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Cultural history works in two directions: works of music, or any other art, are both products of their time and contributions toward it. That is to say, artists invent new things as much as they respond to existing ones.
“The light grew stronger, gushing up against the dark sap-hire of the transparent night. The light grew stronger, whiter, then over it hovered a flush of rose. A flush of rose, and then yellow, pale, new-created yellow, the whole quivering and poising momentarily over the fountain on the sky’s rim. The rose hovered and quivered, burned, fused to flame, to a transient red, while the yellow urged out in great waves, thrown from the ever-increasing fountain, great waves of yellow flinging into the sky, scattering its spray over the darkness, which became bluer and bluer, paler, till soon it would itself be a radiance, which had been darkness. The sun was coming.”
― The Rainbow
― The Rainbow
“It’s come to shape the way I think about every country, every community: Whose nonexistence is necessary to the self-conception of this place, and how uncontrollable is the rage whenever that nonexistence is violated?”
― One Day, Everyone Will Have Always Been Against This
― One Day, Everyone Will Have Always Been Against This
“The salt, bitter passion of the sea, its indifference to the earth, its swinging, definite motion, its strength, its attack, and its salt burning, seemed to provoke her to a pitch of madness, tantalizing her with vast suggestions of fulfilment.”
― The Rainbow
― The Rainbow
“Nina wondered, for a moment, how one became like that. What did it take to say exactly what you meant, to feel comfortable in the middle of causing discomfort, to not feel so intrinsically as to be as vital to yourself as your blood that it was your responsibility to make things smooth and pleasant for everyone?”
― Malibu Rising
― Malibu Rising
“...and my heart tightened for the hard compulsions of the poor.”
― Ethan Frome
― Ethan Frome
David’s 2025 Year in Books
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