Neda Aria's Blog, page 3

Understanding the Controversy: Why Dark Romance and Transgressive Fiction Receive the Most Criticism

I had a Phd student approached me for an interview for her Phd research focusing on controversy of Dark Romance. I though, we can explore that here.

Transgressive fiction, as discussed in my other articles known for pushing societal boundaries and exploring taboo themes, can sometimes be intimidating due to its intense content. Dark romance and transgressive fiction, both notable for their exploration of the darker aspects of human nature and societal taboos, often provoke strong reactions and face significant backlash for several reasons. To understand this, it's essential to examine their themes, the societal context in which they exist, and the typical responses they elicit.

What is Dark Romanticism?

Dark romanticism is a subgenre of romantic literature that emerged in the late 18th and early 19th centuries (To learn more about the history check this article). It focuses on the grotesque, melancholy, and morbid elements of the human psyche and the natural world. Authors like Edgar Allan Poe, Nathaniel Hawthorne, and Mary Shelley are prominent figures in this genre. Their works often explore themes such as human fallibility, sin, and the darker psychological forces.

What is Dark Romance?

Dark Romance, on the other hand, is a contemporary genre that combines elements of romance with darker themes and settings. This genre often includes complex and morally ambiguous characters, and the plots can involve intense and sometimes troubling relationships that may include themes of captivity, coercion, or power imbalances.

While both genres explore darker themes, Dark Romanticism is rooted in a historical and philosophical movement that delves into the human condition and its inherent flaws, whereas Dark Romance is a more modern, genre-specific exploration of complex and often controversial romantic relationships.

What is Transgressive Fiction?

Transgressive fiction is a genre of literature that focuses on characters who feel confined by the norms of society and who break the social and legal boundaries in search of personal freedom or transformation. It became popular prominently in the late 20th century with authors like Chuck Palahniuk, Bret Easton Ellis, and Irvine Welsh. The content often involves taboo subjects such as drugs, sexual deviancy, violence, and other anti-social behavior.

Dark Romance, Dark Romanticism, and Transgressive Fiction are distinct literary genres (See table below) that explore darker themes but differ in style, scope, and subject matter.

5 Reasons for Dark Romance and Transgressive Fiction Backlash

1. Cultural and Moral Norms

Both dark romanticism and transgressive fiction challenge the prevailing cultural and moral norms. By exploring themes that society often prefers to suppress or ignore—such as mental illness, existential angst, and deviant behavior—these genres force readers to confront uncomfortable truths about human nature and social structures. This can lead to backlash from those who see such explorations as harmful or degrading.

2. Psychological Impact

The intense focus on the darker aspects of life and human nature can be distressing to readers. Works in these genres often do not provide the comfort of happy endings or moral resolutions; instead, they may leave audiences with a sense of unease or pessimism about human capabilities and societal directions. This unsettling effect can translate into negative reactions as people resist narratives that disrupt their worldview.

3. Misinterpretation and Misrepresentation

Transgressive and dark romantic works are sometimes misinterpreted by critics and the public alike as endorsing the very behaviors they depict. This misreading can lead to accusations that these books promote immorality or deviant behavior, rather than simply exploring these themes as a means to critique or examine society.

4. Political and Social Sensitivities

These genres often emerge or gain popularity during times of social and political upheaval, reflecting and critiquing the tensions of the time. As such, they can become flashpoints in cultural or political debates, attracting backlash from groups who view them as either destabilizing forces or as too radical in their critique of the status quo.

5. Commercial and Critical Gatekeeping

Both genres often struggle against commercial and critical gatekeeping. Mainstream publishers may shy away from controversial topics for fear of backlash or poor sales, limiting the distribution and accessibility of such works. Critical reception can also be polarized, with some praising the courage and authenticity of these narratives, while others dismiss them as gimmicky or unnecessarily provocative.

The backlash against dark and transgressive fiction highlights a broader tension between artistic expression and societal values. While these genres provide valuable insights into the complexities of human behavior and social norms, they also challenge readers to reconsider their views and tolerance for the darker sides of humanity. As society evolves, the dialogue between these challenging works and their audiences continues, reflecting ongoing debates about morality, freedom, and the purpose of literature.

The Art of Being 'You': A Guide for Authors and Creative Writers

They say, write what you know best! And I agree...

In the grand, glittering circus of the literary world, where every performer vies for the spotlight, the most daring act of all is being unapologetically yourself. Yes, you heard that right. We're at the period in human civilization that's crammed with copycats and carbon copies and so the bravest thing an author can do is to march to the beat of their own drum.

Why you may ask or how? Here's my thought on the art of being 'You'.

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Why You Should Be 'You': Diving Into the Essence

Being authentically 'You' is more than just a feel-good mantra; it's a strategic advantage in the crowded literary marketplace. Let's explore why:

The Science Behind Authenticity

Research in psychology points to the profound impact of authenticity on both creators and their audience. Studies suggest that when individuals engage in authentic self-expression, they experience higher levels of well-being and creativity. Authenticity has been shown to enhance the emotional depth and resonance of creative outputs, making them more compelling and memorable to audiences.

Moreover, neuroscience reveals that our brains are wired to respond to stories that evoke genuine emotions and unique perspectives. When an author's voice carries the unmistakable stamp of their personal experiences, beliefs, and idiosyncrasies, it engages the reader's brain more fully, fostering a stronger connection and a more immersive reading experience. So, stick to the rhythm of your own experiences, thoughts, and quirks. Because in the grand disco of writing, authentic moves are always in style, and honestly, nobody else can bust a move quite like you.

Examples of Authors Who Embraced Their Uniqueness

J.K. Rowling - Before the wizarding world took over the globe, the concept of a boy wizard attending a magical school was far from a guaranteed success. Rowling's personal struggles and rich imagination infused the Harry Potter series with depth and authenticity, captivating millions of readers worldwide. Her unwavering commitment to her vision, despite numerous rejections, is a testament to the power of authenticity. Hunter S. Thompson - As the father of Gonzo journalism, Thompson blurred the lines between fact and fiction, injecting his work with a unique blend of personal narrative, social commentary, and outrageous humor. His authentic voice and refusal to adhere to journalistic norms not only earned him a cult following but also reshaped American literary journalism. Toni Morrison - Morrison's novels are celebrated for their powerful exploration of African-American identity, culture, and history. Her commitment to authentically representing the black experience in America, coupled with her exquisite prose and deep emotional insight, garnered her critical acclaim, including the Nobel Prize in Literature. George R.R. Martin - In creating the "A Song of Ice and Fire" series, Martin broke from traditional fantasy tropes, focusing instead on complex characters, moral ambiguity, and a willingness to kill off beloved characters. His authentic storytelling style has captivated a massive audience and revolutionized the fantasy genre.

These authors stand as symbols of success, not just for their commercial achievements but for their courage to remain true to their voices and visions. They didn't chase trends or conform to expectations; instead, they carved out new spaces in the literary world by being unabashedly themselves.

How You Can Be 'You'

Let me make it simple for you in few steps:

Step 1: Embrace Your Inner Weirdo

Every writer has a little (or a lot) of weirdness inside them. That's your gold; mine it. Your peculiar quirks, your bizarre hobbies, the oddball way you see the world—these are the jewels that will adorn your writing crown. Why blend in when you were born to stand out? The stories that stick are those that dare to be different, that challenge the norms and dance in the face of convention. So, let your freak flag fly high and proud.

Step 2: Say 'No' to the Echo Chamber

It's easy to get lost in the echo chamber, churning out what you think the world wants to hear. But here's a little secret: the world doesn't really know what it wants until it's slapped square in the face with it. The books that have left their mark, that have defied genres and shattered expectations, were not born from playing it safe. They were the product of authors who scribbled outside the lines and dared to say something new. So, before you write, ask yourself if you're echoing or innovating.

Step 3: Cultivate Your Voice Until It's as Distinct as a Fingerprint

Your voice is your superpower. It's the melody that will make readers dance to your tune, chapter after chapter. But finding it? That's a journey. It's a process of peeling back the layers, of writing with honesty and rawness until your unique cadence emerges. Write like you speak, speak like you think, and think like nobody else can. That's when you'll know you've hit the voice jackpot.

Step 4: Be Fearlessly Vulnerable

There's a certain strength in vulnerability, a magnetic pull that draws readers in. Share your triumphs, your failures, and everything in between. The more of yourself you pour into your writing, the deeper the connection you'll forge with your audience. After all, at the heart of every story is a shared human experience. So, wear your heart on your sleeve and watch as your words build bridges to the souls of your readers.

Step 5: Throw the Rule Book Out the Window (Sometimes)

Yes, rules are important. They provide structure, guidance, and a framework within which creativity can flourish. But sometimes, the most breathtaking creations are born from a healthy dose of rebellion. Know the rules well enough so you can break them with flair. It's in the spaces between the rules that true originality blooms.

Step 6: Cultivate Patience—Rome Wasn't Built in a Day, and Neither Is Your Legacy

The path to finding and honing your unique voice is a marathon, not a sprint. It's a journey fraught with self-doubt, second-guessing, and, occasionally, existential crises. But it's also a journey of discovery, of joy, and of unimaginable growth. Be patient with yourself. Rome wasn't built in a day, and neither is your legacy. Keep chipping away, keep believing, and one day, you'll look back and marvel at how far you've come.

The art of being 'You' is not just about standing out for the sake of it. It's about authenticity, about finding the courage to share your true self with the world. It's about creating art that resonates, that endures, that speaks to the very core of what it means to be human. So, to all the authors and creative writers out there, here's to being bravely, boldly, beautifully you. May your words be as unique as your fingerprint and just as impossible to erase.

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Developing Romantic Arcs

Arcs are the backbone of stories across all genres, from the heart-fluttering romances to edge-of-your-seat adventures, and even those chill-you-to-the-bone horror tales. Perfecting a romantic arc can transform a solid story into an epic saga, injecting layers of emotion, tension, and a dash of relatability. Crafting a love story that grips readers isn’t as simple as throwing two star-crossed lovers into a scene and waiting for fireworks. It’s more like being a master architect of emotions. You need the right blueprint: a mix of heartfelt moments, a sprinkle of challenges, and those unforgettable instances that make hearts race.

In this blog, You'll learn how to unlock the secrets of constructing romantic arcs that will captivate and mesmerize.

What is Character Arc? Romantic Arc in Romance Components of a Successful Romantic Arc How to create an arc? The Role of Subplots Transgressive Arc in Dark and Transgressive Romance

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What is Character Arc?

A character arc refers to the transformation or inner journey of a character over the course of a story. Think of a character arc as the personal workout plan for your story's characters. They start off one way—maybe a little flabby around the emotional edges or spiritually out of shape. Then, through a series of narrative gym sessions (a.k.a. events and experiences), they either buff up into their best selves, take a few too many hits on the moral treadmill, or sometimes, just keep on jogging in place. This whole journey, whether it's a soulful marathon or a sprint to realization, pumps up the story's heart rate and gives it those relatable abs.

Character arcs are the secret spice that adds flavor to your characters, letting readers taste the sweet, the sour, and sometimes the bitter changes they undergo. Whether it's the glow-up of the century, a tumble down the rabbit hole, or just a steady cruise on the SS Status Quo, these arcs make sure your characters are more than just paper dolls—they're real people, with the emotional depth of an ocean and the relatability of a best friend's couch.

Character Arcs ca be categorized into several types:

Positive Arc (Transformational/Growth Arc): Here, the character overcomes flaws, learns valuable lessons, and emerges better off than they were at the beginning. This is often seen in stories where the protagonist faces and overcomes significant challenges, leading to personal growth. Catherine Earnshaw in "Wuthering Heights" by Emily Brontë: her emotional turmoil and relationship with Heathcliff show some growth in understanding and self-awareness, though it is fraught with tragedy. Negative Arc (Fall Arc): The character fails to overcome their flaws or succumbs to them, leading to their downfall or a worse state than where they started. This arc explores themes of failure, tragedy, and the darker aspects of human nature. Emma Bovary in "Madame Bovary" by Gustave Flaubert: Her quest for passion and a more exciting life leads her into affairs and debt, illustrating a classic negative arc where her desires lead to her ultimate downfall and tragedy. Flat Arc (Static Arc): The character remains fundamentally the same throughout the story, but their beliefs, values, or virtues are tested and ultimately validated. This type of arc is often used for characters who embody ideals meant to influence the world or characters around them, rather than undergoing personal transformation. "The Story of O" by Pauline Réage, while characters are not changing fundamentally themselves, serve as catalysts for change in O, maintaining their perspectives and desires throughout the narrative. Redemption Arc: This is a specific type of positive arc where a character seeks forgiveness or atonement for past mistakes or crimes. It involves a journey from wrongdoing to redemption, often facing consequences and making amends. Dmitri Karamazov in "The Brothers Karamazov" by Fyodor Dostoevsky: Dmitri's journey involves elements of forbidden love, moral ambiguity, and the quest for redemption. His relationships and actions drive him to a point of moral reckoning, leading to spiritual awakening and the desire for atonement by the end of the novel.

When writing Bella Donna, (no spoilers) I had one of those rare moments of writing something more positive. In this book, Bella's character arc can be classified as a Positive or Growth arc, specifically the "Transformation" subtype. This type of arc is characterized by significant internal change in the protagonist, influenced by events, conflicts, and reflections throughout the narrative.

Bella starts her journey with certain beliefs and attitudes about love, life, and her own desires, which are deeply challenged as the story unfolds. The reason why Bella's arc fits this category is due to her evolution from a state of conflict and indecision—torn between two loves, representing different parts of her identity and desires—to a state of self-awareness and clarity about her needs and future. This transformation is not just about making a choice between two partners but about Bella understanding herself better, recognizing what she truly values, and taking steps towards her own happiness and fulfillment.

Such arcs involve significant character development, where the protagonist undergoes a metamorphosis that affects their perspective, actions, and relationships. The journey Bella undertakes, filled with emotional turmoil, self-doubt, and exploration, leads to a profound personal growth that reshapes her understanding of herself and her place in the world. This journey is central to the narrative, making her arc a compelling example of transformation through introspection and experience.

If interested to read the book, now you can get it on Kindle and Lulu (eBook)

Romantic Arc in Romance

A romantic arc is the journey of a relationship between characters, typically involving stages of attraction, conflict, growth, and resolution. Like any character arc, it's about transformation and evolution, not just of the relationship but of the individuals within it. The most compelling romantic arcs are those that challenge the characters, force them to confront their flaws, fears, and desires, and ultimately lead to a transformation that is both believable and satisfying.

Components of a Successful Romantic Arc

The components of a good romantic arc includes (with examples of Anna Karenina by Tolstoy);

Character Development: Individual character arcs are crucial to a believable romance. Each character must be fully realized, with their own strengths, weaknesses, motivations, and growth paths. Their development should be interwoven with that of the romantic arc, with the relationship serving as a catalyst for change and growth. Anna Karenina begins as a sophisticated, married woman who is content yet emotionally unfulfilled. Her affair with Vronsky marks a significant transformation, leading her towards emotional turmoil, societal ostracization, and internal conflict. Her journey is a descent from stability to despair, showcasing her vulnerabilities, desires, and the tragic consequences of her choices. Chemistry: Chemistry isn't just about attraction; it's the connection and tension between characters, whether it's instant or grows over time. Crafting chemistry involves creating characters with complementary or contrasting traits, shared interests, or conflicts that spark interaction. The chemistry between Anna and Vronsky is palpable from their first encounter. Their mutual attraction is immediate, but their connection deepens as they share moments of joy, passion, and ultimately, shared struggle. Their chemistry is a mix of physical attraction and emotional bond, highlighted by their complementary personalities—Anna's intensity and Vronsky's ardor. Conflict: Conflict is the engine of a romantic arc, driving the plot and character development. It can arise from external pressures (societal norms, external threats) or internal struggles (fears, miscommunications). Conflict should challenge the relationship, testing its strength and the characters' commitment. The romance is rife with conflict, both external and internal. Societal norms and Anna's marriage to Karenin create external pressures that stigmatize their relationship. Internally, Anna struggles with guilt, jealousy, and fear of abandonment, while Vronsky faces the challenge of balancing his career and societal standing with his love for Anna. These conflicts drive the narrative, testing the limits of their love and commitment. Pacing: The development of the romance should be paced realistically and compellingly. Rushing into love or dragging out misunderstandings can frustrate readers. Balancing attraction, conflict, and resolution keeps readers engaged and makes the culmination of the romance satisfying. Tolstoy masterfully paces the development of Anna and Vronsky's relationship. Their initial attraction quickly escalates into a passionate affair, but the subsequent unraveling of their lives is gradual, reflecting the increasing weight of societal judgment and personal guilt. The pacing allows readers to become deeply invested in their journey, feeling the highs of their love and the lows of their despair. Authenticity: Authentic emotions and reactions make characters relatable and their romance believable. Their feelings should evolve naturally, reflecting real human experiences of doubt, fear, joy, and love. The emotions and reactions of Anna and Vronsky are depicted with striking authenticity. Tolstoy delves into the complexities of human emotion, capturing the exhilaration of newfound love and the agony of its consequences. Their feelings evolve in a manner that is painfully relatable, highlighting the joy, doubt, fear, and love that characterize real human experiences.

For me, Anna Karenina exemplifies how intricate character arcs, chemistry, conflict, pacing, and authenticity are woven together to create a compelling and tragic romantic arc, making it one of the most enduring stories of forbidden love and its repercussions.

How to create an arc?

Easy: Begin by defining your characters' individual goals, fears, and flaws. Their personal journeys should be distinct yet compatible with the romantic arc. Then use early interactions to build tension and hint at attraction. This can be through dialogue, shared experiences, or conflicts that force them to interact. Now, you're a good God so you don't want your characters have it easy so introduce conflicts that challenge their relationship. These should stem naturally from the characters' backgrounds, beliefs, or circumstances. Then allow the characters to grow closer through shared experiences, overcoming obstacles, and learning about each other. Their evolving feelings should be shown through actions, decisions, and internal monologues. Just like a good sex (if you've ever had any), your story needs a climax. The climax should bring the conflict to a head, requiring characters to confront their feelings and make significant decisions. The resolution should address the conflict and show the growth of the relationship and the individuals within it.

The Role of Subplots

Yup. Subplots! You heard it. What is subplot?

Subplots are secondary storylines that run parallel to the main plot, enriching the narrative by adding depth and complexity to the overall story. Along with the main romantic arc, subplots offering opportunities for characters to grow and face challenges separately from their romantic interest. They can also introduce secondary conflicts or mirror the main arc, adding depth to the narrative.

In "Anna Karenina" for example, the narrative is enriched with multiple subplots that run parallel to the main story of Anna and Vronsky's tumultuous affair. One significant subplot involves Konstantin Levin and Kitty Shcherbatsky's relationship, which contrasts with Anna and Vronsky's by ultimately leading to a successful and loving marriage. Levin's own spiritual and existential journey provides a profound exploration of faith, happiness, and the meaning of life, offering a counterpoint to the main plot's tragic trajectory. Additionally, the social and political changes affecting the Russian aristocracy, along with Levin's agricultural pursuits and the exploration of peasant life, serve to deepen the novel's examination of 19th-century Russian society. These subplots not only add complexity to the narrative but also allow Tolstoy to explore themes of love, fidelity, societal expectation, and personal fulfillment across a broader spectrum of characters and situations.

Transgressive Arc in Dark and Transgressive Romance

Now, we're not all gifted writers. We're not gods of the heavens, crafting paradises and happily-ever-afters, are we? Some of us revel in running hell, enjoying it alongside Satan! That's where transgressive fiction comes in handy.

Transgressive fiction challenges societal norms, taboos, and the boundaries of conventional storytelling, often focusing on themes such as moral ambiguity, anti-heroism, and the underbelly of society. In a transgressive romance setting, character arcs not only navigate the complex terrain of love and relationships but also intertwine with themes of rebellion, self-discovery, and the questioning of societal norms related to love, sexuality, and partnership.

Positive Arc in Transgressive Romance: In a transgressive romance, a positive arc might not follow the traditional trajectory of growth through overcoming external obstacles. Instead, it could focus on characters who confront and challenge societal norms around relationships, finding growth in the acceptance of unconventional forms of love or in the defiance of societal expectations. Their journey could involve navigating the backlash from society or their inner circles, leading to a deeper understanding of themselves and their desires, culminating in a non-traditional but fulfilling relationship. The Unbearable Lightness of Being by Milan Kundera Main Character: Tomas Negative Arc: A negative arc in transgressive romance could explore the darker side of love, perhaps involving characters who pursue forbidden or taboo relationships that ultimately lead to their downfall. This could involve exploring the consequences of challenging societal norms without a clear moral compass, leading to destructive behaviors or choices that doom the relationship. The arc could serve as a cautionary tale about the dangers of unchecked desire or the cost of defying societal expectations without regard for the consequences. Book: "Wuthering Heights" by Emily Brontë Main Character: Heathcliff Flat Arc: In a transgressive romance with a flat arc, the character might start with a clear sense of their unconventional beliefs about love and relationships, and these beliefs are tested but ultimately validated through the story. The romance could challenge the audience's preconceptions about what love should look like, with the character standing as a symbol of defiance against societal norms. Their journey might not involve personal change but rather a change in the world or characters around them, as they challenge and possibly alter the perceptions of those they interact with. Book: "Lolita" by Vladimir Nabokov Main Character: Humbert Humbert Redemption Arc: A redemption arc in a transgressive romance setting could involve characters who have engaged in taboo or morally ambiguous relationships and must confront the consequences of their actions. Their journey towards redemption might involve seeking forgiveness, understanding the impact of their actions on others, and making amends. This arc could explore themes of guilt, forgiveness, and the possibility of finding love and redemption even in the most unconventional circumstances. Book: "Tess of the d'Urbervilles" by Thomas Hardy Main Character: Tess

So,

In a transgressive romance, we're not just watching love's journey from awkward hellos to sunset kisses. Oh no, we're diving headfirst into the murky waters of "Do I really know what love is?" and "Can I bring this up at dinner without causing a scene?" This isn't your grandma's love story—unless your grandma enjoys shaking up societal norms over her morning coffee. Here, the backdrop isn't just scenery; it's the playground for emotions on a rollercoaster and relationships that color outside the lines. Character arcs in this world are so tangled with the theme of rebellion, you'd think they were plotting to overthrow the kingdom of Conventional Romance itself.

As a conclusion to this article I can say that developing romantic arcs that resonate with readers requires a deep understanding of your characters and a careful balance of elements such as chemistry, conflict, and pacing. By focusing on authentic emotional development and character growth, you can craft a love story that not only entertains but also touches the hearts of your audience. Remember, at the core of every great romantic arc is the journey of two individuals growing together, facing the world side by side, and transforming each other for the better.

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Writer vs. Writer: Bam Barrow | Author Interview

Exciting News! Today's author interview is with Bam Barrow. Bam is an East Anglian writer renowned for his work in occult fiction and folk horror, has gained recognition through publications in Grinning Skull Press and Punk Noir Magazine, and as a co-editor for Urban Pigs Press. His debut collection, 'Arcanum Fabulas,' explores various genres, reflecting his unique style and profound interest in the dark and mysterious facets of human behavior.

Bam's creative process involves instrumental music, leading to a daydream-like state where his ideas take shape. I'm eagerly anticipates the release of his upcoming collection, 'CVLT of CTHXS,' with Translucent Eyes Press, promising to further establish his distinctive voice in the literary world of occult and horror fiction.

Hey Bam. I'm so happy to have you here. I'm excited to know about your journey as a writer and what drew you to the world of occult fiction and folk horror? And can you tell us what is occult fiction?

It sprouted out of filmmaking I think. Film has been a pronounced passion in my life for as long as I can remember, but as our ideas began to outgrow our budgets, which were basically zero anyway, the passion for it died and it wasn't until local author ,,James Jenkins gave me some precious motivation that I started writing things down, trying to translate those visual ideas into written ones.

,,Occult fiction is typically a genre which explores the supernatural and paranormal through ,,esotericism and the ,,occult ; witches, rituals, magic, paganism, satanism etc. The word occult literally means ‘hidden from view’, the idea being that a person looking in from the outside wouldn't be able to understand what is going on. Things are hidden under languages, codes and secrets only known to the initiated. Secret societies, businesses and religions all use this practice. It is a tool I often use in writing to leave ideas or clues hidden between the lines so to speak, which allows the reader to take things in on a surface level or delve a little deeper, it has to work either way.

Talking about films, imagine your book, "Arcanum Fabulas," were to be adapted into a movie. Who would be your dream director and cast for the film?

That's a fantastic question! It would have to be either ,,Robert Eggers (The Witch, The Lighthouse, Northman) or ,,Panos Cosmatos (Beyond The Black Rainbow, Mandy) directing and cast wise I would love to see ,,Patricia Quinn , ,,Anya Taylor-Joy , ,,Willem Dafoe , ,,Meg Foster , ,,Bill Moseley , ,,Reece Shearsmith … if we're going full fantasy casting I'd have ,,Vincent Price and ,,Christopher Lee in there.

Fantastic choices. Specially Vincent Price. I would cast him too. In this book, you featured a mix of genres from crime to horror to gritty realism in this book. How do you navigate the different genres while maintaining a cohesive theme or atmosphere? What inspired the title "Arcanum Fabulas," and can you tell us the significance behind it in the context of your book?

That's a tough one. The same seed was used to grow the tree so while there are many different branches, they all come from the same original idea, so I think while the subjects and genres can change freely, there is always that same core foundation there, guiding how the work comes out. Arcanum Fabulas means mysterious stories in Latin. I wanted to go with something along the lines of weird tales or strange stories, and as Latin is commonly used in occult practices as a way of keeping things secret, it felt right.

Do you have any personal experiences or encounters with the supernatural or the unexplained that have influenced your storytelling?

I wouldn't say so, no. Not from lack of trying! As teens we'd walk around the countryside at night. I've done ouija boards and read grimoires but nothing has ever come from it. Saying that though, in Arcanum Fabulas there is a story called ‘The Eucharist of Mara’ which is a compilation of strange things that happened to us as kids; being chased by robed, torch wielding folks, finding a pit of dead pigs which mysteriously disappeared, seeing strange lights in the sky etc. I grew up by RAF Woodbridge which is where the Rendlesham Forest UFO incident happened in the eighties, so take from that what you will… There are lots of stories and urban legends in the area but I've never seen anything I could put down as paranormal unfortunately.

It makes me wonder, what's the strangest or most unexpected source of inspiration you've encountered while working on a story? Did it come from such incidents? How did it influence your writing?

Probably from reading the story of ,,Oedipus . It sparked some questions that added a whole new dimension to what I was working on at the time. Assuming that the story is real, how logistically would the Greek gods ensure that poor Oedipus would end up killing his father and sleeping with his mother, no matter what he did to try and avoid that happening.

That's what I thought when I read that story as well. May I know if daydreaming play a crucial role in this creative process? Could you describe a particularly vivid daydream that led to the birth of one of your stories?

There is a feeling you get when you hit a certain point in daydreaming, where the words come out without prompting. I try to only write when I'm in that very special place, so pretty much all of the stories end up feeling just as vivid as each other. If I just sit at a desk and force myself to write it always ends up terrible! I guess it is a similar thing to something like meditation, I can't say for sure, but it's a very strange and fleeting thing to chase. I can say though, there is a story I wrote for my upcoming book called ‘Dropsey Rabbit & The Glomechild’ which was an actual dream I had.

There is a feeling you get when you hit a certain point in daydreaming, where the words come out without prompting.

That's an interesting analogy. Just like me and many other transgressive writers, you have an interest in exploring the dark, mysterious, and extreme aspects of human behavior. How do these themes manifest in your writing, and what do you hope readers take away from your exploration of these topics?

I've always been fascinated with the darkness humans hold in their hearts, whether it be the mind of a serial killer or a cult leader, a story out of history or something random that comes out of the news. They say the truth is stranger than fiction and I tend to believe in that. Behind every mystical veil seems to lay a terrible secret. Mother Teresa was a vain sadist who loved the suffering of the poor and Ghandi was a racist, misogynistic paedophile. I say no more! As far as how these topics affect my work, it's just something that naturally happens. There are stories in Arcanum Fabulas which are comedic and absurd and still, these elements of nastiness manifest themselves; for example, the story ‘Synesthetic Therapy’ pokes fun at hypnotherapy and while it is comedy really, there is still an unnerving undertone, there are desperate people who fall for this type of thing and put their faith and money into the hands of people who prey on them for a living.

As a co-editor for Urban Pigs Press would you share how has your experience as an editor impacted your own writing, and vice versa?

I'm not sure if it has impacted my work directly, I've always tried to do my own thing creatively really, keeping the two things separate is important; the last thing you want to do is let someone else's work bleed onto yours or you theirs, not to say that other people's work isn't fantastic or inspirational, it's just important to let works be what they are, and say what they want to say in their own ways unique to their writers. It has definitely been an honour to work with so many talented people across the globe who trust us with their work, we're all a supportive family but it's also important we keep our own identities if that makes sense, different flavours are so important.

The last thing you want to do is let someone else's work bleed onto yours or you theirs.

I agree. It should be difficult to separate editing someone else' work and avoid it to impact your own writing. Now, let us discuss your upcoming collection, "CVLT of CTHXS"? What can readers expect from this release?

CVLT of CTHXS has been something I've been working on since just before covid started. It is a selection of short horror stories set in East Anglia but these ones all run on the same timeline with each other, although the timeline and connections between them have been fractured. Everything I know about how occult practices work functionally has gone into it. Imagine if ,,David Lynch and ,,HP Lovecraft had a baby, and that's pretty close I think.

That sounds wonderful. Finally, aside from your own work, do you have any favorite authors or books in the occult fiction or folk horror genre that you would recommend to readers who are interested in exploring this genre further?

Oddly enough, my main inspirations where authors are concerned are ,,J R R Tolkien , ,,Frank Herbert and ,,Hunter S. Thompson which are about as far from folk horror or the occult as you can get!

As far as exploring the genre though, definitely check out ‘ ,,The King in Yellow ’ by Robert W. Chambers. There really isn't anything like it. It was a huge inspiration for HP Lovecraft's work. And it is one of those books that will stay with you. ‘ ,,I have no mouth, and I must scream ’, by Harlan Ellison is a very disturbing read. Check out the Horrorbabble YouTube channel, they have loads of audio books on cosmic horror, folk horror, the occult etc. and Watch ‘The Witch’ or ‘The Lighthouse’ by Robert Eggers and The ‘Lords of Salem’ by Rob Zombie also.

Thanks for the recommendation and joining us for this interview.

If you're interested to ask a question from Bam please comment on this post or you can contact him via following links:

Twitter @snuff_club Insta @bambarrow Bluesky @bambarrow Urbanpigspress.co.uk

Valentine’s Day Musings: When Cupid Wears a Leather Jacket

Ah, Valentine’s Day! A time when lovers exchange heart-shaped candies and bouquets of red roses, all while basking in the glow of societal norms. Here I am attempting to snugly fit into this picture-perfect postcard of romance. Yet, as I wield my pen, it rebelliously morphs into a quill dipped not in ink, but in the uncharted waters of human obsession and the intricacies of a fetishistic mindset where Cupid ditches his bow for a whip and the scent of vanilla is laced with a hint of danger.

Image source

You see, in my latest steamy endeavor of writing romance, penned under the sultry guise of

Lilith Wilde, "Bella Donna" I tried to behave. I wanted to write a sweet romance novel (it is a sweet romance anyway) but my goal on creating simple affections turns into an odyssey through dark desires, where every turn is unpredictable, and the exit might just be an illusion. It’s here, in the throes of crafting stories about love’s darker, more compulsive siblings, that I find myself both at odds and strangely at peace with the traditional romance community.

Imagine trying to blend into a crowd wearing a neon sign that flashes, "Doesn’t Play Well With Norms." That’s me, attempting to navigate the serene waters of romance literature in a boat that insists on rocking. Every story I write, with the intention of exploring the tender touch of love, inevitably takes a detour through the shadowy alleys of fixation and yearning so intense, it borders on mania. I ain't no fucking Cupid.

"Bella Donna" is not your grandmother’s romance novel. Unless, of course, your grandmother had a kind for being controlled and sub a dom. It’s in this gentle story (gentlest among all my other stories, I promise) where the aroma of roses mingles with the thrill of the chase, and every "I love you" echoes with a hint of "I obsess. Fuck me, please!" Navigating this dichotomy is similar to attending a masquerade ball in full armor and a very very sharp sword; you're prepared for battle when everyone else is poised for a tango or perhaps a ballet if you're unlucky like me.

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Yet, here lies the rub: there’s an undeniable charm in being the outcast, the author who sends ripples across the tranquil pond of romance literature with stories that challenge, provoke, and, dare I say, titillate in ways that traditional narratives shy away from. So, as we celebrate this Valentine’s Day, let’s raise a glass to the lovers who find beauty in the unconventional, to the romantics who embrace the wildness of passion in all its forms. For in the pages of "Bella Donna," under the watchful eye of Lilith Wilde, love is not just a sweet whisper but a roar that echoes in the caverns of our deepest desires.

Remember, whether you’re a devotee of classic romance or a seeker of its dark shadowy counterpart, there’s a story for every heart. Mine just happens to dance in the dark and transgressive (wait for what comes after Bella Donna this Fall), inviting you to step into the light. So, dear reader, as you're floating (hopefully not drowning in) the sea of romance this Valentine's Day, consider taking a detour into the unexplored territories charted by yours truly. Who knows? You might just discover that the most enduring love stories are those that embrace the entirety of the human heart, with all its wild obsessions and unspoken desires.

Happy Valentine’s Day! May your day be filled with love, in whatever form it captivates you.

With love (and a wink) from the fringe,

Neda Aria (a.k.a. Lilith Wilde)

Buy Bella Donna eBook here

Paper and Hardcover soon

Check my Shop for updates on books and other products (It's still under improvements)

Locked Out and Logged Off: Amazon's Authentication Labyrinth & Bella Donna Pre order failure (Include Free Giveaway)

Self-publishing is a business where the laws of logic occasionally take a backseat to the mysteries of technology. My journey in self-publishing since 2017 has been both enlightening and maddening. Picture me: an author whose works, such as "ENARO," "Feminomaniacs," and "Machinocracy," wade through the dark and transgressive waters of literature. Suddenly, I decided to reignite my romance writing career under the pseudonym Lilith Wilde. I was ready as Lilith, with my debut adult romance poised for release just in time for Valentine's. I imagined myself as an expert in self-publishing (as Neda Aria), only to nosedive into the undertow of Amazon's two-factor authentication system.

Ah, Amazon, that digital behemoth, a place where dreams can be uploaded at the click of a button—unless, of course, you're me, dealing with an authentication process more complex than the plot of a sci-fi novel. There I was, ready to launch "Bella Donna" into the world, a pre-order set to dazzle my readers. But alas, technology had other plans.

The drama unfolded like a poorly scripted comedy, where I played the beleaguered protagonist, locked out of my own kingdom by the guards of Two-Factor Authentication for 10 days prior to Valentine's. Appeals to the customer service castle were met with a shrug more suited to a Kafkaesque nightmare than a help desk. "We're sorry, but we cannot assist you further. Fuck off and thank you for your understanding." Oh, the irony! A writer, known for bending reality in her narratives, foiled by something as mundane as a login issue.

The pre-order of "Bella Donna" faltered, not because of a lack of interest or a sudden shift in the literary market, or my well-known moodiness, but because of a digital gatekeeper's unwavering stance. The lesson was as clear as it was frustrating: In the world of self-publishing, the sword might be mightier than the pen, especially if that sword is a reliable tech setup of a big corporation that scrunches the little red ants like me. .

Lesson learned. In a way that penetrates you so hard and so deep that make walking difficult! How to avoid such quagmires in the future?

First, treat every technological aspect of self-publishing as you would a character in a dark romance: with suspicion and a plan to uncover its secrets. Second, enable all possible recovery methods for your accounts. This includes, but is not limited to, backup codes, alternative emails, and the phone number of a friend who's good with computers. Third, document every step of your publishing process, from the mundane to the monumental. If Kafka taught us anything, it's that bureaucracy loves paperwork. Fourth, don't put all your eggs in one basket—publish on multiple platforms. Diversifying your publishing platforms is akin to casting a wider net into the sea of readers. Each platform has its unique audience and benefits, from Amazon to Barnes & Noble, to Kobo, and more. Fifth, if feasible, create your own online shop. This is your castle, impervious to the whims of external platforms and their arcane rules. An online shop puts you in direct control of your sales, promotions, and customer interactions. It can serve as a central hub for your readers, offering signed copies, merchandise, and exclusive content. Plus, it's a direct line to your audience, free from the interference of middlemen, where every update is a royal decree and every sale, a tribute to your realm.

So dear reader, if you have pre-ordered Bella Donna previously, first Thank you so much for your kind support. Second, Today (12th February 2024) Amazon canceled the preorder and left Lilith and I heart's shattered. So, I would like to offer you a free copy of the eBook that you can read on your kindle. Check the link below to receive your copy (Limited Offer - expires on Feb 29th).

I will publish this book on multiple channels both on eBook version & Print, for now, I won't directly publish on Amazon as the issue isn't solved yet. I will update you on those in another post.

Thank you for your patience.

XOXO

Lilith & Neda

Writer vs. Writer: Brendan Heneghan | Author Interview

I'm thrilled to have an author interview with Brendan Heneghan, a 25-year-old whose life journey uniquely shapes his literary voice. Raised in Chicago and honed in Louisiana, Brendan's passion for storytelling took root well before he could read or write, blossoming into his debut novel, "The Hard Road." This transgressive fiction piece offers a Gen Z reimagining of the wanderlust and societal critique reminiscent of Hunter S. Thompson, taking readers from Venice Beach to Baton Rouge amidst the backdrop of contemporary America's most tumultuous moments. His narrative isn't just about the landscapes his characters travel around; it's deeply linked with his own life story, marked by fight against early childhood cancer and a spirit that connects deeply with the counter-cultural.

Hey Brendan. Glad to have you for this interview. You told me that your extensive travels across the United States have clearly influenced your writing. How did your experiences in different American landscapes shape the narrative and setting of "The Hard Road"?

I’ve always said, “if it ain’t south or west, I ain’t trying to go.” This is a bit of a joke, but it is true. The Deep South and the desert have always lured me from early childhood. So, I found an opportunity to write about these places through my own eyes. Everywhere I’ve lived, whether Baton Rouge, Phoenix, L.A., or visiting random places across the Sun Belt, I’ve met very good people from all walks of life. Most are struggling in one way or another. We’re all disillusioned but still have ways to find happiness. This keeps me going.

And I know you're inspired by the upheavals of the 1960s. Can you elaborate on how this era specifically influenced the themes and characters in your novel?

The protagonist, Pat Morrison is named after Jim Morrison, lead singer of The Doors. The way he led the counterculture through theatrical performances, poetry, and messages of revolt inspired me very much. Some of my favorite American heroes are Stokely Carmichael of the Black Panthers, Tom Hayden, and Abbie Hoffman, among others. The 60s were incredible because you had a coalition of so many different groups attempting to overthrow the status quo. Civil Rights organizations. The Panthers. The Yippies. The SDS. They scared the shit out of the establishment and they were so strong that the State saw it fit to assassinate or arrest their leaders. We need upheavals in this country. By this I mean cultural revolution, because the way we’re living is unsustainable.

As I studied politics myself and then turned to writing novels, I'm curious to know how do you blend your academic background with your existentialist literary influences to create a unique narrative voice?

Studying political theory has helped me quite a bit. It’s always been a zero sum game since the time of the Roman Republic. Powerful people either help each other get rich or try doing it by demonizing their opposition. This has always been the case and probably always will be. I really do think the world today hinders human prosperity, and much of this is because of who we allow to rule us, and the laws they create.

Let's get into "The Hard Road" is described as a journey through a dystopian America. What aspects of contemporary American society did you draw on to create this dystopian vision?

COVID was pretty obvious. Having to show a piece of paper before entering a bar (if any were even open), closing churches and gyms, etc. As a twelve year-old in 2010 I never would’ve imagine getting watched by bosses through cameras a decade later. They’re everywhere. Every now and then I’ll walk through a residential neighborhood and a robotic voice from a driveway camera will say, “hi, you are currently being recorded.” I can’t for the life of me figure why or how anyone thinks this is normal, let alone a sign of progress. There are microplastics everywhere, cameras everywhere, carcinogens everywhere. It’s all bad. The population is more unhealthy than it’s been in a very long time, particularly here in The States. Communities are divided, the population is overly dependent on third parties to take care of us, and these days,  less people are self-sufficient than ever before. We’re becoming useless creatures. There’s still hope. I love humanity and the things we can achieve, but things need to change soon if we don’t want to slide down an irreversible slope of decadence.

And in this book, the protagonist of your novel, Pat Morrison, seems to have a deep personal journey throughout the story. How much of Pat's character and experiences are autobiographical, or are they entirely fictional?

Most of it is autobiographical, especially toward the very end. The morning scene in Vegas was completely made up. I’ve also never pulled a .44 on anyone. The real road trip we took in 2020 actually led us back into Utah and Colorado after Flagstaff. I chose instead for the characters to beeline east into Texas and Louisiana. All of those scenes, however, are based on my time at LSU. So true in a sense.

That's interesting. Your writing process seems to fluctuate between intense periods of productivity and times of reflection and reading. How do these phases of your writing process contribute to the development of your stories?

More often than not, I’ll crank out entire scenes and chapters and just off for hours on end. Sometimes I go weeks or even a month without touching a work in progress. I wait until I’m inspired. It also depends on where I am. If it’s mountains, palm trees, and sunshine, I’m inspiration comes easily. If it’s gray, I’m snowed in, and depressing all the time, it’s a bit harder. If I’m going through something difficult, I’ll write more as well because then it becomes even more therapeutic than normal.

Tell me about your interest to document the times and counteract what you see as a corrupted mainstream media narrative. How do you balance this goal with the need to tell a compelling, character-driven story?

Hunter S. Thompson mastered this exceedingly well. I learned it from him. Often we’ll read news articles or studies that obviously don’t reflect reality. The people in my life, the ones who I write about, we are not the people answering polls. We are not the people who are prospering. Many of us don’t even vote in most elections, simply because there’s almost nobody to vote for. Only candidates to vote against. That’s not democracy. That’s an illusion of choice. So, I listen to people when we have conversations, hear their thoughts and concerns, and find a way to record them. Our society gate keeps prosperity from many, no matter how many times presidential administrations boast of economic growth or decreases in unemployment. Things are not getting better. I tie all this together and integrate it into my work. I personally found solace traveling the highways and wild expanses of this country to alleviate my discontents with the status quo.

The themes of love, honor, friendship, rebellion, and freedom are central to your writing. Can you discuss how these themes are interwoven in the relationships between the three main characters in "The Hard Road"?

With regards to love, it’s something every major character in the novel is pursuing. All three main characters discuss falling in love and having a prosperous future. Clara O’Reilly and Pat Morrison discuss it as well on the balcony in New Orleans. Love is something we all need to live.

Honor and friendship aren’t easy things to find in our time. Courageously diving out into the unknown to see what can happen is deeply honorable. Treating people with respect, and recognizing that life is hard on everyone is absolutely necessary to making to the world a better place. The characters in the book embody both concepts. In the desert, Pat Morrison and his friends are a unit. They won’t let anything bad  happen to one another. Out there, they are all they have. Such is life. These themes hit a high note at the party in New Orleans. They chase honor because they want the chance to do something great and unusual with their lives. Something distinguished, and they did it.

Beautifully said. You describe yourself as an "American Boethius." Could you explain this comparison further, particularly how Boethius' philosophy and circumstances resonate with your own life and work?

It’s a funny thing. Boethius isn’t really a huge influence on my writing style or anything, and I’ve only read his book, The Constellations of Philosophy. He came of age almost immediately after the Western Roman Empire collapsed. I feel I have a responsibility to document the times. For over a century, certainly since the end of WWII, the United States has been a global empire. The most powerful civilization on the planet with unmatched military might and influence. It will come to an end during this century. I’m not saying that the United States will collapse, but the empire will. Our country will remain, as I hope it does, but I think the end of the empire will be like the collapse of the Western Roman Empire. We will remain a very powerful and influential civilization, but we no longer will be the unchallenged and unmatched hegemon we’ve been since 1945. Therefore, like Boethius, I want to document it. His writings are also filled with examples of existential angst, since he went from being a senator in Rome to an inmate on death row under Gothic King Theodoric. He accepted all the cards he was dealt, and made sense of it with his work. As I’ve done with mine. There’s also no shortage of passages in Constellations referencing the evils of politicians. His duty is mine, I feel.

Indeed sir! :) Finally, looking ahead, what can readers expect from the sequel to "The Hard Road" and your upcoming essays and poems? How do you plan to continue exploring and expanding upon the themes introduced in your debut novel?

I will always advocate for revolt in the fashion of the 1960s and Early 70s. Sadly I feel people these days are too divided and apathetic to rally together and overhaul the system and its apparatus of State and Corporate power. I’ll continue to sound the alarm through my essays and poems, although my poetry also features romance, landscapes, and existential awareness and reflection.

In The Hard Road’s sequel, entitled The Fast Lane, Morrison is back on the road. But this time, he’s driving across America all alone. And his journey isn’t two weeks, but over three months. His character is tested in ways he never could’ve imagined. He loses loved ones. He endures run-ins with wild animals. But he also has the time of his life and reconnects with family he didn’t know well before, and establishes ties that can never be severed. You meet his parents, siblings, and friends he grew up with in Chicago during a brief return to his old neighborhood in the middle of the book. This book too will involve themes of revolt and existential reflection and knowledge, but not quite as political. Is its predecessor. It will be a crazier ride than The Hard Road, and a stepping stone to the trilogy’s final tale.

Fantastic. Wish you best luck.

If you'd like to ask questions from Brenden, comment below or reach out to him by:

The Hard Road Purchase Link

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Transgressive Romance 101: Crafting Believable Romance Plots | Transgressive Romance Writing Tips

Romance stories have always been popular, pulling readers in with stories about love, deep feelings, and the complicated ways of the heart. Making a good romance story isn't just about making two characters fall in love; it's about telling a story that feels real and shows love in all its forms, both beautiful and flawed. In this post for Transgressive Romance writing tips, we'll learn how to make romance stories that feel true to life, taking tips from both classic and modern books, and including some spicy elements like in the exciting story of "Bella Donna."

1. Establishing Realistic Characters

2. Evoking Genuine Emotional Conflicts

3. Creating a Compelling Setting

4. Building a Realistic Romantic Arc

5. Incorporating Obstacles and Resolutions

6. Delivering a Satisfying Conclusion

1. Establishing Realistic Characters

The foundation of any compelling romance plot lies in well-developed, relatable characters. Take Elizabeth Bennet and Mr. Darcy from Jane Austen's "Pride and Prejudice." Their romance is believable because they are fully fleshed-out individuals, with distinct personalities, strengths, and flaws. Despite all the hate, for many (not me) Colleen Hoover's characters are deeply relatable, complex, and multifaceted, contributing to her massive success in the romance genre. Or Bella Andre with "The Look of Love": Andre is renowned for creating realistic, relatable characters that readers can connect with on a deep level. In "Bella Donna," I created Donna as a literature lover and this adds depth to her romantic encounter with Gio who's literature expert himself, making her journey of love, self-discovery and dark desires more relatable. In this regard, C.D. Reiss with "Marriage Games" creates complex characters who explore the darker and more unconventional aspects of love and desire, breaking traditional romance boundaries.

Now you may ask but how to create realistic characters? Here's 10 ways on how to develop such characters:

Deep Character Backstories: Start by crafting detailed backstories for your characters (get free templates here ). Understand their past experiences, family dynamics, education, and pivotal moments that shaped their personalities. This depth informs their motivations, fears, and desires, making them more than just figures in a story. Flaws and Strengths: Real people are a mix of strengths and weaknesses (get free templates here ). Your characters should have a balance of both. Flaws make them relatable and human, while strengths make them admirable. For example, a character might be highly intelligent but struggle with social interactions. Consistent Yet Evolving: Characters should remain consistent in their core traits throughout the story, but also show growth and evolution. This change should be gradual and a result of the events in the story, mirroring real-life personal growth. Realistic Dialogue: The way characters speak should reflect their background, education, and personality. Dialogue is a powerful tool to convey character. It should sound natural and vary between characters. I have a post on writing dialogue coming and one I posted on how to write dialogue during a sex scene which you can read here . Relatable Motivations and Goals: Characters should have clear motivations and goals that drive their actions. These should be relatable and understandable to the readers, even if they don't always agree with the methods the characters use to achieve them. Complex Relationships: Show how your characters interact with others. Their relationships should have complexities, like real-life connections. This includes friendships, family dynamics, and romantic interests. Physical Descriptions and Mannerisms: While their physical appearance isn’t the most important aspect, it helps readers visualize them. Mannerisms or habitual actions (like biting nails when nervous) can add depth. Reactions to Situations: People react differently to stress, joy, or conflict. Show how your character's personality influences their reactions. This not only adds depth but can also drive the plot forward. Diverse Perspectives: Ensure that your characters have unique perspectives influenced by their backgrounds and experiences. This diversity can create interesting dynamics and conflicts in your story. Research and Empathy: Understand the type of character you're writing. If they have experiences vastly different from your own, research and empathy are crucial. This helps in creating an authentic portrayal.2. Evoking Genuine Emotional Conflicts

Believable romance thrives on genuine emotional conflicts. Think of "Wuthering Heights" by Emily Brontë, where the tumultuous relationship between Catherine and Heathcliff is driven by deep, conflicting emotions. Similarly, in "Bella Donna," I created protagonist's inner turmoil and unresolved feelings for Gio to build a captivating tension to add up to the essence of a spicy romance. M. Robinson's "El Diablo" has an intense and emotional storytelling, Robinson crafts a narrative rich in conflict and emotional depth, which resonates strongly with readers. Penelope Ward with "Stepbrother Dearest" excels in creating emotionally charged narratives that explore complex relationships and conflicts. Pepper Winters with "Tears of Tess" delves deep into emotional and psychological conflicts, pushing the envelope of conventional romance with challenging and intense narratives.

3. Creating a Compelling Setting

The setting of a romance novel can significantly enhance its believability. For instance, the magical backdrop of Paris in "Anna and the French Kiss" by Stephanie Perkins adds to the the romance. Skye Warren with "The Pawn"'s settings often add an extra layer of tension and atmosphere to her transgressive stories, enhancing the overall mood and impact. In "Bella Donna," the settings of France and Italy not only provide a picturesque backdrop but also contribute to the nostalgic and passionate mood of the story. L.J. Shen with "Vicious" sets her story in vivid, well-drawn environments that add to the intensity and allure of the plot. I will post an in detail article on how to build setting but you can also check my article on transgressive fiction setting here.

4. Building a Realistic Romantic Arc

A believable romance plot must have a well-structured arc. What is character are?

A character arc is the transformation or inner journey of a character over the course of a story. An example is Nicholas Sparks' "The Notebook" where the progression of Allie and Noah's relationship feels natural and real. Tarryn Fisher's "The Wives" choice of setting adds an intriguing layer to her story, enhancing the psychological and romantic elements of her narrative. Annabel Joseph with "Comfort Object" skillfully develops the romantic arc amidst unconventional and often taboo scenarios, ensuring that the progression feels both real and engaging. Similarly, in "Bella Donna," the evolution of Donna's feelings and the complexities of her relationships are portrayed with authenticity showing her past and present when encountering Gio, making the reader invest in her romantic journey.

5. Incorporating Obstacles and Resolutions

Every compelling romance plot includes obstacles that the characters must overcome. Incorporating obstacles and resolutions in a story is crucial because they create conflict and tension, essential elements for maintaining reader interest and driving the narrative forward. These challenges test and develop characters, making their journeys and eventual growth or change more compelling and satisfying for the reader. In "The Fault in Our Stars" by John Green, the characters' health issues add a poignant layer to their romance. Kitty Thomas "Comfort Food"'s narrative includes significant psychological and physical obstacles, adding depth to the plot and challenging traditional notions of romance. "Bella Donna" ups the ante with the age gap between Donna and Gio, the fact that they met when she was just 16 and that he was her father's best friend, creates a deliciously complex scenario of forbidden love and past secrets that demand resolution. Another example, Vi Keeland "Stuck-Up Suit" 's narratives feature significant obstacles that the characters must overcome, adding depth to the romance.

6. Delivering a Satisfying Conclusion

Finally, a believable romance plot should offer a satisfying conclusion. Whether it's a happy ending like in "Bridget Jones's Diary" by Helen Fielding or a more nuanced resolution like A. Huss with "Turning Point", the goal is crafting conclusions that not only resolve the complex, often taboo conflicts presented but also leave a lasting impact on the reader.

In conclusion, I can add that crafting a believable romance plot requires a deep understanding of human emotions, a commitment to character development, and a keen sense of storytelling. Whether you're drawing inspiration from the classics or infusing your tale with the spicy elements of modern love stories like "Bella Donna," the key is to create a narrative that speaks to the heart's true desires and complexities.

Bella Donna is Available for Pre Order now, Order here .

Writer Vs. Writer: Francis Booth

In this post we will have a unique chat on Women in Transgressive Fiction with, Francis Booth. Francis is an author known for his diverse works, including books on the British experimental novel, translations, and original poetry and fiction. He is passionate about experimental literature and its importance in the literary world. Booth has expressed his desire for the freedom to write and publish as he pleases while still gaining recognition in mainstream literary circles. He advocates for the balance between independent publishing and mainstream success, hoping for a future where experimental and independent works are more readily embraced by the broader literary community​. Let's get to know him more.

Hello Francis. It’s a pleasure to have a chance to chat with you. To start, could you tell a bit about yourself.

Hi Neda, it’s a pleasure to talk to you – I love your work; it’s inspired me to get more transgressive again – I’ve been getting soft. I’m a writer, translator and music producer living on the south coast of England. I alternate writing my own fiction with writing about other people’s fiction.

Thank you for your kind words. Well, I enjoyed your project “ Killing the Angel ” and I find it quite impressive work. May I know more about it?

I originally intended to write a much bigger work about transgressive women’s writing, coming up to the present day and including American, French, German and Japanese women. But I ran out of steam so I separated out the sections about early British writers to make it a standalone book. Many of these early women were very transgressive for their time, when women were not supposed to be educated and were not supposed to have views of their own. Some of them wrote very freely about sex: Aphra Behn wrote about male impotence, the Welsh poet Gwerful Mechain wrote The Poem of Vagina in the 1400s. Fanny Burney wrote about her own mastectomy, done without anesthetic – possibly the hardest to read piece ever written.

This is very interesting to see how you evaluate women transgressive writers. I agree with you specially on the matter that women write more detailed sex scenes than men. May I know Why transgressive fiction? What about this genre attracts you?

For my first novel, I wanted to write without limits. I felt that the first page of Ryu Murakami’s Coin Locker Babies – the most astonishing page I have ever read – gave me permission. At first I thought, ‘you can’t write that.’ Then I thought, ‘okay, perhaps you can.’ So I did, or tried to.

What is your latest book about? What did you edit out of it?

I’m currently writing a book about the fantastic American author Vera Caspary, who turned the detective story upside down in the 1940s and made it all about the central female character. The Caspary woman is a heroine for our times; I’m trying to revive her. She was pretty transgressive for a time, but not in the sense that you mean it.

What was your hardest scene to write and in which book?

 

The first novel I wrote, Nevermore, was deliberately transgressive. I don’t know anyone who’s ever finished it. People get halfway through and tell me they can’t read it any more, it’s too upsetting; one friend was upset for a fortnight and she only got halfway through, she didn’t even get to the toughest bit. There’s one scene in it which relates to my own son’s suicide note. That was hard to write, but I needed to do it. Since then, I’ve been dialling back the transgressiveness further with every book.

I thought, ‘you can’t write that.’ Then I thought, ‘okay, perhaps you can.’ So I did, or tried to.

 

I'm so sorry to hear about the suicide note. I haven't read that book and now I would love to. What’s the most difficult thing about writing characters from the opposite sex?

It was never deliberate, but all the heroines in my fiction are young, female and gay, all written in the first person. (I’m male.) I didn’t even realise I was doing it for a long time. But, for some reason, when I start writing, that’s the voice comes out, so I let her speak. I now have trouble writing male characters.

That's understandable. What kind of research do you do, and how long do you spend researching before beginning a book?

 

The non-fiction books, which is every other book for me, are all research. For the fiction, I just try to let it flow, without too much thought. And I never go back and rewrite.

How many unpublished and half-finished books do you have?

Just two. I’m a natural finisher. I like to get things done, get them on Amazon, and move on.

Do you market your books? Why or why not?

 

No, not seriously. I’m more interested in writing them than selling them. I write for myself, not for anyone else, though I do love it when people read the books and comment nicely. The Code 17 series gets good reviews, people seem to like it. It’s transgressive only in the sense that Killing Eve is transgressive: the heroine kills people but you can’t help liking her.

 

That's writer's typical life. We hate marketing, don't we? Last question, do you hide any secrets in your books that only a few people will find? Can you reveal one if yes?

 

In the first book of The Watchers, there are two references to Gertrude Stein in the first fifty pages. I thought, if anybody wants to publish it, I will set them a test: if you can find both of them, you can have the rights to the book. No one’s ever taken me up on it.

 

Haha. That's amazing. Thanks for sharing and this amazing chat.

Thanks for having me

 

If you'd like to ask a question from Francis please comment below or find him through following links:

Goodreads Amazon

Bella Donna: Book Release and Book Cover reveal | Spicy Romance

Hi Everyone,

I'm super excited to tell you about my spicy romance book release, "Bella Donna," which I wrote using the name Lilith Wilde. If you're an oldie on my website, you know already that I love writing about deep feelings and complicated love stories and corrupted characters, and I think you're really going to like this one.

Important Dates:

Book comes out: February 14th, 2024 You can order it early: February 1st, 2024

Get on Amazon Now

"Bella Donna" is a special story about secret wishes, family secrets, and past mistakes that still affect us. It's all about love and the confusing feelings we sometimes have.

In the story, you'll meet Donna. Let's say it's her.

She's going back to her family's resort for the holidays with her boyfriend, Tom. Here's Tom.

Things get interesting when she meets Gio after 10 years, a mysterious Italian man from her past. Her father's friend and her teen crush back in early 2000s.

Donna and Gio have a complicated history, and seeing him again brings back a lot of emotions. The story is full of twists and turns, and you'll be on the edge of your seat wanting to know what happens next. It's a really emotional and exciting story.

I chose the name Lilith Wilde for this book because it's a bit different from my other books. My real "Neda Aria" will be preserved for anything transgressive and scifi. But Lilith Wilde is my way of exploring darker and more intense love stories.

Don't forget, "Bella Donna" comes out on February 14th. And you can order it early on February 1st. I can't wait for you to read it and hear what you think.

Thanks for all your support. I'm really looking forward to sharing "Bella Donna" with you.

Best,

Lilith Wilde (Neda Aria)

Learn more about the book here.

https://video.wixstatic.com/video/9f4dd3_df7472bf74924adea8b19d88c2d3f9d1/1080p/mp4/file.mp4