Bas

“Tell me, Tool, what dominates your thoughts?'
The Imass shrugged before replying.
'I think of futility, Adjunct.'
'Do all Imass think about futility?'
'No. Few think at all.'
'Why is that?'
The Imass leaned his head to one side and regarded her.
'Because Adjunct, it is futile.”
― Steven Erikson, Gardens of the Moon

“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
― Gary Provost

“Children are dying."
Lull nodded. "That's a succinct summary of humankind, I'd say. Who needs tomes and volumes of history? Children are dying. The injustices of the world hide in those three words.”
― Steven Erikson, Deadhouse Gates