Erich

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https://www.ErichRausch.com/

The Life and Work...
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England's Piano S...
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Lost in the Stars...
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Christopher Moore
“Scratch a cynic and you will find a disappointed romantic.”
Christopher Moore, The Lust Lizard of Melancholy Cove

Christopher Moore
“I think there was always some scrawny dreamer sitting at the edge of the firelight, who had the ability to imagine dangers, to look into the future in his imagination and see possibilities, and therefore survived to pass his genes on to the next generation. ”
Christopher Moore, The Lust Lizard of Melancholy Cove

Harlan Coben
“I wish i could tell you that through the tragedy i mined some undiscovered, life-altering absolute that i could pass on to you.I didn't.The cliches apply-people are what count,life is precious,materialism is over rated, and the little things matter,live in the moment-and i can repeat them to you ad nauseam.you might listen, but you won't internalize.Tragedy hammers it hm.Tragedy etches into your soul.You might not be happier.But you will be better.”
Harlan Coben, Tell No One

Clive Barker
“I can certainly throw out some observation about the process of creating which may be of use. Firstly, it's the best & the worst of worlds, because the only fuel you have to make the fire blaze on the page / screen is the stuff of your own being. An artist consumes his or herself in the act of making art. I can feel that consumption even now, sitting here at my desk at the end of a working day. In order to generate the ideas that I have set on the page for the last 10 or 11 hours I have burned the fuel of my own history. This is, obviously a double-edged sword. In order to give, the artist must take from himself. That's the deal. And it's very important to me that the work I do is the best I can make it, because I know what is being burned up to create. As the villain of Sacrament says: "living & dying, we feed the fire.”
Clive Barker

Christopher Moore
“LIke many artists, Estelle lived in an atmosphere of chaotic funk, taken by observers to be artistic charm, but in fact no more than a civilized way of dealing with the relative poverty and uncertainty of cannibalizing one's imagination for money. (15/142)”
Christopher Moore, The Lust Lizard of Melancholy Cove

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