. Nature: Nature is a recurring motif that contrasts with the artificial and sterile society depicted in the novel. Montag's encounters with nature, particularly through his interactions with Clarisse and his time in the countryside, symbolize moments of awakening and connection to the natural world. Nature becomes a symbol of purity, authenticity, and the possibility of change. The Number 451: The number 451 appears as a recurring motif in various contexts throughout the novel. It is the temperature at which paper burns, symbolizing the destructive power of fire and the censorship of knowledge. The repetition of this number underscores the pervasive theme of book burning and the suppression of ideas. Parlor Walls and TV Screens: The motif of parlor walls and interactive TV screens represents the obsession with mindless entertainment and the culture of distraction in the novel's society. The parlor walls broadcast shallow and immersive programs, serving as a symbol of the conformity and alienation caused by a constant stream of mind-numbing content. Hands: Hands are a recurring motif that symbolizes actions and connections between characters. Hands reaching out, touching, and grasping represent moments of emotional connection and empathy amidst the emotional distance prevalent in the dystopian society.Fahrenheit 451 Symbols

Fahrenheit 451 is rich with powerful symbols that add layers of meaning and depth to the novel's themes. Some of the significant symbols in the book include:

The Phoenix: The symbol of the phoenix appears multiple times in the novel, representing themes of rebirth and renewal. Just like the mythical bird that is consumed by fire and rises from its ashes, the society in Fahrenheit 451 undergoes a destructive phase but holds the potential for a new beginning and the resurgence of knowledge and human connection. Salamander: The salamander is the official symbol of the firemen in the novel. It represents the destructive power of fire and the suppression of knowledge and dissent. The salamander motif emphasizes the firemen's role as agents of censorship and the eradication of independent thought. Sieve and the Sand: In one of the novel's poignant moments, Montag recalls trying to read a book in his youth and feeling frustrated by his inability to retain the knowledge, comparing it to trying to fill a sieve with sand. This symbolizes the fleeting nature of knowledge in a society that values quick consumption and instant gratification over deep understanding and reflection. The Hearth and the Salamander: The novel's title is drawn from the phrase "The Hearth and the Salamander," which describes the dual role of fire in Montag's world. The hearth traditionally symbolizes warmth, home, and familial connection. In contrast, the salamander, as discussed earlier, represents fire's destructive power. The title encapsulates the conflicting themes of comfort and destruction in the novel. The River: The river is a symbol of escape and renewal in the novel. When Montag escapes the city and encounters the river, it becomes a place of purification and rebirth, washing away the remnants of his old life and offering the possibility of a new beginning. The White Clown: The white clown is a symbol encountered during Montag's escape from the city. It is a representation of laughter and happiness, contrasting with the oppressive and joyless society Montag leaves behind. The encounter with the white clown offers a glimpse of the potential for joy and genuine human connection that has been suppressed in the dystopian world.What I think

As I mentioned earlier, I love Fahrenheit 451. It influenced many of my own stories and I see it as a powerful and timeless novel that remains a significant work of dystopian literature. Bradbury's masterful storytelling, poetic prose, and thought-provoking themes have made this book a classic that continues to resonate with you across generations. The novel's exploration of censorship, conformity, the value of knowledge, and the dehumanizing effects of technology is both haunting and relevant in today's world. His use of vivid imagery and symbolism adds depth and complexity to the narrative, allowing you to reflect on the dangers of suppressing intellectual freedom and the importance of critical thinking. The character development, especially in the protagonist Guy Montag, is compelling, as we witness his transformation from a conformist fireman to a rebellious seeker of truth. I can add that this book stands as a warning against the dangers of an apathetic and distracted society, and it reminds us of the power of literature to ignite the flames of curiosity, empathy, and human connection. Its lasting impact and relevance demonstrate the enduring significance of exploring the human condition and the preservation of intellectual freedom in the face of oppressive forces.

Interesting Facts Ray Bradbury wrote the first draft of "Fahrenheit 451" on a rented typewriter in the basement of the UCLA Powell Library. He paid ten cents per half-hour to use the machine, which charged him a total of $9.80 to complete the entire manuscript. The title "Fahrenheit 451" was inspired by the temperature at which paper ignites and burns. Bradbury had come across this fact while doing research and found it fitting to use this temperature as a symbol of the book burning and censorship themes in the novel. "Fahrenheit 451" was initially published as a short story titled "The Fireman" in Galaxy Science Fiction magazine in 1950. Bradbury later expanded the story into a full-length novel, which was published in 1953. The novel's growth allowed Bradbury to delve deeper into the characters and themes, making it the iconic work we know today.

If you have a book in mind and you want me to review it, comment below.