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"Why is Albertus Magnus portrayed as a dark magician when the story states itself that he was a monk?" — Jan 02, 2026 02:07AM
"Why is Albertus Magnus portrayed as a dark magician when the story states itself that he was a monk?" — Jan 02, 2026 02:07AM
“According to Japanese scholar Yuki Tanaka, the United States firebombed over a hundred Japanese cities. Destruction reached 99.5 percent in the city of Toyama, driving Secretary of War Henry Stimson to tell Truman he "did not want to have the US get the reputation of outdoing Hitler in atrocities," though Stimson did almost nothing to halt the slaughter. He had managed to delude himself into believing Arnold's promise that he would limit "damage to civilians." Future Defense Secretary Robert S. McNamara, who was on LeMay's staff in 1945, agreed with his boss's comment that of the United States lost the war, they'd all be tried as war criminals and deserved to be convicted.
Hatred towards the Japanese ran so deep that almost no one objected to the mass slaughter of civilians.”
― The Untold History of The United States
Hatred towards the Japanese ran so deep that almost no one objected to the mass slaughter of civilians.”
― The Untold History of The United States
“It’s like when we read The Diary of Anne Frank in seventh grade, and I had the sneaking suspicion that I would have been a Nazi back then because I wouldn’t have had the guts to be anything else. Because I would have been too scared to not go along with the majority. Like, I would have been a passive sort of Nazi, but I still would have been a Nazi. I never said anything out loud, of course, but I remember reading that book in Ms. Peterson’s class and everyone was all, “Oh, I would’ve helped Anne. I would have rebelled. I don’t understand how people could have allowed this to happen, blah blah blah.” I mean,”
― The Truth About Alice
― The Truth About Alice
“Wasn't that what religions did? Squint at one another and declare, 'My unprovable belief is better than your unprovable belief. Suck it.”
― Dreams of Gods & Monsters
― Dreams of Gods & Monsters
“In Shanghai's prime, no city in the Orient, or the world for that matter, could compare with it. At the peak of its spectacular career the swamp-ridden metropolis surely ranked as the most pleasure-mad, rapacious, corrupt, strife-ridden, licentious, squalid, and decadent city in the world. It was the most pleasure-mad because nowhere else did the population pursue amusement, from feasting to whoring, dancing to powder-taking, with such abandoned zeal. It was rapacious because greed was its driving force; strife-ridden because calamity was always at the door; licentious because it catered to every depravity known to man; squalid because misery stared one brazenly in the face; and decadent because morality, as every Shanghai resident knew, was irrelevant. The missionaries might rail at Shanghai's wickedness and reformers condemn its iniquities, but there was never reason for the city to mend its errant ways, for as a popular Chinese saying aptly observed, "Shanghai is like the emperor's ugly daughter; she never has to worry about finding suitors."
Other great cities - Rome, Athens, or St. Petersburg, for instance – might flatter themselves that they had been conceived for virtuous, even heroic, purposes. Not so the ugly daughter who reveled in her bastard status. Half Oriental, half Occidental: half land, half water; neither a colony nor wholly belonging to China; inhabited by the citizens of every nation in the world but ruled by none, the emperor's ugly daughter was an anomaly among cities. The strange fruit of a forced union between East and West, this mongrel princess came into the world through a grasping premise-the right of one nation to foist a poisonous drug upon another.
Born in greed and humiliation, the ugly daughter grew up in the shadow of the Celestial Empire's defeat by outsiders in the Opium War. Nonetheless, within decades, she had become Asia's greatest metropolis, a brash sprawling juggernaut of a city that dominated the rest of the country with its power, sophistication, and, most of all money.”
― Shanghai : The Rise and Fall of a Decadent City 1842-1949
Other great cities - Rome, Athens, or St. Petersburg, for instance – might flatter themselves that they had been conceived for virtuous, even heroic, purposes. Not so the ugly daughter who reveled in her bastard status. Half Oriental, half Occidental: half land, half water; neither a colony nor wholly belonging to China; inhabited by the citizens of every nation in the world but ruled by none, the emperor's ugly daughter was an anomaly among cities. The strange fruit of a forced union between East and West, this mongrel princess came into the world through a grasping premise-the right of one nation to foist a poisonous drug upon another.
Born in greed and humiliation, the ugly daughter grew up in the shadow of the Celestial Empire's defeat by outsiders in the Opium War. Nonetheless, within decades, she had become Asia's greatest metropolis, a brash sprawling juggernaut of a city that dominated the rest of the country with its power, sophistication, and, most of all money.”
― Shanghai : The Rise and Fall of a Decadent City 1842-1949
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