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The Selected Poetry of Rainer Maria Rilke Quotes
The Selected Poetry of Rainer Maria Rilke
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Rainer Maria Rilke17,680 ratings, 4.36 average rating, 837 reviews
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The Selected Poetry of Rainer Maria Rilke Quotes
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“For one human being to love another human being: that is perhaps the most difficult task that has been given to us, the ultimate, the final problem and proof, the work for which all other work is merely preparation.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“Yet, no matter how deeply I go down into myself, my God is dark, and like a webbing made of a hundred roots that drink in silence.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“A billion stars go spinning through the night,
glittering above your head,
But in you is the presence that will be
when all the stars are dead.”
― The Selected Poetry of Rainer Maria Rilke
glittering above your head,
But in you is the presence that will be
when all the stars are dead.”
― The Selected Poetry of Rainer Maria Rilke
“If no one else, the dying must notice how unreal, how full of pretense, is all that we accomplish here, where nothing is allowed to be itself.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“My life is not this steeply sloping hour,
in which you see me hurrying.
Much stands behind me; I stand before it like a tree;
I am only one of my many mouths,
and at that, the one that will be still the soonest.
I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.”
― The Selected Poetry of Rainer Maria Rilke
in which you see me hurrying.
Much stands behind me; I stand before it like a tree;
I am only one of my many mouths,
and at that, the one that will be still the soonest.
I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.”
― The Selected Poetry of Rainer Maria Rilke
“Rose, oh pure contradiction, joy
of being No-one's sleep under so many
lids.”
― The Selected Poetry of Rainer Maria Rilke
of being No-one's sleep under so many
lids.”
― The Selected Poetry of Rainer Maria Rilke
“There is time only to work slowly
There is no time not to love”
― The Selected Poetry of Rainer Maria Rilke
There is no time not to love”
― The Selected Poetry of Rainer Maria Rilke
“Oh hours of childhood,
when behind each shape more than the past appeared
and what streamed out before us was not the future.
We felt our bodies growing and were at times impatient to be grown up, half for the sake
of those with nothing left but their grownupness.”
― The Selected Poetry of Rainer Maria Rilke
when behind each shape more than the past appeared
and what streamed out before us was not the future.
We felt our bodies growing and were at times impatient to be grown up, half for the sake
of those with nothing left but their grownupness.”
― The Selected Poetry of Rainer Maria Rilke
“Harshness vanished. A sudden softness has replaced the meadows' wintry grey. Little rivulets of water changed their singing accents. Tendernesses, hesitantly, reach toward the earth from space, and country lanes are showing these unexpected subtle risings that find expression in the empty trees.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“I would like to step out of my heart
And go walking beneath the enormous sky.”
― The Selected Poetry of Rainer Maria Rilke
And go walking beneath the enormous sky.”
― The Selected Poetry of Rainer Maria Rilke
“It is nothing but a breath, the void.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“And you suddenly know: It was here!
You pull yourself together, and there
stands an irrevocable year
of anguish and vision and prayer.”
― Rilke: Selected Poems
You pull yourself together, and there
stands an irrevocable year
of anguish and vision and prayer.”
― Rilke: Selected Poems
“Interior of the hand. Sole that has come to walk
only on feelings. That faces upward
and in its mirror
receives heavenly roads, which travel
along themselves.
That has learned to walk upon water
when it scoops,
that walks upon wells,
transfiguring every path.
That steps into other hands,
changes those that are like it
into a landscape:
wanders and arrives within them,
fills them with arrival.”
― The Selected Poetry of Rainer Maria Rilke
only on feelings. That faces upward
and in its mirror
receives heavenly roads, which travel
along themselves.
That has learned to walk upon water
when it scoops,
that walks upon wells,
transfiguring every path.
That steps into other hands,
changes those that are like it
into a landscape:
wanders and arrives within them,
fills them with arrival.”
― The Selected Poetry of Rainer Maria Rilke
“Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences.
For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that.
You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.
- For the Sake of a Single Poem”
― The Selected Poetry of Rainer Maria Rilke
For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that.
You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.
- For the Sake of a Single Poem”
― The Selected Poetry of Rainer Maria Rilke
“As once the winged energy of delight
carried you over childhood's dark abysses,
now beyond your own life build the great
arch of unimagined bridges.
Wonders happen if we can succeed
in passing through the harshest danger;
but only in a bright and purely granted
achievement can we realize the wonder.
To work with Things in the indescribable
relationship is not too hard for us;
the pattern grows more intricate and subtle,
and being swept along is not enough.
Take your practiced powers and stretch them out
until they span the chasm between two
contradictions...For the god
wants to know himself in you.”
― The Selected Poetry of Rainer Maria Rilke
carried you over childhood's dark abysses,
now beyond your own life build the great
arch of unimagined bridges.
Wonders happen if we can succeed
in passing through the harshest danger;
but only in a bright and purely granted
achievement can we realize the wonder.
To work with Things in the indescribable
relationship is not too hard for us;
the pattern grows more intricate and subtle,
and being swept along is not enough.
Take your practiced powers and stretch them out
until they span the chasm between two
contradictions...For the god
wants to know himself in you.”
― The Selected Poetry of Rainer Maria Rilke
“The sky puts on the darkening blue coat held for it by a row of ancient trees; you watch: and the lands grow distant in your sight, one journeying to heaven, one that falls; and leave you, not at home in either one, not quite so still and dark as the darkened houses, not calling to eternity with the passion of what becomes a star each night, and rises; and leave you (inexpressibly to unravel) your life, with its immensity and fear, so that, now bounded, now immeasurable, it is alternately stone in you and star.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“I find you, Lord, in all Things and in all
my fellow creatures, pulsing with your life;
as a tiny seed you sleep in what is small
and in the vast you vastly yield yourself.
The wondrous game that power plays with Things
is to move in such submission through the world:
groping in roots and growing thick in trunks
and in treetops like a rising from the dead.”
― The Selected Poetry of Rainer Maria Rilke
my fellow creatures, pulsing with your life;
as a tiny seed you sleep in what is small
and in the vast you vastly yield yourself.
The wondrous game that power plays with Things
is to move in such submission through the world:
groping in roots and growing thick in trunks
and in treetops like a rising from the dead.”
― The Selected Poetry of Rainer Maria Rilke
“Why must a man be always taking on Things not his own, as if he were a servant whose marketing-bag grows heavier and heavier from stall to stall and, loaded down, he follows and doesn’t dare ask: Master, why this banquet?”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“Our age has built itself vast reservoirs of power / formless as the straining energy that it wrests from the earth.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“You darkness, that I come from,
I love you more than all the fires
that fence in the world,
for the fire makes
a circle of light for everyone,
and then no one outside learns of you.
But the darkness pulls in everything:
shapes and fires, animals and myself,
how easily it gathers them! –
powers and people –
and it is possible a great energy
is moving near me.
I have faith in nights.”
― Selected Poems of Rainer Maria Rilke
I love you more than all the fires
that fence in the world,
for the fire makes
a circle of light for everyone,
and then no one outside learns of you.
But the darkness pulls in everything:
shapes and fires, animals and myself,
how easily it gathers them! –
powers and people –
and it is possible a great energy
is moving near me.
I have faith in nights.”
― Selected Poems of Rainer Maria Rilke
“Moving Forward"
The deep parts of my life pour onward,
as if the river shores were opening out.
It seems that things are more like me now,
that I can see farther into paintings.
I feel closer to what language can’t reach.
With my sense, as with birds, I climb
into the windy heaven, out of the oak,
and in the ponds broken off from the sky
my feeling sinks, as if standing on fishes.”
― Selected Poems of Rainer Maria Rilke
The deep parts of my life pour onward,
as if the river shores were opening out.
It seems that things are more like me now,
that I can see farther into paintings.
I feel closer to what language can’t reach.
With my sense, as with birds, I climb
into the windy heaven, out of the oak,
and in the ponds broken off from the sky
my feeling sinks, as if standing on fishes.”
― Selected Poems of Rainer Maria Rilke
“She followed slowly and she needed time,
as though some long ascent were not yet by;
and yet: as though, when she had ceased to climb,
she would no longer merely walk, but fly.”
― The Selected Poetry of Rainer Maria Rilke
as though some long ascent were not yet by;
and yet: as though, when she had ceased to climb,
she would no longer merely walk, but fly.”
― The Selected Poetry of Rainer Maria Rilke
“We are not permitted to linger, even with what is most intimate. From images that are full, the spirit plunges on to others that suddenly must be filled; there are no lakes till eternity. Here, falling is best. To fall from the mastered emotion into the guessed-at, and onward.”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“What we choose to fight is so tiny!
What fights with us is so great.”
― The Selected Poetry of Rainer Maria Rilke
What fights with us is so great.”
― The Selected Poetry of Rainer Maria Rilke
“It was then that in all your magnificence
you were not ashamed to know me. Your breath moved tenderly
over my face. And, spread across solemn distances,
your smile entered my heart.”
― The Selected Poetry of Rainer Maria Rilke
you were not ashamed to know me. Your breath moved tenderly
over my face. And, spread across solemn distances,
your smile entered my heart.”
― The Selected Poetry of Rainer Maria Rilke
“The road from intensity to greatness passes through sacrifice. —Kassner”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“And surely of all the stars that perished
long ago,
one still exists.
I think that I know
which one it is--
which one, at the end of its beam in the sky,
stands like a white city . . .”
― The Selected Poetry of Rainer Maria Rilke
long ago,
one still exists.
I think that I know
which one it is--
which one, at the end of its beam in the sky,
stands like a white city . . .”
― The Selected Poetry of Rainer Maria Rilke
“KLAGE O wie ist alles fern und lange vergangen. Ich glaube, der Stern, von welchem ich Glanz empfange, ist seit Jahrtausenden tot. Ich glaube, im Boot, das vorüberfuhr, hörte ich etwas Banges sagen. Im Hause hat eine Uhr geschlagen … In welchem Haus? … Ich möchte aus meinem Herzen hinaus unter den großen Himmel treten. Ich möchte beten. Und einer von allen Sternen müßte wirklich noch sein. Ich glaube, ich wüßte, welcher allein gedauert hat,— welcher wie eine weiße Stadt am Ende des Strahls in den Himmeln steht …”
― The Selected Poetry of Rainer Maria Rilke
― The Selected Poetry of Rainer Maria Rilke
“Fig-tree, for such a long time I have found meaning
in the way you almost completely omit your blossoms
and urge your pure mystery, unproclaimed,
into the early ripening fruit.
Like a curved pipe of a fountain, your arching boughs drive the sap
downward and up again: and almost without awakening
it bursts out of sleep, into its sweetest achievement.
Like the god stepping into the swan.
......But we still linger, alas,
we, whose pride is in blossoming; we enter the overdue
interior of our final fruit and are already betrayed.
In only a few does the urge to action rise up
so powerfully the they stop, glowing in their heart's abundance,
while, like the soft night air , the temptation to blossom
touches their tender mouths, touches their eyelids, softly:
heroes perhaps, and those chosen to disappear early,
whose veins Death the gardener twists into a different pattern.
These plunge on ahead: in advance of their own smile
like the team of galloping horses before the triumphant
pharaoh in the mildly hollowed reliefs at Karnak.
The hero is strangely close to those who died young. Permanence
does not concern him. He lives in continual ascent,
moving on into the ever-changed constellation
of perpetual danger. Few could find him there. But
Fate, which is silent about us, suddenly grows inspired
and sings him into the storm of his onrushing world.
I hear no one like him. All at once I am pierced
by his darkened voice, carried on the streaming air.
Then how gladly I would hide from the longing to be once again
oh a boy once again, with my life before me, to sit
leaning on future arms and reading of Samson,
how from his mother first nothing, then everything, was born.
Wasn't he a hero inside you mother? didn't
his imperious choosing already begin there, in you?
Thousands seethed in your womb, wanting to be him,
but look: he grasped and excluded—, chose and prevailed.
And if he demolished pillars, it was when he burst
from the world of your body into the narrower world, where again
he chose and prevailed. O mothers of heroes, O sources
of ravaging floods! You ravines into which
virgins have plunged, lamenting,
from the highest rim of the heart, sacrifices to the son.
For whenever the hero stormed through the stations of love,
each heartbeat intended for him lifted him up, beyond it;
and, turning away, he stood there, at the end of all smiles,—transfigured.”
― The Selected Poetry of Rainer Maria Rilke
in the way you almost completely omit your blossoms
and urge your pure mystery, unproclaimed,
into the early ripening fruit.
Like a curved pipe of a fountain, your arching boughs drive the sap
downward and up again: and almost without awakening
it bursts out of sleep, into its sweetest achievement.
Like the god stepping into the swan.
......But we still linger, alas,
we, whose pride is in blossoming; we enter the overdue
interior of our final fruit and are already betrayed.
In only a few does the urge to action rise up
so powerfully the they stop, glowing in their heart's abundance,
while, like the soft night air , the temptation to blossom
touches their tender mouths, touches their eyelids, softly:
heroes perhaps, and those chosen to disappear early,
whose veins Death the gardener twists into a different pattern.
These plunge on ahead: in advance of their own smile
like the team of galloping horses before the triumphant
pharaoh in the mildly hollowed reliefs at Karnak.
The hero is strangely close to those who died young. Permanence
does not concern him. He lives in continual ascent,
moving on into the ever-changed constellation
of perpetual danger. Few could find him there. But
Fate, which is silent about us, suddenly grows inspired
and sings him into the storm of his onrushing world.
I hear no one like him. All at once I am pierced
by his darkened voice, carried on the streaming air.
Then how gladly I would hide from the longing to be once again
oh a boy once again, with my life before me, to sit
leaning on future arms and reading of Samson,
how from his mother first nothing, then everything, was born.
Wasn't he a hero inside you mother? didn't
his imperious choosing already begin there, in you?
Thousands seethed in your womb, wanting to be him,
but look: he grasped and excluded—, chose and prevailed.
And if he demolished pillars, it was when he burst
from the world of your body into the narrower world, where again
he chose and prevailed. O mothers of heroes, O sources
of ravaging floods! You ravines into which
virgins have plunged, lamenting,
from the highest rim of the heart, sacrifices to the son.
For whenever the hero stormed through the stations of love,
each heartbeat intended for him lifted him up, beyond it;
and, turning away, he stood there, at the end of all smiles,—transfigured.”
― The Selected Poetry of Rainer Maria Rilke