“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
― Middlesex
― Middlesex
“The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that is wants to live humbly for one.”
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“I prefer the saddle to the streetcar and star-sprinkled sky to a roof, the obscure and difficult trail, leading into the unknown, to any paved highway, and the deep peace of the wild to the discontent bread by cities. . . it is enough that i am surrounded by beauty.”
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“Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire.”
― The Road
― The Road
Michel’s 2025 Year in Books
Take a look at Michel’s Year in Books, including some fun facts about their reading.
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