Nabila Tabassum Chowdhury > Recent Status Updates

"My mother was out of the hospital in four days. She was back at work in seven."

"The bullet took off only a tiny flap of skin on the side of her nostril, and it came out clean, with no bullet fragments left inside. She didn’t even need surgery. They stopped the bleeding, stitched her up in back, stitched her up in front, and let her heal."

"With the trajectory the bullet was on, it was headed straight for her left eye socket and would have blown out her eye, but at the last second it slowed down, hit her cheekbone instead, shattered her cheekbone, ricocheted off, and came out through her left nostril. On the gurney in the emergency room, the blood had made the wound look much worse than it was."

"The bullet that hit my mother in the butt, he said, was a through-and-through. It went in, came out, and didn’t do any real damage. The other bullet went through the back of her head, entering below the skull at the top of her neck. It missed the spinal cord by a hair, missed the medulla oblongata, and traveled through her head just underneath the brain, missing every major vein, artery, and nerve."

"I don’t know that a child knows that kind of selfless love. A mother, yes. A mother will clutch her children and jump from a moving car to keep them from harm. She will do it without thinking. But I don’t think the child knows how to do that, not instinctively. It’s something the child has to learn.""

"People say all the time that they’d do anything for the people they love. But would you really? Would you do anything? Would you give everything?"

"My mother’s greatest fear was that I would end up paying the black tax, that I would get trapped by the cycle of poverty and violence that came before me. She had always promised me that I would be the one to break that cycle. I would be the one to move forward and not back."

"My mom had been shot by a man I despised. If anything, I felt vindicated; I’d been right about Abel all along. I could direct my anger and hatred toward him with no shame or guilt whatsoever. But Andrew’s mother had been shot by Andrew’s father, a father he loved. How does he reconcile his love with that situation? How does he carry on loving both sides? Both sides of himself?"

"She was my mom. She was my teammate. It had always been me and her together, me and her against the world. When Andrew said, “shot her in the head,” I broke in two."

"When her own family won’t help her? Where does a woman go when she leaves one man who hits her and is just as likely to wind up with another man who hits her, maybe even worse than the first? Where does a woman go when she’s single with three kids and she lives in a society that makes her a pariah for being a manless woman? Where she’s seen as a whore for doing that? Where does she go? What does she do?"

"It is so easy, from the outside, to put the blame on the woman and say, “You just need to leave.” It’s not like my home was the only home where there was domestic abuse. It’s what I grew up around. I saw it in the streets of Soweto, on TV, in movies. Where does a woman go in a society where that is the norm? When the police won’t help her?"

"She never let me see us as victims. We were victims, me and my mom, Andrew and Isaac. Victims of apartheid. Victims of abuse. But I was never allowed to think that way, and I didn’t see her life that way."

"I was angry with my mom. I hated him, but I blamed her. I saw Abel as a choice she’d made, a choice she was continuing to make. My whole life, telling me stories about growing up in the homelands, being abandoned by her parents, she had always said, “You cannot blame anyone else for what you do. You cannot blame your past for who you are. You are responsible for you. You make your own choices.”"

"I didn’t understand what she was going through. I didn’t understand domestic violence. I didn’t understand how adult relationships worked; I’d never even had a girlfriend. I didn’t understand how she could have sex with a man she hated and feared. I didn’t know how easily sex and hatred and fear can intertwine."

"Again she called the police, and the cops who showed up this time actually knew Abel. He’d fixed their cars. They were pals. No charges were filed. Nothing happened."

"The analogy my mom used was that there were now two male lions in the house. “Every time he looks at you he sees your father,” she’d say. “You’re a constant reminder of another man. He hates you, and you need to leave. You need to leave before you become like him.”"

"“He thinks he’s the policeman of the world,” she said. “And that’s the problem with the world. We have people who cannot police themselves, so they want to police everyone else around them.”"

"He hit my mom once, then the next time was three years later, and it was just a little bit worse. Then it was two years later, and it was just a little bit worse. Then it was a year later, and it was just a little bit worse. It was sporadic enough to where you’d think it wouldn’t happen again, but it was frequent enough that you never forgot it was possible."

"There was an undercurrent of terror that ran through the house, but the actual beatings themselves were not that frequent. I think if they had been, the situation would have ended sooner. Ironically, the good times in between were what allowed it to drag out and escalate as far as it did."

"Growing up in a home of abuse, you struggle with the notion that you can love a person you hate, or hate a person you love."

"Which was why she would always start over with Abel like it was a new day. He’d kick her, she’d hide, then she’d be right back the next morning, wagging her tail. “Hey. I’m here. I’ll give you another chance.”"

"The strange thing was that when Fufi got kicked she never yelped or cried. When the vet diagnosed her as deaf, he also found out she had some condition where she didn’t have a fully developed sense of touch. She didn’t feel pain."

"You don’t have to teach me a lesson twice."

"Until I turned twenty-five years old, I had a recurring nightmare of the look on his face as he came around that corner."

"It didn’t feel like something that would end with me learning a lesson about forging my mom’s signature. It felt like something that would end when he wanted it to end, when his rage was spent. It felt like there was something inside him that wanted to destroy me."

"When she said, “I hit you out of love,” I didn’t necessarily agree with her thinking. But I understood that it was discipline and it was being done for a purpose. The first time Abel hit me I felt something I had never felt before. I felt terror."

"Love is a creative act. When you love someone you create a new world for them. My mother did that for me, and with the progress I made and the things I learned, I came back and created a new world and a new understanding for her. After that, she never raised her hand to her children again. Unfortunately, by the time she stopped, Abel had started."

"I saw that not all families are violent. I saw the futility of violence, the cycle that just repeats itself, the damage that’s inflicted on people that they in turn inflict on others."

"People started commenting on it as well. Clients were getting their cars on time, vendors were getting paid on time, and they would say, “Hey, Abie, this workshop is going so much better now that your wife has taken over.” That didn’t help."

"One of the things nobody tells you is that when you buy a business you buy its debt. After my mom and Abel opened up the books on Mighty Mechanics and came to a full realization of what they’d bought, they saw how much trouble the company was already in."