The Good Neighbor Quotes

“You rarely have time for everything you want in this life, so you need to make choices. And hopefully your choices can come from a deep sense of who you are.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Mister Rogers speaks directly into the camera to the little children who are quietly, intently watching: “It helps to say that you’re sad. Often it even helps to cry . . . let people know how you feel.” This is Rogers’s signature message: feelings are all right, whatever is mentionable is manageable, however confusing and scary life may become. Even with death and loss and pain, it’s okay to feel all of it, and then go on.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“You don't set out to be rich and famous; you set out to be helpful.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“It always helps to have people we love beside us when we have to do difficult things in life. —FRED ROGERS”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“The real issue in life is not how many blessings we have, but what we do with our blessings. Some people have many blessings and hoard them. Some have few and give everything away.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“His lesson is as simple and direct as Fred was: Human kindness will always make life better.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“What a difference one person can make in the life of another. It's almost as if he had said, 'I like you just the way you are.' - Fred Rogers”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Our job in life,” he said at a graduation ceremony at Thiel College in Greenville, Pennsylvania, early in his career, in 1969, “is to help people realize how rare and valuable each one of us really is—that each of us has something that no one else has—or ever will have—something inside which is unique to all time. It’s our job to encourage each other to discover that uniqueness, and to provide ways of developing its expression.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Good people aren't always good. They just try to be.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“The directions weren't written in invisible ink on the back of my diploma. They came ever so slowly for me; and ever so firmly I trusted that they would emerge. All I can say is, it's worth the struggle to discover who you really are.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Fred Rogers never—ever—let the urgency of work or life impede his focus on what he saw as basic human values: integrity, respect, responsibility, fairness and compassion, and of course his signature value, kindness.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“One of the most radical figures of contemporary history never ran a country or led a battle. . . . He became a legend by wearing a cardigan and taking off his shoes. . . . Rogers was a genius of empathy . . . fearless enough to be kind.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“In a now-famous Rogers dictum, delivered in speeches and in his books, he advises adults: “Please, think of the children first. If you ever have anything to do with their entertainment, their food, their toys, their custody, their day care, their health, their education – please listen to the children, learn about them, learn from them.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“In a speech given at an academic conference at Yale University in 1972, Fred Rogers said, “The impact of television must be considered in the light of the possibility that children are exposed to experiences which may be far beyond what their egos can deal with effectively. Those of us who produce television must assume the responsibility for providing images of trustworthy available adults who will modulate these experiences and attempt to keep them within manageable limits.” Which is exactly what Rogers himself had tried to do with the production of Mister Rogers' Neighborhood.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“I’m very much interested in choices, and what it is and who it is that enable us human beings to make the choices we make all though our lives. What choices lead to ethnic cleansing? What choices lead to healing? What choices lead to the destruction of the environment, the erosion of the Sabbath, suicide bombings, or teenagers shooting teachers? What choices encourage heroism in the midst of chaos?”6”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“For his part, Fred McFeely always made sure his grandson knew, directly and sincerely, how much he enjoyed his company. "Freddy, you make my day very special," McFeely frequently told the shy little boy, reminding him of his importance to the adults in his life.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“There are, essentially, two compelling reasons why I believe the reading public should care about Fred and his work: First, he recognized the critical importance of learning during the earliest years. No one better understood how essential it is for proper social, emotional, cognitive, and language development to take place in the first few years of life. And no one did more to convince a mass audience in America of the value of early education. Second, he provided, and continues to provide, exemplary moral leadership. Fred Rogers advanced humanistic values because of his belief in Christianity, but his spirituality was completely eclectic; he found merit in all faiths and philosophies. His signature value was human kindness; he lived it and he preached it, to children, to their parents, to their teachers, to all of us everywhere who could take the time to listen.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“You know, I loved children, I loved drama, I loved music, I loved whimsy, I loved puppetry." - Fred Rogers”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Let people know how you feel.” This is Rogers’s signature message: feelings are all right, whatever is mentionable is manageable, however confusing and scary life may become. Even with death and loss and pain, it’s okay to feel all of it, and then go on.
Fred Rogers”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“The white spaces between words are more important than the text, because they give you time to think about what you’ve read.”23 All his career, he emphasized the importance of listening; he felt that silence is a gift, as is what he called “graceful receiving.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Every original and innovator doesn’t have to have psychedelic hair. There’s a cliché version of who’s an original. It’s always somebody making a lot of noise, and being disruptive of some status quo. His originality spoke for itself.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Almost from the time he arrived in Hanover, New Hampshire, the gangly, somewhat nerdy, and idealistic young Fred Rogers felt out of place. By the time the bitter New Hampshire winter set in—lots of mornings below zero—he was miserable. Fred and Dartmouth were a mismatch from the first.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Many a young man has been led by such insecurities away from his passions toward something seemingly more secure.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Academics who've studied Rogers's work often marvel at how young children calm down, pay attention, and learn so much from this television production - and how they remain calm and centered for some time after watching The Neighborhood. Rogers himself put great care into the pacing of the program to help children slow down and steady themselves.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Mister Rogers took his viewers on this little journey to show that even in the face of death, things move ahead. That's the essential message as he sits by the fish grave. Rogers never told grieving children that everything will be all right: no such simplistic reassurances. Instead he shared his feelings about death and loss, and the extraordinary truth, reaffirmed repeatedly throughout the program, that life does go on.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“We can't always know what's behind a child's question. But if we let a child know we respect the question, we're letting that child know that we respect him or her. What a powerful way to say, 'I care about you!' - Fred Rogers”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Mister Rogers’ Neighborhood won four Emmy awards, and Rogers himself was presented with a Lifetime Achievement Award at the 1997 Daytime Emmys, a scene that Junod describes movingly in his profile. After Fred Rogers went onstage to accept the award, he bowed and said into the microphone, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are? . . . Ten seconds of silence.” Then, as Tom Junod recounted, “He lifted his wrist, and looked at the audience, and looked at his watch, and said softly, ‘I’ll watch the time,’ and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn’t kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked . . . and so they did. “One second, two seconds, three seconds . . . and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, ‘May God be with you’ to all his vanquished children.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“Fred was deeply wounded when one of those friends decided that it offended his sense of ethics to socialize with people who came from a background of privilege and wealth. He dropped Fred, which, to Joanne’s annoyance, further worried Fred about his family’s money.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers

“The conversations in poor families tended to be more perfunctory—“don’t do that, come here, put on your coat”—while in middle-class families they were richer, more discursive, and exploratory, employing a dramatically larger number of words. The result: The poor children in the study, published in 1995, had little more than a quarter of the vocabulary of the middle-class kids by the time they got to public school, and they arrived at kindergarten far behind and far less ready to learn.”
― Maxwell King, The Good Neighbor: The Life and Work of Fred Rogers