Neda Aria's Blog, page 5

Write Smart: Productivity Strategies for Authors

Happy New Year! Here we are again with a full year ahead trying to not be unproductive.

I'm lazy, I procrastinate, I write in my head: That sums up the life of a writer. That sums up my life.

But we're living a real life here, we're grown ass adults and we gotta get job done whether its obligatory daily chores and our full time jobs to achieving personal goals and dreams. In my case, becoming a full time fiction author. It was last year that I decided I'm gonna write as much as I can and I ended up writing over a million words. Majority of it is useless but I did prove myself that I can do it despite feeling unmotivated and lazy struggling with imposter syndrome. In this post, I'm gonna share what I learned and what is 'Write Smart' mean and how to achieve it. I hope it help you with your writing journey in 2024.

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Writing smart, not hard!

"Writing smart, not hard" is a concept that encourages efficiency and effectiveness in writing without unnecessary exertion or strain. This philosophy, yeah I call it that, focuses on optimizing the writing process to achieve better results with less effort. How to achieve it? Not simple. I'm not here to give you a shortcut to anything. But giving you the path I took.

1. Establish a Routine

Ironically, for writers, being consistent is both incredibly obvious and surprisingly challenging. It's like being told to drink water for good health – we all know it, yet often forget to do it or in my case, replace water with coffee.

Setting a regular writing schedule and sticking to it turns into a sort of ritual, almost like a superstition for productivity. Reward yourself with a coffee (don't forget to drink some water too) or a break for hitting a word count, and you're basically 'Pavlov'ing yourself – but hey, it works. These repeated routines are like water slowly shaping a canyon, gradually yet powerfully. They're called keystone habits because, like the central stone in an arch, they hold everything else in place. Consistently practicing them can, in a twist of fate, turn the solitary act of writing into a well-oiled machine of productivity and creativity.

How I did? I simplified.

I used my phone and typed the story or random scenes and conversations daily whenever I had time or normally after work while waiting for my dinner to cook. I emailed them to myself in Gmail. This way, I didn't have to make sure the text makes sense, it is grammatically correct, has no spelling errors, or makes sense. I just wrote for the sake of writing and habit building.

2. Create a Conducive Writing Environment

As writers, we often seek the chaos of coffee shops or the discomfort of a cramped desk, yet studies show a simple truth: a comfy, personalized workspace does wonders. It's like we're Goldilocks in our own home, finding that chair that's just right, the lighting that doesn't make us squint, and the level of quiet that doesn't remind us of a tomb. It's funny how a few cushions, a desk lamp, and maybe a plant can trick our brains into productivity mode. So, go ahead, make that space your own little fortress of solitude - minus the icy decor of Superman's hideout, of course.

How I did? I used what I had.

I recently moved to France and this wasn't easy as we had to renovate our little house. So we've been in a very small apartment (20sqm) for 7 months before we move to our own place. In that little place I had a small sofa to relax on and I worked and wrote on that very sofa for 7 months. However, it's where I discovered writing on my phone and how amazing it was. It was tough on my neck and shoulders but I had to do what I had to do. Later when we moved, I still don't have a dedicated desk for writing and work. I can't complain. I work on the kitchen table. While cooking, I work and write. But it's comfortable, I got a nice chair and good natural lighting, not Batman dungeon as I wish it to be but it get the job done.

3. Set Realistic Goals

Yes! I wrote 1 million words in 2023 but I didn't set that goal for myself. Trust me if I did, I would have paralyzed myself and would end up wiring nothing. It was like planning to run a marathon by not thinking about the marathon.

I have a another post on topic of why I think setting goals is better than planning. Personally, I hate planning. I just write a task list in Google Tasks and tick them off when I'm done. Set deadline for the ones I have to finish a certain deadline. For work, it's the same.

How I did? I just did it.

So, I recommend setting achievable goals for each writing session, like a daily writing no matter the word count, is actually a productivity booster. It's the classic tale of the tortoise and the hare - slow and steady wins the race. You’re not planning the Great American Novel in one sitting; you're just chipping away at it, one small, manageable chunk at a time.

This approach is a bit like walking through a maze with your eyes on your feet instead of the exit; you’re more focused on the steps you’re taking right now than the daunting finish line. So, whether it’s writing a sentence, a paragraph, or a page, it’s all about those small victories that eventually add up to a million words.

4. Use Technology Wisely

While technology can aid writing, it can also be a source of distraction. Digital distractions can be managed by using apps that limit access to social media during writing sessions. As I mentioned, I used Gmail to email myself every scene I wrote. The next day, I copied and pasted all and then fixed what needed to fix on my laptop (Microsoft Word, nothing fancy). Trust me, you don't need complicated and expensive tools to get the writing done. Use what you have and just write. I will share another post next week I free writing tools I recommend for fiction writers.

5. Practice Self-Care

So, in a twist of irony, while experts preach about the holy trinity of a balanced diet, adequate sleep, and regular exercise for mental stamina, we as writers (at least majority of us and most of transgressive writers) shrug off half the advice. I personally eat whatever sparks joy (Marie Kondo style) and compensating with a mix of thrice-weekly workout sessions or leisurely strolls through town.

It's like acknowledging the rulebook and then cheerfully writing in the margins. Sure, a balanced diet is ideal, but if a slice of pizza brings more happiness than a kale salad, who's to argue? The key here is to find what works for you personally, whether that aligns with the guidelines or not. It's a bit like dancing to the beat of your own drum, but making sure you're still dancing — or in this case, walking and occasionally lifting weights.

So, while science might wag its finger at deviating from the dietary script, there’s something to be said for the mental boost that comes from eating what you love, as long as you’re moving your body too. It’s a less conventional path to wellness, perhaps, but hey, if it works, it works! Trust me, it does.

6. Read Regularly

As a writer, you need to read. Why? Who has time for it? Well, no one who has a full time job, daily adult daily chores, three cats and a dream for becoming a fulltime author. But I've found that reading books, articles, and blogs, of all genres and styles, is like opening windows in a stuffy room, letting in fresh perspectives and ideas.

Sure, I might pick up a novel and think, "I'd never write like this," but then, a few pages in, I'm hit with a phrase or a concept that sparks something new in my own work or if lucky I would read a book that makes me tell myself, "damn, I write much better."

This practice is a bit like being a chef sampling the world's cuisines; you get a taste of different flavors and techniques, and then you bring them back to your kitchen. Films, YouTube videos, etc. do the same trick TBH. But reading helps you learn about tone, style, vocabulary use, themes, symbols, how to write certain scenes, how to use dialogue and some times, how to not do the same the author did because it was crap!

So, while it might seem like I'm just lounging with a book, I'm actually on a covert mission, gathering secret ingredients that'll add some zing to my writing recipe. And the best part? There's always more to read, more styles to explore, more ideas to uncover. It's an endless, exhilarating cycle that keeps my writing fresh and exciting.

One note:

Read everything if you're new to writing and reading.

Read niche if you're a well read person and wanna improve your own writing. Int his case read books in genres and styles that you're writing or you wanna write.

7. Engage with Other Writers

Joining writing groups or online forums for feedback and encouragement can boost motivation and reduce the feelings of isolation often experienced by writers. But not all of the FB groups are really communicating anything. They're just posting their own books, promoting themselves to other writers without taking initiatives or time to engage with other people. As if, they're the only important person in the room. Trust me, there are a lot of 'the only important person in the room' online.

So what I recommend is to grow your Twitter (X) wisely. I began doing it in December and I focused on cleaning my account from irrelevant accounts and only follow writers and readers or thinkers.

I also created a Facebook group, which isn't that active, focusing on transgressive fiction (include dark romance, horror, magical realism, postmodernism, etc.)

I also recommend groups like Women Writers, Women's Books that are more niche to your group of interest.

8. Mindfulness and Mental Health

Mindfulness, eh?

So, according to research, zoning out with some deep breathing or meditation is supposed to boost my creativity and resilience. Incorporating this into your routine is like acknowledging that your mind needs a break too, not just my Netflix account.

By giving this mindfulness thing a go, I can tell you I'm not just sitting quietly; I'm supposedly wiring my brain to be more productive and creative. And who would've thought that sitting still and focusing on my breath could make me a better writer? It's almost counterintuitive – spend time doing nothing to do more.

This whole idea ties back to that age-old wisdom of balance. It's not just about pounding the keyboard relentlessly. It’s about mixing in some brain downtime with the grind. Continuous learning, a bit of Zen, and not working myself into oblivion seem to be the not-so-secret ingredients to writing success. So, here's to mindfulness – the art of sitting still to run faster in the world of words.

In conclusion, I can say my journey through 2023 has been an enlightening dive into what it means to 'Write Smart.' This odyssey wasn't about following a strict regimen or meticulously planning every step. Instead, it was about embracing the chaos of creativity, understanding my unique rhythms, and finding joy in the little achievements along the way. I've learned that sometimes, the best way to be productive is to throw the rulebook out the window and write in a way that resonates with your own style and life circumstances.

If you enjoyed this post or have anything to add or tell me, please comment. I'll be happy to see what you think.

10 Novels you should read in 2024: Or Before you die!

It's the end of 2023 and we are going to plan our next year. For those looking to add reading more books to their 2024 , I'm here to offer some book recommendations.

Well I love transgressive fiction. If you've been with me on this blog for long, you already knew that. I was reading an article and I found out that there are some subgenres to trasngressive fiction, anything existantialist, feminist, weird. Transgressive fiction, if you don't know and you're new here is known for its focus on characters, themes, and narratives that go against societal norms, encompasses various subgenres, each with its unique focus and style.

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Here are 10 subgenres:

Erotic Transgression: This subgenre explores themes of sexuality and desire in ways that challenge conventional moral and social boundaries. Works often delve into taboo subjects like BDSM, fetishism, and unconventional sexual practices. Examples include Story of O by Pauline Réage . Psychological Transgression: These narratives delve deep into the human psyche, exploring mental illness, existential crises, and abnormal psychology. They often feature unreliable narrators or protagonists with complex, sometimes disturbing, inner lives. Fyodor Dostoevsky's Notes from Underground is a classic example. Social Transgression: This type focuses on characters and stories that challenge societal norms, including class structures, gender roles, and cultural expectations. It often critiques the status quo and highlights societal flaws. " Fight Club " by Chuck Palahniuk is a well-known example. Political Transgression: These works engage with political themes, often critiquing established systems, ideologies, and power structures. They can be dystopian, satirical, or directly confrontational in their approach. " 1984 " by George Orwell and " Submission " by Michel Houellebecq fall into this category. Gothic Transgression: Combining elements of horror and romanticism, this subgenre explores transgression through the lens of the gothic, often featuring dark, eerie settings, and a sense of foreboding. It can include elements of supernatural and the macabre. Angela Carter 's works often blend gothic with feminist transgression . Satirical Transgression: Utilizing humor, irony, and exaggeration, this subgenre critiques and mocks societal norms, politics, and cultural absurdities. It often aims to provoke thought by presenting exaggerated scenarios or characters. " American Psycho " by Bret Easton Ellis can be seen as a satirical take on consumerism and superficiality. Criminal Transgression: Centering around characters who engage in criminal or morally ambiguous activities, this subgenre explores the darker side of human nature and the fringes of society. It often questions the nature of morality and law. " Trainspotting " by Irvine Welsh is an example. Philosophical Transgression: These narratives are characterized by their exploration of philosophical ideas and ethical dilemmas, often challenging traditional moral and philosophical thought. They can be introspective and thought-provoking. " Nausea " by Jean-Paul Sartre is a notable example.

Now, here's a list of 10 novels you should read them before you die if not in 2024:

1."All Men Are Mortal" by Simone de Beauvoir: A profound exploration of existential themes, this novel delves into the concept of immortality and its implications on human life.

Brief: When Fosca, an immortal man, crosses paths with an aspiring actress, he shares his story, revealing a life where endless years have led to a profound sense of existential disillusionment. This novel weaves a tale of immortality's curse, where eternal life becomes an eternal prison, questioning the very essence of human existence.

Genre: Philosophical Fiction Themes: Mortality, Existentialism, the Meaning of Life Characters: The immortal protagonist, Fosca, and his various encounters across centuries. Sub-genre of Transgressive Fiction: Philosophical transgression, challenging existential and moral norms.

2. "Tender Is the Flesh" by Agustina Bazterrica (translated from Spanish): A disturbing yet compelling dystopian novel that critiques our current society through the lens of a future where human meat is commercially farmed.

Brief: In a horrifying future where animals are extinct and humans are bred for consumption, Marcos finds himself working in a meat processing plant. As he navigates this dystopian world, he faces the ultimate moral question: how far can humanity go in its quest for survival? This novel is a chilling critique of our current society, pushing the boundaries of the unthinkable.

Genre: Dystopian Fiction Themes: Cannibalism, Dehumanization, Ethics Characters: Marcos, a worker in a human meat processing plant, grappling with moral dilemmas. Sub-genre of Transgressive Fiction: Social transgression, critiquing contemporary societal norms and ethics.

3. "Notes from Underground" by Fyodor Dostoevsky: This classic piece of existential literature presents a deep dive into the human psyche and the irrational side of human nature.

Brief: Dive into the mind of a man living in isolation beneath St. Petersburg, a man who rejects societal norms and rationality. Through a series of rambling and introspective notes, he reveals his contempt for modern society. This groundbreaking novel delves deep into themes of free will, alienation, and the human condition.

Genre: Existential Fiction Themes: Free Will, Alienation, Rationality vs. Irrationality Characters: The unnamed narrator, a retired civil servant living in St. Petersburg. Sub-genre of Transgressive Fiction: Psychological transgression, exploring the irrational side of human nature.

4. "Beautiful You" by Chuck Palahniuk: Known for his transgressive fiction, Palahniuk's novel is a satirical take on consumer culture, technology, and sexuality.

Brief: In a world dominated by consumerism, a sinister corporation has developed a line of products that promise women unparalleled sexual pleasure but at a high cost. Penny finds herself caught in this plot, leading her on a bizarre journey of self-discovery and rebellion against a society obsessed with control and perfection.

Genre: Satirical Fiction Themes: Consumerism, Technology, Sexuality Characters: Penny, a woman caught up in a consumerist plot involving extreme sexual products. Sub-genre of Transgressive Fiction: Satirical transgression, critiquing consumer culture and societal norms.

5. "Geek Love" by Katherine Dunn: This novel is a unique and bizarre tale about a carnival family who purposely create their own sideshow of human oddities.

Brief: The Binewskis, a carnival family, resort to drastic genetic experiments to create their own freak show, resulting in a saga of love, rivalry, and bizarre beauty. This novel is a profound exploration of the notions of beauty, normality, and the bonds that hold a family together in the most unusual circumstances.

Genre: Contemporary Fiction Themes: Freakishness, Family Dynamics, Exploitation Characters: The Binewski family, a traveling carnival family who create their own sideshow. Sub-genre of Transgressive Fiction: Familial and societal transgression, challenging norms of beauty and family.

6. "The 120 Days of Sodom" by Marquis de Sade: A notorious work known for its graphic and explicit exploration of violent and sexual fantasies.

Brief: In a remote castle, four wealthy libertines embark on an orgy of sexual brutality and depravity with their captive victims. This notorious novel is a shocking exploration of the darkest depths of human desire and the corrupting influence of power and lust.

Genre: Erotic Fiction Themes: Sadism, Sexual Violence, Power Characters: Four wealthy libertines who indulge in extreme sexual and violent fantasies. Sub-genre of Transgressive Fiction: Erotic transgression, pushing boundaries of sexual norms and morality.

7. "Story of O" by Pauline Réage: A controversial novel that delves into themes of BDSM and submission, exploring the depths of sexual desire and power dynamics.

Brief: O, a Parisian fashion photographer, enters a world of submission and domination at the behest of her lover. This erotic tale delves into the depths of desire, power, and the blurred lines of consent, challenging conventional norms of sexuality and relationships.

Genre: Erotic Fiction Themes: BDSM, Submission, Power Dynamics Characters: O, a fashion photographer who enters a world of submission. Sub-genre of Transgressive Fiction: Erotic transgression, exploring themes of dominance, submission, and consent.

8. "The Idiot" by Fyodor Dostoevsky: Another masterpiece by Dostoevsky, this novel is a profound exploration of innocence, love, and the complexities of human nature.

Brief: Prince Myshkin, a man of pure innocence, returns to Russia from a Swiss sanatorium and finds himself entangled in a web of love, betrayal, and societal intrigue. This novel is a profound exploration of the clash between goodness and the dark complexities of Russian high society.

Genre: Literary Fiction Themes: Innocence, Love, Social Class Characters: Prince Myshkin, a nobleman with a pure heart, and other Russian society members. Sub-genre of Transgressive Fiction: Social and philosophical transgression, challenging norms of social class and human behavior.

9. "The Belly of Paris" (Le Ventre de Paris) by Émile Zola: Part of Zola's Rougon-Macquart series, this novel paints a vivid picture of life in the Les Halles marketplace in Paris, exploring themes of class and social structure.

Brief: Set against the backdrop of the bustling Les Halles market in Paris, this novel tells the story of the struggling working class amidst the excesses of the bourgeoisie. Zola masterfully portrays the hunger, both literal and metaphorical, that drives the human spirit in a rapidly modernizing world.

Genre: Literary Fiction Themes: Class Struggle, Urban Life, Injustice Characters: The denizens of Les Halles marketplace in Paris. Sub-genre of Transgressive Fiction: Social transgression, critiquing class structures and societal disparities.

10. "Submission" by Michel Houellebecq: A controversial and satirical novel that imagines a future France under an Islamic government, exploring themes of religion, politics, and culture.

Brief: In a future France, an Islamic party comes to power, and François, a middle-aged academic, must navigate this new society. This provocative novel explores the intersections of religion, politics, and culture, presenting a startling vision of a future that questions the very foundations of Western society.

Genre: Political Fiction Themes: Religion, Politics, Cultural Shifts Characters: François, a middle-aged academic, in a future France under Islamic rule. Sub-genre of Transgressive Fiction: Political and social transgression, exploring themes of religion and political change.

After writing this article, I noticed I have an obsession with French literature. Possibly because many of them are transgressive. In the next post I'll recommend top 10 classic french transgressive novels and maybe I'll follow up with top 10 modern french transgressive novels. I hope you enjoyed this post. Let me know what is your reading plan for next year?

Feminist Transgression: Angela Carter

Angela Carter is widely regarded as one of the most influential feminist writers in the realm of transgressive literature. Her works challenge traditional gender roles, explore female sexuality, and critique patriarchal power structures. Through her unique blend of magical realism, gothic elements, and feminist ideology, Carter's writing pushes the boundaries of societal norms and offers a fresh perspective on women's experiences.

What is Feminist Transgression?

The Life and Works of Angela Carter

Feminist Themes in Angela Carter's Works

The Impact of Angela Carter's Feminist Transgression

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What is Feminist Transgression?

Feminist transgression in literature and art refers to the act of challenging and subverting traditional norms and conventions related to gender, particularly those that have historically marginalized or oppressed women. This form of transgression is often characterized by the creation of narratives, characters, or artistic expressions that defy stereotypical gender roles, question patriarchal structures, and advocate for gender equality and women's rights.

Feminist transgressive works seek to disrupt the status quo by presenting alternative perspectives on gender relations, highlighting the experiences and voices of women, and often employing provocative or unconventional methods to critique and reshape societal attitudes towards gender. This approach not only provides a platform for exploring women's issues but also contributes to broader discussions about gender, power, and social change.

The Life and Works of Angela Carter

Angela Carter was born on May 7, 1940, in Eastbourne, England. She grew up in a household dominated by her father's strict religious beliefs, which greatly influenced her later writings. Carter attended the University of Bristol, where she studied English literature and began her journey as a writer. Her early works were heavily influenced by fairy tales and folklore, which she reimagined through a feminist lens. Her first novel, Shadow Dance, was published in 1966 and set the stage for her exploration of gender dynamics and societal expectations. However, it was her collection of short stories, "The Bloody Chamber," published in 1979, that solidified her reputation as a feminist writer and a master of transgressive literature.

Feminist Themes in Angela Carter's Works

Feminist themes in literature encompass a wide range of topics and issues related to women's experiences, gender equality, and the critique of societal norms from a feminist perspective. (Click on the image below for more detail)

Angela Carter's writing is characterized by its unapologetic exploration of female sexuality, the subversion of traditional gender roles, and the dismantling of patriarchal power structures. Her works often feature strong, complex female protagonists who challenge societal norms and expectations.

In The Bloody Chamber, Carter reimagines classic fairy tales, such as Bluebeard and Little Red Riding Hood, to expose the oppressive nature of traditional gender roles. She subverts the passive female archetype and presents her characters as active agents of their own destinies. Through her stories, Carter explores themes of sexual awakening, agency, and the reclaiming of female power.

Another notable work by Carter is Nights at the Circus, published in 1984. This novel tells the story of Fevvers, a winged circus performer, and explores themes of female liberation, sexuality, and the construction of identity. Carter challenges the notion of women as objects of desire and instead presents them as complex individuals with their own desires and ambitions.

The Impact of Angela Carter's Feminist Transgression

Angela Carter's feminist transgression has had a profound impact on both literature and feminist discourse. Her works have inspired countless writers to challenge societal norms and explore the complexities of gender and sexuality. Carter's writing paved the way for a new wave of feminist literature that continues to push boundaries and challenge the status quo. Carter's influence extends beyond the realm of literature. Her works have been adapted into plays, films, and even operas, further amplifying her feminist message to a wider audience. Her legacy as a feminist icon and transgressive writer continues to resonate with readers and scholars alike.

Her untimely death in 1992 at the age of 51 left a void in the literary world. However, her legacy lives on through her powerful and thought-provoking works. Her contributions to transgressive literature and feminist discourse continue to inspire writers and readers to challenge societal norms and question the existing power structures. Her unique blend of magical realism, gothic elements, and feminist ideology has left an indelible mark on the literary landscape. Her works serve as a reminder of the importance of transgressive literature in challenging oppressive systems and giving voice to marginalized perspectives.

In conclusion, in my opinion, Angela Carter's feminist transgression in transgressive literature has had a profound impact on both literature and feminist discourse. Through her exploration of female sexuality, the subversion of traditional gender roles, and the critique of patriarchal power structures, Carter's works continue to inspire and challenge readers to question societal norms and strive for a more inclusive and equitable world. Her legacy as a feminist icon and transgressive writer will undoubtedly continue to shape the future of literature and feminist thought.

Reflecting on 2023 and Setting Goals for 2024

A Year in Review: 2023

As the year winds down, it's time to reflect on the whirlwind that was 2023. At least, it's what everyone does. For me, this year has truly highlighted the strength and impact of storytelling and the enduring nature of creative expression. Publishing "Machinocracy," my collection of short stories, marked a deeper journey into the world of fiction where I explored contemporary themes that echo in today's society.

This year, I wrote over a million words in various works, including two books in my transgressive romance trilogy, a standalone romance novel, and a science fiction novel about AI and robots.

My story "Control.exe," published in Punk Noir Magazine, was a particular highlight, exploring the darker facets of science fiction and surrealism. Furthermore, writing an introduction for "These Americans Book Two" by Aaron Paul Schaut was an enriching experience that allowed me to engage with diverse literary voices. Also, I had the chance to interview numerous authors who inspired me, and through this writing journey and collaborations, I found friends.

So the highlights of my writing journey in 2023 are:

The importance of exploring diverse themes in fiction The value of consistent and prolific writing The benefit of engaging with other authors The significance of balancing creative pursuits with other professional commitments Published a short story collection, "Control.exe" and the introduction for "These Americans Book Two." Developed connections, inspirations and friendships through interviewing authors.

Looking Ahead: 2024 Goals

As we step into 2024, my focus is sharply set on bringing my solo novels and at least the first two books of my trilogy to the forefront. The coming year is all about publication and reaching new heights in my writing career. I'm particularly excited about writing three projects: a coming-of-age novel that intertwines with "These Americans Book Two," a sequel to my sci-fi robot novel set in a future without of humans, and completing the final book of my trilogy.

Collaboration is also on the horizon with a planned short stories collections with Sebastian Vice from Outcast Press if we both can overcome procrastination, and a personal project focusing on womanhood and breaking societal norms (if I ever have the guts to finish it). However, I'm open to the natural ebb and flow of creativity, understanding that plans might evolve as the year progresses.

Beyond Writing

2024 is not just about writing. I aim to enhance my online presence, refine my website and social media, and offer more focused and data-driven content on my blog. This shift will include insights into the journeys of successful contemporary authors, using both qualitative and quantitative analysis.

Scaling back on certain services like self-publishing and marketing for authors will allow me to concentrate more on my writing and my full-time job. Instead, I'll focus on providing book trailer and cover designs, alongside limited mentorship opportunities.

On a personal note, my objectives extend to finding a literary agent, indulging in more reading, maintaining a consistent writing schedule, and prioritizing physical fitness. Additionally, completing my PhD and publishing academic papers are significant milestones I'm eager to achieve.

One NOTE: Goals Over Plans

Ah, the New Year! A time when we all, armed with the unshakable belief that THIS year will be different, set those resolutions. We're fueled by a burst of January enthusiasm, convinced we'll hit the gym daily, write our magnum opus, and unleash a flurry of creativity. But alas, as the New Year's confetti settles, so does our gusto. Before we know it, the siren song of procrastination lures us into its lair. And there we are, at year's end, wondering how our iron-clad plans morphed into a mirage, a repeated tale of good intentions gone awry!

We will feel depressed.

We will judge ourselves.

We will compare ourselves with those who managed to stick to what they've planned.

Now here's what I've learned last years and I'm gonna share with you:

I've come to realize that goals hold more significance than rigid plans. While plans are structured and often inflexible, goals provide direction and motivation, allowing for adaptability and growth. They are beacons in our journey, guiding us through the unpredictability of life. This approach aligns with psychological theories that emphasize the significance of having a guiding purpose, while also recognizing the need for resilience and the ability to adjust to changing circumstances. Here's how I do it:

Setting goals without detailed planning involves focusing on the end objectives rather than the step-by-step process to achieve them. You identify your desired outcomes or achievements and keep them in mind as your guiding stars.

This approach allows for flexibility and adaptability, as you navigate towards these goals, making decisions and taking actions based on current situations, opportunities, and insights, rather than following a predetermined plan. This method can be especially effective in environments or situations where change is frequent and unpredictability is high.

What do you need?

Goal Description: Example: "Write a short story each month." Why It Matters: Example: "To improve my storytelling skills." First Step: Example: "Outline the first story's plot." Regular Check-ins: Example: "Review every Sunday evening." Flexibility Clause: Example: "If a story takes longer, focus on quality over quantity." Support System: Example: "Join a writer’s group for feedback and motivation." Reward System: Example: "Treat myself to a favorite coffee or book for each completed story."

I created a free template for goal setting that you can get it here. It has 3 colors to print or use on your device and a user guide.

Conclusion: Your Path, Your Pace

Remember, there's no one-size-fits-all approach to life and creativity. Whether you're an aspiring writer or an established author, what matters is having a goal, not necessarily a detailed plan. As we step into 2024, let's focus on setting meaningful goals and be open to where they might lead us. Here's to a year of growth, creativity, and achieving our dreams! Merry Christmas and Happy New Year in advance ;)

Transgressive Fiction: Hubert Selby Jr. and the Dark Side of Humanity

Hubert Selby Jr. is a central figure in transgressive literature, renowned for his unvarnished portrayal of human suffering, addiction, and the complexities of the psyche. His narrative style is distinct, characterized by its intensity and rawness, and his ability to capture the genuine emotions of his characters has made him both revered and controversial in the literary world.

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Early Life and Influences

Hubert Selby Jr. was born on July 23, 1928, in Brooklyn, New York, into a working-class environment rife with poverty and daily challenges. His early life, marred by personal struggles with illness and addiction, profoundly influenced his perspective and became a significant source of inspiration for his writing. These experiences granted him a unique lens through which he viewed and portrayed the fringes of society, infusing his works with authenticity and depth.

Selby began his writing career with the short story "The Queen Is Dead" in 1958, a process that took six years to complete. His breakthrough came with the publication of "Tralala" in 1961, a story portraying the harsh life of a prostitute, which was met with critical backlash and legal challenges due to its controversial content. His most famous work, "Last Exit to Brooklyn," published in 1964, is a series of interconnected stories set in the streets of Brooklyn, exploring the lives of prostitutes, transvestite homosexuals, drug addicts, and alcoholics. This novel was subjected to obscenity trials but was later recognized as a crucial piece of transgressive literature. "Requiem for a Dream," another notable work, deals with various forms of addiction and also received critical acclaim.

Throughout his career, Selby faced numerous challenges, including continuing battles with drug addiction and legal issues. However, his ability to overcome these obstacles and continue writing is a testament to his resilience and dedication to his craft. His works are often seen as a critique of the materialism and moral bankruptcy of American society, with themes focusing on the self-destructive behaviors and inner demons of his characters.

Selby's legacy in literature is significant, with his works continuing to challenge and influence readers and writers alike. His unapologetic and vivid portrayal of life's darker aspects offers a unique perspective on the human condition and the society in which we live.

Writing Style and Themes

Selby's style is known for its blunt, direct approach. He often used stream-of-consciousness techniques, immersing readers in the chaotic inner lives of his characters. His prose, raw and unfiltered, mirrors the harsh realities he depicts.

Key Themes in Selby's Work:

Addiction: A recurring theme, focusing on the destructive nature of substance abuse and its ripple effects on individuals and relationships. Human Suffering and Despair: Selby delves into the depths of despair, examining how people cope with pain and trauma. The Quest for Redemption: Despite the bleak settings, his characters often seek redemption in their flawed ways.Notable Works " Last Exit to Brooklyn " (1964): This novel, a collection of interconnected stories set in Brooklyn, deals with themes of poverty, violence, and deviance. It faced initial controversy for its explicit content but is now regarded as a classic in transgressive literature. " Requiem for a Dream " (1978): This work follows the tragic descent into drug addiction of four individuals. Its stark portrayal of addiction's consequences has been critically acclaimed.Impact and Legacy

Selby's influence extends far beyond his lifetime, resonating with audiences and inspiring writers. His bold exploration of taboo subjects and his skill in depicting the rawness of human emotion have earned him a place as a significant figure in transgressive literature.

So in summary his impact was;

Broadening the Horizons of Literary Expression: Selby's exploration of themes like addiction, violence, and existential despair pushed the boundaries of what was traditionally considered acceptable in literature. He opened up new avenues for literary expression, allowing future writers to tackle sensitive and controversial topics with greater freedom and depth. His influence can be seen in the works of subsequent generations of authors who have ventured into similar thematic territories. Influence on Popular Culture: Selby's work has had a significant impact beyond the realm of literature. His novels, particularly "Last Exit to Brooklyn" and "Requiem for a Dream," have been adapted into films, bringing his stark vision of reality to a broader audience. These adaptations have not only heightened interest in his written work but also underscored the enduring relevance of his themes in contemporary society. Educational Contributions: Selby's legacy also includes his contributions to education. As a teacher of creative writing at the University of Southern California, he influenced a new generation of writers, imparting his unique perspective on storytelling and encouraging his students to explore the depths of their creativity.

Despite his significant contributions, Selby's work has not been without controversy. His graphic depictions of violence, drug abuse, and sexual deviance have drawn criticism, with some arguing that these elements are gratuitous or sensationalist. His often bleak and nihilistic view of the world has also been a point of contention among critics and readers alike. His legacy is complex and multifaceted. While he is celebrated for his authentic portrayals of life's darker aspects and his ability to evoke profound emotional responses, he has also been criticized for the same reasons. His willingness to confront uncomfortable truths about human nature and society has made his work a subject of both admiration and debate.

Conclusion

Hubert Selby Jr. is a trailblazer in the realm of transgressive literature. His unfiltered and intense exploration of the dark side of humanity has left an indelible mark on the literary world. His works continue to captivate readers with their rawness and honesty, challenging societal norms and pushing the boundaries of storytelling. Whether you are a reader or a writer, delving into Selby's works can provide a profound understanding of the complexities of the human condition and the power of transgressive literature.

You don't need a niche: 5 Reasons Hybrid Genre Writing Trumps Niche Genre Writing

Have you ever been told to stick to one type of story when you write? Many writers hear that they should focus on one genre, like mystery or romance, to get a loyal group of readers. But what if mixing different types of stories together could be even better? This mix-and-match style is called hybrid genre writing. It’s like making a new recipe by combining your favorite ingredients from different dishes. This way of writing is catching on because it’s fun and different. You get to mix things like adventure with love stories, or science fiction with historical events, to create something special and new.

I’m an author and a creative writing educator, and I've seen how mixing genres can make writing more exciting and bring in more readers. In this article, I’ll talk about what hybrid genre writing is and compare it with sticking to one genre. I’ll also give you five big reasons why mixing genres could be a great idea for your writing. Whether you're just starting to write or have been writing for years, learning about hybrid genre writing could open up new ideas and bring more people to enjoy your stories.

Understanding the Concepts The Pros and Cons 5 Reasons Hybrid Genre Writing Trumps Niche Genre Writing Real-World Examples

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Understanding the Concepts

What is Niche Genre Writing?

Niche genre writing is like having a favorite type of book and sticking to it. Imagine you love baking cakes. In niche writing, you only write about cakes – chocolate cakes, vanilla cakes, but always cakes. (I guess I'm hungry today) In books, this could be only writing crime stories, or just love stories. It's about picking one kind of story and becoming really good at it. Writers do this because they know there are readers who really love these kinds of stories and will keep coming back for more.

What is Hybrid Genre Writing?

Now, imagine if you started adding new ingredients to your cakes – like a bit of spicy pepper or some salty chips. Suddenly, your cakes are different and exciting. Hybrid genre writing is like that. It's when writers mix different types of stories together. You could take a detective story and mix it with a fantasy world of dragons and magic. Or combine a love story with a wild adventure in space. Hybrid writing is about being creative and not being afraid to try something new. It's like a playground for writers where you can mix all your favorite things into one big, exciting story.

The Pros and Cons

When it comes to niche genre writing, the main advantage is that you know your readers well. It's like being a chef who specializes in pizza; your pizza-loving customers will consistently return for what they love. This makes marketing easier, too. If you write only one type of story, it's straightforward to tell people what you do, similar to owning a shop that sells only sports shoes – everyone knows exactly what to expect. However, focusing solely on one genre has its downsides. It can get boring, like eating pizza every day. Even if you love it, sometimes you crave variety. Additionally, when many writers crowd the same genre, it's tough to stand out, akin to a street filled with pizza shops where it's challenging for one to be the most popular.

On the other hand, hybrid genre writing offers the freedom to be more creative. It's like being a chef who experiments with new recipes, combining unexpected ingredients to surprise diners. This approach can attract a broader audience, pulling in fans from different story types, much like a restaurant that serves both pizza and sushi, appealing to a wider range of tastes. Yet, hybrid writing isn't without its challenges. Marketing can be trickier when your story blends genres. It's like trying to describe a dish that's a bit of everything; some people might hesitate, unsure if they'll like the mix. Also, not every reader enjoys surprises in their stories. Some prefer the familiarity of their favorite genre, so a genre-blending story might not be their cup of tea. It's comparable to offering someone a pizza topped with sushi – it's an unusual combination that might not suit everyone's palate.

5 Reasons Hybrid Genre Writing Trumps Niche Genre Writing

Now here are the 5 reasons I promised;

More Room for Creativity: Hybrid genre writing is like having an entire playground instead of just one swing. You're not limited to one type of story. You can mix a detective plot with a magical world, or a romance with a futuristic setting. This mix lets you create something unique that stands out, like a chef who invents a new, exciting dish. Attracts a Wider Audience: By blending genres, you can catch the interest of readers from different backgrounds. It's like a musician who combines jazz with pop – they appeal to fans of both styles. A story that mixes sci-fi and romance could attract sci-fi fans and those who love love stories. Stand Out in a Crowded Market: In a world full of books, being different gets you noticed. Hybrid genres are like a new flavor in an old ice cream shop – it gets people talking and wanting to try it. When you mix genres, your book becomes that new, must-try flavor. Flexibility with Trends: Writers who mix genres can easily adapt to changes in what readers like. It's like a fashion designer who combines classic and modern styles – they stay relevant no matter how trends change. If vampire stories become popular, you can add a vampire twist to your sci-fi story. Builds a Diverse Community: Hybrid genre writing can bring together people who like different kinds of stories. It's like hosting a party where fans of various music genres come together. You might have a story that appeals to mystery lovers, fantasy fans, and romance readers, all at once.Real-World Examples

Let's explore some recent examples from the world of transgressive fiction, where authors push the boundaries of conventional storytelling. Transgressive fiction often blends genres and breaks societal norms, offering readers a unique and sometimes challenging experience.

Consider the works of Chuck Palahniuk, especially renowned for his novel Fight Club. His stories often mix elements of dark humor, psychological thriller, and social commentary. They're like a rollercoaster ride through unconventional themes, attracting readers who seek something beyond the mainstream. Gillian Flynn's Gone Girl is another excellent example. This novel combines mystery, psychological thriller, and sharp social observations, creating a narrative that's as thought-provoking as it is suspenseful. It's akin to a puzzle that challenges readers at every turn, blending genres to defy expectations. Aaron Paul Schaut's These Americans is another prime example. This novel intertwines elements of social drama, political commentary, and psychological depth. It's like a mirror held up to society, reflecting issues that are often swept under the rug. Schaut's narrative style mixes raw realism with a keen observation of the American life, creating a powerful and thought-provoking story.

These authors, through their innovative use of hybrid genres, demonstrate the power of transgressive fiction to not only tell a story but to also provoke thought and offer new perspectives. Their works are testimonies to the fact that breaking traditional storytelling molds can lead to rich, layered narratives that resonate deeply with readers.

In my book ENARO, I used this blended genre. This book combines science fiction with a strong undercurrent of social critique. Set in a futuristic world, it explores themes of identity, technology, and power dynamics. Aria's work is like a science fiction adventure with a twist, offering not just escapism but also insights into current societal trends.

The success of mentioned authors in blending genres and pushing boundaries shows that readers are open to challenging narratives. These examples illustrate that hybrid genre writing, especially within the realm of transgressive fiction, is not just a creative choice but a pathway to crafting impactful and memorable stories.

In conclusion, I can say that hybrid genre writing isn't just a passing fad; it's a dynamic and exciting way to tell stories that resonate with a wide range of readers. By breaking free from the constraints of niche genres, writers can explore new creative territories, attract diverse audiences, and stand out in a crowded market. This approach to writing is akin to a chef experimenting with fusion cuisine, creating unique and memorable dishes that appeal to a variety of tastes. For writers looking to expand their horizons, hybrid genre writing offers a world of possibilities. It encourages pushing boundaries, blending elements from different genres to create something truly unique. This not only enhances the writer's creative freedom but also provides readers with fresh and engaging stories.

Remember, the most memorable stories often come from a place of bold experimentation and a willingness to explore the uncharted. So, why not mix it up and see where your creativity takes you? Your next story could be the one that captivates the imagination of readers across genres, leaving a lasting impact in the world of literature.

Transgressive Fiction: Marquis de Sade and the Philosophy of Sadism

Meet the Marquis de Sade, a figure who defied societal norms and dived into the murkiest depths of human desires. Born in 1740 in Paris, France, into a wealthy and noble family as Donatien Alphonse François. . He was educated at the prestigious Jesuit College of Louis-le-Grand and later joined the military. However, his life took a dark turn when he was imprisoned multiple times for his sexual and violent escapades. In this article, I'll explore the philosophy behind Sade's provocative ideas, examining how they challenged morality, pleasure, and the human mind from a perspective of a writer and reader.

Beyond his scandalous personal life, the Marquis de Sade was a prolific writer whose works, though often banned during his time, have become symbols of the struggle between free expression and social rules. Through pieces like Justine, The 120 Days of Sodom, and Philosophy in the Bedroom, Sade pushed the boundaries of what society found acceptable.

Sade's philosophy revolves around sadism, a term he inspired, which involves deriving pleasure from causing pain, both physically and mentally. As I delve into his life and writings, I uncover the story of a complex and controversial figure whose ideas still captivate, intrigue, and disturb many even today. I will try revealing the origins of sadism and its lasting influence on literature and our understanding of being human.

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Marquis de Sade and the Philosophy of Sadism

Marquis de Sade was a French writer who is best known for his controversial and transgressive works that explored themes of sexuality, violence, and sadism. His writings, which were considered scandalous and obscene during his time, have had a profound impact on the development of transgressive literature. This lead him to jail time several times. During his time in prison, Marquis de Sade began writing extensively, using his experiences and fantasies as inspiration for his works. His writings were highly explicit and often depicted acts of extreme violence, sadism, and sexual deviance. Many of his books were banned during his time. Some of his notable works that were banned or faced suppression include:

"Justine, or The Misfortunes of Virtue" (1791): This novel tells the story of a young woman's life, filled with suffering and abuse despite her virtuous nature. The explicit content and anti-religious themes led to the banning of the work. "The 120 Days of Sodom" (written in 1785, published posthumously): This is one of Sade's most infamous works, known for its extreme and perverse content. The manuscript was lost during the French Revolution, and it was not published until the 20th century due to its graphic nature. "Philosophy in the Bedroom" (1795): This play, combining elements of eroticism and philosophy, was considered scandalous and faced censorship for its explicit content. "Justine and Juliette" (1797): The sequel to "Justine," this work also explores themes of sexuality, cruelty, and morality, leading to its suppression.The Philosophy of Sadism

The term 'sadism' and its associated philosophy trace their origins to the infamous Marquis de Sade. He explored the intersection of pleasure and pain in his literary works. The term "sadism" itself was coined from his name by the 19th-century German psychiatrist Richard von Krafft-Ebing. This reflects Sade's fascination with deriving pleasure from the infliction of pain, both physical and psychological. His philosophy challenges conventional morality by advocating for the unrestrained pursuit of individual desires, regardless of societal norms or ethical considerations. Sade's controversial writings, marked by explicit and taboo content, have left an indelible mark on discussions surrounding human nature, morality, and the boundaries of acceptable behavior.

Sade views sexuality differently from traditional religious perspective of sex for reproduction purposes, emphasizing pleasure over reproduction. He asserts that nature would not allow wasteful discharge of sperm if reproduction were the sole objective. He argues against the idea that sexual pleasure must be tied to reproduction by pointing to non-reproductive losses of sperm, like in dreams. According to Sade, these arguments debunk the pro-populationist belief that nature's only goal is the multiplication of the human race. He mentions that how could one argue that "nature desires only propagation, and that she entrusts man with seed for the purpose of propagation; and yet she allows man to waste that very seed any way he pleases, and derive the same pleasure as from productive use, and never the least harm ensues?…Desist, my friends, desist from believing such absurdities; they are an affront to common sense." (Sade, 1795b, pp. 91–92)

Such perspective in my opinion, lead to many agreed that de Sade believed individuals should be free to indulge in their darkest desires without any moral or societal constraints. For Sade, pleasure follows the ‘path of crime’, where crime is understood to be any action generally considered to be criminal but which, he claims, actually conforms to the laws of nature. Some even believe that de Sade philosofy is a mix of pleasure and pain, and that the pursuit of pleasure, even at the expense of others, was the ultimate goal. This most probably is driven from the book 'Philosophy in the Bedroom' in which characters explore all sexual activity and taboos, such as sodomy, incest adultery and homosexuality — is justified by Dolmancé in a series of energetic arguments that ultimately boil down to "if it feels good, do it". The Marquis de Sade believed that 'was his ultimate argument: if a crime (even murder) took place during one's desire for pleasure, it could not be punished by law'.

de Sade Themes

de Sade's literary works are characterized by several recurring themes. Some prominent themes in his writings include:

Sadism and Eroticism: Perhaps the most well-known theme associated with de Sade is sadism, the derivation of pleasure from inflicting pain or humiliation. His works often involve explicit and provocative depictions of sexual acts and violence. Transgression of Social and Moral Boundaries: De Sade's writings frequently depict characters who engage in actions that defy conventional moral and social norms. He explores the limits of acceptability and challenges the established order through extreme behavior. Individual Freedom and Autonomy: De Sade was an advocate for individual freedom and autonomy, rejecting societal constraints on personal desires. His characters often embody a libertine ethos, seeking unrestrained pleasure without regard for conventional morality. Critique of Religion: De Sade was critical of organized religion, particularly Christianity. His works often question religious morality and challenge the authority of religious institutions, portraying a skeptical view of divine principles. Philosophical Exploration: De Sade's works delve into philosophical ideas, including existentialism and materialism. His characters engage in philosophical debates on topics such as morality, ethics, and the nature of humanity. Power Dynamics and Domination: Power relationships, especially those involving domination and submission, are recurring themes in de Sade's writings. He explores the dynamics of power in various contexts, including sexual relationships and societal structures. Critique of Authority and Social Hierarchies: De Sade's writings often criticize political and social hierarchies. His characters challenge authority figures, and his works reflect a disdain for the abuse of power by those in positions of authority. Obsession with Criminality: Criminal behavior and the blurring of lines between criminality and societal norms are prevalent in de Sade's works. He often presents criminal acts as a means of asserting individual freedom.

The explicit and graphic nature of de Sade's writings, particularly his depictions of violence and sadism, shocked and outraged many readers. His works were seen as a direct challenge to the established order and were viewed as a threat to the moral fabric of society.

The Influence of Marquis de Sade on Transgressive Literature

Despite the controversy surrounding his works, Marquis de Sade's writings have had a lasting impact on the development of transgressive literature. His exploration of taboo subjects, such as sexuality, violence, and sadism, paved the way for future writers to push the boundaries of what was considered acceptable in literature. De Sade's writings challenged traditional notions of morality and forced readers to confront their own beliefs and values. His works were a direct challenge to the prevailing social and cultural norms of his time, and this rebellious spirit resonated with later generations of transgressive writers.

However many think that today's famous books such as Fifty Shades of Grey or similar type of books that glorify sadomasochism relationships are similar to de Sade, I would like to argue against that. While both Marquis de Sade's works and books like "Fifty Shades of Grey" touch upon similar themes, their philosophies and depth significantly differ, reflecting distinct approaches to transgressive literature.

Marquis de Sade's writings are deeply philosophical, exploring the intricate relationships between power, pleasure, and societal norms. His works go beyond mere depictions of taboo subjects; they serve as philosophical treatises challenging established moral, religious, and social frameworks. De Sade's characters engage in profound debates on freedom, individual autonomy, and the nature of human desire. The philosophical depth in his writings lies in the explicit examination of the consequences and justifications for transgressive behavior, forcing readers to confront uncomfortable questions about morality and the human psyche.

On the other hand, books like "Fifty Shades of Grey" may share themes like sexuality and dominance/submission dynamics, but they lack the profound philosophical exploration found in de Sade's works. The focus in contemporary transgressive literature often leans more towards romantic and sensational aspects rather than a profound critique of societal norms. While "Fifty Shades of Grey" has gained popularity for its exploration of BDSM, it doesn't delve deeply into the philosophical underpinnings or challenge societal norms to the same extent as de Sade's writings.

So, I hope, my books (upcoming trilogy) will be categorized under Sade philosophical depiction of society, norms and human behavior than shallow intake of sub/dom relationship. So here I am to share what makes me disapointed: people who when I discuss my book idea with immidiately compare it to Fifty Shades of Grey. I write trasngressive romance. I don't glorify or romantacize nore condamn such behavior or choices on what pleasure and desire is. I write to explore human behavior and how social norms and limitations as well as psychological traumas can result in such a behavior.

So, Marquis de Sade's influence on transgressive literature goes beyond thematic similarities; it extends to a philosophical depth that forces readers to confront the complexities of human nature and societal conventions. While contemporary works may touch on similar themes, they often lack the profound philosophical exploration that distinguishes de Sade's impact on the genre.

The Legacy of Marquis de Sade

Marquis de Sade's legacy as a writer and philosopher continues to be debated to this day. While some view him as a literary genius who fearlessly explored the darkest corners of human nature, others see him as a dangerous and immoral figure who glorified violence and sadism. Regardless of one's opinion of de Sade, it is undeniable that his works have had a significant impact on the development of transgressive literature. His writings challenged societal norms, pushed the boundaries of acceptability, and paved the way for future generations of writers to explore taboo subjects.

Marquis de Sade's philosophy of sadism and his transgressive writings continue to inspire and provoke readers and writers alike. His works serve as a reminder of the power of literature to challenge, provoke, and push the boundaries of what is considered acceptable in society.

Have you read any of de Sade books? What are your thaughts on such themes in books?

What is Transgression in Writing?

Let's take a stroll into the concept of what is transgression in writing. Transgressive writing is bold, unique, and it loves to challenge the norm. Naomi WALLACE defines that writing to transgress means to “step over the line, redraw the line, erase the line, even multiply the lines so that we sit up, step forward and strike out”. Now what does that mean? In this article we will reviewing what transgression mean in writing as well as analyzing its impacts on society.

What is Transgressive Literature? What is transgression in writing? The Impact of Transgressive Literature on Society

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What is Transgressive Literature?

We hand a profound discussion on this topic in an article "Transgressive Fiction Overview" and I also wrote a brief history of this genre in another article "Transgressive Fiction History". You can read those if you need more detail on what is transgressive fiction but to summazirze I can say that 'transgressive literature is a genre that pushes the boundaries of societal norms and challenges conventional ideas and values. It is characterized by its exploration of taboo subjects, provocative themes, and controversial content. Transgressive literature aims to disrupt and subvert established norms, often delving into the darker aspects of human nature and society.'

At its core, transgressive literature look for challenging the status quo and provoke a reaction from its readers and that's the reason I love this genre. It goes beyond the boundaries of what is considered acceptable or appropriate, often exploring topics that are considered taboo or controversial. However many believe it is all about sex and gore, I argued in an article that it's more about human behavior and philosophy of life than anything else. So, if you read a book that it's mere purpose is to shock you, that's not transgressive fiction. So, what is transgression anyway?

What is transgression in writing?

Based on previous definition of transgressive literature, 'Transgression in writing involves the deliberate violation of established norms, conventions, or societal boundaries within literature.' To understand transgression and being transgressive you can read my article 'What is being transgressive?' in which I discuseed in detail, I reviewed the term "transgressive" across various disciplines, from legal and religious contexts to literature, linguistics, genetics, cinema, and psychology. In this article I emphasized that 'transgression contributes to identity re-definition and a limitless capacity to break established limits while remaining true to oneself. A fascinating journey through diverse fields, the article underscores the power of transgression in reshaping narratives and identities.'

Renowned writers, authors, and theorists have contributed to shaping this concept. Here's some examples:

Georges Bataille, French intellectual, explored transgressive themes in his works, emphasizing the breaking of taboos and societal constraints. His writing such as Histoire de l'œil 1928 and Eroticism 1957 often delved into the forbidden and the limits of acceptable behavior. In his book ' Literature is not innocent ,' (or 'Literature and Evil') that is a collection of essays, he stated that 'only by acknowledging literature complicity with the knowledge of evil can literature communicate fully and intensely.'

He evaluation works of literary profiles of eight authors and their work, including Emily Brontë's Wuthering Heights, Baudelaire's Les Fleurs du Mal and the writings of Sade, Kafka and Sartre, explore subjects such as violence, eroticism, childhood, myth and transgression, in a work of rich allusion and powerful argument. Through this, he argues that the act of writing is an inherently subversive and non-innocent endeavor, as it involves the exploration of desires, fears, and aspects of human existence that are often suppressed. Bataille's perspective contributes to a broader understanding of the role of literature in engaging with the complexities and contradictions of the human condition.

Only by acknowledging literature complicity with the knowledge of evil can literature communicate fully and intensely.

2. William S. Burroughs, is a key figure in the Beat Generation, Burroughs is known for his transgressive fiction, notably in works like "Naked Lunch." His writing challenged traditional narrative structures and explored controversial subjects, reflecting a rejection of mainstream norms. Some belive that the book's fame, stemming from its scandalous nature and objective portrayal of a nightmare fantasy. However, I belive that this book emphasizes Burroughs' ability to confront societal norms and communicate uncomfortable truths which majority of times is not something people like to hear.

3. Chuck Palahniuk: The author of "Fight Club" and "Choke" is recognized for transgressive fiction that examines the darker aspects of human behavior. I did an in depth analysis of Choke and in that article, I mentioned that Palahniuk's work often feature characters who rebel against conventional norms in unconventional ways, delving into the darker aspects of human behavior and society. For Palahniuk, transgression is a tool to push readers out of their comfort zones, encouraging them to question accepted beliefs and behaviors. His writing reflects a desire to break through societal constraints and shed light on the complexities of the human condition, making a lasting impact on the landscape of contemporary transgressive literature.

4. Bret Easton Ellis: Ellis, particularly in "American Psycho," explores the transgressive through a lens of consumer culture and excess. In an article on "Transgressive Fiction Characters", I discussed his portrayal of violence and moral decay that challenges societal norms, making a powerful statement about contemporary society.

5. Michel Foucault: Although not a fiction writer, Foucault's theories on power and societal control have influenced transgressive literature. His examination of institutions and power structures provides a theoretical foundation for understanding how transgressive acts can subvert established norms.

In his book "Language, counter-memory, practice", he stated that transgression"is like a flash of lightning in the night which, from the beginning of time, gives a dense and black intensity to the night it denies, which lights up the night from the inside, from top to bottom, yet owes to the dark the stark clarity of its manifestation, its harrowing and poised singularity.” In his perception, transgression brings clarity and vividness to the obscurity it challenges and suggests that transgression disrupts the status quo, shedding light on hidden aspects and intensifying the contrast between societal norms and the unconventional. As Foucault explains in his essay on Bataille, transgression is “profanation in a world which no longer recognizes any positive meaning in the sacred […] not only the sole manner of discovering the sacred in its unmediated substance, but also a way of recomposing its empty form.”

6. Kathy Acker: Acker's experimental and provocative works often challenged traditional cut-up storytelling techniques and gender norms. Her use of cut-up techniques and appropriation of existing texts exemplifies a transgressive approach to literature. As an author, she embodies a transgressive approach in her writing. Through her experimental and provocative works, she challenges traditional storytelling methods and societal expectations related to gender norms.

She disassembles and reassembles texts, and appropriation of existing texts to create something new demonstrate her willingness to break free from conventional narrative structures and literary norms. I discuss such techniques in my article 'Postmodern Literature Characteristics' and I can say postmodernism is in general a transgression not only in literature but in all aspects of society. This transgressive approach allows Acker to explore themes and ideas that might be considered taboo or unconventional, contributing to a more dynamic and boundary-pushing literary landscape.

So to answer what is transgression in writing, I can say that, 'transgression in literature involves a deliberate violation of established norms, conventions, or societal boundaries within literary works. Each writer contributes to a broader understanding of transgression, reshaping narratives and identities in literature.'

The Impact of Transgressive Literature on Society

IKn my humble opinion, transgressive literature holds a profound societal impact by breaking silence on taboo topics, challenging power structures, fostering empathy, inspiring social change, provoking controversy, and shaping cultural movements. Through such works, it addresses uncomfortable truths, empowering marginalized voices. Authors such as Marquis de Sade and Angela Carter critique authority and gender norms, while Hubert Selby Jr.'s "Requiem for a Dream" humanizes addiction struggles. Transgressive literature, exemplified by Chuck Palahniuk's "Fight Club" and politically charged works in Latin America, serves as a catalyst for change, sparking debate and shaping literary movements like the Beat Generation and postmodernism.

Final note, it has the potential to inspire social change by advocating for marginalized communities and challenging the status quo. The genre's ability to provoke controversy and ignite debates prompts critical thinking and reflection on morality, censorship, and freedom of expression. Transgressive literature also plays a role in shaping cultural and literary movements, influencing subsequent generations of writers and artists. So, its impact lies in its capacity to challenge, question, and contribute to the evolution of societal norms and perspectives.

And you? What is transgression to you? Comment below :)

Hybrid Writing: A Blueprint for Crafting Dynamic Novels

The concept of hybrid writing is something that every fiction writer should be aware of. Hybrid writing is a powerful and innovative approach to storytelling that blends elements from different genres. This allows authors to create narratives that transcend traditional boundaries, captivating readers with unique and dynamic tales. In majority of my published and unpublished works, I mostly incorporated three main genres that I'm most interested in reading and writing: Transgressive, Romance and Science Fiction. For example in ENARO, my main genre is science fiction and this novel include elements of romance, horror, New Weird genre. But the novel overal is a hybrid of science fiction, Transgressive fiction and philosophical fiction. I incorporate this method mostly in longer piece but you can find some examples of short fiction I wrote that are categorzed under hybrid in both Feminomaniacs and Machnocracy.

In this article, I will discuss first why I believe having a niche genre is outdated, then I will discuss what is hybrid writing and then how to implementing hybrid writing in novels and explore practical ways to seamlessly incorporate diverse elements.

What is Genre Niche and Why is it Outdated?

Understanding Hybrid Writing

Authors and Book Recommendation

How to Implement Hybrid Writing?

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What is Genre Niche and Why is it Outdated?

A genre niche refers to a specialized and narrowly defined category within a broader genre. It often involves specific themes, settings, or styles that cater to a distinct and targeted audience with particular preferences. Writers within a genre niche adhere to established conventions and norms, creating content that aligns closely with the expectations of that niche audience. While having a niche genre has its advantages, I believe, the notion of sticking strictly to a niche is outdated for several reasons:

Reader Preferences Are Diverse: Modern readers have diverse tastes and interests. Restricting oneself to a niche may limit the potential audience, overlooking readers who enjoy a blend of genres or unique narrative approaches. Cross-Genre Appeal Is on the Rise: Readers are increasingly drawn to stories that transcend traditional genre boundaries. Cross-genre novels, often referred to as hybrid or blended genres, have gained popularity, offering a richer and more diverse reading experience. Innovation in Storytelling: Authors today are pushing the boundaries of storytelling by experimenting with hybrid writing. Embracing multiple genres allows for innovative narratives that captivate readers with unexpected twists and fresh perspectives. Changing Market Trends: Literary markets evolve, and the trend is shifting towards stories that defy genre conventions. Publishers and readers alike are showing interest in narratives that offer something new and break away from the constraints of a single niche. Reader Engagement and Expectations: Modern readers, influenced by a digital age of content consumption, seek variety and uniqueness. They are more open to exploring stories that blend genres, providing a departure from predictable narratives found within strict niches. The Rise of Cross-Media Storytelling: With the integration of technology and multimedia platforms, storytelling has expanded beyond traditional genres. Authors are exploring interactive narratives, multimedia elements, and transmedia storytelling, breaking free from niche constraints. Author Expression and Creativity: Authors are increasingly prioritizing creative expression over adherence to genre norms. Hybrid writing allows for a more authentic representation of an author's unique voice and vision, fostering creativity without the limitations of a niche. Appealing to a Global Audience: In a globalized world, stories that transcend cultural and genre boundaries have the potential to resonate with a broader international audience. Cross-genre writing allows for a more universal appeal. Challenging Traditional Definitions: Genres themselves are evolving, and rigid definitions are being challenged. Authors are experimenting with genre-bending narratives that defy easy categorization, reflecting the complexity and diversity of human experiences. Reader Desire for Complexity: Modern readers are drawn to complex narratives that mirror the intricacies of real life. Cross-genre writing allows authors to explore multifaceted themes and characters, offering a more immersive and satisfying reading experience.Understanding Hybrid Writing

So in order to define Hybrid writing, I can say that Hybrid writing is a literary approach that transcends traditional genre boundaries, blending elements from different genres, styles, or forms of writing. It involves the seamless integration of diverse storytelling techniques, allowing authors to create narratives that defy easy categorization and offer readers a unique and innovative reading experience.

Several authors and books are known for incorporating hybrid writing, blending elements from different genres to create unique and innovative narratives. Here are some examples:

Margaret Atwood Notable Work: " The Handmaid's Tale " Hybrid Elements: Atwood's work often combines elements of speculative fiction, dystopia, and social commentary. David Mitchell Notable Work: " Cloud Atlas " Hybrid Elements: Mitchell's novel mixes multiple genres, including historical fiction, science fiction, and post-apocalyptic themes. Haruki Murakami Notable Work: " Kafka on the Shore " Hybrid Elements: Murakami is known for blending magical realism, surrealism, and elements of both literary and popular fiction in his works. Junot Díaz Notable Work: " The Brief Wondrous Life of Oscar Wao " Hybrid Elements: Díaz combines elements of historical fiction, magical realism, and contemporary literature in his Pulitzer Prize-winning novel. China Miéville Notable Work: " Perdido Street Station " Hybrid Elements: Miéville is known for his work in the New Weird genre, combining elements of fantasy, science fiction, and horror. Neil Gaiman Notable Work: " American Gods " Hybrid Elements: Gaiman's novels often blend fantasy, mythology, and elements of the supernatural with a contemporary narrative. Kazuo Ishiguro Notable Work: " Never Let Me Go " Hybrid Elements: Ishiguro combines elements of dystopian fiction, science fiction, and literary fiction to explore ethical and moral dilemmas. Jeff VanderMeer Notable Work: " Annihilation " (Southern Reach Trilogy) Hybrid Elements: VanderMeer's work often falls within the New Weird genre, blending science fiction, ecological themes, and elements of horror. Michael Chabon Notable Work: " The Amazing Adventures of Kavalier & Clay " Hybrid Elements: Chabon blends historical fiction, adventure, and elements of the fantastical in this Pulitzer Prize-winning novel. Italo Calvino Notable Work: " If on a winter's night a traveler " Hybrid Elements: Calvino's metafictional work combines multiple narrative threads and genres, playing with the conventions of storytelling.

I recommend you to read few of these books in the list, if you haven't and tell me in the comment section if you recognize that the authors showcase the hybrid writing.

How to Implement Hybrid Writing?

If you've been ever asked that what is your story genre and you had no idea how to niche that complex story that incorporates elements of multi genre, you may be a hybrid genre writer. Click on the flowchart below to evaluate if you are a hybrid or niche writer.

Now, how do you do hybrid writing? Heres 8 steps:

Breaking Down Literary Barriers: Before diving into the implementation, it's crucial to grasp the essence of hybrid writing. This involves breaking down the barriers between genres, allowing for the convergence of diverse themes, styles, and narrative structures. Whether it's infusing science fiction into a romance or transgressive elements into a mystery, the key lies in the artful amalgamation of seemingly disparate elements. Identifying Your Core Genres: Every hybrid novel begins with a foundation rooted in core genres. Begin by identifying the primary genres that will serve as the backbone of your narrative. This clarity ensures a cohesive structure, providing readers with familiar elements while preparing them for the innovative twists that hybrid writing promises. Crafting Multidimensional Characters: Incorporating hybrid writing into your novel necessitates the creation of multidimensional characters capable of navigating the spectrum of genres. Develop characters with diverse traits and motivations that resonate with the different thematic elements introduced throughout the narrative. This ensures a seamless integration of genre-specific arcs within the overarching storyline. Plot Construction: Plot construction in hybrid writing involves the art of weaving together different genres to create a cohesive and engaging tapestry. Implement subplots and twists that draw inspiration from various genres, enhancing the complexity of the narrative while maintaining a balance that captivates and surprises readers. Blending Messages & Themes Across Genres: One of the challenges in hybrid writing is harmonizing themes across genres. Explore the intersections between seemingly divergent themes, creating a narrative that offers readers a deeper and more nuanced understanding of the human experience. This harmonization adds layers to your novel, elevating it beyond traditional storytelling. Seamless Genre Transitions: The success of hybrid writing hinges on the seamless transition between genres. Avoid abrupt shifts that may disorient readers, and instead, focus on creating a natural flow that enhances the reading experience. Introduce genre transitions strategically, keeping readers engaged and intrigued. Experimenting with Narrative Structures: Hybrid writing encourages innovation in narrative structures. Experiment with non-linear timelines, unconventional perspectives, or fragmented storytelling techniques to amplify the impact of your novel. Embrace the freedom to push the boundaries of traditional structures, creating a narrative that stands out in a crowded literary landscape. Iterative Editing: As you incorporate hybrid elements, commit to iterative editing processes. Refine the fusion of genres by ensuring that each element contributes meaningfully to the overall narrative. Strive for a balance that enhances the storytelling experience without overwhelming the reader with disparate elements.

So that's it for this post. I can say implementing hybrid writing in novels requires a thoughtful and strategic approach. When you learn the fundamentals, identifying core genres, and weaving together diverse elements, then you can create literary masterpieces that resonate with readers seeking fresh and innovative narratives.

Writer vs. Writer: Julius Olofsson

Let's step into the imaginative world of Julius Olofsson, a Swedish storyteller whose creative journey, sprouting from text-based computer games, embarked on an unexpected literary odyssey. Despite a background in film, Julius ventured into writing in 2015. Facing rejection but buoyed by positive feedback, he shifted to writing in English in 2022, inspired by the vast literary landscapes discovered during a UK bookstore visit. His chapbook "Moebler," released by Anxiety Press, weaves four interconnected tales exploring identity and choices made without logic. With 15 publications and contest recognitions, Julius shares his unique path to storytelling, proving that the essence lies not in becoming the next Stephen King but in sharing narratives that captivate the soul. In this interview, I will have a chat with Julius to unveil his writing journey, the challenges he conquered, and the satisfaction of seeing "Moebler" materialize, offering readers a glimpse into the mind of a writer driven by the pure joy of storytelling.

Hi Julius! Delighted to have you for this interview. I perused your bio and discovered your journey from creating text-based computer games to transitioning into writing. How did your experience in game development influence your approach to storytelling in literature?

First off, thanks for having me!

Ten years ago, I began creating text-based games, but even before that, I always had some projects going on. Still, ten years ago, something changed, and I managed to elicit some discipline and finish things. So, I began making Twine games, which is a form of text-based games, very similar to CYOA (Create Your Own Adventure) games from the 80s. It provided a safe space for experimentation, where I could put something together, get it out online, and see what people liked or disliked. I’ve always been drawn to the more odd, weird, and surreal ideas and stories, and with Twine, I could really go nuts. The most significant influence or takeaway from creating those games was that I managed to render an audience: people enjoyed my work! That, in turn, instilled me with confidence so that after two years of game-making, I felt ready to write a book.

I had to research Twine games as I've always enjoyed CYOA books and thought writing a novel in that style for adults; however, it's quite challenging, and I'm not sure about its current level of acceptance. Saying that, facing rejection can be challenging, yet you transformed those "positive rejections" into motivation. How did these responses influence your resilience and determination as a writer?

I got some positive rejections from Swedish publishers and learned that the book had been selected, becoming part of that slim pick of books that isn’t automatically rejected and was actually discussed as a candidate for publication. So, knowing that, I got spurred not to give up. And I think that, throughout my writing, there have always been small “encouragements” like that, making it difficult to give up. Also, I believe you must be somewhat crazy if you choose to pen a whole book. So, one could for sure exchange “resilience” with “insanity.”

I believe you must be somewhat crazy if you choose to pen a whole book.

I can relate. Insanity is part of a writer's journey. Having studied film and scriptwriting, what aspects of storytelling did you find seamlessly translating from the cinematic realm to the pages of a book? And were there challenges in making that shift?

My background and first and foremost interest have always been films. So I find myself picturing scenes, composing a whole book based on cool, impactful sets. It has also made me efficient with plotting and seeing something whole, not just initial details. Basically, I see the scenes in my book like scenes from a movie. Looking into challenges is then maybe to describe those scenes. I can, sometimes, find it boring to “just” read environmental descriptions, and I prefer to read something like: “The forest was like a Lord of Rings stage where blood had flown” or similar—basically painting a feel tied to the scene, rather than nitpickingly describe each, tiny pebble. But that’s just bound to preference; for some, I think they prefer a book to be more descriptive. To a certain extent, I can feel (at least in my earlier books) that I cheated a bit regarding the prose. In a screenplay, you’re not supposed to play around with the text; instead, you have to be to the point and explain what happens, even if it sounds dull. So, finding an equilibrium between the two has been tricky.

You mentioned feeling a bit lost in the Swedish literary landscape. How has your cultural background influenced your writing, especially as you transitioned from Swedish to English?

I remember writing a short story, and a dear friend who also writes who’s not from Sweden asked why it was set in the US. She said something about how I should write as a Swede, and that comment from her really helped shape my role as a Swede writing in English. So, one could claim that I simply write Swedish stories with Swedish characters and Swedish references but with universal themes. I can’t fake my background, and I believe in writing what you know (not always). I understand why I got rejected; Sweden is a smaller market, and you must find a publisher willing to bet on a niche. And if you look financially at it, I get why more surreal Swedish books aren’t published. So, I felt more “at home” in the English lit landscape. But that’s more tied to narrative possibilities. The English market comes with more steps when it comes to getting a book published. For example, in Sweden, there’s no need for an agent; you just email the publisher your book!

I felt more “at home” in the English lit landscape.

Well said. Writing in English is more freeing for me than Persian as well however I had a level of success back there, I never felt it's how I wanted to write. So, I know that you ventured into flash fiction as a precursor to your major publications. How did the brevity of flash fiction impact your writing style and storytelling techniques?

Just as with me making Twine games, I got the same experimental opportunities from writing short stories and flash fiction, even micro. I wanted to ensure that my ideas could fit abroad and that my English was good enough, even if it could never reach the level of a native speaker. The brevity was perfect at the time, not just for writing something short, but also that it came with a faster process. I could spend hours or days on a story, send it off, get rejected, and get accepted. That was magical; not to have to toil away for months, or even years on a book, then submit it, wait a couple of months, just to get shot down. The biggest impact was probably me delving deeper into the English language and, again, getting some stamps of approval.

You said, during your visit to the UK, you discovered books that resonated with the surreal and odd ideas you wanted to write. How did this discovery shape your narrative style and themes in "Moebler"?

Yeah, that trip was just what I needed. If you visit a Swedish bookstore, there’s a lot of the same, but coming to the UK (Edinburgh, actually) provided a plethora of stories, not all stemming from the same mold. When it comes to themes in “Moebler,” I think that I still made use of the same themes from my other books written in Swedish; loneliness, identity, and that shit doesn’t always go as planned. But I was empowered by many of those English books, feeling that playing around with everything from style and form to prose and the actual story was okay. But one massive aspect (and a bit tied to the previous question about brevity) is that I’ve always preferred shorter books—and there are plenty in English! I find myself usually growing bored by too lengthy books, as I can feel they don’t provide much more newness than a book a hundred pages shorter. There is sometimes “padding,” and I know many won’t agree with me, but I’m the kind of guy who enjoys efficiency. I remember going to the Gothenburg Film Festival back in the day, watching plenty of German films, and I’ve always praised them for their efficient storytelling. So, when I walked around those bookstores in Edinburgh, I chose books based on thickness. Even if it sounds silly, that’s a great way to sift through loads of books but also find your preference. I’ve discovered oodles of fantastic books, and, being shorter (100-250 pages), I know they’re usually effective with the few pages they have. Like “Heatwave” by Victor Jestin. It’s very short, but he manages to keep me riveted. The same goes for “Dead Girls” by Selva Almada or “Pig Tales” by Marie Darrieussecq and some thousand others.

Your chapbook, "Moebler," weaves four interconnected stories exploring identity and choices. Can you share a bit about the inspiration behind these stories and how they came together?

As I’m intrigued by the weird, and I think in pictures, the first seed to “Moebler” was an idea about a guy living on an island, assembling IKEA furniture. And not much more. It might sound banal, but I seldom begin with me wanting to say something or make a point. I’m a pantser writer, and as I write, I discover what it’s all about, so, more or less, all of my longer stories come with a moment where I pause and say, “Oh shit, that’s what this is about.” It sounds like I have no clue what I’m doing, but before I start writing, I always have a rough sketch of what I want to create and how it’ll evolve, and I always know how it will end. But that’s just broad strokes. I WANT to discover and explore, just seeing where it takes me. Still, as I know the ending, that’s like a beacon that I can always aim for. So, the first story was about this guy who’s left on an island, and, for some reason, IKEA furniture gets delivered there, which he starts to assemble. But as he’s running out of space inside the cabin he’s living in, he helms the outdoors and turns it into an external living room.

All three remaining stories tie to that first one, and as I’m keen on mysteries (all my stories come with one, in a sense), I wanted it to unfold the story like a mystery. So, I tied the stories together without making it too obvious, more like leaving clues here and there. The idea is that if someone actually were to re-read it, they’d hopefully see new things and connect the dots. I began writing in August of 2022, and by May 2023, the book was published by Anxiety Press. So, I guess the turnaround was quite fast, but I’m usually efficient once the story is plotted and done. Finally, I love to unleash my stories into the world because I love seeing how others interpret them. I had an idea about loneliness, erratic behavior, and (maybe the central theme) identity and how one secures a new identity. But, I did this reading of the book at a bookstore in Stockholm called The English Bookshop, and the interviewer there said that he loved how I worked with the theme of what a home is, and I was pleasantly surprised because he was right, but I hadn’t really thought of that, but he saw it, and I learned a bit about myself. So, in retrospect, as others read, I evolve.

Part of the motivation behind "Moebler" was to build self-esteem, as you mentioned. How did this creative endeavor contribute to your personal and artistic growth?

Plenty! It’s the biggest self-esteem booster yet. Not only did I debut, finally, but I also found a publisher that felt that their time and energy were worth investing in me. I’ve gotten calmer when it comes to doubts tied to my English skills, and I can rest, feeling that some believe my words are worth reading. I think “Moebler” getting published was essential for me to fuel up and continue my literary journey.

The point is to write. Grammar comes after I guess. Your foray into screenwriting resulted in a horror movie. How did this parallel journey in a different medium influence your storytelling techniques, especially in the horror genre?

Writing a horror screenplay provided a much-needed break from literary writing. 2022 was a productive year when I wrote over twenty flash fiction/short story pieces, some micro stuff, my chapbook “Moebler,” and that horror movie called “PERENNIAL.” For me, it was also a pause from the more…demanding genres, and it was so fun to “just” write a horror film. Still, a lot of inspiration comes from the more thought-provoking horror movies from the 2010s and 20s, and I wanted to tell a story that would scare you but also be relatable. As I studied screenwriting over twenty years ago (where does the time go?), I was young and cocky and wanted to write weird indie movies without a story. Yes, I was dumb. So, now, writing this horror movie, I tried to redeem myself and play by the book. So I picked a proper narrative structure (Save the Cat), read up on what’s known as contained horror (limited locations, not much VFX, and few roles, just to keep it cheap), and began writing. Of course, one can dream that YOUR movie might get made, but that wasn’t really the thing. Just as writing shorter stuff, I wanted to feel I could finish something. I had spent 2015-2021 writing four books, and to start a fifth one felt daunting. But I needed to keep writing, being creative, but NOT take on something too big. Having written “PERENNIAL,” I managed to remind myself about things I already had learned in film school: narrative structure, pacing, and whatnot. In a way, writing a screenplay could benefit many writers out there, as you only have to (and should only) focus on the story and characters rather than the prose. This will, for sure, sharpen your storytelling skills.

Makes semse. So, your goal is to have people read and enjoy your stories. Looking ahead, what themes or genres do you aspire to explore in your future literary works? And how do you envision your writing evolving over time?

My goal is to be a person who writes. I love writing books, but I’ve spent much of my life focusing on films. I’ve also worked for many years as a game writer, coming up with stories for games. So, with that said, I want to tell stories, but I would love to spread my wings and do different things—games, comic books, or whatever. Now, it might sound like a choice I can make, but we all have to dream, right? I’ve grown comfortable with what types of stories I do write, and they’re not for everyone. I’ve gotten reviews on “Moebler,” my shorter stuff, and also my Twine games, where people mean that they loved it, that it’s not for everyone, but the story will stay with the reader for a while, and I’m fine with that. If I manage to get some people to read me and discover what I want to do, that’s great. Based on my ideas, I think it would be naïve to aim for the skies. Many writers are also focused on one genre, and I have ideas for almost every genre out there and plenty of themes to explore. I think I’ll always have some recurring themes embedded in my stories, but I’ll dabble with others. Identity and loneliness are an absolute part of all my books. But, looking at other ideas (and there are plenty), I’m touching on subjects and themes such as self-deception, change, coming-of-age stuff, injustice, acceptance, doubt, and whatever I might stumble upon. Right now, I’m working on my first English novel, and the goal is to find an agent and get it published. Hopefully, I’ll achieve said goal.

Thanks Julius for this interview. I wish you the best in your writing journey and I hope to read more of your amazing stories.

If you're interested to know more about Julius, visit the following links:

AUTHOR WEBSITE WHERE TO GET THE BOOK AUTHOR X (TWITTER)