“Literary experience heals the wound, without undermining the privilege, of individuality. There are mass emotions which heal the wound; but they destroy the privilege. In them our separate selves are pooled and we sink back into sub-individuality. But in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.”
― The Reading Life: The Joy of Seeing New Worlds Through Others' Eyes
― The Reading Life: The Joy of Seeing New Worlds Through Others' Eyes
“True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.
'Tis not enough no harshness gives offence,
The sound must seem an echo to the sense.
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar.
When Ajax strives some rock's vast weight to throw,
The line too labours, and the words move slow;
Not so, when swift Camilla scours the plain,
Flies o'er th' unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprise,
And bid alternate passions fall and rise!
While, at each change, the son of Libyan Jove
Now burns with glory, and then melts with love;
Now his fierce eyes with sparkling fury glow,
Now sighs steal out, and tears begin to flow:
Persians and Greeks like turns of nature found,
And the world's victor stood subdu'd by sound!
The pow'r of music all our hearts allow,
And what Timotheus was, is Dryden now.”
― An Essay On Criticism
As those move easiest who have learn'd to dance.
'Tis not enough no harshness gives offence,
The sound must seem an echo to the sense.
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar.
When Ajax strives some rock's vast weight to throw,
The line too labours, and the words move slow;
Not so, when swift Camilla scours the plain,
Flies o'er th' unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprise,
And bid alternate passions fall and rise!
While, at each change, the son of Libyan Jove
Now burns with glory, and then melts with love;
Now his fierce eyes with sparkling fury glow,
Now sighs steal out, and tears begin to flow:
Persians and Greeks like turns of nature found,
And the world's victor stood subdu'd by sound!
The pow'r of music all our hearts allow,
And what Timotheus was, is Dryden now.”
― An Essay On Criticism
“I owe more to the dead, with whom I will spend a much longer time, than I will ever owe to the living.”
― Antigone
― Antigone
“The Martyr Poets
The Martyr Poets — did not tell —
But wrought their Pang in syllable —
That when their mortal name be numb —
Their mortal fate — encourage Some —
The Martyr Painters — never spoke —
Bequeathing — rather — to their Work
That when their conscious fingers cease —
Some seek in Art — the Art of Peace —”
― The Complete Poems of Emily Dickinson
The Martyr Poets — did not tell —
But wrought their Pang in syllable —
That when their mortal name be numb —
Their mortal fate — encourage Some —
The Martyr Painters — never spoke —
Bequeathing — rather — to their Work
That when their conscious fingers cease —
Some seek in Art — the Art of Peace —”
― The Complete Poems of Emily Dickinson
“We must not think too much: people go mad if they think too much.”
― Medea
― Medea
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Coruxa’s 2025 Year in Books
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