Neda Aria's Blog, page 7

Our Velvet Swordplay: From Precocious Reading to Erotic Horror

I was a “precocious reader,” which is the accommodating term for kids who read adult literature, youngsters who go so far as to tear off the front covers of the books they are reading (before, during, and after class...) so that no attention is drawn to the book in hand, no adult eyebrow is raised, and no dog-eared paperback is confiscated. I read THE EXORCIST as a 6th grader – twice, back-to-back, to better process the horrifying masterpiece I had just ingested. A memorable experience which still gives me reverential pause.

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By the time I was in junior high, I had progressed to more graphic, historical stuff, and to best sellers on the adult fiction lists. Peter Benchley’s JAWS was a freshman high school English class lit project; Frank Langella as Dracula was my dark romance paradigm. Jaqueline Susann, I discovered by way of her best seller VALLEY OF THE DOLLS whilst browsing bookshelves at a house where I babysat. What I soon after purchased was her lesser-known sci-fi romance, YARGO, in which a female earthling enters into a relationship with an alien leader, a la THE KING AND I.

YARGO was written in the 1950’s but only published in 1979, four years after Susann’s death.

I loved YARGO, but, as others of our ilk, was so disappointed that the narrative “didn’t go there,” when it came to the consummation of their love. The glossing over was a void; it frustrated the curious, hormonal teen I was back then, has lingered with me to the present.

Having evolved to being a writer focused on horror, with interest ranging from sci-fi to erotic horror, I was eager to dive into a short story that would bring together what I loved and what specifically in YARGO had lacked. The result was “Consummation,” a no-holds-barred sex-focused horror tale, a clear homage to YARGO, with some (imo inevitable) tapping into classical mythology.

Were not those arrogant, supernatural god and goddesses up there in the clouds our first alien elites? And what was one of their preferred methods of conquest? Indeed – the “horror” of erotic aggressions existed in droves!

As with my other writing, I sought to convey the gruesome by way of the most beautiful writing I could manage. “Consummation” was a fabulous opportunity to invoke age-old story telling musicality with wet, hot descriptive. It was a blast to write.

The key is, I believe, about having the courage + broad perspective to – eyes wide open – go there to create such as this, and then with the same breadth of receptivity to read and enjoy it (no feigning of shock), and then to discern what all a work might be illuminating by way of its narrative and imagery. Horror is, after all, dark allegory, and stories, like works of art, will always speak differently to different readers – our takeaways can and ought to suit us, should satisfy us.

We who go there, in this case eroticism in horror, as Arts producers and consumers are not doing anything any society hasn’t done before. Faith-based religions are steeped in erotica, which at its simplest is the sentient animal’s response to core-targeted stimulus. We elevate that to an expressive form with our velvet swordplay, which includes all the allegory – however moribund – that underlies each salacious escapade, every passionate conquest. The horror community as a whole looks unflinchingly to history, folklore and belief systems that have always walked hand in hand with our unstoppable, bio-driven imaginations. Then as now, these works help us disseminate, process, heal, move forward, and indulge. And let us be clear on ideations and protestations of dominance versus submission – those are highly nuanced dynamics; it is a wholly interchangeable dance. If we dare allow our consumption to stoke a response, we are responding in the way blood-imbued, breathing survivalist creatures always have. To “do it” by way of creative expression and consumption is one fabulously artful way of participating in a very big, very organic picture.

If you would like to read “Consummation” in its entirety, ,click here.

Author Illustrator and HWA member K.A. Schultz writes with pictures and draws with words. Kimann, an art historian and advocate of freedom of creative expression, is a fan of all things darkly romantic – and romantically dark. She is the author of GÖTHIQUE (2023) a gothic horror short story/poetry collection, and NEITHERIUM (2022) a horror/sci-fi short story/poetry collection, and of JACOB – A Denouement in One Act (2021) a Jacob Marley rest of the story and RUGS ON PUDDLES COATS OVER OCEANS collected poems and lyric poetry. To learn more about the author, please visit https://linktr.ee/K.A.Schultz or www.butterflybroth.com, and follow her on Instagram @kaschultz_writer

The Art of a Good Book Cover

In the world of fiction, the book cover is the initial gateway to a reader's imagination. It's the first impression, the visual handshake, and the lure that entices readers to explore the uncharted worlds within. Crafting a good book cover is an art that goes far beyond aesthetics; it's a potent blend of design, storytelling, and marketing. In this article, I'll discuss what makes a fiction book cover truly exceptional, what is a bad book cover and what to look for in designing book covers for Dark Romance and Transgressive Fiction Books. Here's 7 ways to design a book cover that sells:

Genre Relevance Visual Storytelling Eye-Catching Design Emotion and Connection Uniqueness Market Trends and Audience Professional Design

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Genre Relevance

One of the cardinal rules of designing a fiction book cover, as I talked about it in my book on Transgressive Fiction Writing, is ensuring that it aligns with the genre of the book. (Get this book for free here) The cover should communicate, at first glance, the kind of story a reader can expect. The communication rule of thumb here aligns with principles of communication theory often applied in advertising. In advertising and design, effective communication is essential to convey a message clearly and efficiently to the target audience. The image below shows 5 ways of how communication rule applies to book cover design:

So, some may say that a mystery novel should look mysterious, a romance should exude romance, and a sci-fi should be unmistakably futuristic (source). I won't argue with that as the right genre signals make the cover a magnet for the right readers. However, this is a very simple definition. In the context of fantasy and science fiction, book covers should merge the real with the unreal, depict dramatic actions, and create a mood that encapsulates the story's imaginative worlds. Romance novels use various approaches, including showcasing the connection between characters, hinting at sensual moments, and employing provocative objects. Thriller and mystery book covers build tension by using perspective, making the title a focal point, and creating intrigue through ambiguity. Literary fiction book covers are diverse, reflecting the wide range of literary works. In all cases, the goal is to align the cover with the book's mood and style, making it a compelling visual invitation to potential readers.

Here are some examples of Genre relevant good covers.

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Now, you're telling a story so should you book cover. It should encapsulate the essence of the narrative, offering a sneak peek into the world within. It could be a key symbol, a character's portrait, or a scene from the book. This visual storytelling sparks intrigue and beckons the reader to uncover the rest of the tale. Here's a good example: A Clockwork Orange

The cover of "A Clockwork Orange" by Anthony Burgess has varied over time and across editions, but one of the most iconic and recognizable designs features a stark, predominantly white or orange cover with a striking image of a human eye sometimes in a mechanical gear or cogwheel. This image symbolizes the theme of dehumanization and the mechanization of society explored in the novel. The title is often prominently displayed in bold, orange lettering, creating a bold contrast against the white background. This design has become synonymous with the book and its adaptation into a famous film by Stanley Kubrick.

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In the context of transgressive fiction and absurd feminism, the redesign for "Feminomaniacs" incorporates symbols and messages from the initial story of this collection. The color theme was selected to harmonize with the palette of my previous works, maintaining a visual consistency, and red/dark orange, black/dark gray and white were specifically chosen as they often symbolize themes of rebellion, subversion, and societal critique. This design not only evokes the essence of the collection but also aligns with the bold and provocative nature of transgressive fiction and its exploration of unconventional ideas and gender dynamics.

Eye-Catching Design

While content is crucial, the visual design must be eye-catching. A good cover should stand out on a bookstore shelf or in the crowded online marketplace. Typography, color, and composition should be harmonious and pleasing to the eye. The cover design should have a sense of balance and harmony that makes it instantly recognizable. So, typography, color, and composition are essential components of an effective cover design.

Typography: The choice of fonts and their arrangement should be carefully considered. Typography sets the tone for the book and should be both legible and visually appealing. It should align with the book's genre and themes. For example, a whimsical, handwritten font might be suitable for a lighthearted romance, while a bold, sans-serif font could be fitting for a thriller. The title and author's name should be clearly legible, even in thumbnail size. The font choice, size, and color must ensure readability. A cover is not just a work of art; it's also a marketing tool, and readers should be able to recognize the book at a glance. Color: The color palette used in the cover design can evoke specific emotions and associations. It should be in harmony with the book's content and genre. For instance, warm and inviting colors may be used for a feel-good romance, while darker and more intense colors could be chosen for a mystery or thriller. The colors should also be visually pleasing and not overwhelming. Composition: The arrangement of visual elements on the cover should create a sense of balance and harmony. The placement of images, text, and other design elements should be thoughtfully structured. An uncluttered and well-organized composition makes the cover more aesthetically pleasing and easier to understand. Instant Recognizability: A successful cover design should be instantly recognizable, even from a distance. This recognizability can be achieved through a distinctive logo, a unique layout, or a memorable visual element. It ensures that the book stands out in a bookstore or an online marketplace, where it competes for the reader's attention.

A good cover should look appealing both in print and digital formats. It should adapt well to various sizes, from the bookshelf to online retailers, without losing its impact.

Emotion and Connection

A great cover evokes emotions in the viewer. It should resonate with the themes and feelings of the book. Whether it's excitement, nostalgia, or curiosity, the cover should create an emotional connection that compels the reader to pick it up and explore further. The psychology behind a compelling book cover design that elicits emotions in the viewer is deeply rooted in human cognition and emotional responses.

When a book cover aligns with the themes and feelings of the book, it triggers a powerful emotional resonance, tapping into the viewer's personal experiences and desires. This emotional appeal not only influences decision-making but also enhances cognitive processing, making the book more memorable and increasing the likelihood of the viewer remembering it when faced with choices. Furthermore, emotions like curiosity, nostalgia, and excitement act as psychological motivators, encouraging the viewer to pick up the book and explore its contents. The visual aesthetics of the cover, including color and typography, also play a vital role in influencing emotional responses, contributing to the book's overall appeal and its ability to create a strong emotional connection that compels the reader to engage further.

Uniqueness

With the multitude of books available, it's essential for a cover to be distinctive. A unique cover makes a book memorable. It stands out in the reader's mind, and it's easier to recall when recommending it to others. However, uniqueness should be balanced with genre relevance – it must be unique within the genre's conventions.

Overall, add a little bit of your touch! Make it your signature! Look at famous publishers book cover designs. For example, Penguin Books classic design that you can immediately recognize is 70% orange which can includes an image, 10% white and 20% black. Check this link on the Penguin books to generate a free quick book cover.

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Also, for books in a series, maintaining a consistent design theme is essential. This ensures that readers can easily identify books as part of the same series.

Market Trends and Audience

While following market trends blindly can lead to generic designs, it's crucial to be aware of what's currently resonating with the target audience. Cover designs should be contemporary while still maintaining the book's individuality. Considering what medium was available by the time, the cover design would varied. Lord of the Rings Book Cover Designs since 1950s to now.

Over the decades, there has been a notable evolution in the trend of Lord of the Rings book cover designs. Initially, in the 1950s and for several decades thereafter, book covers for J.R.R. Tolkien's epic fantasy trilogy often featured traditional and illustrative artwork that aimed to faithfully represent the mystical and adventurous world of Middle-earth. These covers frequently showcased intricate landscapes, characters, and scenes from the story. However, as we transition into the present day, the trend has seen a significant shift. In recent years, book cover designs for Lord of the Rings have embraced a more minimalist and contemporary approach. Modern covers tend to feature simplified, symbolic, and typographic designs, reflecting a shift in design preferences and the need to appeal to a new generation of readers (source).

This shift can be attributed to various factors related to trends and tools in the publishing industry. Firstly, there has been a growing preference for minimalism in design, both in literature and across various art forms. This trend aligns with the contemporary aesthetic, which values simplicity and clean visuals. Secondly, advances in digital design tools have empowered designers to create striking, symbolic, and typographic representations that effectively capture the essence of the story. These tools allow for more flexibility and experimentation, making it easier to adapt to changing design preferences. Additionally, the need for covers to stand out in digital and online marketplaces has driven the trend towards eye-catching, easily recognizable designs that are more suited to smaller screens. Consequently, the evolution in Lord of the Rings book cover designs reflects a broader shift in design sensibilities and the adaptation to new technologies and consumer expectations.

Professional Design

A good book cover is best left to professionals. Hiring a professional book cover designer is an investment in the book's success. They understand the nuances of design, and they can create a cover that not only looks great but also sells. I also offer this service with flexible pricing packages. If interested you can learn more here.

So, in an era that everyone can publish and there's an overwhelming number of books published daily through platform such as KDP, having a good book cover is an invitation, a promise, and a work of art. It's a visual embodiment of the story within, and when done right, it's a powerful marketing tool. Crafting a good book cover requires a balance between artistic expression and market savvy, ensuring that it not only entices readers but also does justice to the literary masterpiece inside. Now, it's your turn. What is your all time favorite book cover? Why? Share a link to the cover for us to see:)

10 Most Violent Books: Exploring the Dark Side of Literature

“Violence has been my natural playground, and I know a little about it. And about the darker side of violence too, the violence that is within oneself. It’s just beneath the surface, lurking there, waiting, always ready to smash and destroy.”

Shane Stevens

This entry was inspired by Beau Johnson’s new book, The Abrum Files: A Bishop Rider Book. Those not familiar with Johnson, he is a Canadian crime noir/horror writer and the creator of Bishop Rider, a one-man vengeance machine who has appeared in several other books including Brand New Dark, A Better Kind of Hate, All of Them to Burn, and Old Man Rider. With these books, Beau is on a mission to tell the stories of his most popular character, Bishop Rider, whose sister and mother are brutally assaulted and murdered (while filmed) by human traffickers. Thus Rider becomes an avenging angel who scorches his way through the men responsible for his family’s demise. Once he’s had his revenge, Bishop Rider and his small crew don’t stop there. Through a series of books, Rider sledge-hammers (wood chippers?) a slew of degenerates, including kidnappers, child killers, rapists, and murderers, sparing no violence against some of the most wretched villains outside of Marvel Comic’s The Punisher. These evil doers are the slimmiest, most vile and corrupt motherfuckers you will ever read about and their evil doings are the stuff of nightmares. But the vengeance set on them by Bishop is often times much worse than their crimes (well, maybe). These stories are often times icky, bloody, and disturbing, but provide a satisfying visceral release for fans of grim violence. You will be transformed, if you’re not otherwise sickened, or turned away by the graphic violence (I take mine in small doses).

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I’m looking forward to reading this new book when it arrives. Beau and his concordance of violence and retribution inspired me to write this treatise on violent literature. I’m often impressed by his characters relentless drive to do away with evil. All evil, everywhere, even if they have to scorch the entire planet to do it.

There will never be a time that this evil will be fully vanquished, but Bishop Rider will torch, hammer, hacksaw his way to justice. And in the end you’re almost convinced he’s rid the world of all its evil men, and then along comes his sidekick to finish the business of payback (more on that below). The characters and scenarios are so violent in Johnson’s books, that I started to think about other books I’ve read and the amount of violence one is capable of absorbing as a reader, and most importantly as a writer. I know the personal emotional hell it was to write something like my novel, (from Outcast Press). After reading my first Bishop Rider book, I wondered the kind of demons Johnson confronts in his mind that enables him to put these things down on paper. Or maybe he just enjoys writing about it. While not always crime noir, it isn’t quite horror either but it’s a pretty perfect mash up.

Lee Marvin once said, “Everybody wants to get even with someone”, and I think Beau knows that and runs with it. I’ll stop asking and wondering how he gets to that place and just be grateful the books in the series exist. Cold or hot, it doesn’t matter what temperature you serve vengeance, as long as you serve it. I’m sure karma comes to Bishop Rider for advice.

This blog entry was inspired by the aforementioned books, and the new spinoff in the series, The Abrum Files, which sees a sidekick character take over the acts of vengeance after Rider’s demise (sorry for the spoiler). Without irony, but with humor, blood, and hard impact to soft areas, Beau delivers on the viscera.

This entry is about the 10 most violent books I’ve read, because I feel that any Rider book ranks among them. I’ve said in interviews that I write violence in my books to come to terms with the violence and ugliness of the world. Violence is nauseating, painful, sad, terrifying; I can’t block the world and its ugliness, so I confront violence face to face and accept that sometimes it is an act of nature, and humans are the couriers of the universe’s malevolence.

Let’s take a gander at these 10 books. You might be familiar with some of them. I’ll add a short description for each one. If I include incest or assault on children, because of it’s extreme nature, it should be mentioned on the list. But reading the books of Bishop Rider by Beau Johnson always brings me back to these books filled with unrestrained atrocities. They could easily rank among them.

120 Days of Sodom, Marquis de Sade. Kidnapping, sexual assault, coprophagy, brutal beatings; second only to the bible in atrocities.

Eden Eden Eden, Pierre Guyotat. The most violent book I’ve read outside of the bible, Blood Meridian (see below), and the works of Marquis de Sade. This is one constant, incessant onslaught of war atrocities, sexual assault and depravity you’ll ever read, all smashed up into each other. One relentless stream of the most horrific acts one human can commit on another. Non-stop. That is the whole book. Really.

The Bible, King James Edition, various. Book of Judges seems to pack a lot of blood and violence. The seventh book in the bible also contains writings about the Ark of the Covenant which inspired that little field trip known as the Spanish Inquisition. Pick your favorite chapter, without which humanity would be all hugs and kisses.

Blood Meridian, Cormac McCarthy. Everything you’ve heard about this book, good, bad, indifferent is all true. I won’t bother with the exhibition of atrocities therein. Just remember it has blood in the title.

A Clockwork Orange, Anthony Burgess. Sexual assault, the assault on the individual by a corrupt system. Lots of ugly violence, bursting with anarchy and dystopian insanity.

Invisible Monsters, Chuck Palahniuk. Just the part about the rifle shot to the jaw… Fight Club is a close second for being repellently violent.

Slob, Rex Miller. Greatest fiction serial killer of all time. So great, he eventually becomes a hero in the other books in the series.

Blood and Guts in High School, Kathy Acker. Avant-garde, violent, and filled with much incestuous journaling and body horror.

Baise Moi, Virginie Despentes. Sexual assault and revenge always go hand in hand. I’ll see your Baise Moi and raise you my own tale of vengeance, Perras Malas, which was inspired by it.

Dead City, Shane Stevens. See above quote. And ask Stephen King about Shane Stevens, and where he got his inspiration for The Dark Half. Ultra-realistic mafia violence. Bodies bludgeoned, shot, dismembered and disposed of in oil drums. ‘Nuff said.

In conclusion, Shane Stevens' words, inspired by Beau Johnson's Bishop Rider series, reflect a fascination with the dark side of violence. These violent narratives, while gruesome, offer a means to confront the harsh realities of the world and explore the disturbing facets of human nature, ultimately providing catharsis and understanding for both readers and writers. Make sure you get your copy of The Abrum Files: A Bishop Rider Book wherever books are sold.

Manny Torres is a writer, photographer and painter residing in Atlanta, GA. In addition to Dead Dogs, he also wrote the novella Father Was a Rat King (Uncle B. Publications) and the revenge thriller Perras Malas (from Outcast Press). Check out his books below.

Website: mannytorresnovelist.com

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Story of O by Pauline Réage: Detailed book analysis

"Story of O" is a highly controversial and transgressive classic novel written by French author Anne Desclos under the pseudonym Pauline Réage. The novel was first published in 1954 and immediately sparked outrage and debate due to its explicit content and exploration of BDSM (bondage, discipline, dominance, submission, sadism, and masochism) themes. "Story of O" has since become a cult classic in erotic literature, dark romance and is often considered a seminal work in the genre. I have searched the internet for a good in depth analysis of this book and I found few articles (non academic) that worth reading. So, I decided to do it myself. The main reason, however, is because of my recent solo novel which I've began and finished writing its first draft within the month of September. I've never done that before in my life! A whole 120k plus words novel just in less than a three month. In this novel Story of O has a prominent impact as it changes the main character as an adolescence and her perception toward love and sex. There might be spoilers in this review so beware of that!

Plot

Setting

Characters

Style

Themes

Motifs

Symbols

What I think

Interesting Facts

Plot

"Story of O" is a controversial and explicit novel originally published in French in 1954 under the pseudonym Pauline Réage. It tells the story of a young woman, known only as "O," who willingly submits herself to a life of extreme sexual and psychological submission. O's journey into submission begins when she is taken to a château in Roissy, a secret society dedicated to BDSM activities. She becomes the willing and obedient slave of her lover, René, and later, his friend Sir Stephen. The novel explores the complex dynamics of power, dominance, and submission, and it delves into O's exploration of her own desires and identity as a submissive. The plot of "Story of O" revolves around O's initiation into the world of BDSM and her relationships with René and Sir Stephen. It follows her journey from her initial submission and training to her encounters with other members of the château. The narrative explores her evolving relationships and her quest for fulfillment through submission.

Setting

The story primarily takes place in a secluded château in Roissy, France. The château serves as a secretive and opulent backdrop for O's initiation into the world of BDSM and her experiences of sexual submission. It is within this setting that O undergoes various forms of training and domination.

Characters O (Renée): O is the protagonist of the story. She is a young woman who willingly embraces a life of sexual submission and bondage, seeking fulfillment through her obedience and submission to her lovers. René: René is O's initial lover and the one who introduces her to the world of BDSM and the château. Sir Stephen: Sir Stephen is René's close friend and becomes one of O's lovers. He continues O's sexual training and exercises dominance over her.Style

Pauline Réage's writing style is marked by its explicit and unapologetic depiction of BDSM activities and eroticism. The narrative is both poetic and erotic, immersing readers in the intense emotions and experiences of the characters. The style is characterized by its frank and unflinching exploration of sexual desire, dominance, and submission.

Themes Sexual Desire and Submission: The central theme of "Story of O" is the exploration of sexual desire and the act of submission as a means of self-discovery and fulfillment. Power and Dominance: The novel delves into the complex dynamics of power and dominance, as O willingly submits to the desires and commands of her lovers. Identity and Self-Realization: O's journey is also a quest for self-realization, as she discovers her own desires and the extent of her willingness to submit to her lovers.Motifs Château and Secrecy: The motif of the château symbolizes the hidden world of BDSM practices and the secrecy that shrouds O's experiences within the society. Orchid: The orchid is a recurring motif that represents O's submission and her desire to please her lovers. It is also used as a symbol of her submission.Symbols Branding: O's branding with the letter "O" serves as a powerful symbol of her complete ownership and objectification. The act of branding represents her willingness to be marked and identified as a submissive within the BDSM society. It also symbolizes her commitment to her lovers and their control over her. Masks: Throughout the novel, masks are used as symbols of anonymity and concealment. In the château, participants often wear masks during various sexual activities to hide their identities and create a sense of mystery. Masks represent the blurring of personal identity and the surrender of individuality in the context of BDSM. Rings: Rings are used as a symbol of O's status and her connection to her lovers. In the story, O is given a ring as a physical marker of her commitment and submission to René, and later, Sir Stephen. The rings serve as a visual representation of her bondage and ownership. Whip and Chains: These traditional BDSM tools are symbolic of the physical and psychological control exerted by O's lovers. They represent the pain, pleasure, and dominance that are integral to her submissive experiences. Leash: O is often led by a leash, which symbolizes her figurative and literal "leash" or control by her lovers. It represents her willingness to be led, both physically and emotionally, by those in power over her. O's Costume: O's attire in the château consists of a leather corset and various accessories. This costume symbolizes her role as a submissive and her transformation into an object of desire within the BDSM context.What I think

"Story of O" is a highly controversial and explicit novel by the time (even now) that explores themes of BDSM, power dynamics, and sexual submission. Since its publication in 1954, it has evoked a wide range of reactions from readers and has generated extensive debate and discussions over the years, both in terms of its literary merits and its explicit content. Some readers appreciate the novel for its fearless exploration of taboo subjects and its willingness to challenge societal norms regarding sexuality and relationships. It has been recognized as a groundbreaking work in the realm of erotic literature, and some argue that it offers a thought-provoking examination of the complexities of desire, dominance, and submission. Others may find the book unsettling due to its explicit and explicit content.

For me, the "Story of O" is an example of literature that pushes boundaries and challenges traditional narratives of sexuality. It is transgressive due to its explicit and unapologetic exploration of BDSM practices and themes of sexual submission and dominance. It challenges societal norms and delves into the complex dynamics of power and control within the context of extreme sexual bondage. The novel's candid depiction of taboo subject matter and its willingness to confront societal expectations make it transgressive, pushing the boundaries of traditional literature and exploring the extremes of human desire.

Also, it can be categorized as a dark romance due to its portrayal of a deeply passionate and intense love between the central characters, O and her lovers, René and Sir Stephen. The romantic elements are intertwined with the themes of submission and BDSM practices, creating a dark and unconventional love story that challenges traditional notions of romance. The relationships in the novel are marked by obsession, desire, and profound emotional connections, despite the extreme and at times unsettling nature of their dynamics. This dark and unconventional form of romance forms the core of the narrative.

Interesting Facts

Here are some interesting facts about "Story of O" :

Pseudonymous Authorship: Anne Desclos initially wrote "Story of O" under the pseudonym Pauline Réage. She chose to use a pen name to maintain her privacy and anonymity due to the explicit and controversial nature of the novel. Inspired by a Lover: Desclos wrote the book as a response to a challenge from her lover, Jean Paulhan, a French literary figure. He bet that she couldn't write an erotic novel. Her success in meeting this challenge led to the creation of "Story of O." Public Revelation of the Author: In 1994, Anne Desclos publicly acknowledged that she was the author of "Story of O." Her revelation marked the end of decades of speculation about the author's true identity. Reception and Controversy: "Story of O" initially received mixed reviews upon its publication. While some praised its literary qualities and exploration of taboo themes, others criticized its explicit content. The novel remains a subject of debate and discussion in the literary world. Impact on Erotica: "Story of O" is considered a groundbreaking work in the genre of erotica. It played a significant role in paving the way for more open discussions about sexual desire and alternative lifestyles. Sequels and Adaptations: "Story of O" has inspired sequels and numerous adaptations, including films, stage productions, and academic studies. It has become a touchstone for discussions about BDSM in literature and popular culture. Cultural Influence: The novel has had a profound impact on the perception of BDSM in literature and society, contributing to the acceptance and exploration of this subculture. Freedom of Expression: "Story of O" has been involved in legal cases related to freedom of expression and censorship in various countries. Its explicit content has led to bans and restrictions in some places. Continued Interest: Despite being over half a century old, "Story of O" continues to be of interest to scholars, writers, and readers interested in exploring the complexities of human desire, power dynamics, and unconventional relationships.

Share your opinion with me about this review. Don't forget to request an in depth analysis / study of the book of your choice. I do this once a month. Look forward to hearing from you ;)

Dark Romance 101: Crafting Complex Characters

In literature, dark romance has carved a niche for itself as a genre that explores the murkier facets of love and desire. At its heart lies a complex and intricate web of emotions, where protagonists often find themselves entangled in passion, obsession, and vulnerability. What sets dark romance apart from its more conventional counterparts is the depth of its characters, who grapple with their inner demons while navigating the treacherous terrain of love. As a creative writers, we know that character development is a crucial aspect of writing, regardless of the genre or form, as it shapes the heart and soul of your story. Characters are the vessels through which readers connect with your narrative, making their growth, transformation, and authenticity essential for engaging storytelling. So, knowing how to create complex characters is necessary foundation to learn. In this article, I will din into the art of crafting complex characters focusing mainly on dark romance genre.

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What is Dark Romance?

In my previous posts on Dark Romance Category, I defined what dark romance entails. Here, briefly, I can explain that dark romance is a subgenre of romance fiction that thrives on the exploration of unconventional and often controversial themes. It delves into the darker side of love, frequently featuring characters who are morally ambiguous, emotionally scarred, or deeply flawed much like what we have in Transgressive Fiction. These stories are not for the faint of heart, as they frequently incorporate elements of danger, power dynamics, and forbidden love. It's the intricate portrayal of these characters that adds depth and authenticity to dark romance narratives.

Character Complexity: The Heart of Dark Romance

The success of any dark romance hinges on the complexity of its characters. The diagram below summarizes Developing Complex Characters in creative writing. (Click on image to enlarge)

In Dark Romance, characters are not cookie-cutter versions of idealized lovers but are multi-dimensional individuals with their own strengths and vulnerabilities. Crafting such characters involves 4 key elements:

Flawed Protagonists: Dark romance often centers around protagonists who are far from perfect. They may grapple with issues like trauma, addiction, or a dark past. Their flaws make them relatable, and readers can empathize with their struggles, even if they don't always agree with their choices. Moral Ambiguity: Dark romance characters frequently walk a fine line between right and wrong. They might make morally questionable decisions in the name of love or desire, forcing readers to confront the gray areas of human nature. This moral ambiguity adds depth to their characterization. Vulnerability: Despite their hardened exteriors, dark romance characters are often deeply vulnerable. Their vulnerabilities can stem from past traumas or a fear of opening up to love. These emotional wounds create opportunities for growth and development throughout the story. Conflicting Desires: In dark romance, characters often harbor conflicting desires. They might yearn for love but fear it at the same time, or they may be drawn to a dangerous partner while knowing the risks involved. These internal conflicts drive the narrative forward and keep readers engaged.Examples from the World of Dark Romance[image error][image error][image error][image error][image error]

"Wuthering Heights" by Emily Brontë (1847) - This classic gothic novel explores the passionate and tumultuous love between Heathcliff and Catherine in a dark and atmospheric setting. The characters in "Wuthering Heights" are deeply complex. Heathcliff, for instance, is both a brooding, passionate lover and a vengeful, abusive figure. Catherine, his love interest, grapples with inner conflicts and desires for both Heathcliff and societal acceptance. These multifaceted characters drive the dark and intense romance at the heart of the novel.

"Interview with the Vampire" by Anne Rice (1976) - Although published in the 1970s, Anne Rice's vampire chronicles, beginning with "Interview with the Vampire," gained significant popularity in the 1980s. These novels delve into the dark and sensuous world of vampires and their complex relationships. Anne Rice's characters, particularly the vampires Louis and Lestat, are rich in complexity. They are tormented by their immortality and the darkness that comes with it, making them both alluring and tragic figures. Their intricate emotions and moral dilemmas add depth to their relationships and the overall dark romantic atmosphere.

"The Angel's Game" by Carlos Ruiz Zafón (2008) - While not from the 1990s, "The Angel's Game" has a classic, dark romantic atmosphere reminiscent of the Gothic novels of that era. It's a mysterious tale of love, literature, and the supernatural set in Barcelona. In "The Angel's Game," David Martín is a complex character who becomes entangled in a web of mystery and forbidden love. His internal struggles, as well as his passionate love for Cristina, make him a multi-dimensional protagonist. The shadowy, atmospheric setting adds depth to the dark romance elements in the story.

"The Night Circus" by Erin Morgenstern (2011) - This novel combines elements of dark romance with fantasy, offering a unique and enchanting love story between two young magicians bound by a magical competition within a mystical, black-and-white circus. While not a traditional dark romance, the novel features complex characters, especially Celia Bowen and Marco Alisdair. Both are bound by a magical competition, and their love is forbidden. Their internal conflicts and the morally gray nature of their situation add depth to the romance within the enchanting and darkly magical circus setting.

"A Touch of Darkness" by Scarlett St. Clair (2020) - Part of the contemporary dark romance trend, this book is a modern retelling of the Hades and Persephone myth, blending romance with a darker, mythical setting. In this modern retelling of the Hades and Persephone myth, the characters Hades and Persephone are portrayed with complexity. Hades is a powerful and brooding figure who is both feared and respected. Persephone, despite being the goddess of spring, grapples with the shadows of the Underworld. Their relationship is marked by inner conflicts, forbidden love, and evolving character dynamics that contribute to the dark romance aspect of the story.

Challenges in Crafting Complex Characters

Crafting complex characters in dark romance is not without its challenges yet essential task for any writer in the genre. Dark romance, by its very nature, deals with intense emotions, complex relationships, and moral ambiguity. To create compelling characters within dark romance genre, there are 8 unique challenges to overcome:

Balancing Likability and Flaws: One of the central challenges in dark romance is striking a balance between creating characters that readers can empathize with and ones that exhibit flaws, sometimes deeply troubling ones. Characters should have qualities that make readers root for them, even if they are antiheroes or deeply imperfect individuals. Exploring Dark Desires and Relationships: Dark romance often involves exploring themes like obsession, submission, and power dynamics. Characters must be crafted in a way that allows the writer to delve into these themes while maintaining a sense of realism and emotional depth. These are complex emotions and relationships that require skillful handling. Avoiding Stereotypes: It's easy to fall into clichés when crafting dark romance characters. Authors must steer clear of one-dimensional stereotypes such as the brooding, abusive hero or the submissive, passive heroine. Instead, characters should be nuanced and defy these stereotypes. Managing Character Growth: As with any good story, characters in dark romance should undergo development. However, character growth in this genre can be particularly challenging. How do characters evolve while still maintaining the core elements that make them compelling to the reader? Writers must ensure that changes are believable and earned. Balancing Light and Dark: Dark romance often explores themes of love in challenging circumstances, but finding the right balance between dark and light elements is crucial. Characters should experience moments of genuine connection and affection, even in the midst of tumultuous relationships. Dealing with Taboos: Dark romance can push the boundaries of social and moral norms. Authors must navigate themes such as manipulation, coercion, or even more explicit content while being mindful of reader comfort and sensitivities. Crafting characters that handle these themes with care is a challenge. Maintaining Consistency: As characters evolve within the story, it's vital to maintain consistency in their actions and personalities. Readers should still recognize the core elements of a character even as they go through transformations. Ensuring this while allowing for character growth is a delicate task. Creating Emotional Depth: Finally, creating characters that evoke genuine emotions is a paramount challenge in dark romance. These characters must feel real, and their relationships should resonate with readers. Achieving emotional depth without resorting to melodrama or clichés is a considerable task.

So, I guess that's it. For me, readers are drawn to dark romance for its ability to explore the depths of human desire, vulnerability, and passion. The genre challenges conventional notions of love, portraying relationships that are intense, tumultuous, and filled with emotional complexity. It offers a safe space to explore the darker facets of human nature and the complexities of love, all while rooting for characters who are far from perfect. So, crafting complex characters is at the heart of dark romance. These characters are neither wholly good nor wholly bad; they are multi-dimensional individuals navigating the treacherous waters of love and desire. Their flaws, vulnerabilities, and moral ambiguity make them relatable and engaging, drawing readers into a world where love is never simple and passion knows no bounds. Dark romance serves as a reminder that love, in all its complexities, is a powerful force that can both heal and harm, and it is in these intricate characters that the genre truly shines.

Agree? Disagree? Comment below and let me know what do you think :)

Crafting Complex Characters: Dark Romance

In literature, dark romance has carved a niche for itself as a genre that explores the murkier facets of love and desire. At its heart lies a complex and intricate web of emotions, where protagonists often find themselves entangled in passion, obsession, and vulnerability. What sets dark romance apart from its more conventional counterparts is the depth of its characters, who grapple with their inner demons while navigating the treacherous terrain of love. As a creative writers, we know that character development is a crucial aspect of writing, regardless of the genre or form, as it shapes the heart and soul of your story. Characters are the vessels through which readers connect with your narrative, making their growth, transformation, and authenticity essential for engaging storytelling. So, knowing how to create complex characters is necessary foundation to learn. In this article, I will din into the art of crafting complex characters focusing mainly on dark romance genre.

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What is Dark Romance?

In my previous posts on Dark Romance Category, I defined what dark romance entails. Here, briefly, I can explain that dark romance is a subgenre of romance fiction that thrives on the exploration of unconventional and often controversial themes. It delves into the darker side of love, frequently featuring characters who are morally ambiguous, emotionally scarred, or deeply flawed much like what we have in Transgressive Fiction. These stories are not for the faint of heart, as they frequently incorporate elements of danger, power dynamics, and forbidden love. It's the intricate portrayal of these characters that adds depth and authenticity to dark romance narratives.

Character Complexity: The Heart of Dark Romance

The success of any dark romance hinges on the complexity of its characters. The diagram below summarizes Developing Complex Characters in creative writing. (Click on image to enlarge)

In Dark Romance, characters are not cookie-cutter versions of idealized lovers but are multi-dimensional individuals with their own strengths and vulnerabilities. Crafting such characters involves 4 key elements:

Flawed Protagonists: Dark romance often centers around protagonists who are far from perfect. They may grapple with issues like trauma, addiction, or a dark past. Their flaws make them relatable, and readers can empathize with their struggles, even if they don't always agree with their choices. Moral Ambiguity: Dark romance characters frequently walk a fine line between right and wrong. They might make morally questionable decisions in the name of love or desire, forcing readers to confront the gray areas of human nature. This moral ambiguity adds depth to their characterization. Vulnerability: Despite their hardened exteriors, dark romance characters are often deeply vulnerable. Their vulnerabilities can stem from past traumas or a fear of opening up to love. These emotional wounds create opportunities for growth and development throughout the story. Conflicting Desires: In dark romance, characters often harbor conflicting desires. They might yearn for love but fear it at the same time, or they may be drawn to a dangerous partner while knowing the risks involved. These internal conflicts drive the narrative forward and keep readers engaged.Examples from the World of Dark Romance[image error][image error][image error][image error][image error]

"Wuthering Heights" by Emily Brontë (1847) - This classic gothic novel explores the passionate and tumultuous love between Heathcliff and Catherine in a dark and atmospheric setting. The characters in "Wuthering Heights" are deeply complex. Heathcliff, for instance, is both a brooding, passionate lover and a vengeful, abusive figure. Catherine, his love interest, grapples with inner conflicts and desires for both Heathcliff and societal acceptance. These multifaceted characters drive the dark and intense romance at the heart of the novel.

"Interview with the Vampire" by Anne Rice (1976) - Although published in the 1970s, Anne Rice's vampire chronicles, beginning with "Interview with the Vampire," gained significant popularity in the 1980s. These novels delve into the dark and sensuous world of vampires and their complex relationships. Anne Rice's characters, particularly the vampires Louis and Lestat, are rich in complexity. They are tormented by their immortality and the darkness that comes with it, making them both alluring and tragic figures. Their intricate emotions and moral dilemmas add depth to their relationships and the overall dark romantic atmosphere.

"The Angel's Game" by Carlos Ruiz Zafón (2008) - While not from the 1990s, "The Angel's Game" has a classic, dark romantic atmosphere reminiscent of the Gothic novels of that era. It's a mysterious tale of love, literature, and the supernatural set in Barcelona. In "The Angel's Game," David Martín is a complex character who becomes entangled in a web of mystery and forbidden love. His internal struggles, as well as his passionate love for Cristina, make him a multi-dimensional protagonist. The shadowy, atmospheric setting adds depth to the dark romance elements in the story.

"The Night Circus" by Erin Morgenstern (2011) - This novel combines elements of dark romance with fantasy, offering a unique and enchanting love story between two young magicians bound by a magical competition within a mystical, black-and-white circus. While not a traditional dark romance, the novel features complex characters, especially Celia Bowen and Marco Alisdair. Both are bound by a magical competition, and their love is forbidden. Their internal conflicts and the morally gray nature of their situation add depth to the romance within the enchanting and darkly magical circus setting.

"A Touch of Darkness" by Scarlett St. Clair (2020) - Part of the contemporary dark romance trend, this book is a modern retelling of the Hades and Persephone myth, blending romance with a darker, mythical setting. In this modern retelling of the Hades and Persephone myth, the characters Hades and Persephone are portrayed with complexity. Hades is a powerful and brooding figure who is both feared and respected. Persephone, despite being the goddess of spring, grapples with the shadows of the Underworld. Their relationship is marked by inner conflicts, forbidden love, and evolving character dynamics that contribute to the dark romance aspect of the story.

Challenges in Crafting Complex Characters

Crafting complex characters in dark romance is not without its challenges yet essential task for any writer in the genre. Dark romance, by its very nature, deals with intense emotions, complex relationships, and moral ambiguity. To create compelling characters within dark romance genre, there are 8 unique challenges to overcome:

Balancing Likability and Flaws: One of the central challenges in dark romance is striking a balance between creating characters that readers can empathize with and ones that exhibit flaws, sometimes deeply troubling ones. Characters should have qualities that make readers root for them, even if they are antiheroes or deeply imperfect individuals. Exploring Dark Desires and Relationships: Dark romance often involves exploring themes like obsession, submission, and power dynamics. Characters must be crafted in a way that allows the writer to delve into these themes while maintaining a sense of realism and emotional depth. These are complex emotions and relationships that require skillful handling. Avoiding Stereotypes: It's easy to fall into clichés when crafting dark romance characters. Authors must steer clear of one-dimensional stereotypes such as the brooding, abusive hero or the submissive, passive heroine. Instead, characters should be nuanced and defy these stereotypes. Managing Character Growth: As with any good story, characters in dark romance should undergo development. However, character growth in this genre can be particularly challenging. How do characters evolve while still maintaining the core elements that make them compelling to the reader? Writers must ensure that changes are believable and earned. Balancing Light and Dark: Dark romance often explores themes of love in challenging circumstances, but finding the right balance between dark and light elements is crucial. Characters should experience moments of genuine connection and affection, even in the midst of tumultuous relationships. Dealing with Taboos: Dark romance can push the boundaries of social and moral norms. Authors must navigate themes such as manipulation, coercion, or even more explicit content while being mindful of reader comfort and sensitivities. Crafting characters that handle these themes with care is a challenge. Maintaining Consistency: As characters evolve within the story, it's vital to maintain consistency in their actions and personalities. Readers should still recognize the core elements of a character even as they go through transformations. Ensuring this while allowing for character growth is a delicate task. Creating Emotional Depth: Finally, creating characters that evoke genuine emotions is a paramount challenge in dark romance. These characters must feel real, and their relationships should resonate with readers. Achieving emotional depth without resorting to melodrama or clichés is a considerable task.

So, I guess that's it. For me, readers are drawn to dark romance for its ability to explore the depths of human desire, vulnerability, and passion. The genre challenges conventional notions of love, portraying relationships that are intense, tumultuous, and filled with emotional complexity. It offers a safe space to explore the darker facets of human nature and the complexities of love, all while rooting for characters who are far from perfect. So, crafting complex characters is at the heart of dark romance. These characters are neither wholly good nor wholly bad; they are multi-dimensional individuals navigating the treacherous waters of love and desire. Their flaws, vulnerabilities, and moral ambiguity make them relatable and engaging, drawing readers into a world where love is never simple and passion knows no bounds. Dark romance serves as a reminder that love, in all its complexities, is a powerful force that can both heal and harm, and it is in these intricate characters that the genre truly shines.

Agree? Disagree? Comment below and let me know what do you think :)

The Fascination with the Mind in Literature

When people ask 'Why do you write? or what do you write about?" my answer is always about my fascination with ,human mind, with all its complexity, intricacies, and mysteries. This is evident in my novel ENARO or my anthologies Feminomaniacs or Machinocracy. Literature is a mirror of the human experience, and among all genres, I believe Transgressive Fiction of all sorts (including Taboo Romance/ Dark romance) often delves deep into the recesses of the mind, exploring its depths, its vulnerabilities, and its potential. In this blog post, I will discuss the annals of literature, from classical works to contemporary masterpieces, to understand the enduring fascination with the mind in literature. Briefly, I promise ;)

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The Mind as a Literary Landscape

In literature, the human mind serves as a tool for authors to demonstrate a vast array of emotions, thoughts, and experiences. I can say that it becomes a literary landscape that is both profoundly personal and universally relatable. This depiction of the human mind allows readers to explore the characters' inner worlds, relate to their struggles, and gain insights into their motivations and behaviors. In my perspective there are 3 aspects in writing that utilize that:

1. Character Development:

One of the primary ways in which literature explores the mind is through character development. Authors create multi-dimensional characters whose thoughts and feelings are laid bare for the reader. Think of the inner turmoil of Hamlet, the introspection of Elizabeth Bennet in Pride and Prejudice, or the descent into madness of Raskolnikov in Crime and Punishment. These characters become not just fictional constructs but windows into the human psyche. Focusing on more prominent Transgressive fiction, we can mention about:

Classic: " ,Lolita " by Vladimir Nabokov (1955)

Vladimir Nabokov's "Lolita" is a classic example of transgressive fiction. The novel is narrated by Humbert Humbert, a highly intelligent but morally repugnant protagonist who becomes infatuated with and sexually pursues a 12-year-old girl, Dolores Haze, whom he nicknames Lolita. The character of Humbert Humbert forces readers to confront the darkest corners of the human mind, as he rationalizes and justifies his immoral desires and actions. Nabokov's masterful character development takes readers into the mind of a pedophile, making it a highly controversial and transgressive work.

Modern: " ,American Psycho " by Bret Easton Ellis (1991)

Bret Easton Ellis's "American Psycho" is a modern transgressive masterpiece. The novel follows the life of Patrick Bateman, a wealthy, successful, and deeply disturbed Wall Street executive who moonlights as a sadistic serial killer. Ellis delves deep into Bateman's mind, revealing his obsessions with consumerism, violence, and sexual deviance. The character of Bateman is a chilling embodiment of the excesses and moral bankruptcy of the 1980s yuppie culture. Ellis's vivid character development forces readers to confront the depravity of the human psyche and the consequences of unchecked materialism.

Post-Modern: " ,Fight Club " by Chuck Palahniuk (1996)

Chuck Palahniuk's "Fight Club" is a post-modern transgressive novel that explores themes of masculinity, alienation, and anti-consumerism. The unnamed narrator, a disenfranchised and insomniac young man, forms an underground fight club with the enigmatic Tyler Durden. As the story unfolds, the narrator's fractured mental state and Tyler's anarchic philosophy challenge societal norms and morality. The character development in "Fight Club" blurs the lines between the real and the imagined, highlighting the protagonist's descent into nihilism and chaos. Palahniuk's novel serves as a critique of modern consumer culture and the disintegration of identity in the face of societal pressures.

2. Stream of Consciousness:

Some authors employ the stream of consciousness technique to dive deep into the mind. This literary device, popularized by authors like James Joyce and Virginia Woolf, mirrors the unfiltered, meandering thoughts of characters, often revealing the inner chaos and complexity of the human psyche. Focusing on more prominent Transgressive fiction, we can mention about:

Classic: " ,Ulysses " by James Joyce (1922)

"Ulysses" is the quintessential example of stream of consciousness in literature. James Joyce's magnum opus follows the thoughts and experiences of Leopold Bloom and Stephen Dedalus over the course of a single day in Dublin. The novel's stream of consciousness style immerses readers in the inner monologues of its characters, revealing their desires, anxieties, and the minutiae of daily life. Joyce's intricate character development explores the depths of human consciousness, touching on themes of sexuality, religion, and identity. The novel's complexity and experimentation with narrative form make it a classic of transgressive fiction.

Modern: " ,A Heartbreaking Work of Staggering Genius " by Dave Eggers (2000)

Dave Eggers' memoir-novel, "A Heartbreaking Work of Staggering Genius," employs the stream of consciousness technique to delve into the mind of the author. The narrative is an exploration of Eggers' life, particularly his experiences as a young man thrust into parenthood after the deaths of his parents. The stream of consciousness style allows readers to witness the inner chaos, confusion, and grief that define Eggers' thought processes during this tumultuous period. This modern work captures the disorienting nature of life's unexpected challenges and the struggle to make sense of it all.

Post-Modern: " ,House of Leaves " by Mark Z. Danielewski (2000)

"House of Leaves" by Mark Z. Danielewski is a post-modern, experimental novel that uses the stream of consciousness technique in a transgressive manner. The story revolves around a young family who moves into a house that is larger on the inside than it appears on the outside. As the characters explore the bizarre dimensions of the house, their thoughts and experiences are conveyed through different narrative layers and formats, including footnotes, marginalia, and multiple narrators. This complex use of stream of consciousness reveals the characters' descent into madness, obsession, and existential dread, blurring the lines between reality and fiction. Danielewski's work is a testament to the disorienting and unsettling aspects of the human psyche.

3. Psychological Realism:

The rise of psychological realism in literature, notably in the works of Fyodor Dostoevsky and Henry James, focuses on the intricate workings of the mind. These authors explore the psychology of their characters, shedding light on the complex interplay of desires, fears, and motivations.

Classic: " ,Crime and Punishment " by Fyodor Dostoevsky (1866)

Fyodor Dostoevsky's "Crime and Punishment" is a classic example of psychological realism. The novel centers on Rodion Raskolnikov, a destitute student who commits a heinous murder, and explores the psychology behind his crime. Through intricate character development, Dostoevsky delves into Raskolnikov's complex and tormented mind, exposing the interplay of his intellectual justifications, moral dilemmas, and psychological torment. The novel offers a profound exploration of guilt, redemption, and the human psyche, making it a cornerstone of transgressive literature.

Modern: " ,The Bell Jar " by Sylvia Plath (1963)

Sylvia Plath's semi-autobiographical novel, "The Bell Jar," is a modern example of psychological realism. The novel follows the life of Esther Greenwood, a young woman who descends into mental illness and depression. Plath skillfully uses first-person narration to provide readers with an intimate view of Esther's deteriorating mental state, her struggles with societal expectations, and her fears of losing her identity. The book's exploration of mental illness and the pressure to conform to gender roles is a testament to Plath's mastery of psychological realism.

" ,Infinite Jest " by David Foster Wallace (1996)

David Foster Wallace's "Infinite Jest" is a monumental work of post-modern literature that seamlessly blends psychological realism with a variety of experimental narrative techniques. The novel is set in a dystopian near-future and explores the lives of various characters, primarily focusing on Hal Incandenza, a tennis prodigy, and the residents of a halfway house for recovering addicts. "Infinite Jest" is characterized by intricate character development and the exploration of the characters' inner worlds. Wallace delves into the psychological struggles of addiction, depression, and the search for meaning in a fast-paced, entertainment-obsessed society. He uses stream-of-consciousness narrative and intricate footnotes to immerse readers in the thoughts, fears, and desires of his characters. The novel's nonlinear structure and multifaceted characters provide a deep and often challenging examination of the human psyche. It tackles themes of addiction, isolation, and the quest for genuine connections in a post-modern world saturated with distractions. "Infinite Jest" is a post-modern masterpiece that showcases the power of psychological realism to dissect the complexities of the human mind in a rapidly changing and fragmented contemporary world.

The Exploration of Human Emotions

The mind is a reservoir of emotions, you can't deny that and literature excels at plumbing these emotional depths. It allows readers to connect with the emotions and experiences of characters, fostering empathy and understanding. In order to achieve that, an author, in my perspective, utilize the following:

1. Love and Desire: Literature has masterfully depicted the intricacies of love and desire. From the unrequited love of Jay Gatsby in The Great Gatsby to the passionate love affair in Anna Karenina, these stories explore the complexities of human emotions and their impact on decision-making.

Classic: " ,Madame Bovary " by Gustave Flaubert (1857)

Gustave Flaubert's "Madame Bovary" is a classic exploration of love and desire. The novel tells the story of Emma Bovary, a provincial woman who is unsatisfied with her mundane life and seeks romantic excitement. Her insatiable desire for passion and luxury leads to tragic consequences. Flaubert's portrayal of Emma's yearning for a life beyond her means and the emotional turmoil it causes makes this a classic example of the consequences of unchecked desire.

Recent: " ,Gone Girl " by Gillian Flynn (2012)

"Gone Girl" by Gillian Flynn is a contemporary transgressive novel that delves into the complexities of love and desire. The story follows the tumultuous relationship between Nick and Amy Dunne. When Amy goes missing, the novel explores the shifting dynamics of their marriage and the manipulation and deceit that unravel as the story unfolds. Flynn's exploration of love and desire in the context of a suspenseful and psychologically twisted plot makes this a recent example of transgressive fiction.

2. Grief and Loss: The mind's response to grief and loss has been a recurring theme in literature. Works like Joan Didion's "The Year of Magical Thinking" and Julian Barnes's "The Sense of an Ending" delve into the mind's struggle to come to terms with loss and the ways in which it copes with the absence of loved ones.

Classic: " ,Wuthering Heights " by Emily Brontë (1847)

Emily Brontë's "Wuthering Heights" is a classic that delves into themes of grief and loss. The novel tells the story of the passionate and destructive love between Heathcliff and Catherine. When Catherine dies, Heathcliff's grief and obsession with her memory drive the narrative. The novel explores the enduring impact of loss and the destructive power of unchecked emotions.

Recent: " ,A Little Life " by Hanya Yanagihara (2015)

Hanya Yanagihara's "A Little Life" is a recent transgressive work that centers on themes of grief and loss. The novel follows the lives of four college friends as they navigate the challenges of adulthood. The character of Jude St. Francis, a survivor of a traumatic childhood, grapples with profound and enduring emotional pain. The novel offers a poignant exploration of the characters' collective and individual experiences with grief, loss, and trauma.

Fear and Anxiety: The exploration of fear and anxiety is prevalent in literature, with characters like Edgar Allan Poe's narrators experiencing paranoia and dread, and Franz Kafka's Josef K. navigating a nightmarish bureaucracy in "The Trial."

Classic: " ,The Shining " by Stephen King (1977)

Stephen King's "The Shining" is a classic example of a transgressive novel that explores fear and anxiety. The story follows Jack Torrance, who takes a job as the winter caretaker of the isolated Overlook Hotel. As the supernatural forces of the hotel and his own inner demons take hold, Jack descends into madness. King's masterful depiction of psychological horror, fear, and anxiety is a classic in the genre.

Recent: " ,Bird Box " by Josh Malerman (2014)

"Bird Box" by Josh Malerman is a recent transgressive novel that delves into fear and anxiety. The story is set in a post-apocalyptic world where supernatural creatures cause people to go mad and commit violent acts if they see them. The protagonist, Malorie, must navigate this terrifying new reality while blindfolded to avoid encountering these creatures. The novel captures the intense fear and anxiety of the characters in a world where merely looking outside could be deadly.

The Mind as a Tool for Social Commentary

Literature often serves as a platform for social commentary, using the mind as a lens through which to critique societal norms and values. Authors use their characters' thoughts and actions to address issues such as class, gender, race, and morality.

Race and Identity: The works of authors like Toni Morrison, Zora Neale Hurston, and Ralph Ellison explore the complexities of racial identity and the impact of society on the individual's sense of self. These authors use the minds of their characters to address the multifaceted nature of racial and cultural experiences.

," ,The Nickel Boys ," by Colson Whitehead (2019)

Colson Whitehead's "The Nickel Boys" is a recent transgressive novel that delves into issues of race and identity. The story is set in the early 1960s and follows Elwood Curtis, a young Black man unjustly sentenced to a brutal reform school, the Nickel Academy. Through Elwood's experiences and inner thoughts, Whitehead addresses the multifaceted nature of racial identity and the impact of systemic racism on individual lives. The novel powerfully exposes the injustices faced by Black youths in a racially divided society.

Class and Inequality: Charles Dickens, known for his vivid characterizations, often used the minds of his characters to comment on the stark class divisions in Victorian England. In works like "Oliver Twist" and "Great Expectations," he exposed the social injustices of the time through the thoughts and experiences of his protagonists.

" ,Educated " by Tara Westover (2018)

While "Educated" by Tara Westover is a memoir rather than fiction, it serves as a recent and compelling example that explores issues of class and inequality. The book recounts Westover's extraordinary journey from a childhood in rural Idaho without formal education to ultimately earning a PhD from Cambridge University. It delves into the mind of the author as she grapples with the stark class divisions and social injustices she experienced, both within her own family and in the broader society. Westover's narrative illuminates the power of education to break the cycle of poverty and inequality.

Gender and Sexuality: The feminist literature of authors like Virginia Woolf and Margaret Atwood has provided a platform for exploring the female mind and the challenges women face in a patriarchal society. Their works dissect the societal pressures and expectations that shape women's thoughts and behaviors.

" ,The Power " by Naomi Alderman (2016)

Naomi Alderman's "The Power" is a recent transgressive work that explores issues of gender and sexuality in a thought-provoking manner. The novel is set in a world where women develop the ability to generate electrical shocks, effectively giving them physical power over men. Through multiple perspectives, Alderman delves into the changing dynamics of gender and power, using the minds of her characters to address the societal pressures and expectations related to gender and sexuality. The novel challenges traditional gender roles and offers a thought-provoking commentary on the dynamics of power in a patriarchal society.

To conclude I can say that the fascination with the mind in literature is a testament to the power of storytelling. Literature serves as a bridge between authors and readers, allowing us to explore the complexities of the human mind, experience a wide range of emotions, and engage in meaningful discussions about society and identity. So, remember that the literary exploration of the mind continues to captivate and resonate with audiences, reminding us of the profound depths of human consciousness.

Don't forget to share your opinion on this article in the comment section. If you enjoyed reading this, consider subscribing for more free content. See you ;)

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Writer Vs. Writer: Aaron Schaut

In this post we have Aaron Schaut. Aaron is a renaissance man: He is not only a novelist but also a web developer, graphic designer, and musician under the alias Dynaflo. His affinity for various forms of art is reflected in his interests, which span from film and television to photography, with a particular fondness for the works of Quentin Tarantino, Robert Frank, and classic authors like Ray Bradbury. His debut novel, "These Americans," showcases a beat narrative, offering vignettes that collectively paint a vivid picture of American slackerdom. I love this book and I am glad to have Aaron to discuss more about it today.

Hi Aaron. It's a pleasure to have you here. I told you about ‘These Americans’ and how it inspired me to start writing a whole new story. It was ‘raw and uncensored’ which I loved. Can you tell us more about this book and the inspiration behind it as well as share a specific passage from your work that embodies these qualities?

Thank you, Neda. I appreciate that you liked it. The book is, in part, several stories and characters that have been rolling around in my head for years. Two of the secondary characters, Larry and Paul, for example, I've written those names down in a draft at least 20 times over the years. I knew there was a story in them but didn't have a plot. Last year, I realized that it would be fitting to wrap all of these characters into the 'mystery' of Lily disappearing.

I've always been creative and grew up on prose with the works of Kerouac, Burroughs, Pirsig, Bradbury, etc. I'm a big fan of Tom Waits, Jim Jarmusch, John Lurie, and the like. I guess that means I love the beats and transgressive fiction. It wasn't until about a year and a half ago that I read the books Dead Dogs by Manny Torres and Soul Collector by Duvay Knox. The books reignited my passion for reading, and I felt immediately inspired to write. Manny's book had put a series of songs in my head, and I immediately reached out to him. With his approval, I recorded and finished the Road Dogs Trilogy EP, and during the process, I realized that Manny and I had a lot in common. Not having satisfied my inspirations, I decided to start writing These Americans. I realized that whatever Manny had captured in his book, there needed to be more of it, and I challenged myself to make it happen. It also led me down a path of discovery from which I found you and a host of other authors and publishers that I might not have ever known. I couldn't be more grateful for this discovery. Somehow, this reignited a spark in me. If my work can also do this for somebody out there, I'm honored. If not, that's okay too.

It was a very spring-like day as they walked toward the bar. The sun kissed both of their lust-rushed faces. People were out and about, wearing earbuds, riding motorcycles without helmets, and cycling in spandex. Some people wore shorts or tights and large headphones, while others hung out on their porches smoking weed. Spring brought the thumping bass of cars, the smell of burning tires, and the sound of sirens. Birds were singing, and a guy was sitting on the sidewalk talking to a broken piece of bumper. Chick and Stacia both had made their coffee to go. They walked up to the Tip Top parking lot, but the motorcycle was gone... “Fuck me.” ... “I just did.”

Your writing is described as ‘transgressive in nature, but only lightly so.’ Can you give us an example of a subtle transgression in one of your works and how it adds depth to the story or characters?

Transgressive fiction has, I feel, become the definition of work that glorifies sex and drugs. There is nothing wrong with that, but I often feel people miss the point in the literature. My characters feel trapped in a society that isn't comfortable for them. No matter how hard they try, they cannot conform. This leads to actions that sit outside of what is considered normal, and they have to make a real and conscious choice to say, "fuck it." For a lot of authors, this leads to drugs, booze, etc. For mine, the actions are a little less obvious. There is a moment where Lily "flicks a cigarette butt into America's Main Street." For me, this is a transgressive action. However, I don't feel that Rae, being non-binary, is transgressive at all. They are simply going with the flow. These contrasts are very meaningful to me, and I hope others find them meaningful as well.

I can't agree more on how ,transgressive fiction and non-fiction is narrowed down to use drugs, sex and violence however it has more to it than that. For instance, in Transgressive fiction, we focus mainly on the characters and what goes on in their heads right or wrong. Anxiety, intrusive thoughts, and claustrophobia are great examples in your works as universal inebriations that influence your characters and plot twists. Why is that?

Because I was born this way. I don't remember a time not feeling these things. I don't think it's uncommon either. Doctors keep coming up with new terms and new medications to combat what a lot of people deal with every day. I still feel that this is conformist, and I've yet to feel like there is anything wrong with people who feel these ways. In some cases, these 'flawed' humans are the best. Take Harvey by Mary Chase. I will always find her play very inspiring. Elwood Dowd is an alcoholic with an imaginary rabbit friend. Those around him try to fix him and end up discovering their own flaws. I don't think this is uncommon at all. Still, society is rich with confines and sometimes they are our own confines.

Comparing your writing to a mix of Frank Capra directing Breaking Bad with a Jim Jarmusch cast is quite a visual treat. Could you elaborate on how these influences come together in your storytelling and character development?

Haha, I did say that. Sounds pretentious hearing it back. I guess I'm more inspired by these figures. To me, Frank Capra manages to embrace the good in humans and is very good at portraying it. He, much like Vince Gilligan, uses real dialogue and real human conflict mixed with just the right amount of humor to create a strong metaphor. No matter how much I have tried in the past to stray from the good-hearted nature of people, I can't. I've accepted that this is simply how I write and am choosing to embrace it.

The actors in Jim Jarmusch's camp are who I've visualized in my head while writing. They move slowly, the dialogue is short and sweet, and they have a certain quality about them that is usually emphasized by being shot in black and white. Examples might be John Lurie in Stranger Than Paradise or Roberto Benigni in Down by Law. I say all of this because I write visually. I see a movie playing out in my head while I write my stories, as I'm sure a lot of writers do. To me, there isn't much difference between a good film and a good read.

With your background in web development, graphic design, and music, how do these diverse skills and experiences inform your approach to crafting narratives? Are there any specific projects where you've drawn from these talents?

I've enjoyed working on the advertising and print materials for The Americans project. All of the above are creative efforts, and I am a creative person. Music and lyrics are my biggest passions, but lyrics are poetry. Lyrics tell stories in brief and rather concise structures. Music is made to accommodate my lyrics. I've been doing this for over 20 years and find myself wanting to tell bigger stories without worrying about the music. This was a huge realization for me this past year, and I've come to fully embrace it.

Talent or not, having a background in graphic design and having spent many years going onto a stage leaves me very experienced with handling criticism. Hell, we had a whole class on it in school. Although I haven't had a hell of a lot of negative criticism with my writing, I know it will come and am ready to embrace it. To me, a lot of creatives hesitate to publish because they fear rejection in some form. Creatives, please do not let the fear of rejection stop you! The best work is heavily criticized. You never know who you might touch with your work.

You mentioned your preference for short chapters and a constant stream of thoughts within them. How do you feel this style impacts reader engagement and the flow of your stories?

I write this way because this is how I am. I like to think that readers, who, mind you, could also be characters in the book, might appreciate the brevity and 'to the point' nature of the chapters. I also hope that, with this style, my stories read as a relatable 'thought process' for my readers. This isn't something I really think about; it's just how I write. Similar to the positive nature of my storytelling, I've chosen to embrace it. I like a reader to get through a chapter and get something out of it before falling asleep or feeling the need to put it down and do something else. For me, even the best storytelling has these moments during a read.

I should note that, since These Americans, I've tried to break out of these structures and only found myself disappointed in the outcome. It's easy, as a new writer, to get wrapped up in "following the rules" of good literature when really there should be none. I enjoy my style of writing, and if readers are able to enjoy it, that's a bonus.

Your connection to Grand Rapids and Escanaba, Michigan, seems significant. Do these settings serve as a backdrop for any of your works, and if so, how does the environment influence your storytelling?

On the surface, I suppose These Americans is a sort of mid-western punk rock story. I find this is present in a lot of my writing. Escanaba, my hometown, was small and lacked a lot of diversity. In contrast, Grand Rapids is a small city with a ton of diversity. Upon moving to Grand Rapids, I was thrust into this diversity by working at a small gas station in a less desirable part of town as well as one in a more conservative and Christian Reform part of town (yes, of all of the characters in my book, I am most definitely the gas station attendant.) I loved and embraced this diversity and getting to know its people. Coincidentally, early on, Grand Rapids was littered with punks, mods, and creative types. It is still somewhat that way around here. As a Gen-Xer, we had the war in the Gulf, the Twin Towers, an economic recession, a housing market collapse, etc., etc. All these things contribute to a sense of urgency and a fear of total failure. To me, this fear is trapping. My characters are reacting, however they see fit, to their experiences and their current situations.

How do you write? What is your writing schedule like? Do you have a writing routine?

I rely on my passion for telling a story. I don’t have a schedule, rather let my heart tell me when to write. I wrote most of the first draft of These Americans on my phone. This way, I can do it when and where I want to do it. I’m not a laptop guy as I prefer carrying around as little baggage as possible. If I’m at home, should inspiration strike, I’ll head into my office. Ray Bradbury introduced his show, The Ray Bradbury Theater, with what he described as his “Magician’s Toyshop”. The idea of having a magician’s toyshop has stuck with me since I was a little kid. I’ve surrounded myself with little trinkets and books and things that feed my sentimental nature. My room is comforting to some extent, and I don’t mind writing in it.

How music impacts your writing. Can you delve into how your songwriting informs your prose, and perhaps share a snippet where this fusion is evident?

Having touched on this a little bit in an earlier answer, song lyrics are a kind of poetry. They are brief and concise, and you need to create a moment in a hook. I'm sure this style bleeds into my writing. I've always written everything with massive contrasts, confluence, humor, and emotion. My father used to write these Christmas letters to the family every year. I'm sure that I've adopted some of these storytelling traits. They were quite good stories. The characters in my songs are very much the same as the characters in my writing. They usually suffer from something that causes an anxiety-driven reaction. Sometimes it's the complete opposite theme. Like the lit, I enjoy my lyrics tremendously. If others enjoy them, it's a bonus. To me, the following snippet might be a song could be a song in its brevity.

The motel room at LaQuinta was cool and smelled unmistakably ‘hotel room fresh’. She turned on the TV to the History Channel and started to undress. After the events of the day that led to this ending, she felt so dirty, but she was glad she had pushed on. Her paranoia dissipated as the shower removed any trace of violence, sweat, and little bit of fear off of her body and, probably, into the Red River. She laughed as she thought that perhaps all the violence, anger, and fear that was washed off of everyone along the Red River, or any river that flowed into the Mississippi, were converted into evil spirits and were the reason all the chicken men and voodoo priests were fighting off evil in Louisiana.

Given that many of your characters grapple with anxiety and the desire to escape, how do you ensure readers can connect with and relate to these complex characters, even amidst their struggles?

I don't. If a reader connects to the characters, it's a bonus for me. With These Americans, I tell a simple story with some complex emotions. These emotions are ambiguous enough that I feel they can be relatable in a variety of ways. Lily, for example, could serve as both a hero and an anti-hero. Gus is a nobody, which makes him also a hero or anti-hero depending on how you relate to him. Chick and Stacia want to feel a purpose in life and are somewhat oppressed. Larry and Paul are the innocent, while Morgan Freeman is our subconscious or little angel on our shoulders. All of my characters have a purpose as do their surroundings. To me, these are the ingredients that make up the whole. It is my hope that anyone can find themselves somewhere in the characters and settings, even if it's not the whole but rather a few of the ingredients. These Americans, like my short stories and poems, tell a simple story with big underlying themes and a little bit of humor sprinkled throughout.

Thank you Aaron

Thank you so much, Neda!

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The Anatomy of Dark Romance: Key Characteristics and Themes (Part 2)

In previous exploration, we learned more about the dark and intoxicating realm of Dark Romance, and how its unconventional romantic dynamics and the audacious exploration of societal taboos work. Through which I tried to help both avid readers and budding writers in navigating the shadowy alleys of Dark Romance. We also unearthed what makes this genre a tantalizing yet controversial field in literature, close to what we have in transgressive fiction and that is why I prefer to call Dark Romance as Transgressive Romance. I would like to define it as:

Transgressive Romance is a subgenre that pushes the boundaries of societal and moral norms within a romantic narrative. These stories often explore forbidden or taboo relationships, and delve into dark, controversial or illicit themes. Characters may engage in behaviors or find themselves in situations that challenge conventional ethical standards or societal expectations. Transgressive Romance can be a provocative exploration of love and desire set against a backdrop of moral ambiguity, allowing readers to question and explore unconventional romantic dynamics within the safety of a fictional setting.

However, this genre can be separated from Dark Romance by primarily focusing on crossing societal or moral boundaries within romantic contexts.

For this post as promised, I'm here to unfold more layers of this provocative genre, focusing on the ethical dilemmas, the edge of erotica, and the importance of audience reaction alongside the necessity of trigger warnings.

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Ethical Dilemmas:

Dark Romance presents morally ambiguous characters and situations, blurring the lines between right and wrong. Through interactions often rife with exploitation and manipulation, it delves into ethical gray areas, challenging readers to reassess traditional moral stances, thus sparking a reflective dialogue on the nature of good and evil.

1. Morally Ambiguous Characters:

Dark Romance frequently showcases characters with complex moral compasses, challenging traditional notions of good and evil.

“Chess was a gentleman’s game—every bit as nasty as a bar brawl, only infinitely more deliberate. “Dale” ― C.E. Tobisman, Doubt

2. Exploitation and Manipulation:

Interactions often involve exploitation and manipulation, examining the darker aspects of human interaction.

“Looking at me like that will get you fucked, Monroe.” ― B.B. Reid, Fear Me

The Edge of Erotica:

With explicit sexual content and boundary-pushing scenarios, Dark Romance skirts the edge of erotica. The blend of danger or taboo with eroticism creates a charged atmosphere, heightening both the stakes and the allure of the forbidden. This aspect of Dark Romance further distinguishes it from more conventional romantic genres.

1. Explicit Sexual Content:

Eroticism, when blended with elements of danger or taboo, heightens the stakes and the allure of the forbidden.

“Love is rarely flawless,” Carter pointed out. “Humans delude themselves by thinking it has to be. It is the imperfection that makes love perfect.” ― Richelle Mead, Succubus Blues

2. Boundary-Pushing Scenarios:

The genre isn’t shy about venturing into sexual scenarios that may push the comfort boundaries of the readers.

“He made you believe you’d have lovely things and live kinkily ever after, didn’t he?” ― Kitty Thomas, Tender Mercies

Audience Reaction and Trigger Warnings:

The genre's controversial themes can elicit strong reactions from readers, necessitating the use of trigger warnings to pre-inform about potentially distressing content. For some readers, Dark Romance offers a safe conduit to explore dark fantasies within the confines of fiction, yet for others, it could be a source of discomfort or distress.

1. Reader Discomfort:

The controversial themes can incite strong reactions, necessitating the use of trigger warnings to inform readers of potentially distressing content.

“your body is not ruined, you’re a goddamn tiger who earned her stripes.” ― Claire C. Riley, Odium II

2. Safe Exploration of Dark Fantasies:

For some, Dark Romance offers a safe conduit to explore dark fantasies within the boundaries of fiction.

“This is just how I pictured it in my head. Raw and gritty, and dirty as hell.” ― Belle Aurora, Raw

So let us conclude: In previous and current post we tried to learn more about the provocative Transgressive (Dark) Romance and how it has taken us through a labyrinth of moral quandaries, the exhilarating brink of erotica, and the imperative discourse on audience response and trigger warnings. It’s a world where the romantic narrative daringly trespasses the conventional boundaries, offering a tumultuous yet enthralling voyage for both readers and writers alike. As we delineate between consent and coercion, love and obsession, we also unearth a compelling narrative style that not only entertains but incites introspection on ingrained societal norms. The enigmatic allure of Transgressive Romance promising a turbulent yet riveting expedition into the heart of darkness and desire. Our expedition through the shadowy alleys of this genre illuminates not just a tantalizing narrative domain, but also a robust ground for discussions on ethical, social, and personal boundaries. Read my next post on The Dark Romance: Why Readers are Drawn to the Genre to learn more about this.

Don't forget to share your opinion in the comment section. Let me know what you could add to this post, what you've learn and what you like to read on this topic.

Nature is No Thing: An Ecofeminist Novelist Sounds Off by Cassie Premo Steele

“Then I’d been surrendering to rage. Now I was freeing into life.”

-from Beaver Girl by Cassie Premo Steele

I live in a deeply rural state. But I don't regret it.

Honestly, when I watch shows that are set in major cities, I feel sorry for the people who live surrounded by miles of concrete. What chance do they have of wanting to make environmental change when they've lost touch with what nature even is?

My wife and I both work from home, so instead of a commute, we feed birds. We have come to know the birds in the yard by name. One day during the pandemic, we noticed a male cardinal who looked like he’d been through a bad bar fight. The red feathers on his head were gone. All that was left was a little black stump.

“It gets better,” my wife said to him, as we tried to bolster his spirits and our own.

The phrase also has echoes of the campaign founded by Dan Savage and his husband Terry Miller to encourage LGBTQ+ young people to hold on, to persevere until they find the communities and friends who will assure them that bigotry and hatred are not ubiquitous.

It Gets Better became his name.

Here we are, three years later, and he has come to flaunt his uniqueness and gain respect from us and his peers.

He survived.

Is this nothing?

*

Like many other beings in western capitalist culture, such as women, children, people of color, and LGBTQ+ people, nature itself has been objectified and reduced to its use value.

Nature has been made into a thing just as we have been.

The rude calls out of vehicles when women and people of color and LGBTQ+ people walk down the street?

These are the growls of predators.

But not apex predators.

These calls come from those in the middle of the food chain who are being eaten away minute by minute on a low hourly wage or by their identities as straight males.

But they, at least, have a voice.

If you’ve ever stood on the side of the street as the car rolls away, wondering if you should flip a bird and if this would escalate the situation, then you know what I mean.

If you haven’t, you might at least have compassion?

Is this no thing?

*

Recently while meeting with my therapist, I had one of those “aha” moments like I used to love watching on the Oprah Show.

“I just realized,” I said to her. “I often mistake compassion for judgment.”

“What do you mean?” she asked.

“I mean that when a friend is suffering, I sometimes feel bad offering sympathy because, in a deep part of me, I hear it as judgment, and I don’t want to judge my friend.”

“Tell me more.”

“Well, I guess I think that when I’m not feeling great, I must have done something to deserve it. So I don’t want to share these feelings with others because I’m already ashamed and judging myself.”

Later, I realized that we also extend this compassion/judgment crux to nature itself.

Are we moved to tears by stories of coral reefs being bleached to deadly white?

Or do we get angry and resentful of Everything that is causing such destruction?

And does this result in a kind of overwhelm and paralysis so no change happens?

Do we conclude that those with power, the very structures of society itself, form an Everything that allows Nothing outside itself?

And are we, too, Nothing?

*

By living in a state that is rural, I am able to maintain a relationship with the natural world such that it’s impossible for me to see it as a thing, and I find this resistance deeply satisfying.

One morning years ago, when my wife was starting a new job, a heron in the neighborhood left her a small fish by her car door.

A gift to thank her for her work.

Because we all work.

Some work for greed. Some work for care.

This is no small thing.

*

This past July 4th, as I was cutting the grass, I heard an “egg song” coming from our chicken coop.

We had learned, from raising chickens, that they sing after laying an egg. A kind of pride song, a celebration and announcement that their work is done.

It was strange, though, because our chickens are past laying age, and I hadn’t heard the song in almost a year.

When I came in from mowing the grass, the look on my wife’s face said something was wrong.

“I went to check on the chickens,” she said. “Skye is dead.”

Our hardest worker, a black and white Barred Plymouth Rock, the one who was the first to lay after our daughter left for college, the one who laid every single day for years, was dead.

And she’d sung her own praise song before she went.

This is no small thing.

*

One Friday afternoon, I sat down next to my dog, Lenny Bruce, to knit and listen to Science Friday and heard a story about beavers: it seems that the places in the American West that have healthy beaver populations are surviving the increasing wildfires that are resulting from climate change.

Beavers are saving the environment.

Beavers can save us.

This struck me in a way that I’ve experienced before when I felt an idea for a book coming.

But this time, I did something I’d never done. I treated myself with more compassion than judgment and I tweeted about it. I asked for help.

And the #beaverbeliever community responded.

I received book recommendations from beaver scholars such as Frances Backhouse, Alison Zak and Emily Fairfax, who’d been the one interviewed on Science Friday in the first place.

I even received a Google Drive link to photographs of beavers taken by Ben Goldfarb, the author of the New York Times bestselling book, Eager: The Surprising, Secret Story of the Life of Beavers and Why They Matter.

The next morning, I went for a walk in my neighborhood with my dog Lenny.

We took our usual route, a two-mile loop that meanders past creeks and ponds in our woody, swampy neighborhood.

And one mile from our house, in the largest nearby pond, there they were.

Bites on the trees.

Evidence of beavers within walking distance of my house.

I had walked by this pond for years, and here they were, right here. One day after having the idea for my novel, Beaver Girl.

This is no small thing.

*

Was it luck that I saw evidence of beavers in my neighborhood right after having the idea for the novel?

Serendipity? Coincidence? Or a sign?

Proof of a deeper pattern at work in all of existence? In beingness itself?

I don’t know.

I do know that I’m lucky that the editors at Outcast and Anxiety Presses are not afraid to publish a novel that takes place after climate collapse and is told through two alternating points of view: Livia, a 19-year-old survivor of sexual assault and Chap, the father of a growing beaver family surviving deep within a national forest.

I lost count of the numbers of publishers who said, basically, “We don’t want talking animals.”

Silence is complicity, y’all.

And combatting this is the reason that we as writers, especially novelists, exist.

That is really something.

-

Cassie Premo Steele, an ecofeminist lesbian novelist, blends nature, gender, and love in her new novel, Beaver Girl, which champions diverse characters – both human and animal – who navigate the complexities of identity and survival. Carving a distinctive niche in contemporary storytelling, Beaver Girl inspires a deeper appreciation of the interconnectedness of humanity and nature. Read an excerpt at www.cassiepremosteele.com

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