Changing Places Quotes

“wandering between two worlds, one lost, the other powerless to be born.”
― David Lodge, Changing Places

“I mean, mentally you brace yourself for the ending of a novel. As you're reading, you're aware of the fact that there's only a page or two left in the book, and you get ready to close it. but with a film there's no way of telling, especially nowadays, when films are much more loosely structured, much more ambivalent, than they used to be. There's no way of telling which frame is going to be the last. The film is going along, just as life goes along, people are behaving, doing things, drinking, talking, and we're watching them, and at any point the director chooses, without warning, without anything being resolved, or explained, or wound up, it can just...end.”
― David Lodge, Changing Places

“For some days, now, the termperature had wavered between freezing and thawing and it was difficult to tell whether the sediment thickening the atmostphere was rain or sleet or smog. Through the murk the dull red eye of a sun that had scarcely been able to drag itself above roof level all day was sinking blearily beneath the horizon, spreading a rusty stain across the snow-covered surfaces. Read pathetic fallacy weather.”
― David Lodge, Changing Places

“All I'm saying is that there is a generation gap, and I think it revolves around this public/private thing. Our generation -- we subscribe to the old liberal doctrine of the inviolate self. I'ts the great tradition of realistic fiction, it's what novels are all about. the private life in the foreground, history a distant rumble of gunfire, somewhere offstage. In Jane Austen not even a rumble. Well, the novel is dying, and us with it. No wonder I could never get anything out of my novel-writing class at Euphoric State. It's an unnatural medium for their experience. Those kids...are living a film, not a novel.”
― David Lodge, Changing Places

“Life was transparent, literature opaque. Life was open, literature a closed system. Life was composed of things, literature of words. Life was what it appeared to be: if you were afraid your plane would crash it was about death, if you were trying to get a girl into bed it was about sex. Literature was never about what it appeared to be about, though in the case of the novel cosiderable ingenuity and perception were needed to crack the code of realistic illusion, which was why he had been professionally attracted to the genre (even the dumbest critic understood that Hamlet wasn't about how the guy wanted to kill his uncle, or the Ancient Mariner about cruelty to animals, but it was surprising how many people thought Jane Austen's novels were about finding Mr Right).”
― David Lodge, Changing Places

“I could never feel like that about any public issue. Sometimes I wish I could. For me, if I'm honest, politics is background, news, almost entertainment. Something you switch on and off, like the TV. What I really worry about, what I can't switch off at will is, oh, sex, or dying or losing my hair. Private things. We're private people, aren't we, our generation? We make a clear distinction between private and public life; and the important things, the things that make us happy or unhappy are private. Live is private. Property is private. Parts are private. That's why the young radicals call for fucking in the streets. It's not just a cheap shock-tactic. It's a serious revolutionary proposition.”
― David Lodge, Changing Places

“It was said that the view through the open window above the urinal, straight across the Bay to the Silver Span, was the finest obtainable from such a position anywhere in the world, but today Philip kept his eyes down. Foreshortened, yes, definitely.”
― David Lodge, Changing Places

“Herman Melville who split the atom of the traditional novel in the effort to make whaling a universal metaphor and smuggled into a book addressed to the most puritanical reading public the world has ever known a chapter on the whale’s foreskin and got away with it.”
― David Lodge, Changing Places