“Going Gone
Over stone walls and barns,
miles from the black-eyed Susans,
over circus tents and moon rockets
you are going, going.
You who have inhabited me
in the deepest and most broken place,
are going, going.
An old woman calls up to you
from her deathbed deep in sores,
asking, "What do you keep of her?"
She is the crone in the fables.
She is the fool at the supper
and you, sir, are the traveler.
Although you are in a hurry
you stop to open a small basket
and under layers of petticoats
you show her the tiger-striped eyes
that you have lately plucked,
you show her specialty, the lips,
those two small bundles,
you show her the two hands
that grip her fiercely,
one being mine, one being yours.
Torn right off at the wrist bone
when you started in your
impossible going, gone.
Then you place the basket
in the old woman's hollow lap
and as a last act she fondles
these artifacts like a child's head
and murmurs, "Precious. Precious."
And you are glad you have given
them to this one for she too
is making a trip.”
―
Over stone walls and barns,
miles from the black-eyed Susans,
over circus tents and moon rockets
you are going, going.
You who have inhabited me
in the deepest and most broken place,
are going, going.
An old woman calls up to you
from her deathbed deep in sores,
asking, "What do you keep of her?"
She is the crone in the fables.
She is the fool at the supper
and you, sir, are the traveler.
Although you are in a hurry
you stop to open a small basket
and under layers of petticoats
you show her the tiger-striped eyes
that you have lately plucked,
you show her specialty, the lips,
those two small bundles,
you show her the two hands
that grip her fiercely,
one being mine, one being yours.
Torn right off at the wrist bone
when you started in your
impossible going, gone.
Then you place the basket
in the old woman's hollow lap
and as a last act she fondles
these artifacts like a child's head
and murmurs, "Precious. Precious."
And you are glad you have given
them to this one for she too
is making a trip.”
―
“Many women are singing together of this:
one is in a shoe factory cursing the machine,
one is at the aquarium tending a seal,
one is dull at the wheel of her Ford,
one is at the toll gate collecting,
one is tying the cord of a calf in Arizona,
one is straddling a cello in Russia,
one is shifting pots on the stove in Egypt,
one is painting her bedroom walls moon color,
one is dying but remembering a breakfast,
one is stretching on her mat in Thailand,
one is wiping the ass of her child,
one is staring out the window of a train
in the middle of Wyoming and one is
anywhere and some are everywhere and all
seem to be singing, although some can not
sing a note.”
― The Complete Poems
one is in a shoe factory cursing the machine,
one is at the aquarium tending a seal,
one is dull at the wheel of her Ford,
one is at the toll gate collecting,
one is tying the cord of a calf in Arizona,
one is straddling a cello in Russia,
one is shifting pots on the stove in Egypt,
one is painting her bedroom walls moon color,
one is dying but remembering a breakfast,
one is stretching on her mat in Thailand,
one is wiping the ass of her child,
one is staring out the window of a train
in the middle of Wyoming and one is
anywhere and some are everywhere and all
seem to be singing, although some can not
sing a note.”
― The Complete Poems
“In Asia, when people kiss each other they use the nose more than the mouth. Using the nose, we can recognize the person; it’s so pleasant.”
― The Mindfulness Survival Kit: Five Essential Practices
― The Mindfulness Survival Kit: Five Essential Practices
“For God was as large as a sunlamp and laughed his heat at us and therefore we did not cringe at the death hole.”
― The Death Notebooks
― The Death Notebooks
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Kat’s 2025 Year in Books
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