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Showing 511-540 of 1,192
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is on page 148 of 502 of
ثلاثية غرناطة
كانت تفكر في الموت الذي يقهر ويذل
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Nov 21, 2011 07:37PM
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is on page 130 of 502 of
ثلاثية غرناطة
يعاقب الله الملوك الظالمين بموت أبنائهم وفساد عقولهم ولكنهم يحكموننا فنجني ثمار جنونهم؟
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Nov 21, 2011 07:36PM
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ثلاثية غرناطة
كأن في الرقصة بيانا وفي البيان سحرا
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Nov 20, 2011 05:57PM
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is on page 71 of 502 of
ثلاثية غرناطة
ولكنه كان بائسا بفتقد أباه ويفتقد أمه ويفتقد الصغيرة والبحر وحقل العنب ويفتقد الحكمة في حكم السماء بأن يطرق باب عروسه عاريا ووحيدا
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Nov 20, 2011 05:36PM
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is on page 61 of 502 of
ثلاثية غرناطة
خرجنا معا ولم يكن بيننا قائد ومقود
—
Nov 20, 2011 05:21PM
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is on page 44 of 502 of
ثلاثية غرناطة
التلال في الصيف تقيم أعراسها
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Nov 20, 2011 04:58PM
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is on page 42 of 502 of
ثلاثية غرناطة
لم تكن أحلامه قد تخلت عنه فكيف يتخلى هو عنها
—
Nov 20, 2011 04:56PM
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is on page 27 of 502 of
ثلاثية غرناطة
لا يرى في رحيل السفن إلا نعوشا سابحة
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Nov 20, 2011 04:57PM
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is on page 27 of 502 of
ثلاثية غرناطة
إشتر يا أبا جعفر، فالثمن بخس والشراء مكسب
—
Nov 20, 2011 04:52PM
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is on page 99 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
It's important to lay the the subplot's foundation early
—
Nov 18, 2011 02:16AM
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is on page 98 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
the beginning isn't the place to explain. It's the place to excite, to intrigue, to involve your readers.
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Nov 18, 2011 02:13AM
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is on page 95 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
your first page is the most important page and your first sentence is the most important line in your whole novel
—
Nov 18, 2011 02:09AM
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is on page 93 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
A main character's movement toward maturity is often the heart of a children's novel.
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Nov 18, 2011 02:07AM
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is on page 86 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
As the hero learns, readers learn too
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Nov 18, 2011 01:58AM
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is on page 51 of 208 of
Cacoethes
I am the one that you can talk with alone. I am the one never gone.
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Nov 15, 2011 10:39PM
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is on page 11 of 208 of
Cacoethes
Please seal me in your pocket. I want to come out of your pocket when you have forgotten I am there and surprise you.
—
Nov 15, 2011 10:36PM
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is on page 9 of 208 of
Cacoethes
Thinking of you writing again puts me in a dream
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Nov 15, 2011 10:34PM
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A.
is on page 81 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
have your character do something while he or she talks, but not just any something. That action should show characterization, scene, description, and move the plot along.
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Nov 14, 2011 02:40PM
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is on page 80 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
Avoid repetition and long monologues they are as boring in books as in real life
—
Nov 14, 2011 02:36PM
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is on page 79 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
Each character in a story needs to have a unique voice. Then readers can tell who's talking even without the tag lines
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Nov 14, 2011 02:34PM
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is on page 79 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
the language indicates the speaker's age and often educational level and geographic origin, even his or her place in time.
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Nov 14, 2011 02:33PM
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is on page 74 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
The first few paragraphs should create a setting, a character, and a problem.
—
Nov 14, 2011 02:23PM
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A.
is on page 71 of 250 of
From Inspiration to Publication: How to Succeed As a Children's Writer Advice from 15 Award Winning Writers
begin on the day things are different for your main character
—
Nov 14, 2011 02:19PM
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A.
is on page 271 of 288 of
إحدى عشرة دقيقة
تمت
—
Nov 10, 2011 03:45PM
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A.
is on page 220 of 288 of
إحدى عشرة دقيقة
الشيء الذي اثار إنفعالها عندما إلتقت العصفور كان حريته والطاقة الكامنة في حركة جناحيه وليس حسن شكله الخارجي
—
Nov 10, 2011 03:44PM
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is on page 214 of 288 of
إحدى عشرة دقيقة
ثمة أشياء لا يمكن تقاسمها مع أحد وتبقى ملكنا وحدنا, وهي سر حريتنا
—
Nov 10, 2011 03:44PM
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A.
is on page 206 of 288 of
إحدى عشرة دقيقة
لا أحد يرغب في العذاب ومع ذلك فإن الجميع أو الغالبية العظمى يبحثون عن الألم والتضحيةالتي يشعرون أنها تحررهم وتطهرهم وتجعلهم جديرين بالإحترام في عيون أولادهم وأزواجهم والله
—
Nov 09, 2011 08:12AM
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A.
is on page 205 of 288 of
إحدى عشرة دقيقة
الألم مخيف عندما يكشف عن وجهه الحقيقي لكنه ساحر عندما يكون تعبيرا عن التضحية أو التخلي عن الذات أو الجبن
—
Nov 09, 2011 08:10AM
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A.
is on page 199 of 288 of
إحدى عشرة دقيقة
جميعنا يرافقنا الإحساس بالذنب منذ ولادتنا ونخاف عندما نشعر أن السعادة باتت في متناول أيدينا. ويداهمنا الموت ونحن لا نزال نرغب في أن نعاقب الآخرين لأننا نشعر أننا عاجزون باستمرار مظلومون تعساء. أليس تكفير المرء عن خطاياه وقدرته على معاقبة الخطأة أمر لذيذ؟
—
Nov 09, 2011 08:07AM
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A.
is on page 178 of 288 of
إحدى عشرة دقيقة
يوجد في كل منا منبه داخلي وحين يريد شخصان أن يمارسا الحب فمن الضروري أن تشير عقاربهما إلى الساعة نفسها في الوقت نفسه
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Nov 06, 2011 06:51PM
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