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Hélène Cixous

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Hélène Cixous


Born
in Oran, Algeria
June 05, 1937

Genre


Hélène Cixous is a Jewish-French, Algerian-born feminist well-known as one of the founders of poststructuralist feminist theory along with Luce Irigaray and Julia Kristeva. She is now a professor of English Literature at University of Paris VIII and chairs the Centre de Recherches en Etudes Féminines which she founded in 1974.

She has published numerous essays, playwrights, novels, poems, and literary criticism. Her academic works concern subjects of feminism, the human body, history, death, and theatre.

Average rating: 4.13 · 7,068 ratings · 748 reviews · 208 distinct worksSimilar authors
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Stigmata: Escaping Texts

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"Coming to Writing" and Oth...

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The Newly Born Woman

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The Book of Promethea

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4.14 avg rating — 216 ratings — published 1983 — 10 editions
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Hélène Cixous Reader

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4.22 avg rating — 133 ratings — published 1994 — 11 editions
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Veils

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4.19 avg rating — 128 ratings — published 1998 — 11 editions
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Hélène Cixous, Rootprints: ...

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4.49 avg rating — 107 ratings — published 1994 — 12 editions
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Reading with Clarice Lispector

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4.35 avg rating — 100 ratings — published 1989 — 13 editions
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More books by Hélène Cixous…
Quotes by Hélène Cixous  (?)
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“We should write as we dream; we should even try and write, we should all do it for ourselves, it’s very healthy, because it’s the only place where we never lie. At night we don’t lie. Now if we think that our whole lives are built on lying-they are strange buildings-we should try and write as our dreams teach us; shamelessly, fearlessly, and by facing what is inside very human being-sheer violence, disgust, terror, shit, invention, poetry. In our dreams we are criminals; we kill, and we kill with a lot of enjoyment. But we are also the happiest people on earth; we make love as we never make love in life.”
Helene Cixous

“Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard.”
Helene Cixous, The Laugh of the Medusa

“And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."

Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.”
Hélène Cixous, The Laugh of the Medusa

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