We are all the heroes of our own stories, and one of the arts of perspective is to see yourself small on the stage of another’s story, to see the vast expanse of the world that is not about you, and to see your power, to make your life, to
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“An old man told his grandson, “My boy, there is a battle between two wolves inside us all. The first one is Evil. He is anger, jealousy, greed, resentment, inferiority, lies, and ego. The second is Good. He is joy, peace, love, hope, humility, kindness, empathy, and truth.” The boy thought about this for a moment, then asked, “Grandfather, which wolf wins?” The old man replied, “The one you feed.” —TWENTY-FIRST-CENTURY AMERICAN FOLK TALE”
― Nothing's Bad Luck: The Lives of Warren Zevon
― Nothing's Bad Luck: The Lives of Warren Zevon
“At the front in Germany near the end of the war, McCloy discovered that the ninth-century city of Rothenburg was about to be shelled. McCloy’s mother had once visited the town and brought back etchings; he knew it was an ancient center of German culture. “This is one of Europe’s last great walled cities,” he told the American commander. Perhaps, McCloy suggested, it could be induced to surrender peacefully. It was, and after the war the city voted him an honorary burgher.”
― The Wise Men: Six Friends and the World They Made
― The Wise Men: Six Friends and the World They Made
“Bill cites three tenets to his personal philosophy as it applies to public health, which we would all do well to follow: First, as confusing and bewildering as things may seem, we live in a cause-and-effect world. So somewhere, the answers are out there. Second, know the truth—and the first step to knowing the truth is wanting to know the truth, rather than any alternative that seems more satisfying or closer to your own worldview. Third, not one of us does anything worthwhile on our own.”
― Deadliest Enemy: Our War Against Killer Germs
― Deadliest Enemy: Our War Against Killer Germs
“In the center of Climentoro, a town in Huehuetenango, a dozen large white houses rose above the village’s traditional wooden huts like giant monuments. The structures were made of concrete and fashioned with archways, colonnaded porches, and elaborate moldings; some even boasted facades decorated with paintings of American flags. Their owners, who lived in the US, had sent money home to build American-inspired houses for when they returned, but few did. One three-story house with a faux-brick chimney was empty. The family of twelve had migrated a few years ago, leaving the vacant construction behind. Vecinos fantasmas, Feliciano Pérez, a local farmer, called them—ghost neighbors.”
― Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis
― Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis
“But even when the names of Black fighters did not survive, stories of their exploits did. Half a century later, José Antonio Aponte, a free Black carpenter and the grandson of one of the Black militiamen who defended Havana against the British, painted pictures precisely of scenes like this, of Black troops taking British men prisoner, of military encampments guarded by Black soldiers. Indeed, Aponte would use those pictures to recruit Black men to a major conspiracy against slavery.”
― Cuba: An American History
― Cuba: An American History
Q&A with Brian Lageose
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...January 30, 2014 until we all get really bored and decide to do something else...
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