Sofia Samu

“I encourage you to sit in that garden, but when you do, close your eyes and I'll tell you about the real garden, the sacred place. Ninety feet away from where you sit there is a spot, where Brock's knees hit the dirt, where the Swedes tackled him to the ground, yelling 'What the fuck are you doing? Do you think this is okay?'. Put their words on a plaque. Mark that spot, because in my mind I've erected a monument. The place to be remembered is not where I was assaulted, but where he fell, where I was saved, where two men declared stop, no more, not here, not now, not ever.”
― Chanel Miller, Know My Name

“Tell me what you want,” she said, “and I will make it happen.”
I want my liar, I thought.
I want her mouth.
I want her perfume to rub off on my skin like bruised grass.”
― Marie Rutkoski, The Midnight Lie

“Victims exist in a society that tells us our purpose is to be an inspiring story. But sometimes the best we can do is tell you we're still here, and that should be enough. Denying darkness does not bring anyone closer to the light. When you hear a story about rape, all the graphic and unsettling details, resist the instinct to turn away; instead loo closer, because beneath the gore and the police reports is a whole, beautiful person, looking for ways to be in the world again.”
― Chanel Miller, Know My Name

“Every wedding, even a successful wedding, is a waste," Phoebe says. "Every wedding is an egregious amount of money that could have, yes, been spent on much more practical things, like say, a house, a down payment, a school in a small, dying mill town. A wedding is always a fleeting spectacle that is one hundred percent going to become packed down into a teeny tiny garbage square that'll wind up in your father's landfill."

“But it’s also true that this wedding will never be a waste,” Phoebe says. “Because I came here to die. And now look at me.”
― Alison Espach, The Wedding People