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Alive Together Quotes
Alive Together
by
Lisel Mueller513 ratings, 4.49 average rating, 77 reviews
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Alive Together Quotes
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“How swiftly the strained honey
of afternoon light
flows into darkness
and the closed bud shrugs off
its special mystery
in order to break into blossom:
as if what exists, exists
so that it can be lost
and become precious”
― Alive Together
of afternoon light
flows into darkness
and the closed bud shrugs off
its special mystery
in order to break into blossom:
as if what exists, exists
so that it can be lost
and become precious”
― Alive Together
“Tears
The first woman who ever wept
was appalled at what stung
her eyes and ran down her cheeks.
Saltwater. Seawater.
How was it possible?
Hadn't she and the man
spent many days moving
upland to where the grass
flourished, where the stream
quenched their thirst with sweet water?
How could she have carried these sea drops
as if they were precious seeds;
where could she have stowed them?
She looked at the watchful gazelles
and the heavy-lidded frogs;
she looked at glass-eyed birds
and nervous, black-eyed mice.
None of them wept, not even the fish
that dripped in her hands when she caught them.
Not even the man. Only she
carried the sea inside her body.”
― Alive Together
The first woman who ever wept
was appalled at what stung
her eyes and ran down her cheeks.
Saltwater. Seawater.
How was it possible?
Hadn't she and the man
spent many days moving
upland to where the grass
flourished, where the stream
quenched their thirst with sweet water?
How could she have carried these sea drops
as if they were precious seeds;
where could she have stowed them?
She looked at the watchful gazelles
and the heavy-lidded frogs;
she looked at glass-eyed birds
and nervous, black-eyed mice.
None of them wept, not even the fish
that dripped in her hands when she caught them.
Not even the man. Only she
carried the sea inside her body.”
― Alive Together
“This poem is endless, the odds against us are endless,
our chances of being alive together
statistically nonexistent;”
― Alive Together
our chances of being alive together
statistically nonexistent;”
― Alive Together
“There are Mornings"
Even now, when the plot
calls for me to turn to stone,
the sun intervenes. Some mornings
in summer, I step outside
and the sky opens
and pours itself into me
as if I were a saint
about to die. But the plot
calls for me to live, be ordinary,
say nothing to anyone.
Inside the house,
the mirrors burn when I pass.”
― Alive Together
Even now, when the plot
calls for me to turn to stone,
the sun intervenes. Some mornings
in summer, I step outside
and the sky opens
and pours itself into me
as if I were a saint
about to die. But the plot
calls for me to live, be ordinary,
say nothing to anyone.
Inside the house,
the mirrors burn when I pass.”
― Alive Together
“Necessities
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.”
― Alive Together
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.”
― Alive Together
“My husband says spring will be early.
He says this every year,
And every year I disagree.
He needs me, the dark side of the planetary equation.
Together we make the equinox.”
― Alive Together
He says this every year,
And every year I disagree.
He needs me, the dark side of the planetary equation.
Together we make the equinox.”
― Alive Together
“How I would paint happiness
Something hidden, a windfall,
A meteor shower. No-
A flowering tree releasing
all its blossoms at once,
and the one standing beneath it
unexpectedly robed in bloom…”
― Alive Together
Something hidden, a windfall,
A meteor shower. No-
A flowering tree releasing
all its blossoms at once,
and the one standing beneath it
unexpectedly robed in bloom…”
― Alive Together
“When I am asked
how I began writing poems,
I talk about the indifference of nature.”
― Alive Together
how I began writing poems,
I talk about the indifference of nature.”
― Alive Together
“Now in the thriving season of love
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love”
― Alive Together
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love”
― Alive Together
“Heartland
Now that we’ve given our hearts away
With the bric-a-brac, we want them back.
Now we look for them secondhand,
Someone else’s, in the old songs,
The slowly unfolding novels
We never had time for. Hearts
That taught themselves to fly;
…overstuffed hearts, still leaking
Downy secrets like feathers.
We want someone to say,
‘I give you my heart’, meaning,
‘Summer and winter’, meaning
‘All my time in the this world’…”
― Alive Together
Now that we’ve given our hearts away
With the bric-a-brac, we want them back.
Now we look for them secondhand,
Someone else’s, in the old songs,
The slowly unfolding novels
We never had time for. Hearts
That taught themselves to fly;
…overstuffed hearts, still leaking
Downy secrets like feathers.
We want someone to say,
‘I give you my heart’, meaning,
‘Summer and winter’, meaning
‘All my time in the this world’…”
― Alive Together
“Whatever was bound to happen
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.”
― Alive Together
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.”
― Alive Together
“Necessities
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.
2
The illusion of progress. Imagine our lives without it:
tape measures rolled back, yardsticks chopped off.
Wheels turning but going nowhere.
Paintings flat, with no vanishing point.
The plots of all novels circular;
page numbers reversing themselves past the middle.
The mountaintop no longer a goal,
merely the point between ascent and descent.
All streets looping back on themselves;
life as a beckoning road an absurd idea.
Our children refusing to grow out of their childhoods;
the years refusing to drag themselves
toward the new century.
And hope, the puppy that bounds ahead,
no longer a household animal.
3
Answers to questions, an endless supply.
New ones that startle, old ones that reassure us.
All of them wrong perhaps, but for the moment
solutions, like kisses or surgery.
Rising inflections countered by level voices,
words beginning with w hushed
by declarative sentences. The small, bold sphere
of the period chasing after the hook,
the doubter that walks on water
and treads air and refuses to go away.
4
Evidence that we matter. The crash of the plane
which, at the last moment, we did not take.
The involuntary turn of the head,
which caused the bullet to miss us.
The obscene caller who wakes us at midnight
to the smell of gas. The moon's
full blessing when we fell in love,
its black mood when it was all over.
Confirm us, we say to the world,
with your weather, your gifts, your warnings,
your ringing telephones, your long, bleak silences.
5
Even now, the old things first things,
which taught us language. Things of day and of night.
Irrational lightning, fickle clouds, the incorruptible moon.
Fire as revolution, grass as the heir
to all revolutions. Snow
as the alphabet of the dead, subtle, undeciphered.
The river as what we wish it to be.
Trees in their humanness, animals in their otherness.
Summits. Chasms. Clearings.
And stars, which gave us the word distance,
so we could name our deepest sadness.”
― Alive Together
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.
2
The illusion of progress. Imagine our lives without it:
tape measures rolled back, yardsticks chopped off.
Wheels turning but going nowhere.
Paintings flat, with no vanishing point.
The plots of all novels circular;
page numbers reversing themselves past the middle.
The mountaintop no longer a goal,
merely the point between ascent and descent.
All streets looping back on themselves;
life as a beckoning road an absurd idea.
Our children refusing to grow out of their childhoods;
the years refusing to drag themselves
toward the new century.
And hope, the puppy that bounds ahead,
no longer a household animal.
3
Answers to questions, an endless supply.
New ones that startle, old ones that reassure us.
All of them wrong perhaps, but for the moment
solutions, like kisses or surgery.
Rising inflections countered by level voices,
words beginning with w hushed
by declarative sentences. The small, bold sphere
of the period chasing after the hook,
the doubter that walks on water
and treads air and refuses to go away.
4
Evidence that we matter. The crash of the plane
which, at the last moment, we did not take.
The involuntary turn of the head,
which caused the bullet to miss us.
The obscene caller who wakes us at midnight
to the smell of gas. The moon's
full blessing when we fell in love,
its black mood when it was all over.
Confirm us, we say to the world,
with your weather, your gifts, your warnings,
your ringing telephones, your long, bleak silences.
5
Even now, the old things first things,
which taught us language. Things of day and of night.
Irrational lightning, fickle clouds, the incorruptible moon.
Fire as revolution, grass as the heir
to all revolutions. Snow
as the alphabet of the dead, subtle, undeciphered.
The river as what we wish it to be.
Trees in their humanness, animals in their otherness.
Summits. Chasms. Clearings.
And stars, which gave us the word distance,
so we could name our deepest sadness.”
― Alive Together
“Why We Tell Stories
I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground
and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers
and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened
and learned to speak”
― Alive Together
I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground
and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers
and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened
and learned to speak”
― Alive Together
“Sometimes, When the Light"
Sometimes, when the light strikes at odd angles
and pulls you back into childhood
and you are passing a crumbling mansion
completely hidden behind old willows
or an empty convent guarded by hemlocks
and giant firs standing hip to hip,
you know again that behind that wall,
under the uncut hair of the willows
something secret is going on,
so marvelous and dangerous
that if you crawled through and saw,
you would die, or be happy forever.
Lisel Mueller, Alive Together: New and Selected Poems. (LSU Press October 1, 1996)”
― Alive Together
Sometimes, when the light strikes at odd angles
and pulls you back into childhood
and you are passing a crumbling mansion
completely hidden behind old willows
or an empty convent guarded by hemlocks
and giant firs standing hip to hip,
you know again that behind that wall,
under the uncut hair of the willows
something secret is going on,
so marvelous and dangerous
that if you crawled through and saw,
you would die, or be happy forever.
Lisel Mueller, Alive Together: New and Selected Poems. (LSU Press October 1, 1996)”
― Alive Together
“Still, when your truthful eyes,
your keen, attentive stare,
endow the vacuous slut
with royalty, when you match
her soul to her shimmering hair,
what can she do but rise
to your imagined throne?
And what can I, but see
beyond the world that is,
when, faithful, you insist
I have the golden key--
and learn from you once more
the terror and the bliss,
the world as it might be?”
― Alive Together
your keen, attentive stare,
endow the vacuous slut
with royalty, when you match
her soul to her shimmering hair,
what can she do but rise
to your imagined throne?
And what can I, but see
beyond the world that is,
when, faithful, you insist
I have the golden key--
and learn from you once more
the terror and the bliss,
the world as it might be?”
― Alive Together
“I will not return to a universe
of objects that do not know each other, as if islands were not the long lost children of one great continent”
― Alive Together
of objects that do not know each other, as if islands were not the long lost children of one great continent”
― Alive Together
“In the Thriving Season
In memory of my mother
Now as she catches fistfuls of sun
riding down dust and air to her crib,
my first child in her first spring
stretches bare hands back to your darkness
and heals your silence, the vast hurt
of your deaf ear and mute tongue
with doves hatched in her young throat.
Now ghost-begotten infancies
are the marrow of trees and pools
and blue uprisings in the woods
spread revolution to the mind,
I can believe birth is fathered
by death, believe that she was quick
when you forgave pain and terror
and shook the fever from your blood
Now in the thriving season of love
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love.”
― Alive Together
In memory of my mother
Now as she catches fistfuls of sun
riding down dust and air to her crib,
my first child in her first spring
stretches bare hands back to your darkness
and heals your silence, the vast hurt
of your deaf ear and mute tongue
with doves hatched in her young throat.
Now ghost-begotten infancies
are the marrow of trees and pools
and blue uprisings in the woods
spread revolution to the mind,
I can believe birth is fathered
by death, believe that she was quick
when you forgave pain and terror
and shook the fever from your blood
Now in the thriving season of love
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love.”
― Alive Together
“What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches.”
― Alive Together
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches.”
― Alive Together
“This is not fantasy, this is our life.
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.”
― Alive Together
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.”
― Alive Together
“HOW I WOULD PAINT THE BIG LIE Smooth, and deceptively small
so that it can be swallowed
like something we take for a cold. An elongated capsule,
an elegant cylinder,
sweet and glossy,
that pleases the tongue
and goes down easy,
never mind
the poison inside.”
― Alive Together: New and Selected Poems
so that it can be swallowed
like something we take for a cold. An elongated capsule,
an elegant cylinder,
sweet and glossy,
that pleases the tongue
and goes down easy,
never mind
the poison inside.”
― Alive Together: New and Selected Poems
“How swiftly the strained honey
of afternoon light
flows into darkness
and the closed bud shrugs off
its special mystery
in order to break into blossom:
as if what exists, exists
so that it can be lost
and become precious”
― Alive Together
of afternoon light
flows into darkness
and the closed bud shrugs off
its special mystery
in order to break into blossom:
as if what exists, exists
so that it can be lost
and become precious”
― Alive Together
“Moon Fishing"
When the moon was full they came to the water.
some with pitchforks, some with rakes,
some with sieves and ladles,
and one with a silver cup.
And they fished til a traveler passed them and said,
"Fools,
to catch the moon you must let your women
spread their hair on the water —
even the wily moon will leap to that bobbing
net of shimmering threads,
gasp and flop till its silver scales
lie black and still at your feet.”
And they fished with the hair of their women
till a traveler passed them and said,
"Fools,
do you think the moon is caught lightly,
with glitter and silk threads?
You must cut out your hearts and bait your hooks
with those dark animals;
what matter you lose your hearts to reel in your dream?”
And they fished with their tight, hot hearts
till a traveler passed them and said,
"Fools,
what good is the moon to a heartless man?
Put back your hearts and get on your knees
and drink as you never have,
until your throats are coated with silver
and your voices ring like bells.”
And they fished with their lips and tongues
until the water was gone
and the moon had slipped away
in the soft, bottomless mud.”
― Alive Together
When the moon was full they came to the water.
some with pitchforks, some with rakes,
some with sieves and ladles,
and one with a silver cup.
And they fished til a traveler passed them and said,
"Fools,
to catch the moon you must let your women
spread their hair on the water —
even the wily moon will leap to that bobbing
net of shimmering threads,
gasp and flop till its silver scales
lie black and still at your feet.”
And they fished with the hair of their women
till a traveler passed them and said,
"Fools,
do you think the moon is caught lightly,
with glitter and silk threads?
You must cut out your hearts and bait your hooks
with those dark animals;
what matter you lose your hearts to reel in your dream?”
And they fished with their tight, hot hearts
till a traveler passed them and said,
"Fools,
what good is the moon to a heartless man?
Put back your hearts and get on your knees
and drink as you never have,
until your throats are coated with silver
and your voices ring like bells.”
And they fished with their lips and tongues
until the water was gone
and the moon had slipped away
in the soft, bottomless mud.”
― Alive Together
“O brave new world, that hath such people in it
Soon you will be like her, Prospero’s daughter,
Finding the door that leads you out of yourself,
Out of the rare, enameled ark of your mind,
Where you live with the gracious and light-footed creatures
That thrive in the glaze of your art and freedom.”
― Alive Together
Soon you will be like her, Prospero’s daughter,
Finding the door that leads you out of yourself,
Out of the rare, enameled ark of your mind,
Where you live with the gracious and light-footed creatures
That thrive in the glaze of your art and freedom.”
― Alive Together
