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The Anxious Gener...
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Paulo Coelho
“She wasn’t afraid of difficulties; what frightened her was being forced to choose one particular path.
Choosing a path meant having to miss out on others. She had a whole life to live and she was always thinking that, in future, she might regret the choices she made now.
‘I’m afraid of committing myself,’ she thought to herself. She wanted to follow all possible paths and so ended up following none.
Even in that most important area of her life, love, she had failed to commit herself. After her first romantic dissappointment, she had never again given herself entirely. She feared pain, loss and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes in order not to see the bad things in life.”
Paulo Coelho, Brida

Ursula K. Le Guin
“When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.”
Ursula K. Le Guin, The Farthest Shore

Scott Lynch
“Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. You on the other hand, you are going to learn how to kill men with a sword.”
Scott Lynch, The Lies of Locke Lamora

Guy Gavriel Kay
“A writer’s brush is a warrior’s bow, the letters it shapes are arrows that must hit the mark on the page. The calligrapher is an archer, or a general on a battlefield. Someone wrote that long ago. She feels that way this morning. She is at war.”
Guy Gavriel Kay, River of Stars

Kurt Vonnegut Jr.
“There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
Kurt Vonnegut, Slaughterhouse-Five
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