Beyond the Wall Quotes

“The last diplomatic crisis had been all too recent. A month earlier, a West German man, who had travelled through the GDR, had died of a heart attack when questioned by border guards in a barrack in Drewitz, Saxony-Anhalt. As such, this was nothing out of the ordinary. The psychological pressure that East German border guards deliberately built up during questioning proved too much for an estimated 350 people in total who died of heart failure at inner-German checkpoints.”
― Katja Hoyer, Beyond the Wall: East Germany, 1949-1990

“In other fields too, female ambition had become the norm. By 1988, over 90% of East German women fought their own battles in the workplace. The GDR had reached the highest rate of female employment in the world as women entered every last bastion of previously exclusively male domains.”
― Katja Hoyer, Beyond the Wall: East Germany, 1949-1990

“Anti-Fascist Protection Rampart,” that was officially used to refer to the Berlin Wall.”
― Katja Hoyer, Beyond the Wall: East Germany, 1949-1990

“This project was hugely successful, perhaps one of the most effective aid projects ever conducted. Vietnam is now the world’s second largest producer of coffee, producing around 30 million 60-kilogram bags every year, and its industry employs 2.6 million people. Its Robusta beans have a high caffeine content and are ideal for granular and instant coffee, which is drunk in large quantities around the world. Only 6 percent of the produce is used internationally, while the rest is exported at an estimated annual worth of $3 billion.”
― Katja Hoyer, Beyond the Wall: East Germany, 1949-1990

“From 1971, the rates paid were means-tested, allowing working class families with children privileged access. A four-person household in West Germany spent around 21 percent of their net income on rental costs while a similar household in the East only needed 4.4 percent.”
― Katja Hoyer, Beyond the Wall: East Germany, 1949-1990

“Some of the “songs” on offer were served up with screams and inarticulate noises to an audience consisting mostly of teenagers who, whipped up by the music, carried out degenerate motions.”
― Katja Hoyer, Beyond the Wall: East Germany, 1949-1990