steph

“It's an odd thing but when you tell someone the true facts of a mythical tale they are indignant not with the teller but with you. They don't want to have their ideas upset. It rouses some vague uneasiness in them, I think, and they resent it. So they reject it and refuse to think about it. If they were merely indifferent it would be natural and understandable. But it is much stronger than that, much more positive. They are annoyed.

Very odd, isn't it.”
― Josephine Tey, The Daughter of Time

“If Richard had not made friends he had certainly influenced people.”
― Josephine Tey, The Daughter of Time

“The sorrows of humanity are no one’s sorrows, as newspaper readers long ago found out. A frisson of horror may go down one’s spine at wholesale destruction but one’s heart stays unmoved. A thousand people drowned in floods in China are news: a solitary child drowned in a pond is tragedy.”
― Josephine Tey, The Daughter of Time

“Grant paused in the act of turning the thing over, to consider the face a moment longer. A judge? A soldier? A prince? Someone used to great responsibility, and responsible in his authority. Someone too-conscientious. A worrier; perhaps a perfectionist. A man at ease in a large design, but anxious over details. A candidate for gastric ulcer. Someone, too, who had suffered ill-health as a child. He had that incommunicable, that indescribable look that childhood suffering leaves behind it; less positive than the look on a cripple’s face, but as inescapable. This the artist had both understood and translated into terms of paint. The slight fullness of the lower eyelid, like a child that has slept too heavily; the texture of the skin; the old-man look in a young face.
He turned the portrait over to look for a caption.
On the back was printed: Richard the Third. From the portrait in the National Portrait Gallery. Artist Unknown.”
― Josephine Tey, The Daughter of Time