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Fantasy Art and S...
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  (page 52 of 98)
"Très intéressée par l'article de Benjamin Norguet, 'La Fantasy japonaise en quête de nouveaux mondes' (dont je vais de ce pas creuser les sources secondaires sur le sujet de l'extrême-droite !)
(Un regret : que la lecture en ait été freinée de manière récurrente par un texte où la trace des corrections se retrouve catapultée en plein milieu des phrases...)"
May 01, 2019 02:01AM

 
Fantasy Art and S...
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Léa Silhol
“Voilà, me dis-je alors. Voilà. Sa prière est meilleure que la mienne. Il l’a faite dans la langue des bois, où ne parlent que les sons menus ou immenses des bêtes. La chasse, la naissance, la crainte, la mort, le désir, le défi… tout ici est privé de mots.”
Léa Silhol, Sous le Lierre

William Wordsworth
“There was a time when meadow, grove, and stream,
The earth, and every common sight
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
Turn wheresoe’er I may,
By night or day,
The things which I have seen I now can see no more.


—But there’s a tree, of many, one,
A single field which I have look’d upon,
Both of them speak of something that is gone:
The pansy at my feet
Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?”
William Wordsworth, Ode: Intimations of Immortality from Recollections of Early Childhood

Emil M. Cioran
“What do you do from morning to night?"

"I endure myself.”
Emil Cioran, The Trouble With Being Born

Nicole Kornher-Stace
“Its deadpan and her sarcasm sailed straight on past each other, strangers passing on a dark road in the night.”
Nicole Kornher-Stace, Archivist Wasp

Léa Silhol
“La peine, la perte, l'empreinte. La marque de la douleur ; même une fois le rouge des coups effacé, et les larmes taries faute d'avoir assez d’eau à verser pour traduire l'entaille, jetterait-on même dans cet acte tout ce qu'un corps peut en contenir. Chaque frôlement, chaque caresse, chaque coup de rein ou de langue ; chacun des éclairs où s'éreintent les rigides lois insulaires... chacun perdu d'avance, unique, éphémère, plus transitoire et fragile qu'un Hanami... plus précieux que l'or, alors, plus précieux encore.”
Léa Silhol, Hanami Sonata

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