The Guermantes Way Quotes

“We may, indeed, say that the hour of death is uncertain, but when we say so we represent that hour to ourselves as situated in a vague and remote expanse of time, it never occurs to us that it can have any connexion with the day that has already dawned, or may signify that death — or its first assault and partial possession of us, after which it will never leave hold of us again — may occur this very afternoon, so far from uncertain, this afternoon every hour of which has already been allotted to some occupation. You make a point of taking your drive every day so that in a month’s time you will have had the full benefit of the fresh air; you have hesitated over which cloak you will take, which cabman to call, you are in the cab, the whole day lies before you, short because you have to be at home early, as a friend is coming to see you; you hope that it will be as fine again to-morrow; and you have no suspicion that death, which has been making its way towards you along another plane, shrouded in an impenetrable darkness, has chosen precisely this day of all days to make its appearance, in a few minutes’ time, more or less, at the moment when the carriage has reached the Champs-Elysées.”
― Marcel Proust, The Guermantes Way

“A change in the weather is sufficient to recreate the world and ourselves.”
― Marcel Proust, The Guermantes Way

“Each of us is indeed alone.”
― Marcel Proust, The Guermantes Way

“It is illness that makes us recognize that we do not live in isolation but are chained to a being from a different realm, worlds apart from us and by whom it is impossible to make ourselves understood: our body. Were we to meet a brigand on the road, we might manage to make him conscious of his own personal interest if not our plight. But to ask pity of our body is like talking to an octopus, for which our words can have no more meaning than the sound of the sea, and with which we should be terrified to find ourselves condemned to live.”
― Marcel Proust, The Guermantes Way

“Unkindness is inspired by hatred, anger fuels it into action in which there is no great joy; it would take sadism to turn it into something pleasurable; unkind people imagine themselves to be inflicting pain on someone equally unkind.”
― Marcel Proust, The Guermantes Way

“Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years.”
― Marcel Proust, The Guermantes Way

“The so-called sensitivity of neurotics develops along with their egotism; they cannot bear for other people to flaunt the sufferings with which they are increasingly preoccupied themselves.”
― Marcel Proust, The Guermantes Way

“A person does not, as I had imagined, stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourselves (like a garden at which we gaze through a railing with all its borders spread out before us), but is a shadow which we can never penetrate, of which there can be no such thing as direct knowledge, with respect to which we form countless beliefs, based upon words and sometimes actions, neither of which can give us anything but inadequate and as it proves contradictory information — a shadow behind which we can alternately imagine with equal justification, that there burns the flame of hatred and of love.”
― Marcel Proust, The Guermantes Way

“She was not yet dead. But I was already alone.”
― Marcel Proust, The Guermantes Way

“It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined- a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble.”
― Marcel Proust, The Guermantes Way

“But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live.”
― Marcel Proust, The Guermantes Way

“A well-read man will yawn with boredom when one speaks to him of a new "good book," as he imagines a sort of composite of all the good books he has read, whereas a good book is something special, unforeseeable, made up not of the sum of all previous masterpieces but of something which the most thorough assimilation of every one of them would not enable him to discover, since it exists not in their sum but beyond it.”
― Marcel Proust, The Guermantes Way

“In most women's lives, everything, even the greatest sorrow, comes down to a question of 'I haven't got a thing to wear'.”
― Marcel Proust, The Guermantes Way

“We forgive the crimes of individuals, but not their participation in a collective crime.”
― Marcel Proust, The Guermantes Way

“For, medicine being a compendium of the successive and contradictory mistakes of medical practitioners, when we summon the wisest of them to our aid, the chances are that we may be relying on a scientific truth the error of which will be recognized in a few years’ time. So that to believe in medicine would be the height of folly, if not to believe in it were not greater folly still, for from this mass of errors there have emerged in the course of time many truths.”
― Marcel Proust, The Guermantes Way

“Only imagination and belief can differentiate from the rest certain objects, certain people, and can create an atmosphere.”
― Marcel Proust, The Guermantes Way

“But should a sensation from the distant past-like those musical instruments that record and preserve the sound and style of the various artists who played them-enable our memory to make us hear that name with the particular tone it then had for our ears, even if the name seems not to have changed, we can still feel the distance between the various dreams which its unchanging syllables evoked for us in turn. For a second, rehearing the warbling from some distant springtime, we can extract from it, as from the little tubes of color used in painting, the precise tint-forgotten, mysterious, and fresh-of the days we thought we remembered when, like bad painters, we were in fact spreading our whole past on a single canvas and painting it with the conventional monochrome of voluntary memory.”
― Marcel Proust, The Guermantes Way

“Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue—if the latter does not itself cease—fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations.”
― Marcel Proust, The Guermantes Way

“با آوردن یک بیتِ تنها از یک شعر، نیروی کشش آنرا ده‌برابر می‌کنیم”
― Marcel Proust, The Guermantes Way

“There is nothing like desire for obstructing any resemblance between what one says and what one has on one's mind.”
― Marcel Proust, The Guermantes Way

“I was genuinely in love with Mme. de Guermantes. The greatest happiness that I could have asked of God would have been that He should overwhelm her under every imaginable calamity, and that ruined, despised, stripped of all the privileges that divided her from me, having no longer any home of her own or people who would condescend to speak to her, she should come to me for refuge. I imagined her doing so.”
― Marcel Proust, The Guermantes Way

“I saw that what had appeared to me to be not worth twenty francs when it had been offered to me for twenty francs in the house of ill fame, where it was then for me simply a woman desirous of earning twenty francs, might be worth more than a million, more than one's family, more than all the most coveted positions in life if one had begun by imagining her to embody a strange creature, interesting to know, difficult to seize and to hold.”
― Marcel Proust, The Guermantes Way

“...there is no brew so deadly that it cannot at certain moments become precious and invigorating by giving us just the stimulus that was necessary, the warmth that we cannot generate ourselves.”
― Marcel Proust, The Guermantes Way

“Dinner-parties bore us because our imagination is absent, and reading interests us because it is keeping us company.”
― Marcel Proust, The Guermantes Way

“Why, when we regain consciousness, is it not an identity other than the one we had previously that is embodied in us? It is not clear what dictates the choice nor why, among the millions of human beings we might be, it is the being we were the day before that we unerringly grasp.”
― Marcel Proust, The Guermantes Way

“Each of our actions, our words, our attitudes is cut off from the ‘world,’ from the people who have not directly perceived it, by a medium the permeability of which is of infinite variation and remains unknown to ourselves; having learned by experience that some important utterance which we eagerly hoped would be disseminated … has found itself, often simply on account of our anxiety, immediately hidden under a bushel, how immeasurably less do we suppose that some tiny word, which we ourselves have forgotten, or else a word never uttered by us but formed on its course by the imperfect refraction of a different word, can be transported without ever halting for any obstacle to infinite distances … and succeed in diverting at our expense the banquet of the gods. What we actually recall of our conduct remains unknown to our nearest neighbor; what we have forgotten that we ever said, or indeed what we never did say, flies to provoke hilarity even in another planet, and the image that other people form of our actions and behavior is no more like that which we form of them ourselves, than is like an original drawing a spoiled copy in which, at one point, for a black line, we find an empty gap, and for a blank space an unaccountable contour. It may be, all the same, that what has not been transcribed is some non-existent feature, which we behold, merely in our purblind self-esteem, and that what seems to us added is indeed a part of ourselves, but so essential a part as to have escaped our notice. So that this strange print which seems to us to have so little resemblance to ourselves bears sometimes the same stamp of truth, scarcely flattering, indeed, but profound and useful, as a photograph taken by X-rays. Not that that is any reason why we should recognize ourselves in it. A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you show him their radiograph, will have, face to face with that rosary of bones, labeled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: “Dromedary resting.” Later on, this discrepancy between our portraits, according as it was our own hand that drew them or another, I was to register in the case of others than myself, living placidly in the midst of a collection of photographs which they themselves had taken while round about them grinned frightful faces, invisible to them as a rule, but plunging them in stupor if an accident were to reveal them with the warning: “This is you.”
― Marcel Proust, The Guermantes Way

“A woman sees herself dying, in these cases not at the actual moment of death but months, sometimes years before, when death has hideously come to dwell in her. The sufferer makes the acquaintance of the stranger whom she hears coming and going in her brain. She does not know him by sight, it is true, but from the sounds which she hears him regularly make she can form an idea of his habits. Is he a criminal? One morning, she can no longer hear him. He has gone. Ah! If it were only for ever! In the evening he has returned. What are his plans? Her specialist, put to the question, like an adored mistress, replies with avowals that one day are believed, another day fail to convince her. Or rather it is not the mistress’s part but that of the servants one interrogates that the doctor plays. They are only third parties. The person whom we press for an answer, whom we suspect of being about to play us false, is life itself, and although we feel her to be no longer the same we believe in her still or at least remain undecided until the day on which she finally abandons us.”
― Marcel Proust, The Guermantes Way

“My grandmother had a love which found in me so totally its complement, its goal, its constant lodestar, that the genius of great men, all the genius that might ever have existed from the beginning of the world, would have been less precious to my grandmother than a single one of my defects.”
― Marcel Proust, The Guermantes Way

“We strive all the time to give our life its form, but we do so by copying willy-nilly, like a drawing, the features of the person that we are and not of the person we should like to be.”
― Marcel Proust, The Guermantes Way

“thus it is that egoists have always the last word; having posited at the start that their resolution is unshakeable, the more susceptible the feeling to which one appeals in them to make them abandon their resolution, the more reprehensible they find, not themselves who resist that appeal, but those who put them under the necessity of resisting it, so that their own harshness may be carried to the utmost degree of cruelty without having any effect in their eyes but to aggravate the culpability of the person who is so indelicate as to be hurt, to be in the right, and to cause them thus treacherously the pain of acting against their natural instinct of pity.”
― Marcel Proust, The Guermantes Way