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“We lead our lives so poorly because we arrive in the present always unprepared, incapable, and too distracted for everything.”
― Letters on Life
― Letters on Life
“The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise...”
― Letters to a Young Poet
― Letters to a Young Poet
“We must embrace struggle. Every living thing conforms to it. Everything in nature grows and struggles in its own way, establishing its own identity, insisting on it at all cost, against all resistance.”
― Letters to a Young Poet
― Letters to a Young Poet
“They all have tired mouths
and bright seamless souls.
And a longing (as for sin)
sometimes haunts their dreams.
They are almost all alike;
in God's gardens they keep still,
like many, many intervals
in his might and melody.
Only when they spread their wings
are they wakers of a wind:
as if God with his broad sculptor-
hands leafed through the pages
in the dark book of the beginning.”
― The Book of Images
and bright seamless souls.
And a longing (as for sin)
sometimes haunts their dreams.
They are almost all alike;
in God's gardens they keep still,
like many, many intervals
in his might and melody.
Only when they spread their wings
are they wakers of a wind:
as if God with his broad sculptor-
hands leafed through the pages
in the dark book of the beginning.”
― The Book of Images
“Everything is gestation and then birthing.”
― Letters to a Young Poet
― Letters to a Young Poet
“Why should you want to give up a child's wise not-understanding in exchange for defensiveness and scorn, since not-understanding is, after all, a way of being alone, whereas defensiveness and scorn are a participation in precisely what, by these means, you want to separate yourself from.”
― Letters to a Young Poet
― Letters to a Young Poet
“Girls and women, in their new, particular unfolding, will only in passing imitate men's behavior and misbehavior and follow in male professions. Once the uncertainty of such transitions is over it will emerge that women have only passed through the spectrum and the variety of those (often laughable) disguises in order to purify their truest natures from the distorting influences of the other sex. Women, in whom life abides and dwells more immediately, more fruitfully and more trustingly, are bound to have ripened more thoroughly, become more human human beings, than a man, who is all too light and has not been pulled down beneath the surface of life by the weight of a bodily fruit and who, in his arrogance and impatience, undervalues what he thinks he loves. This humanity which inhabits woman, brought to term in pain and humiliation, will, once she has shrugged off the conventions of mere femininity through the transformations of her outward status, come clearly to light, and men, who today do not yet feel it approaching, will be taken by surprise and struck down by it. One day (there are already reliable signs which speak for it and which begin to spread their light, especially in the northern countries), one day there will be girls and women whose name will no longer just signify the opposite of the male but something in their own right, something which does not make one think of any supplement or limit but only of life and existence: the female human being.
This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.”
― Letters to a Young Poet
This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.”
― Letters to a Young Poet
“O shooting star
that fell into my eyes and through my body-:
not to forget you. To endure.”
―
that fell into my eyes and through my body-:
not to forget you. To endure.”
―
“Do you recall, from your childhood on, how very much this life of yours has longed for greatness? I see it now, how from the vantage point of greatness it longs for even greater greatness. That is why it does not let up being difficult, but that is also why it will not cease to grow.”
―
―
“If you trust in Nature, in the small Things that hardly anyone sees and that can so suddenly become huge, immeasurable; if you have this love for what is humble and try very simply, as someone who serves, to win the confidence of what seems poor: then everything will become easier for you, more coherent and somehow more reconciling, not in your conscious mind perhaps, which stays behind, astonished, but in your innermost awareness, awakeness, and knowledge.
- Mitchell translation”
― Letters to a Young Poet
- Mitchell translation”
― Letters to a Young Poet
“To think, for instance, that I have never been aware before how many faces there are. There are quantities of human beings, but there are many more faces, for each person has several. There are people who wear the same face for years; naturally it wears out, it gets dirty, it splits at the folds, it stretches, like gloves one has worn on a journey. These are thrifty, simple people; they do not change their face, they never even have it cleaned. It is good enough, they say, and who can prove to them the contrary? The question of course arises, since they have several faces, what do they do with the others? Thhey store them up. Their children will wear them. But sometimes, too, it happens that their dogs go out with them on. And why not? A face is a face.”
― The Notebooks of Malte Laurids Brigge
― The Notebooks of Malte Laurids Brigge
“You, Beloved, who are all
the gardens I have ever gazed at,
longing. An open window
in a country house-- , and you almost
stepped out, pensive, to meet me. Streets that I chanced
upon,--
you had just walked down them and vanished.
And sometimes, in a shop, the mirrors
were still dizzy with your presence and, startled, gave back
my too-sudden image. Who knows? Perhaps the same
bird echoed through both of us
yesterday, separate, in the evening...”
―
the gardens I have ever gazed at,
longing. An open window
in a country house-- , and you almost
stepped out, pensive, to meet me. Streets that I chanced
upon,--
you had just walked down them and vanished.
And sometimes, in a shop, the mirrors
were still dizzy with your presence and, startled, gave back
my too-sudden image. Who knows? Perhaps the same
bird echoed through both of us
yesterday, separate, in the evening...”
―
“I would like to step out of my heart
And go walking beneath the enormous sky.”
― The Selected Poetry of Rainer Maria Rilke
And go walking beneath the enormous sky.”
― The Selected Poetry of Rainer Maria Rilke
“It wasn't his, it wasn't my fault,
we both had nothing except patience,
but Death has none.
I saw him come (how meanly!)
and I watched him as he took and took:
none of it I could claim as mine. ”
― The Book of Images
we both had nothing except patience,
but Death has none.
I saw him come (how meanly!)
and I watched him as he took and took:
none of it I could claim as mine. ”
― The Book of Images
“And in fact the artist's experience lies so unbelievably close to the sexual, to its pain and its pleasure, that the two phenomena are really just different forms of one and the same longing and bliss. And if instead of "heat" one could say "sex";- sex in the great, pure sense of the word, free of any sin attached to it by the Church, - then his art would be very great and infinitely important. His poetic power is great and as strong as a primal instinct; it has its own relentless rhythms in itself and explodes from him like a volcano.”
― Letters to a Young Poet
― Letters to a Young Poet
“And when suddenly
the god stopped her and, with anguish in his cry,
uttered the words: ‘He has turned round’ –
she comprehended nothing and said softly: ‘Who?”
―
the god stopped her and, with anguish in his cry,
uttered the words: ‘He has turned round’ –
she comprehended nothing and said softly: ‘Who?”
―
“with poems one accomplishes so little when one writes them early. One should hold off and gather sense and sweetness a whole life long, a long life if possible, and then, right at the end, one could perhaps write ten lines that are good.”
― The Notebooks of Malte Laurids Brigge
― The Notebooks of Malte Laurids Brigge
“Perhaps it requires of you precisely this existential anxiety in order to begin. Precisely these days of transition are perhaps the period when everything in you is working..”
― Letters to a Young Poet
― Letters to a Young Poet
“And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.”
― Sonnets to Orpheus
say to the silent earth: I flow.
To the rushing water, speak: I am.”
― Sonnets to Orpheus
“That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens.”
― Letters to a Young Poet
― Letters to a Young Poet
“Why don't you think of [God] as the one who is coming, who has been approaching from all eternity... the ultimate fruit of a tree whose leaves we are.”
― Letters to a Young Poet
― Letters to a Young Poet
“To be an artist means: not to calculate and count; to grow and ripen like a tree which does not hurry the flow of its sap and stands at ease in the spring gales without fearing that no summer may follow. It will come. But it comes only to those who are patient, who are simply there in their vast, quiet tranquility, as if eternity lay before them. It is a lesson I learn every day amid hardships I am thankful for: patience is all!”
― Letters to a Young Poet
― Letters to a Young Poet
“And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own...”
― Letters to a Young Poet
― Letters to a Young Poet
“To have a childhood means to live a thousand lives before the one.”
― Letters on Life
― Letters on Life
“The grief, too, passes.”
― Letters to a Young Poet
― Letters to a Young Poet
“Be ahead of all parting, as if it had already happened,
like winter, which even now is passing.
For beneath the winter is a winter so endless
that to survive it at all is a triumph of the heart.
Be forever dead in Eurydice, and climb back singing.
Climb praising as you return to connection.
Here among the disappearing, in the realm of the transient,
be a ringing glass that shatters as it rings.
Be. And, at the same time, know what it is not to be.
The emptiness inside you allows you to vibrate
in full resonance with your world. Use it for once.
To all that has run its course, and to the vast unsayable
numbers of beings abounding in Nature,
add yourself gladly, and cancel the cost.”
―
like winter, which even now is passing.
For beneath the winter is a winter so endless
that to survive it at all is a triumph of the heart.
Be forever dead in Eurydice, and climb back singing.
Climb praising as you return to connection.
Here among the disappearing, in the realm of the transient,
be a ringing glass that shatters as it rings.
Be. And, at the same time, know what it is not to be.
The emptiness inside you allows you to vibrate
in full resonance with your world. Use it for once.
To all that has run its course, and to the vast unsayable
numbers of beings abounding in Nature,
add yourself gladly, and cancel the cost.”
―
“How shall I hold my soul that it may not
Be touching yours? How shall I lift it then
Above you to where other things are waiting?
Ah, gladly would I lodge it, all forgot,
With some lost thing the dark is isolating
On some remote and silent spot that, when
Your depths vibrate, is not itself vibrating.
You and me – all that lights upon us though,
Brings us together like a fiddle bow
Drawing one voice from two strings, it glides along.
Across what instrument have we been spanned?
And what violinist holds us in his hand?
O sweetest song.”
―
Be touching yours? How shall I lift it then
Above you to where other things are waiting?
Ah, gladly would I lodge it, all forgot,
With some lost thing the dark is isolating
On some remote and silent spot that, when
Your depths vibrate, is not itself vibrating.
You and me – all that lights upon us though,
Brings us together like a fiddle bow
Drawing one voice from two strings, it glides along.
Across what instrument have we been spanned?
And what violinist holds us in his hand?
O sweetest song.”
―
“Suddenly, from all the green around you,
something-you don't know what-has disappeared;
you feel it creeping closer to the window,
in total silence. From the nearby wood
you hear the urgent whistling of a plover,
reminding you of someone's Saint Jerome:
so much solitude and passion come
from that one voice, whose fierce request the downpour
will grant. The walls, with their ancient portraits, glide
away from us, cautiously, as though
they weren't supposed to hear what we are saying.
And reflected on the faded tapestries now;
the chill, uncertain sunlight of those long
childhood hours when you were so afraid.
- Before Summer Rain”
―
something-you don't know what-has disappeared;
you feel it creeping closer to the window,
in total silence. From the nearby wood
you hear the urgent whistling of a plover,
reminding you of someone's Saint Jerome:
so much solitude and passion come
from that one voice, whose fierce request the downpour
will grant. The walls, with their ancient portraits, glide
away from us, cautiously, as though
they weren't supposed to hear what we are saying.
And reflected on the faded tapestries now;
the chill, uncertain sunlight of those long
childhood hours when you were so afraid.
- Before Summer Rain”
―
“Your preparation for the real world is not in the answers you’ve learned, but in the questions you’ve learned how to ask yourself.”
―
―