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“Late Hours"
On summer nights the world
moves within earshot
on the interstate with its swish
and growl, and occasional siren
that sends chills through us.
Sometimes, on clear, still nights,
voices float into our bedroom,
lunar and fragmented,
as if the sky had let them go
long before our birth.
In winter we close the windows
and read Chekhov,
nearly weeping for his world.
What luxury, to be so happy
that we can grieve
over imaginary lives.”
―
On summer nights the world
moves within earshot
on the interstate with its swish
and growl, and occasional siren
that sends chills through us.
Sometimes, on clear, still nights,
voices float into our bedroom,
lunar and fragmented,
as if the sky had let them go
long before our birth.
In winter we close the windows
and read Chekhov,
nearly weeping for his world.
What luxury, to be so happy
that we can grieve
over imaginary lives.”
―
“How swiftly the strained honey
of afternoon light
flows into darkness
and the closed bud shrugs off
its special mystery
in order to break into blossom:
as if what exists, exists
so that it can be lost
and become precious”
― Alive Together
of afternoon light
flows into darkness
and the closed bud shrugs off
its special mystery
in order to break into blossom:
as if what exists, exists
so that it can be lost
and become precious”
― Alive Together
“Tears
The first woman who ever wept
was appalled at what stung
her eyes and ran down her cheeks.
Saltwater. Seawater.
How was it possible?
Hadn't she and the man
spent many days moving
upland to where the grass
flourished, where the stream
quenched their thirst with sweet water?
How could she have carried these sea drops
as if they were precious seeds;
where could she have stowed them?
She looked at the watchful gazelles
and the heavy-lidded frogs;
she looked at glass-eyed birds
and nervous, black-eyed mice.
None of them wept, not even the fish
that dripped in her hands when she caught them.
Not even the man. Only she
carried the sea inside her body.”
― Alive Together
The first woman who ever wept
was appalled at what stung
her eyes and ran down her cheeks.
Saltwater. Seawater.
How was it possible?
Hadn't she and the man
spent many days moving
upland to where the grass
flourished, where the stream
quenched their thirst with sweet water?
How could she have carried these sea drops
as if they were precious seeds;
where could she have stowed them?
She looked at the watchful gazelles
and the heavy-lidded frogs;
she looked at glass-eyed birds
and nervous, black-eyed mice.
None of them wept, not even the fish
that dripped in her hands when she caught them.
Not even the man. Only she
carried the sea inside her body.”
― Alive Together
“This poem is endless, the odds against us are endless,
our chances of being alive together
statistically nonexistent;”
― Alive Together
our chances of being alive together
statistically nonexistent;”
― Alive Together
“You shall not twist my bones into a star’s shape, nor plant my hair as roots for the dreams of the living; and if you open my heart and run your poet’s fingers over its walls and cushions you will find it is like yours, dark.”
―
―
“What luxury, to be so happy
that we can grieve
over imaginary lives.”
―
that we can grieve
over imaginary lives.”
―
“There are Mornings"
Even now, when the plot
calls for me to turn to stone,
the sun intervenes. Some mornings
in summer, I step outside
and the sky opens
and pours itself into me
as if I were a saint
about to die. But the plot
calls for me to live, be ordinary,
say nothing to anyone.
Inside the house,
the mirrors burn when I pass.”
― Alive Together
Even now, when the plot
calls for me to turn to stone,
the sun intervenes. Some mornings
in summer, I step outside
and the sky opens
and pours itself into me
as if I were a saint
about to die. But the plot
calls for me to live, be ordinary,
say nothing to anyone.
Inside the house,
the mirrors burn when I pass.”
― Alive Together
“. . .because we had survived
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees
Because the story of our life
becomes our life
Because each of us tells the same story
but tells it differently
and none of us tells it the same way twice . . (from, Why We Tell Stories)”
― The Private Life: Poems
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees
Because the story of our life
becomes our life
Because each of us tells the same story
but tells it differently
and none of us tells it the same way twice . . (from, Why We Tell Stories)”
― The Private Life: Poems
“What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.”
―
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.”
―
“Someone was always leaving
and never coming back.
The wooden houses wait like old wives
along this road; they are everywhere,
abandoned, leaning, turning gray.”
―
and never coming back.
The wooden houses wait like old wives
along this road; they are everywhere,
abandoned, leaning, turning gray.”
―
“My husband says spring will be early.
He says this every year,
And every year I disagree.
He needs me, the dark side of the planetary equation.
Together we make the equinox.”
― Alive Together
He says this every year,
And every year I disagree.
He needs me, the dark side of the planetary equation.
Together we make the equinox.”
― Alive Together
“Necessities
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.”
― Alive Together
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.”
― Alive Together
“What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.
We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,
and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.
Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.”
―
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.
We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,
and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.
Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.”
―
“I thought if only we could go on
and meet again, shy as strangers.”
―
and meet again, shy as strangers.”
―
“How I would paint happiness
Something hidden, a windfall,
A meteor shower. No-
A flowering tree releasing
all its blossoms at once,
and the one standing beneath it
unexpectedly robed in bloom…”
― Alive Together
Something hidden, a windfall,
A meteor shower. No-
A flowering tree releasing
all its blossoms at once,
and the one standing beneath it
unexpectedly robed in bloom…”
― Alive Together
“When I am asked
how I began writing poems,
I talk about the indifference of nature.”
― Alive Together
how I began writing poems,
I talk about the indifference of nature.”
― Alive Together
“Now in the thriving season of love
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love”
― Alive Together
when the bud relents into flower,
your love turned absence has turned once more,
and if my comforts fall soft as rain
on her flutters, it is because
love grows by what it remembers of love”
― Alive Together
“Monet Refuses the Operation"
Doctor, you say that there are no halos
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and changes our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.”
― Second Language: Poems
Doctor, you say that there are no halos
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and changes our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.”
― Second Language: Poems
“Heartland
Now that we’ve given our hearts away
With the bric-a-brac, we want them back.
Now we look for them secondhand,
Someone else’s, in the old songs,
The slowly unfolding novels
We never had time for. Hearts
That taught themselves to fly;
…overstuffed hearts, still leaking
Downy secrets like feathers.
We want someone to say,
‘I give you my heart’, meaning,
‘Summer and winter’, meaning
‘All my time in the this world’…”
― Alive Together
Now that we’ve given our hearts away
With the bric-a-brac, we want them back.
Now we look for them secondhand,
Someone else’s, in the old songs,
The slowly unfolding novels
We never had time for. Hearts
That taught themselves to fly;
…overstuffed hearts, still leaking
Downy secrets like feathers.
We want someone to say,
‘I give you my heart’, meaning,
‘Summer and winter’, meaning
‘All my time in the this world’…”
― Alive Together
“In winter we close the windows
and read Chekhov,
nearly weeping for his world.
What luxury, to be so happy
that we can grieve
over imaginary lives.”
―
and read Chekhov,
nearly weeping for his world.
What luxury, to be so happy
that we can grieve
over imaginary lives.”
―
“Whatever was bound to happen
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.”
― Alive Together
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.”
― Alive Together
“Necessities
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.
2
The illusion of progress. Imagine our lives without it:
tape measures rolled back, yardsticks chopped off.
Wheels turning but going nowhere.
Paintings flat, with no vanishing point.
The plots of all novels circular;
page numbers reversing themselves past the middle.
The mountaintop no longer a goal,
merely the point between ascent and descent.
All streets looping back on themselves;
life as a beckoning road an absurd idea.
Our children refusing to grow out of their childhoods;
the years refusing to drag themselves
toward the new century.
And hope, the puppy that bounds ahead,
no longer a household animal.
3
Answers to questions, an endless supply.
New ones that startle, old ones that reassure us.
All of them wrong perhaps, but for the moment
solutions, like kisses or surgery.
Rising inflections countered by level voices,
words beginning with w hushed
by declarative sentences. The small, bold sphere
of the period chasing after the hook,
the doubter that walks on water
and treads air and refuses to go away.
4
Evidence that we matter. The crash of the plane
which, at the last moment, we did not take.
The involuntary turn of the head,
which caused the bullet to miss us.
The obscene caller who wakes us at midnight
to the smell of gas. The moon's
full blessing when we fell in love,
its black mood when it was all over.
Confirm us, we say to the world,
with your weather, your gifts, your warnings,
your ringing telephones, your long, bleak silences.
5
Even now, the old things first things,
which taught us language. Things of day and of night.
Irrational lightning, fickle clouds, the incorruptible moon.
Fire as revolution, grass as the heir
to all revolutions. Snow
as the alphabet of the dead, subtle, undeciphered.
The river as what we wish it to be.
Trees in their humanness, animals in their otherness.
Summits. Chasms. Clearings.
And stars, which gave us the word distance,
so we could name our deepest sadness.”
― Alive Together
1
A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.
2
The illusion of progress. Imagine our lives without it:
tape measures rolled back, yardsticks chopped off.
Wheels turning but going nowhere.
Paintings flat, with no vanishing point.
The plots of all novels circular;
page numbers reversing themselves past the middle.
The mountaintop no longer a goal,
merely the point between ascent and descent.
All streets looping back on themselves;
life as a beckoning road an absurd idea.
Our children refusing to grow out of their childhoods;
the years refusing to drag themselves
toward the new century.
And hope, the puppy that bounds ahead,
no longer a household animal.
3
Answers to questions, an endless supply.
New ones that startle, old ones that reassure us.
All of them wrong perhaps, but for the moment
solutions, like kisses or surgery.
Rising inflections countered by level voices,
words beginning with w hushed
by declarative sentences. The small, bold sphere
of the period chasing after the hook,
the doubter that walks on water
and treads air and refuses to go away.
4
Evidence that we matter. The crash of the plane
which, at the last moment, we did not take.
The involuntary turn of the head,
which caused the bullet to miss us.
The obscene caller who wakes us at midnight
to the smell of gas. The moon's
full blessing when we fell in love,
its black mood when it was all over.
Confirm us, we say to the world,
with your weather, your gifts, your warnings,
your ringing telephones, your long, bleak silences.
5
Even now, the old things first things,
which taught us language. Things of day and of night.
Irrational lightning, fickle clouds, the incorruptible moon.
Fire as revolution, grass as the heir
to all revolutions. Snow
as the alphabet of the dead, subtle, undeciphered.
The river as what we wish it to be.
Trees in their humanness, animals in their otherness.
Summits. Chasms. Clearings.
And stars, which gave us the word distance,
so we could name our deepest sadness.”
― Alive Together
“Why We Tell Stories
I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground
and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers
and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened
and learned to speak”
― Alive Together
I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground
and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers
and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened
and learned to speak”
― Alive Together
“By the time I arrive at evening, / they have just settled down to rest; / already invisible, they are turning / into the dreamwork of the trees….”
―
―
“Sometimes, When the Light"
Sometimes, when the light strikes at odd angles
and pulls you back into childhood
and you are passing a crumbling mansion
completely hidden behind old willows
or an empty convent guarded by hemlocks
and giant firs standing hip to hip,
you know again that behind that wall,
under the uncut hair of the willows
something secret is going on,
so marvelous and dangerous
that if you crawled through and saw,
you would die, or be happy forever.
Lisel Mueller, Alive Together: New and Selected Poems. (LSU Press October 1, 1996)”
― Alive Together
Sometimes, when the light strikes at odd angles
and pulls you back into childhood
and you are passing a crumbling mansion
completely hidden behind old willows
or an empty convent guarded by hemlocks
and giant firs standing hip to hip,
you know again that behind that wall,
under the uncut hair of the willows
something secret is going on,
so marvelous and dangerous
that if you crawled through and saw,
you would die, or be happy forever.
Lisel Mueller, Alive Together: New and Selected Poems. (LSU Press October 1, 1996)”
― Alive Together
“Still, when your truthful eyes,
your keen, attentive stare,
endow the vacuous slut
with royalty, when you match
her soul to her shimmering hair,
what can she do but rise
to your imagined throne?
And what can I, but see
beyond the world that is,
when, faithful, you insist
I have the golden key--
and learn from you once more
the terror and the bliss,
the world as it might be?”
― Alive Together
your keen, attentive stare,
endow the vacuous slut
with royalty, when you match
her soul to her shimmering hair,
what can she do but rise
to your imagined throne?
And what can I, but see
beyond the world that is,
when, faithful, you insist
I have the golden key--
and learn from you once more
the terror and the bliss,
the world as it might be?”
― Alive Together
“I will not return to a universe
of objects that do not know each other, as if islands were not the long lost children of one great continent”
― Alive Together
of objects that do not know each other, as if islands were not the long lost children of one great continent”
― Alive Together
“What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches.”
― Alive Together
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches.”
― Alive Together
