Suchitra Sukumar

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The Tree, the Wel...
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by Salini Vineeth (Goodreads Author)
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  (page 36 of 126)
Jan 03, 2026 10:55PM

 
Mirrorshades: The...
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Words of Radiance
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  (45%)
Dec 20, 2025 09:33PM

 
See all 21 books that Suchitra is reading…
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Nick Hornby
“Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.”
Nick Hornby, High Fidelity

Leigh Ann Henion
“All of life is a trust fall, and I'm awakening to the thrill, rather than the fear, of being suspended midair.”
Leigh Ann Henion, Phenomenal: A Hesitant Adventurer's Search for Wonder in the Natural World

Nick Hornby
“What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?"- Rob”
Nick Hornby, High Fidelity

Patrick Rothfuss
“What what. Hush hush." - Trapis, Name of the Wind”
Patrick Rothfuss
tags: feels

Simone de Beauvoir
“When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.”
Simone de Beauvoir, The Second Sex

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